Traditional Pop and Standards
Traditional Pop music of the 1950's refers to the music that was popular before rock music came into the mainstream in the middle of the fifties, it also refers to music that was popular at the same time as the beginning of rock music during the rest of the decade but remained largely free of rock influences. Some examples of traditional pop artists who were popular during the decade were Perry Como, Tony Bennett, Nat King Cole, Patti Page and Dean Martin. Often the most popular musicians in this genre translated well onto television as they would sometimes have their own television variety shows or music specials. They sang a lot of original material, but a lot of their most popular hits were American standards, or songs that had been released many years previously but were already well known by the public. Most songs in this genre could be classified as being simple and melodic with catchy lyrics. Many of the traditional pop artists of the 1950's were interpreters of pop standards who would take the old well-known songs and put their own individual style into it. Some of the most popular interpreters were Ella Fitzgerald, Frank Sinatra, Peggy Lee, and Doris Day. This genre was greatly influenced by jazz, swing and big band,
Country
Johnny Cash and Hank Williams defined the Country and Western style of music during this decade. Cash’s music was more of a country sound with a rockabilly influence and his songs often centered around a certain theme, including life, sorrow, and relationships. He also strived to integrate humor into his lyrics to make his collection well-rounded and respected by a variety of audiences. Because of his compassion for his fellow human being, he performed many times for inmates in several prisons across the country and his most famous performances resulted from Folsom Prison. In similar musical style, Hank Williams was a prominent singer and songwriter of the decade. He continues to be a country music icon and helped to popularize the Honky Tonk style of country music, characterized by the piano and ragtime sound combined with country and rockabilly harmonies. His most popular songs, including “Hey Good Lookin’” and “Your Cheatin’ Heart,” have come to define the country style of the 1950s. He also helped to create the Outlaw Country genre – a style which included songs about spirituality and rowdy times. Other country artists also began their careers in the 1950s but did not reach the height of their success until the next decade, like Patsy Cline and Conway Twitty. Country music also served as catch-all genre where many artists, like Connie Francis, Frankie Laine, and Pat Boone, might record one or two singles with a country influence but would remain largely producers of traditional pop music during the decade.Rhythm and Blues
Rhythm and Blues emerged from the jazz music of the 1940's and it came to be a term for blues music that was slightly more upbeat. Rhythm and Blues of the fifties combined jazz, doo-wop, blues, and gospel to create a unique sound during the decade. It also spurred the creation of such genres as Rock 'n' Roll, soul, Motown, and funk music. Many R&B artists of the decade were originators of rock music and a lot of the songs that came out of the fifties in the rhythm and blues genre are one in the same with the rock 'n' roll genre. A lot of the most popular songs of rock music enjoyed time on the R&B charts during the decade. Many African-American musicians who pioneered rock music were somewhat pushed into the category of R&B artists by music producers who were trying to make way for white rock 'n' rollers to capitalize on the new genre. This genre is largely populated by African-American musicians with many white artists and musical groups covering the original material and turning R&B songs into traditional pop songs with a more mainstream sound (like the Chordettes and the Crew-Cuts). Some of the most notable R&B artists of the decade include Frankie Lymon and the Teenagers, Sam Cooke, The Drifters, The Platters, Ray Charles and Lloyd Price.