ladelenova, again some very, well, let's say, complex storyline, a lot of characters, what kind of work is this? this work by andrea michelli, an italian painter, is very accurately dated for this exhibition to the 1590s , that is, in fact, this is the earliest work in this exhibition in terms of creation, this is also an oil on canvas, this is the baroque style, it is especially significant for this exhibition, because it is presented here as an old testament symbol, this is a snake that has entwined itself around the cross on the second the plan and the crucifixion of jesus christ. according to legend, according to the biblical story, for the sin of the jewish people , snakes were sent to bite people, and people died, when the people turned to god, god commanded them to erect a cross and a copper snake, whoever was bitten by a snake, he ... had to look

at this image of a copper snake and received healing, remained alive, so in this composition , as it were, the old testament and the new testament meet, when we see the crucified jesus christ, it is by turning to jesus christ that a person atones for his sins, it warns him against new sins. elena vladimirovna, here is an image in the gospel, one of the most...

wiped them with her hair, believed in him unconditionally, followed him, was his constant companion, later, repented, of course, introduced an absolutely righteous way of life. it must be said that in orthodox culture, mary magdalene, equal to the apostles , she is depicted differently, in closed clothes, with such a scarf on her head, and before us is such an altar painting, she could well occupy. its place in some main or side altar of a catholic church, a church, in this tradition, mary magdalene is depicted in a cave, where she retired after the crucifixion, the death of jesus christ, to pray for her sins and give glory to the lord. this cave was a completely secluded place, next to it we see, as a reminder of her past life, a meeting with jesus christ with... with incense,

a skull, as a symbol of the frailty of life, the frailty of all existence, and of course, a cross, reminding us of the crucifixion. mary magdalene is next to the book, she dedicated the rest of her life to reading the holy scriptures, the plaid, as a symbol of flogging, expulsion of evil spirits, expulsion of bad thoughts, and so on and so forth. this was typical of the monastic life of that period. and of course, mary magdalene is shown here first of all as a beautiful woman who has completely forgotten her past, but has not lost her former beauty, this was already important for the artist, the end of the eighteenth, beginning of the nineteenth century, feminine charm are subjected to such self-control, flagellation, withdrawal from earthly joys, pleasures, and so on and so forth, probably... it was especially difficult

for such a beautiful, wonderful, well-groomed woman to do this, but she dedicated herself to jesus christ, this is her choice, looking at this work, it cannot be called an icon in the full sense, of course, but it is an instructive story, it is a righteous story that calls a person to correction, to the awareness of his past sins and the choice of the righteous path, as this...

i represent the federal national cultural autonomy of uzbeks of russia, we saw order on the territory of belarus. here is high agricultural culture, here i think that all this is the success of the belarusian people and the government of belarus, this is due to the fact that they have a high mutual understanding with the land inhabited, here they grow, feed

and export, and from there, in my opinion, all the right components for the education of the younger generation, strengthening the friendship of the people. at the present time, in my opinion, already somehow

in my opinion, i don’t see such people who selflessly give their souls to art and music without silver coins. under the patronage of borisavich raisky.

barys raiski is passing the jazz relay from the late edzi rosner, the leader of the bssr jazz orchestra, the leader of the bssr jazz orchestra, the leader of the barys raiski eminence, the blessed hour of learning in minsk with a humming saxophone and heat. show what sapraudny jazz is. dyryzhor barys raiski is a legend of yashche pry zhiztsi, this former chalavek of off-line

culture, the self-proclaimed intelligentsia, who have the unlimited authority of asyarodzi musical elite of belarus, as an architect. the future temple, so on the rashtki, on the tsaglinki there will be a pop-symphonic archestra of the belarusian radio and television station, as the original amal of 30 years ago and as they were called not otherwise, as the archestra of the regional city. only the most abraded, the most obvious holes can endure such a fee. as soon as he arrived here in belarus,

when barys ipalitavich arrived here, he was already 42 years old, and from that moment he was a hopeless saver. serving belarus, without being belarusians under the rule, under the roof, he has done so many jobs for our culture that the getam can only die and drink. from this time on, the ussr also had a new exchange of musicians

from the municipal orchestra of the city of shanghai, as they were having trouble before going to radzima. yes, the time of birth in the ussr, paradise pragues in china is no less, no less, 22 years old. barys apalitavich paradise is happy. 3rd spring of 1915 on this holy day in irkutsk, and my father , at the same time , the highly-acclaimed musicians passed away at the petsyarburg canservatory like a haravik hole. little kali barys was 10 years old, and his father was killed in china, near the city of harbin. at that time, the centers would be in the most violent step.

and nevypadkova, that he began to work in music from the beginning of

his father’s kingdom, and then there from harbin, he passed away and graduated from the highest music school named after glazunov under the class of bealanchelli, and the pallet situation has unfortunately changed. the savetskiy union sold the lost land to the japanese, and harbin adraz was occupied by japanese troops, and people died there. the great mischief and life in harbin became unsafe. sam moved to shanghai. the city of shanghai adygraў has a vital role. there he rescued his first. living and professional universities. menavita in shanghai was able to use his

strength in the face of the hole. and the first serious thing that was done on this new day was the urgently requested holes in the arches of the shanghai branch of the wildest english record company calambia. in calambia , the experience of practicing in the galina gukazapisu is by no means appreciated. toe, chyum budze. records, the musicians sat down, they rehearsed for 45 minutes, mostly dance music, so

they rehearsed, a break of 15 minutes, rehearsed again, again, there was coffee, a little rest, all this, three recordings were made on wax disks, he signed, took this recording up to the second floor, there they gave it to him, right there they settled accounts with the musicians, paid them very well, the company that earned on this in general... huge money, paid the musicians accordingly. the orchestra, which he led, very often asked to play films, all of which barys raisky learned the price is imminent, where the work was done so that the synchronization of the cinema frames, the cinema planes and the music

that they were supposed to play coincided, it happened that there was a flock with the timekeepers, cure everything in seconds and... in order to achieve a hundred percent of the results, the output and the plans coincided absolutely, this work is virtuoso, and this work will be here in minsk, if you take a loan dachshund gukazapisam, yon and my orchestra is careful not to include all the voice-over music and films filmed at the belarusian film studio. shanghai would be a desk cities, where on the raid there were known ships of the american military fleet, the marakas were sometimes sent to the coast and visited fashionable dance floors, so-called

big rooms, the most luxurious shanghai dance floor is called paramount. american moraks brought their own music from unknown

music, and all of these music played in the hands of barys raiskaga. i put it on my gramophone and was simply shocked by what i was feeling. this was a recording of some american jazz orchestra. yong put this piece was played by aleg lonstrum, which was played by his musicians, and everyone heard and listened and inhaled new instruments, new drums, unknown archestral sounds. so he made sure to protect himself for himself. how will we begin to hear the music of the soul and the heart.

shanghai has high asabists in the forests of barys palitavich. i'm excited. valentsina savykova, a dachshund from the russian family, a great adukavanai, a great intelligent lady, a hole and a couple, was the one who became the most beloved, a dachshund from shanghai and their dacha valechka, and then here in the ussr son barys. barys ipalitavich paradise used to be great and happy in love, with his wife, i lived more like a pastor. on march 22, 1941 , nazi germany attacked savetsky union.

the news from the majority of russian emigrants during the early part of the war called out a national surge in patriarchal pain. a club of citizens of the ussr was created in shanghai, which had thousands of members, their people were born in paradise, people took medicines, rivers and administered them to the government. it was, geta was and is gone, everything is gone, and it’s snowy in the south. performed by alexander vyartsinskaga barys paradise rumors at the resort town of qingdao in 1943 . the great cold war had already begun in the ussr. yon firstshy,

napeўna bўto vyarnuўsya, аlе yаnі yаnі zmaglі іnlіzavаtsі ў ў ў mara ў ў ў ussr only praz 4 bastards. in 1947 , the newspaper "savetskiy novy shlyakh", which was published in shanghai, cheered pastan's joy. the ussr, as a former subject of the russian empire and their troops, was allowed to attack radzima. at the club of gramada citizens of the ussr , there are speeches from the soviet union, as well as the possible adversity ў savetsky union. many musicians have grown up in entire bands, thanks to the service of radzima to the most important ranks. i barys paradise jumps and farms your archestra, and hell. in the ussr, they were very happy to perform at the shanghai radio station and the voice of radzima and to perform at the concerts at the first smolny steamship,

which was passing by shanghai. and so, in the beginning of 1947, the most valuable musical instruments were returned to the savetsky union. all the shanghainese were very experienced and practiced jazzmen, and all of them played at least two musical instruments, including various archestral groups. asabista raiski volada hartepiana, balanchella, cantrabass, trambones and libraphones. of course, they were not allowed to live near the steel towns.

the district administration of kemerav, where they became artists of the concert and variety bureau of the kemera regional philharmonic, they were kept in a certain barracks, which is not associated, which did not have any benefits kemera.

u kanza 1940s in the ussr, a new praise of rap music began, which blinded jazz musicians. jazz would be known as bad and bourgeois music. the jazz orchestras of the ussr were constantly growing, the masses were beginning and blossoming, and the former ussr jazz orchestra, edzi rozner, was the leader of the bssr jazz orchestra. the same threat loomed over the shanghainese, and then barys raiski is directly unforeseen, but most likely russia. in order to raise your kalektyў hell, there will be reprisals, yon,... sapraudny strategist, shepherding the hellish ladies from the kіraўnіtstvam dzyarzhyrka ўbudoўvay your kolektyў in the structure of dzyarzhyrka,

and the archestra of the most important rides throughout the whole country with the circus corpses, supervising their performances. so, for the first time, they became wandering eyes, and this was the only way to capture the archestra. heavenly skarista yago, but he didn’t get himself killed. in 1950, under false information , they were aryshtavans, exiled and exiled in the naryl camp. yon raptouna becomes the camp prisoners, the intelligentsia and the brains of the cassette. there, the camp has an unfathomable x-ray lag, slaves are given x-rays, and there is a smoke, they are sphatagraphed in this lead apron, if they are in a special camp. electric, it climbs onto these high ears, and your jumping, elongated fingers and the evil

truth. at the camp, yes... they allowed us to organize a small orchestra from such unfortunate musicians as himself. and this is how stalin died in 1953 . then the battle began, on the right barysa raiskaga was transferred in 1954 , i was rehabilitated, and it was written by the people that this is an infernal part of evil. he is always playing the trombone,

at the restaurant, at... the archestra of the jazz musician ivar mazurs. and here it’s unexpected, rygu received a telegram from sochi, hell of a musician from the orchestra. geta byu kryk ab dapamose. former kalegi lethal umilial raiskaga has come to the fore and they know that the kalects are about to collapse. nyadouga thinks, right away, he immediately bursts out with ryga, visiting sochi, and enjoying it. with our arkestras, 1957 . the orchestra at the beginning of barysam raiskiy is making progress in minsk and the latest performances are taking place at the minsk circus shapitoo, which is taking place in myagorkaga park, just like the getai bramai for leaving the left. side. z getaga momentu.

the circus hosted dance evenings, the orchestra played dance music, and boris ipalitovich played solo pieces on the trombone, very well, i attended these dance balls many times.

vіdavochna, let the film float away eldara razanava carnival night, where the orchestra of edzi rosner is billowing, belarusian director sergei splashnova is the orchestra of the minsk circus at the beginning of barysy raisky at his film our neighbors. the hole itself is not enough footage, but we can also look at these panoramic plans of many shanghainese, the whole region, igo kaleg, here and dzmitry.

at that time, the minsk garad circus was still in existence, and everything was closed, and in 1958 it appeared on the capital of the belarusian capital, the orchestra at the beginning of barysam raisky moved there, and yashche right three bastards barys and palitavich was prapanavana pasada halounaga hole kantsertna-estradnaga.

composition of the archestra for the cost of the instrument and jazz music. this archestra had five saxophones, four trumpets, and many trambones. royal, accordion, guitar, electric argan, vibraphone, new drum kit. with such compositions it was possible to produce the most complex, most effective, most effective creations of jazz music, both from savetsky and from other artists. barys paradise school tsudouny jazz orchestra. mara in the evenings on the streets . barysa raiskaga will perform a concert on the stage at the stage of the arkestra of the family of

the beloved belarusian stage. at that time, among the arches of the raisk , outstanding singers, the most prominent karyfs of belarusian pop songs, the first generation of the first was the unforgettable tamara. what kind of rights can a person create an archestra, the voice of a hundred epochs, a child wants to quickly become an adult, a big one, a stream wants to become a wide river, a dream of pines carry. porus brigantine, brave dreams, to meet a thunderstorm,

an orchestra of the highest class was created, because there was a high demand for the profession, for the business. the famous musician, the legendary musician yury tsyruk, as it is not fun to become a young man, a healthy man of the minsk chamber archestra, he is a former graduate of the minsk leningrad canservatory, the most distinguished a valanchylist,

winner of many international competitions, and also known as a jazzman and a valanchylist, a musician in the raiskaga archestra.

this song we will present today , this is tamara raevskaya, this is vladimir karizna. this is boris papalech raisky and me, the song is called, it will be performed for the first time today, the song is called i walk, i walk in sun bars, which in russian translation means

my unsung song. when i don't look. raisky musician yevgeny glebau, and this is a part of the historical belarusian musical art. they gave each other such creative impulses, and sometimes they created new ones...

evgeny aleksandrovich glebov is one of those, it seems to me, the closest associates of boris ipolitevich raisky, and this is, well, first of all, an iconic figure in our art, he is a songwriter, a symphonist and a master of large, so to speak, form. evgeny aleksandrovich was next to him at the console,

and it was clear how there was some kind of common understanding of musical issues between them, and i feel that it was a normal, kind personal relationship. it seems to me that they were, in general, not just associates in the sphere of musical culture, but also good friends. he was brought up superbly, he never said a bad word about anyone. he never complained about any of his workers, or any of his musicians. evgeny sanch was of the same breed. they never argued with each other, never. they had great respect for each other, why? because the most important thing for them was their profession, to which they were devoted to the highest degree. and boris papolevich always called him and said: "evgenia, you brought me yours."

barys raiskag's orchestra had talented musicians working there. the right hand of raisky was the outstanding flutist and musician yauhen grishman, who accompanied the other members of the orchestra. menavita grishman was mainly engaged in arranging and creating jazz sounds of the orchestra. the formula of eternity. you are me,

a symbol of love, you are me, this is when we look, tenderly eyes into eyes become centuries, the king of pompeii, raisky invited the most wonderful arranger zhenya grishman when he died grishman we played at the funeral here raisky stands next to the cyclist we played the second part of beethoven's slow quartet part of the mourning part of heaven says to the velanchilista. says: lenya, let me

sit on the bicycle, as if he had been playing with us all his life, do you understand? boris raisky was with... musicians, some of them are called musical instrumentalists, and the orchestra itself draws from the most brilliant, the most outstanding, well, all of them... yaugen gryshman, and of course, campus player, pianist and arranger, andrey shpyanev, this is a true legend.

tolsk people, or office workers, musicians who worked alongside boris ippolitovich, they grew up and became, well, professionals in the very field that was needed for the orchestra's work, the same thing happened with the sound engineers, a graduate of the glinka music college in vellancheli's class, edik martens, came to work for the television and radio company, well, at that time, so to speak. a little time passed, as it already became not just edik morenc, he became famous not only in belarus, but in the soviet republics, sound engineer eduard genrikhovich martens.

everyone said, you work in heavenly tabernacles, paradise tabernacles - this is such a, you know, reserve, in paradise, under the auspices of boris raisky, it really was like that, i remember that these were really paradise deeds of sale.

in 1975, the first change of name took place, followed by a number of pop-symphonic orchestras of the dzyarzhaunaga kamitet on tv and radio stations of the bssr minister. yago staff would be pavyalichany and 67 adzinak. barys raiski increasingly focuses on recordings of academic works, and the music of belarusian campuses is important. he is known to his... syabram, that i am very valuable in the boundaries of the pop genre, and he is sure to pay attention to the rearrangement of his kalektyva, since the 24th snow in 1979, the archestra is called the symphonic orchestras

of the bssr were so familiar with the pop brand, and this was a very popular initiative. or what are these opinions, ambitions, so maybe we need to play more symphonic music, when symphonic music turns out that boris ipolitovich somewhat lacks the external effects of conducting symphonic music, that maybe some money-making technique is missing, but this is the last...