here is a person, here, but this is the most important criterion, from physiology about the features of this sport we will tell you in the arena program on monday on belarus 5 at 20:25, don't miss it! sonechka, come in, but i can't check my dictations, nothing comes to mind, yes, something happened, we broke up with gleb, in fact, this should have been done a long time ago, but we still couldn't decide, i love your sister, i will be very happy if you and he succeed, and i will only interfere, everything is fine, yes, more than you, my dear twin,

i don't want to live anymore, i don't want to live anymore, kleb, the doctor told me, the doctor said that i won't have anyone else, do you understand what you have there, the child is crying, or have i gone completely crazy, quiet, quiet, my dear, it seems to me that this is the only possible solution, she will simply go crazy, here are my documents, but i will not go anywhere, you will go, of course, like a good girl, dad, well, am i 15 or something, and you are not 15, but you behave like a little girl, marina, yes, marina dorokhova, i... why are you clinging to this girl so much? watch the series love is not divided by two. on the belarus 24 tv channel . one of the most unusual travel shows on domestic television. now i'll show you nathan, how the seeds are laid at what depth, here is the depth, i always carry a ruler with me in the car 14 cm here. we make potato pancakes from dried potatoes. this. this dried potato,

foreigners will see how and what real belarusians live, what children do in general, draw, walk we row, go to work, oh, i'll fill it all up now, well , you know better, of course, than me, i don't really like to cook, just super, it turned out very tasty, will participate in folk songs and dances,

hello, the program of isnosti is on the air, i'm ingabilova. an icon is a book about faith. in the language of a line of colors, it reveals the dogmatic, moral and liturgical teaching of the church, and the purer and higher the life of a christian. the more accessible to his soul the language of the icon. what is a real icon and who can be called a real one today icon painters? we will talk about this in today's program. tradition has preserved the information that the apostle luke became the first icon painter, having painted icons of the mother of god and icons of the holy chief apostles peter and.

currently , there are about ten icons in the russian church that are attributed to the evangelist luke. in addition, on... it is believed that the divinely inspired luke, even during the life of the most holy theotokos, while she was living on zion, painted her image on a board for future generations. and from the lips of the virgin mary herself i heard the promise that grace would abide. with her icon. the icon is a completely unique phenomenon. in medieval culture. the icon painter had a task that was determined by the peculiarities of the worldview of that time. there was a goal to bring the consciousness of a person into the spiritual world,

to change consciousness, to excite the feeling of the reality of the ideal world, to help a person find his path of transformation. for a believer, there was never a question: whether he likes the icon or not, how artistically it is executed. the content was important to him. many people could not read at that time, but the language of symbols was instilled in any believer from childhood. often , illiterate people learned the holy scriptures through the language of icons and frescoes. an example is the famous transfiguration church of the polotsk spaso-efrasinevsky monastery. the only monument of the 10th century in belarus where the frescoes have been almost completely preserved. the temple was painted by order of the venerable euphrasine of polotsk.

the nature of the painting gives reason to assume that it was done by both greek and local artists. the venerable euphrasia herself participated in the creation.

many people ask themselves: does an icon painter need to go through a long path of fundamental classical training, fine art, or is it enough to have a burning heart, humility and... strict adherence to the samples accumulated in the historical treasury of church heritage. the hero of our program , icon painter andrei kosikov, has a rare ability to work in tradition, relying on the foundation of classical education received

during his years of study at the belarusian academy arts. icon painting differs from painting in an artist, as in... he had no direction, in which the first place would be individual creativity, he paints a picture to satisfy the aesthetic feeling, paints, as his creative fantasy shows, meanwhile, the artist-icon painter paints precisely an icon, an image in which the church religious consciousness is expressed and which is intended for prayer.

well, it is closed for various reasons, and people would not even have any information, the question of religiosity naturally concerns many hearts. including me, thinking like that, looking for some answers to my inner questions, a future young man, then still, came to the discovery for myself of the path of church life in my personal life, and since by that time i was already studying to be a professional artist at the academy of arts, then naturally decided to transfer some of my abilities into this channel. andrei kusikov graduated from the academy of arts, the easel graphics department. member of the union of artists of the republic of belarus. his icons are in churches and private

collections in italy, france, germany, america, russia and, of course, belarus. at the institute, i was baptized with the blessing of metropolitan philorete, i received a workshop, in the theological academy, that complex, there used to be an old building, but... majestically, to elevate the prayerful

spirit, to direct it to heaven. an artist should paint an icon not on the basis of his own conjectures, according to church tradition. this requirement runs through all byzantine and russian icon painting. such adherence to church tradition does not exclude certainly and personal creativity. i have already developed some definite understanding of all these connections between these two processes, as if secular education, some canonical painting, which is traditional, where people of completely different levels of training can participate, including artistic, since well, the main emphasis is placed precisely on religious icon painting... in any case, any canonical art,

as if imitative, it most receives some kind of internal strength, energy, when it is done meaningful from the point of view of professional internal investment of a person, resources of a person, it is a language to which they express their internal experiences, and the viewer reads it all, on more consciously subconscious, nevertheless it is a guarantee of some success of understanding of the work. individual motives in the image of the face are transferred to him by tradition, but he is completely free in the creative combination of these particulars. an example of such understanding of icon painting can serve as the works of the famous artist vosnetsov, who managed to combine in them the freedom of creativity and... icon painting

is a type of painting with its own aesthetics, techniques, technology, and it is also a special type of church obedience, a modern master, being in an avalanche of information, has to create a abode of silence to be able to discard everything random and superficial, diminishing the depth of the prototypes. some. reveal new facets of the best in tradition, thereby revealing themselves as and others carefully creative personality. as a rule, the soul of a person, his inner life, is free or involuntarily, it manifests itself in work. an icon, in a sense, is a spiritual barometer that shows the inner state of the icon painter. the difficulty in serving as an icon painter is that,

no matter what, you have to continue to paint. through the icon, the lord helps. at that moment, i had to overcome many technical difficulties, that is , starting from the creation, how icon boards are made, how those lost traditions, there are no steelworkers who could do it all correctly. to perform it as it should have been, the ground the livkas that is put in also has certain subtleties that have also been lost, and everything also needs to be recreated, to look for who can, who knows how to do something. the next stage is gilding, gilding, again a problem, that is , there were some secular restno workshops that knew how to carry out this issue, then paints, tempera for painting, it was also not studied at the academy, that is, we painted there with oil, tempera is a special technique on

egg yolk, that is, it is completely different from the tempera that is sold in tubes, i also had to... study all this, but we are only touching on this technical, only the base of this internal aspect, well, what is not visible to the viewer, which is in contact with the icon, the next stage is still the most difficult, there are canonical stylistic norms that are present in the icon, that is, different schools, a creative person who is searching, he will always have difficulties, he always sets a super task, therefore... it turns out that the works are individual, because in principle, in any art, even in the church, all the same, in the end the viewer always responds in a special way to something personal, as a revelation, it is believed that the deeper

people search for god, the easier it will be for the iconographer to paint an icon. andrei kusikov's icons adorn the walls of the minsk theological academy named after st. cyril of turov. well, here is one of my works, the theological academy of the temple crucifixion. in my works, i try to combine in general the basics of the canon and some additions , stylistic, plastic searches, figurative here. to adapt it for a modern believer, praying that it would be a living tradition, an example of this can be, let's say, here is the solution of golgotha ​​for such a project, when usually they make a crucifixion of golgotha, yes, they make well in a carved version of an imitation

of golgotha, well, and as a rule it often looks like this, well, a little like... how to say, well, if not from high art, let's say so, here is the solution in this version allows you to avoid this, well, some kind of conventionality, primitiveness, let's say so, and uh, so that it would have a more emotional impact on the viewer, here is presented to your attention an image... of golgotha ​​with the upcoming crucifixion, here is a combination of a flat icon on an overhead cross, which, as usual, is depicted on a plane in one, and here such an idea arose as a portable cross, which can be taken out of the image and as a separate crucifixion, well, in general, put in the center of the temple, for example, such for special

occasions, but it also gives a kind of depth, in addition to the fact that it is plastic, this has space. here is another of my works , moscow, holy, here is the peculiarity, well, this iconography chosen is depicted with open eyes, firstly, man in his eternal continuation of being he no longer has these temporary some kind of bodily burdens

during life we ​​knew her as unseeing, but knowing that spiritually she sees, therefore in the icon she already passes with all her... i am always interested in the problem of color, expressive image, personality.

in order to exclude this unconscious attraction, the icon uses reverse perspective, it opens up an unfamiliar spatial world to the worshiper. according to technology, it is executed with materials that practically well, so in the foreseeable future, some long-term with proper care, it does not lose its properties, because it is described by classical tempera, here is egg, there may be some changes in the varnish layer, which change with...

in art, very important questions for associative series figurative, tuning symbol, mountain, city, city, heavenly city jerusalem, the city in which the main events of all times took place, it may not necessarily be a certain city, but associatively it can be perceived as a city where saints were tied up. i share with the viewer a way of knowing the beauty of this world. we see a temple in this city, and it... something specific, i specially do it in a generalized way so that each person has the freedom to think up, my deep conviction is that a correctly chosen

proportion is already beautiful in itself, that is, the proportionality of the width of the frame, the proportionality icons in this frame, as if the plasticity of elements, which are either or and oversaturated or not oversaturated, that is, there are many nuances that still require well, attentive. sincerely experience spiritual awe before the image that you draw and be grateful to those who helped to become in life in

the profession. well, bishop philoretus undoubtedly had a huge influence on my destiny, in those distant years made a huge contribution to the formation of me as an icon painter, well , as a person, was a very person. support a person, strengthen him, to give, to open the way before him, so that he could realize, to reveal his some abilities for the benefit of the service of the church. the church of the exaltation of the holy cross

in minsk. today this beautiful snow-white church on temeryazev street amazes and fascinates with the beauty of its interior decoration. the young church has already managed to become a favorite not only of the residents of the nearby lebyazhy microdistrict, but of all the residents of minsk. here i was entrusted to carry out the entire cycle of improvement of the character, such as the iconostasis and kyoto of all the presteino of the broth carried out such artistic direction and design. i have always been interested in color, for example, working with color, harmonization, its expressive properties.

well , each person has an individual coloristic and figurative thinking. if a person develops as a personality, as a master, he always crystallizes from something general to specific, he still forms his own author's style. it would seem that such a canonical thing as an icon is subject to some standards, but there is still freedom in it for creative embodiment and realization of some of their innermost possibilities and...

so i made a selection of ornaments, a feature of our cultural tradition, which relied on the synthesis of cultural pillars, starting there with the central russian culture, on the one hand, on the other, through byzantium, through the east, through russia, from some features, for example, well, here i realized that these columns are not of the first row. they are repeated, for example, according to the pattern, this is a kind of technique , they are also often used. sincere faith in god and a creative approach to everything allowed the icon painter to not only embody his ideas in the space of the church of the exaltation of the cross, but also to create a spiritual atmosphere conducive to prayer.

the painted images are filled with spirituality, purity, humility, and at the same time are filled with high professionalism. if a person wants to see in an icon not only an object of worship, a non-pale repetition of the original, but a work that has absorbed an understanding of the essence of the image, filled with creative freedom, nurtured studying the experience of spiritual, european fine culture. then, of course, it is worth turning to the works of andrey kosikov. with you was the program of truth, i ngabelova, all the best to you.

when you are in nature, it seems that the world has plunged into silence, all the sounds of vanity have disappeared, only the song of the wind specially caresses the ear, so that you look around and understand how quiet it is around. whenever possible, go to nature, go to forests, fields, rivers and lakes, breathe fresh air, admire the clear sky, listen to the birds singing, the rustling of leaves, smile at the sun.

enjoy, notice this beauty around, in harmony with nature, belarus 24, only for... our viewers we choose the best routes, welcome to visit ragana vidunya, and well, as if it were equal.