being the son beethoven. his work that god is for to know. the monstrous and figure to. be told in the first song twenty. we make up oh but we watch as of half of the under budget fives we are the seven seven percent. the one to shape the continents future should. be part of it and join african youngsters as they share their stories their dreams and their challenges. to seventy seven percent of g.w.'s platform for africa charge. entered the conflict zone confronting the powerful psych test the convictions and values of the follow club something that was said i would draw all those feet folks

with other people's life in their hands out of that conference or. how good are the arguments of my guests councils are just excuses. conflicts on confronting the powerful song t.w. . but you know go back to there is music today i mean some to go to chile a very long way away i've been invited here to take part in a very special concert conducted by the venezuelan conducted gustavo dudamel this concert is a memorial concert for his beloved mentor and maestro antonio. jose antonio up leo is a musical legend. he was the founder of el sistema the music education program

which changed the lives of hundreds of thousands if not millions of venezuelan children most from very poor backgrounds as a stamen has now been copied in countries all around the world. is my most successful product and has now taken over as the head of el sistema. maestra passed away on march twenty fourth two thousand and eighteen age seventy nine. mil it's here in santiago working closely together with the chilean national youth orchestra and the orchestra for this special memorial concert is made up of them and also musicians from the berlin philharmonic vienna philharmonic los angeles philharmonic get aboard symphony orchestra and twenty musicians from the scene.

from venezuela have come here specially to take off. when we play the streets. what about if the it's not the blood on the stomach or chaff you know. a couple. whatever. whatever.

the. fact that he said they were going to do it. what is it like to be here in this orchestra. with all these players from chile from all over the world and i want to yes. i want to tell me i kind of i don't know . what i'm not going to say they're there for a mark but of going to get on so nobody. is out of there that will do what i am up and they'll mostly go in there for my dog out of the bottom of the fence at it like when i got out but i sat down there for them he said it's fantastic experience it's

like a big family already it's when i know if i'm really up in them i stole some of them angry but this is what my so wanted we musicians feel like a big family except them and their talents were not my thought oh somebody when they don't have that i see i always i myself thought i don't see that wrong that i leave you for a second you sat down with. someone there was sort of like you know what by that i want to go but i said well that's you know enough he was like a musical father for you all seem to be. when i. get i'm hitting the. economy we know him into the lawfulness young but i mean you know. you're going to pursue i mean the. musical good boy it must got a. little bit i mean to extol the night you support the bottom of the two of the. last of my style the most a couple of us how do you play trumpet. since many years in the symbol of our you

grew up in a system what did my strawberry all mean for you young that is when decisions your game your parents or puts on a little reflect hold a santa a million in your hand told by east as if they might get out but in my throes antonino a brindle up or to me that they are there mostly got there yes i. will into all of it going to minister i left. on gustavo we're in chile unbelievable thank you for inviting me please thank you for being here this is an incredible event

a chance to get. together with friends and to share you know to share the beauty of music you've chosen a program for tonight that it's pretty good on the limit fire a huge beethoven seven and before you said they were your maestro some of his favorite pieces absolutely yes but they were favorite pieces so you know we have to look at the in seventy says. spirit to music also take off before but i remember one of my first tour with the national children or took us from a conducting was one of the tightest takeoff before the first band that maestro conducted me was take off before the first tour of the eighties when my dad took along for the last day i remember i was in london i caught him i actually said i have this feeling i have to call him i have to climb i call and then what he was

. good for is a matter of just did with the vienna philharmonic. and that is my favorite piece he said and he was laughing he was we were talking about everything and then a few days later. he took the train to to do the next step yes to heaven but the next step because he's here he's more present than ever you know every time that we play every children the place an instrument this connection is made by him because he made me a conductor he gave me the opportunity i arrive to conducting the lean in to different places so we are connected because my ass for half the beach in all of this is him one that we remember last for a braille full of. full of life. junk for ever because he's seen every child that has the chance to play an instrument.

what will happen to all these fantastic children in this wonderful program and sustainment how is this being continued somebody asking when. in the future if you are not here anymore what is going to see and he said that the children. will see sense. and you understand the children it is crazy to say that point is true you know because. music director often says stand up for example but it was

a child in a system i was one of the children but it's not locked in your toilet but at the same time these children there we teach all our children and they will keep that fire all the time my life because they know it's part of the system isn't it that the children very quickly after learning an instrument they have to tell the children have to share this moment that we are leaving just now talking about the stem and the future so we cannot imagine how far these dismissals from we are rife because that is systemic similes spread embracing more and more and more people have to ask the question which everyone wants to know why are we doing the memorial concert here in chile and not in venezuela because everywhere you know it means that. project that now is to spread out around the world we want all the time. that we here in chile

where so connected and i'm sure this is not the only one we'll keep doing all of this around the world because the. same i was born in venice and east spread around the world. today we are about to play the. playing. we hope you enjoy we're looking forward to it see you next time good bye for you also.

thank you. thank . you and.

thank. god the father and off you go. through excessive venturous journey along germany's line never feel very badly about what awaits me on that trip to the river the land base added challenge at allentown or a lot i have plenty of my locker that headed by look all the way. w. . dream for investors. a nightmare to say the. chief money is flooding the market.

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death with the. starts july twenty first d.-w. . and a river that.