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tv   Kino - OSCAR 10 Films That Deserved To Win  Deutsche Welle  January 27, 2019 5:15pm-5:31pm CET

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it's five one the final score. runs total charge consider years. you're watching news from berlin we've got more news at the top of the hour and for updated information around the clock you can head to our web site that's d.w. dot com or follow us on twitter at d w news thanks for watching. where i come from we have to fight for a free press and was born and raised to me tell me the painter should put just one to the shadow and if you newspapers when official information has attorneys i have work on the strength of many characters and their problems are always the same point to social inequality a lack of the freedom of the press and corruption on the floor to stay silent when
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it comes to the found something humans on seeing the microphones to hunt inside to put their trust in us. is. high it won't do a special edition of kino favorites today we're talking oscars the u.s. academy awards are cinemas gold standard the movies that win an oscar are almost by definition the best in the world except the oscars often get it wrong over the years some of the world's best films films that deserved an oscar have been snubbed
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by the academy today we're going to try to right those wrongs with our picks of the ten best films that deserved but didn't win an oscar starting with an american classic. the man went looking for america and couldn't find it anywhere a quote from the quintessential rebel road movie easy rider dennis hopper and peter fonda play two bikers riding the american. i way like wild west outlaws they're on a search for freedom in a conformist america full of paranoia bigotry and violence. which . i don't know what i don't think you'll make. but one nine hundred seventy midnight cowboy will the oscar for best picture easy rider fail to convince the academy. via sat down.
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i'll go back up. this film was nominated for seven academy awards and one for including best soundtrack but not best picture. yet high noon with gary cooper is possibly the best western ever made the plot unfolds in real time something that had never been done before. now. hundred miles we'll never be able to keep that story come out first we have to run again won't we let you know instead the oscar went to the greatest show on earth maybe the academy felt obliged on our director says will be the mill one the last films of his illustrious career. in the mid ninety's quentin tarantino's pulp fiction fascinated audiences and won the palme d'or in cannes it brought trash cinema into the mainstream with perhaps
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the world's most quotable stream play. well down the post you know it comes to post we don't need to be speaking spanish you need to just give it a good one so what you need to take care of the really messy pools that blow the cliff. but in one thousand nine hundred five the economy instead gave its top on earth with a tear jerker forrest gump but ask yourself which film has been more influential. pulp fiction had to make do with a single oscar for best original screenplay. remember oscar so white the hashtags starred in protest out of the twenty six thousand oscars highlighted the long history of discrimination and exclusion of minorities from the academy awards the campaign shook up the academy its membership now is
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much more diverse as are the oscar nominees but way back in one thousand nine hundred the academy had the chance to do the right thing and on or a groundbreaking film from an african-american director but they blew it. director spike lee plays movie a pizza delivery boy in this blistering masterpiece about racism in the united states. that i'm. not going to go for i don't know what about work back this is the man oh all right all right back to my life always do the right thing. that's it that's it i got it i'm got. smart and funny go with snap approach the end of the film starts out like a comedy. but in this hot summer in new york tensions are on the rise in movies boss south finally loses his cool the result is carnage. it's not clear if
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anyone does the right thing but this was the right film at the right time. the one nine hundred ninety oscar for best picture ever went to driving miss daisy a film that presents a soothing fairy tale story of race relations in america. one hundred seventy seven is rocky zero sylvester stallone fox is way to oscar glory but a different kind of fighter deserved it more. or who's taxi driver travis is that going. to be. some they're really coming want to show are scum in the streets of vietnam that explosive with anger and disgust screams out from society's fringes. you're talking to me. you talking to me. travis feels responsible for a teen prostitute played by
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a young jodie foster and slowly he loses his mind. this is no ordinary life martin scorsese's antihero in cinemas first real punk and the film inspired a generation of directors to cut against the grain. or down there and i knew all of her stone's drama shows the corrosive effects of greed are charlie sheen plays a young ambitious stockbroker willing to do anything to get to the top where greed works greek terrifies cuts through and kept week michael douglas won best actor with his brilliant portrayal of the ruthless corporate raider gordon gekko. best picture in one thousand nine hundred eight went to the last emperor granted an impressive and monumental epic. rant resources walter however is
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truly visionary filmmaking with every financial crisis all over stone's inside look at the methods and madness of financial profiteers driving the whole industry into ruin has the sour taste of deja vu. yes urge. to policeman desire the same woman. not surprisingly they can't stand each other. want to was too much. but two rivals end up working on the same side fighting their own people. kelly confidential so gripping thriller about police corruption in the one nine hundred fifty s. . brilliantly staged and scripted it's one of the best films of the one nine hundred ninety s. . but at the one nine hundred ninety eight academy awards it didn't stand a chance against the biggest disaster movie of all time titanic sunk all
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competitors winning eleven oscars including best picture. oscar trivia. how many times was alfred hitchcock nominated for best director answer five times did he win zero in fact only one alfred hitchcock film has ever won best picture rebecca in one nine hundred forty one. don't bother because this is the hitchcock film that deserved to win the oscar our number three. janet leigh in the shower scene that made film history. every element every cut is instantly recognizable and still haunts. with the character norman bates alfred hitchcock great day prototypical serial
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killer psycho is a masterpiece of u.s. cinema but in one nine hundred sixty one it was still considered too brutal too shocking they didn't even get a nomination from the academy. instead the oscar for best picture went to the apartment produced and directed by billy wilder. the roman polanski's moving film jewish polish pianist and composer. just manages to avoid deportation to the troubling death camp. but his struggle for survival in the warsaw ghetto is not over. ironically a german officer saved his life in part because playing reminds him of the world
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before the war this true story fascinated critics and audiences alike and won three oscars. but in two thousand and three best picture went to the forgettable musical chicago here the academy at the wrong note. and now for the biggest oscar snub of all time every year the american film institute asks its members to rank the hundred greatest movies in history and. every year they pick the same movie for number one it's the greatest masterpiece the academy ever snap and the oscar should have gone to. the last words of a newspaper tycoon and the beginning of a milestone in cinematic history. in
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newsreel style using for the time groundbreaking technique of flashbacks the life of the controversial media mogul unfolds. rosaries dollars. apartment building factories. a journalist looks for the meaning behind cain's last utterance you know. you're. the oscar in one nine hundred forty three you want to john ford sentimental how green was my valley now only of interest to film historians. citizen kane however revolutionized the language of cinema its use of deep focus and long takes the editing style a new realism showed orson welles was clearly ahead of his time. probably. because until a few weeks ago i had no whole being like. those who are ten best films that deserved an oscar for more than movies check out our website but
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what movie would you have given an oscar to write to us with your biggest oscar snubs that's all for keno for this week until next time i'll see at the movies. green energy for. me. it's a project close to the hamas of one couple this does have a spinning subject energy to the edge of the sun a. sustainable development means taking the difficulties seriously. pallid practice. it's one of the most
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