“It matters which stories tell stories, which concepts think concepts. Mathematically, visually, and narratively, it matters which figures figure figures, which systems systematize systems.”
This event will focus on “re-figuring” and fabulation as an activist, feminist practice of reimagining the past in order to create multiple alternative worlds and futures.
For Re-figuring, Eyebeam Resident Morehshin Allahyari has invited four artists, activists, and scientists (Gelare Khoshgozaran, Nooshin Rostami, Ida Momennejad, and Maryam Darvishi) to create ‘Fabulation Stations’—spaces where they will perform poetic, mythical, and speculative stories that mesh past, present and future forms of colonialism. These stories are examples of oral storytelling that resist being written out as new grand narratives.
Re-figuring is part of Allahyari’s two-year in-progress research project (2016-2018), She Who Sees the Unknown, around exploring the causes and speculating on effects of digital colonialism and other forms of contemporary oppression. Researching dark goddesses, monstrous and Jinn female figures of Middle-Eastern origin, Allahyari’s project devises a narrative through magic and poetic-speculative storytelling, re-appropriation of traditional mythologies, and techniques such as collage, meshing, archiving, 3D scanning and 3D printing.