in one thousand nine hundred eighty eight director stanley kubrick rewrote the rules of cinema in a way that continues to amaze and inspire. this conversation can serve no purpose anymore today on keynote we're doing a deep dive into two thousand and one we're holding our entire show the stanley kubrick's sayf i class like film turns fifty this year but two thousand and one is still way ahead of its time. when kubrick began putting aside five masterpiece together in the mid one nine hundred sixty s. americans and c.v.s. were vying to be the first to reach the moon to develop a visionary but believable set design kubrick hired nasa experts who had worked with rocket pioneer vanna for brown the frankfurt show explores how meticulous late every technical detail was planned. kubrick was the first to use product placement this futuristic watch from a luxury brand hamilton went on sale as the film opened but only a few original props are preserved kubrick destroyed most of them. this is a replica of the model of the famous centrifuge a hamster wheel weighing firstly tons and twelve meters in

kubrick's two thousand and one the space odyssey featured an artificial intelligence named how nine thousand how was in charge of the space ship and ultimately murdered the crew which epitomizes the fear of ai as voiced by stephen hawking the concern is that it would take off on its own and redesign itself in an ever increasing rate and humans are limited by slow biological evolution couldn't compete and would be superseded. in the future ai could develop a will of its own will that is in conflict with ours for such reason the creation of artificial intelligence has often been equated with the invention of the atomic bomb. nuclear bomb is not exactly correct it's this thought it's not as though it's going to explode and create a mushroom cloud it's more like if there were just a few people that had it they would be able to be such that dick protect haters of earth or wherever acquired it and if it was limited to one of the people there and it was ultra smart they would have to man you know. but we're at a moment now we're just still be in storytelling and the fear of things like art

stanley kubrick's two thousand and one a space odyssey office now i want to it's only stunning images the journey continues. and i'm joined now with ellen haring the director of the film institute and the film is in here in frankfurt thanks for joining us i want to talk about two thousand and one. when was the first time you saw the movie you remember and you remember remember what it did with you did you remember its impact i remember very specifically and one of the great fortunes that i've had in my career is i've been a film programmer and i was able to hold off on seeing two thousand and one until i could see it on the big screen you know i can only imagine that everybody who would have a chance to see the movie this way would just be carried away by it it's a very famous story of when the movie was first released people actually walked out of the premiere you know people who had traditional expectations of a hollywood movie and were looking for a linear narrative and it wasn't a box office success at the big. inning but then they really did the marketing and i actually know this

stanley kubrick's two thousand and one a space odyssey office now i want to it's only stunning images the journey continues. and i'm joined now with ellen haring the director of the film institute and the film is in here frank thanks for joining us i want to talk about two thousand and one. when was the first time you saw the movie you remember and you remember the mother what it did with you do you remember its impact i remember very specifically and one of the great fortunes that i've had in my career is i've been a film programmer and i was able to hold off on seeing two thousand and one until i could see it on the big screen you know i can only imagine that everybody who would have a chance to see the movie this way would just be carried away by it it's a very famous story of when the movie was first released people actually walked out of the premiere you know people who had traditional expectations of a hollywood movie and were looking for a linear narrative and it wasn't a box office success at the big. inning but then they really did the marketing and i actually know this the g

stanley kubrick, "dr. strangeve." even "do the right thing"'s a a lot. you know, a lot of humor that was very serious subject matter. h but itd to do and that's something why barry got nominated because in the we editing roomould get the right balance of the tone. >> jimmy: that's correct. editing, i know for humor, if you don't edit the right way -- >> yeah. >> jimmy: you lose -- >> you lose. >> jimmy: but it just worked. it f i want to show everyone a clip. here's john david washington in spike lee's movie, "blackkklansman."ta ke a look at this. >> politics? how so? >> because another way to sell hate, is don't think about it. affirmative action, immigration, crime, tax reform. >> mm-hmm. >> he says no one wants to be called a bigot anymore. i guess archie bunker made that too uncool so the idea is under all these issues. everyday americans can accept it. support it. until eventually, one day, you get somebody in the white house that embodies it. >> that sucks. >> come on. america would never elect somebody like david duke for president of the united s