chipperfield showpieces. the so-called nubian room decorated with made architects to the pression king in the mid 19th century. when lehman was trying to get someone to support his plans, he used to bring them here. it's a beautiful room. the proportions are good. you have the presence of ancient greece, the terra cotta the great thinkers. but it's also a mysterious, a magical place. and i shamelessly use that magic to make the positive transformation of museum island happen, including when it came to funding. but still it basically helped us there then head to museums was always for a decade, the to work together to implement them master plan. he was a brilliant strategist. he never stopped giving politicians tours of museum island . he's a great motivator. he's what you call a cultural diplomat. and he was a genius. when it came to committee, she would walk into a meeting and by the end everyone agreed with him. she did a wonderful job or as he was sophisticated and officially god or and as if it, lehmann's

the james cmon gallery, a modern, this building, designed by renowned architect david chipperfield. when lehmann was president of the pression cultural heritage foundation. it was a highly controversial project. today it's a widely celebrated, his james james cmon gallery, binds the buildings together, so to speak. and it's clearly accepted by berlin or oxford. it's a welcoming place. this is one that you enjoy going to one that creates a connection. it's wonderful. it's a funny thing is that berliners thought of this area as a kind of temple that should never be changed. that was nonsense because shingle had already had a 6 building where we just did what was already there in the 19th century. but using our own modern materials, modern but referencing the old buildings through to the modern columns are an echo of 19th century designs by oppression, architects, and friedrich next door in the noir am new museum. the old and new blend together without compromising the structures recognizable form. the modern whole and staircase are a reminder of the task that confronted lehmann at the

the james seam on gallery, a modernist building, designed by renowned architect david chipperfield. when lehmann was president of the pression cultural heritage foundation, it was a highly controversial project. today is so widely celebrated as james james cmon gallery designs the buildings together so to speak. and it's clearly accepted by berliners. it's a welcoming place. this is one that you enjoy going to one that creates a connection. it's wonderful. it's a funny thing is that berliners thought of this area as a kind of temple that should never be changed. that was nonsense because shingle had already had a 6 building where we just did what was already there in the 19th century, but using our own modern materials, modern. but referencing the old buildings through to the modern columns are an echo of 19th century designs by oppression. architects and free trade next door in the noir smooth am new museum, the old and new blend together without compromising the structures recognizable form. the modern whole and staircase are a reminder of the task that confronted lehmann at the e

it was painstakingly reconstructed by an architect, david chipperfield showpieces, the so-called nubian room decorated with motifs romantic received by free trish outkast architects to the pression king in the mid 19th century. when lehmann was trying to get someone to support his plans, he used to bring them here. this is a window. it's a beautiful room. the proportions are good. you have the presence of ancient greece, the terra cotta the great thinkers. but it's also a mysterious for a magical place. and i shamelessly use that magic to make the positive transformation of museum island happen, including when it came to funding. but still it basically helped us there were basically then head of public museums was always a layman sides for a decade to, to work together to implement them master plan. he was a brilliant strategist. he never stopped giving politicians tours of museum island because he's a great motivator. he's what you call a cultural diplomat. and he was a genius. when it came to committee, she would walk into a meeting and by the end, everyone agreed with them. she did a

it was painstakingly reconstructed by an architect, david chipperfield, it show pieces. the so-called nubian room, decorated with my teeth romantic, received by free trade architects to the pression king in the mid 19th century. when lehmann was trying to get someone to support his plans, he used to bring them here. there's a window, it's a beautiful room. the proportions are good. you have the presence of ancient greece, the terra cotta the great thinkers. but it's also a mysterious for a magical place. and i shamelessly use that magic to make the positive transformation of museum island happen, including when it came to funding. but still it basically helped us their support then head of public museums was always a layman signs. for a decade the to work together to implement them hasta plan. he was a brilliant strategist. he never stopped giving politicians tours of museum island . he's a great motivator. he's what you call a cultural diplomat. and he was a genius when it came to committee. she would walk into a meeting and by the end everyone agreed with him. she did