, the national endowment for the ar ts center for asian american media, south ar ts and by the corporation for public broadcast ing. a private corporation funded by the american peop le. additional funding for madame pipi is provided by. ♪ vo: you're watching pbs. ♪oyç1y1y1yo;o;ó7ó7 decades the work of david or his revolved around changing the structure of the system that's programmed for disaster. i'd like to introduce david through some of his own words excerpted from his forward to my last book dreaming the future. david is an amazing right structural change requires tossing overboard many of the foundational myths of the modern world. the myth of lordly human dominance over nature the presumes that we know enough to manage the planet even though we can't manage the back forty. there's the myth that ignorance

, the national endowment for the arts, center for asian american media, south arts,

macarthur foundation wyncote foundation the national endowment for the arts park foundation, and the reva and david logan foundation . ñññ er and aon e in a c crash. the faer dies. [sir waing] the n is rushed to theospital. the hostal, the surgeon looks the boynd says, "i c't opera onhis chil

they are chairs of the national endowment for the humanities and arts. both witnesses are appearing for the first time before our subcommittee. congratulations to both of you and your confirmation and thank you. today's hearing provide us with a chance to hear more about the great work both endowments have done over the last couple of years and supporting our communities across the country economically, culturally and educationally. the national endowment for the arts and humanities are a perfect example of how the federal government can be a positive force in communities large and small in every single state. in your statement following your confirmation, dr. jackson, you said in addition to serving as an economic engine, arts and creativity are core to what it takes to heal our nation, communities and ourselves. i wholeheartedly agree. the fy 2020 three budget request for the national endowment for the humanities is 200.6 8 million -- $200.68 million. for the arts, it is $203.55 million. these requests build on the vital increases in funding this commi

endowment for the arts, on theeb at arts.gov.

endowment for the arts, on the web aarts.gov.

. - [yaw ns] - [laughs] - major funding for reel south was provided by etv endowment, the national endowment for the ar ts center for asian-american media, south a rts, and by the corporation for public broadcast ing, a private corporation funded by the american peop le. [piano mus ic] - good evening, durham public school families. as we shared yesterday durham public scho ols will be closed beginning on monday, march 16 in resp onse to covid -19. at this time, we will be closed until friday, april 3. we're in close contact with public health offici als and will continually evaluate the situati on. - this has been one of the very few events in my life th's been ke, boom!now,our lifes different.so thawas li --it's defitely be like crazy fit experi ce. - we, it seed liket wasn't--it w far away, so itwouldn come ne us. it wldn't ha en. we cou continuscho ol was goininto thfifth grade. next yea i was gng toraduate d happ - happ hap pybut .- i thinall us ought wh we fnd out wwere getting ouofchool th it was ing be a futhree-we bre ak at we wod just g to ce home a relax and would he some w orand t

endowment for the arts, on the web at ar.gov. woman: so i can go ahead and, um, dive into what we found in the report. so we did find that you have dyslexia and that that is pointing to a lot of the difficulties you have when it comes to reading, and we also found that you have difficulties wi attention, so we did nd adhd, so we would say that that is also contributing to a lot of the difficulties that you're likely having. is there anything that you wanted to add, dr. nulty, before i move on? nulty: one thing that's important to recognize is the fatiing fact of ad it's li your brain is having to rk hardethan oth people' to block out the dogs barking and the cars going by and just whatever noises there are, and you're capable of blocking them out but at a cost, and that's cognitive fatigue. woman two: right. mm-hmm. this is 16 pages of things about my brain. ok. so the reason i'm here is because "afton is currently struggling to meet her foreign language requirement in her undergraduate studies at usc." understatement of the cent

national endowment for the ar ts center for asian-american media, south a rts, and by the corporation for public broadcast ing, a private corporation funded by the american peop le. [shoveling] [acousc amerana musi ♪ - ople lovto talkbout death.i an, whent's nothappeng to t m. you knowhat i me an they don like toalk out deatin relationto theelves, they li to talkabout deh like, my godid yohear abo thatar wre ?did yohear abo so-and-so th d ied? didou heathey und thbody oveth ere?ohy god. long as it' not fecting em th's whepeople wi talk abt it.this kd of bial ound hasot been ne-- nody's de it befe he re so tt's go . because get tobe the fst and e dot have aredent at we ha to follow. buat t same me body'sone it here. so we' figurina lot stuff o on the way. learning little re and alittle tre as wereate this. [interpong vois]- i started,ealisticly in theuneral biness wh i s probly six ose ven. i d a smalcemeteryat the ee of t w oodswhe i grewp on t f arm. d i woulfind the littlegrasshpers andead bi s d differt thin . and i dot know wt reallystrucke to stoand patribute to crea this momen

, the national endowment for the arts, center for asian american media, south arts, and by the corporation for public broadcasting, a private corporation funded by the american people. additional funding for "broken wings" is provided by [car drives by] [birds and insects chirping] - hot out here. okay, black, black, black. i'm gonna try to make 'em as realistic as i can make 'em, but i'm painting from memory. but i wing it. i guess if i look at a bird every day i should know what he looks like. [dramatic music] - vultures are the unsung heroes of our society as far as i'm concerned. [dramatic music] frequently, people run over raccoons or opossums and people hit deer, there are all these dead animals by the side of the road, and then a couple of days later, they're gone, it's a miracle. you know, these birds are miracles. [dramatic music] a vulture will find these road kill and as soon as they can, they'll be down there to investigate and then consume it. [dramatic music] down in hot springs, the black vulture, adonis, it's a bit of a different situation. [dramatic music] - i think the fi

[ambient music] - major funding for real south is provided by etv endowment, the national endowment for the arts, south arts, center for asian-american media, and by the corporation for public broadcasting, a private corporation funded by the american people. additional funding for "little satchmo" is provided by and others. a complete list is available from pbs. - (singing) la-da-da, yes. - louis armstrong was born in new orleans, the birthplace of jazz. from his southern roots to music ambassador of the world, his influence is still with us. unknown to the public, he fathered one child in his life, a daughter named sharon. he called her his little satchmo. this is her story. [cassette clicks] - [on cassette tapeÑ: this is louis satchmo armstrong, getting ready to send a bit of a letter to a fine young lady by the name of miss sweets preston. and i know sharon's a good girl. she better be. you sharon? did you hear what i said? at i have for you, i won't give it to you. i mean, if you miss one time being good, i ain't gonna give it to you. [laughs] tough daddy, tough man, because i com

[applause] the national endowment for the arts. [cheering] [applause] and the national endowment for the humanities. [applause] and our many friends, media partners and exhibitors. the national book festival as we think the very best preevent in the nation's capitol. and it is possible because of you. thanks to all of you. [applause] i also want to get a special thanks to arp. it was sponsored this special evening. they have been an important partner for more than 20 years supporting the national book festival, mcgirt won a prize for numerous library exhibitions. most importantly, aarp is a founding corporate sponsor of the veterans history project. the library's initiative to collect and preserve a firsthand introduced of u.s. military veterans from world war i through the present. the largest oral history project of its kind. aarp ceo joanne jenkins is with us tonight. and we thank you. [applause] and yes, it really does take a village to put this festival on. i want to acknowledge the need more than 1000 volunteers. most especia

[ambient music] - major funding for real south is provided by etv endowment, the national endowment for the arts, south arts,

she has received recognition and financing for research and grants for fellowships for the national endowment for the humanities, brandeis institute, and the american jewish archives. [inaudible] to be sure. she has been a recipient of our society [inaudible] literary award for an earlier article about you guessed it [inaudible]. today we continue that conversation. i'm delighted to welcome her to the society's virtual platform. i'm delighted to welcome our audience for which i promise will be an interesting and informative afternoon. thanks. >> thank you for that wonderful introduction. while i try to share my screen, as i thought i might even though i practiced this, i'm going to take a minute to thank the historical society for making this book possible and indeed making it possible for me to write about bessie margolin. i received enormous assistance from the resident historian of the society and she was instrumental in allowing me to have this program go forward. so i'm hoping -- terrific. all right. again, thank you to the historical society. i know bessie would be very pleased for you

she has received recognition and financing for research and grants for fellowships for the national endowment for the humanities, brandeis institute, and the american jewish archives. [inaudible] to be sure. she has been a recipient of our society [inaudible] literary award for an earlier article about you guessed it [inaudible]. today we continue that conversation. i'm delighted to welcome her to the society's virtual platform. i'm delighted to welcome our audience for which i promise will be an interesting and informative afternoon. thanks. >> thank you for that wonderful introduction. while i try to share my screen, as i thought i might even though i practiced this, i'm going to take a minute to thank the historical society for making this book possible and indeed making it possible for me to write about bessie margolin. i received enormous assistance from the resident historian of the society and she was instrumental in allowing me to have this program go forward. so i'm hoping -- terrific. all right. again, thank you to the historical society. i know bessie would be very pleased for you

endowment for the arts, on the web at arts.gov; a grant from grow @ annenberg; and the california arts council. man: ♪ hear me say ♪ man: the watts towers has been a focal point of creativity for a long time. it's an icon to be acknowledged, but that creativity is ongoing. it's a community of humans that have a creative nature. different man: as kids, we played on those towers, run away by mr. rodia himself. film narrator: simon rodia, tile setter by trade, italian-born, american for half a century, builder of defiant towers. man: they called him an outsider of all things because he didn't coorm tony of the known understandings of what artists do. different man: once simon rodia finished the watts towers d he left, the art center was created, and it became like a hub really for black artists and the black vanguard in los angeles, a space for black artists to exhibit in a time where those opportunities weren't allowed. woman: people coalesced around the towers and then the watts arts center as a space because of rodia's idea of building something from essentially nothing. so he, you

endowment for the arts, and the frieda berlinski foundation. ♪ man: my name is ruben funkahuatl guevara, and i'm a chicano culture sculptor. ♪ my mother's family came up here from mexico and they settled in a little mexican american barrio in santa monica. it's called la veinte. and my dad came up here to the u.s. on a tour with trio los portenos. he played some pretty important gigs. he did the chi chi club in palm springs. frank sinatra even showed up. used to sit in with my dad's band. later, i caught a show at the sahara and i got louis prima, keely smith, with the wild sam butera & the witnesses. men: ♪ [indistinct] ♪ prima: ♪ tell me you love me ♪ men: ♪ tell me you love me ♪ prima: ♪ hey, marie ♪ men: ♪ hey, marie ♪ prima: ♪ come here, sam ♪ guevara: and the energy and it just--exciting. it was nothing like mexican traditional music. i was hooked. [band playing upbeat music] i still appreciated the traditional music my dad played, but i wanted to swing. i wanted to rock, man, you know? i mean, let's face it. i was mexican and american. ♪ man: mexican a

endowment for the arts, on the web at arts.gov; and the california arts council. woman: we live in a great city that is an incredibly rich and diverse culinary site. it's an international city with so many cuisines, but there's so much to food. food is pleasure, and it's peril. it can be delicious, and it can be dangerous. it is something that has those polar tensions. we have an enormous amount of food insecurity for a population that is experiencing homelessness. we talk about going green and fixing the environmental crisis, and yet we have an enormous amount of food waste going on. what kind of food are we gonna eat when the big one hits? how often do we think about our relationship to food or food's relation to the world around us? these are things that we tend not to think about. so artists are really good at stepping back and looking at what's happening and then re-presenting these ideas in new ways to inform us, to inspire us, and to call us to action. so what happens when you throw out the topic of food to a group of artists? what are the ideas around food

, the national endowment for the arts, center for asian american media, south arts,

endowment for the arts on the web at arts.gov, and the california arts council. [indistinct chatter] woman: check, check. 1, 2. test, test, test, test. [music playing] woman: [vocalizing] mekala: whoo! we are afronauts, god dammit. singer: ♪ aah ♪ [cheers and applause] thank you. we are the afronauts. jamael dean, mekala session, and i'm sharda. mekala: the sound of los angeles or this west coast, kind of like south central tinge has always been not unkempt, but untamed. it's wild. it's got a angle to it. you can't just tune out and bob your head, man. there's something going on there. it's not easy listening. hollywood is the throbbing, beating heart of commercial entertainment for the world. but, yo, south central is the soul, baby. like, we're the blues. that's where the love is. that's where the pain is. that's where the fear is, and the courage is. like, that's what you're hearing when you hear people from here make music. kendrick lamar, kamasi washington, terrance martin, charles mingus, eric dolphy. it's the kind of thing where there's always been the

the us has a national endowment for democracy. a government funded agency whose job is to distribute funds to political parties and other countries. it's part of the law and you know, and, and yes, it is what states do it, but that's what the us in particular has been especially aggressive in doing. i've been no position to judge. however, given the information i put out in 2016, 18 over russian political interference in the us the, the, the information was that's completely false, totally bad information based on that, there is no reason to believe the latest allegation. the united nations special reporter has called for the removal of unilateral sanctions on iran in a report, the details the effects of decades of embargoes on the country or is it not function? just ensure the united states has impose the most functions beginning way back in 1979 with the u. austria and canada. also joining in most target banks, companies and individuals linked to the nuclear and military industries. while the gold trade currency transactions on

[ambient music] - major funding for real south is provided by etv endowment, the national endowment for the arts, south arts,

has a national endowment for democracy. a government funded agency whose job is to distribute funds to political parties and other countries. it's part of a law and you know, and, and yes, it is what states do it, but it's what the u. s. in particular has been especially aggressive in doing. i've been no position to judge. however, given the information that i put out in 2016 to 18 over russian political and interference in the us, the information was that's completely false. totally bad information based on that, there is no reason to believe the latest allegation when staying with us desperate american soldiers on their families should consider using food stamps to help combat soaring prices. well, that's the advice from the army itself or the country is gripped by high inflation, and washington continues to spend billions on ukraine, the inflation, the fact an ada thing, from gas prices to groceries to rance. some soldiers and their families are finding it harder to get on by the budget. they sat and used before. the fin

the us has a national endowment for democracy, a government funded agency, whose job is to distribute funds to political parties in and other countries. it was part of the law. and you know, and, and yes, it is what states do it, but it's what the us in particular has been especially aggressive in doing sort of blame russia to throw around figures like $3000000.00 in the nose. but he had was seen or $1000000.00 compared to the $10000000000.00 loan that that's in the range. and boris yeltsin, we have just, you know, 25 years ago. well done. it was journalist and all that. we're going to leave it there. thank you very much for your time today and your opinion on that report. thanks very much. daniel is our journalist, norfolk thank you the, the you risks being shackled into slavery. kiev it's members approved newly proposed ukrainian security guarantees not according to the russian foreign minister. the art correspondent, eager to done and discuss the details of the paper with my colleague royce, you say the very basic bottom line is of with these of these proposals that have been drawn

has a national endowment for democracy, a government funded agency whose job is to distribute funds to political parties and other countries. it's part of a law and you know, and, and yes, it is what states do, but it's what the us in particular has been especially aggressive in doing. i've been no position to the judge. however, given the information with a put out in 2016 to 18 over russian political and interference in the us of the, the information was that's completely false. totally bad information based on that . there is no reason to believe the latest allegation. well that's the news for this our.

and was named a national endowment of the arts jazz master in 2007. that's the highest honor for a jazz musician. ramsey lewis was 86. >>> when we come back here tonight, finally, the honor, the closure, for a u.s. sailor and his family. family. no matter who you are, being yourself can be tough when you have severe asthma. triggers can pop up out of nowhere, causing inflammation that can lead to asthma attacks. but no matter what type of severe asthma you have, tezspire™ can help. tezspire™ is an add-on treatment for people 12 and over... that proactively reduces inflammation... ...which means you could have fewer attacks, breathe better, and relieve your asthma symptoms. so, you can be you, whoever you are. tezspire™ is not a rescue medication. don't take tezspire™ if you're allergic to it. allergic reactions like rash or an eye allergy can happen. don't stop your asthma treatments unless your doctor tells you to. tell your doctor if you have a parasitic infection or your asthma worsens. sore throat, joint and back pain may occur. avoid live

we want to thank the national endowment for the arts for sponsoring the stage. our plan today is to explore both of the books that explore ocean science as well as personal stories. julie and edith both take us on personal journeys whether navigating medical mission -- mysteries or struggling before pushing forward. my own career path started in ocean conservation so it is a personal joy to explore these things. i am so excited to get into this together. my plan is i will ask each of them to make a provocative statement or ask a question to get you all thinking. in the final 15 minutes of the session today we will take questions. i will hand the floor to juliet he does in turn to talk about their books and then we will talk for about 15 minutes before we dive in. at the end of the talk today you will be able to get books signed by our two authors. so, provocative statements or questions. julie, let's start with you. julie: the story of coral reefs is one of struggle. i think we all know that. currently, predictions are that by 2050, 99% of the coral reefs will b

he won three grammy awards and in 2007 was named a jazz master by the national endowment for the arts, the nation's highest honor for a jazz musician. ramsey lewis was 87 years old. legendary french film maker jean luc godard died today at his home in switzerland. jeffrey brown has this remembrance. >> the are carol tribune. -- "new york herald tribune." jeffrey: the jump cuts, the unconventional camera work and storytelling, the 1960 movie "breathless" helped usher in a bold new and influential style of filmmaking. and made director jean-luc godard one of cinema's great innovators. beginning in the late 1950's and into the 60's, he and other young filmmakers, including francois truffaut, became known as the french new wave. godard made a string of movies that often drew from his past heroes, such as alfred hitchcock, but created a new aesthetic that influenced generations of directors to come. >> [speaking french] jeffrey: martin scorcese called godard's 1963 "contempt", starring brigitte bardot, one of his favorite films of all time, and referred to godard as among "the great modern

andrew card served with the national endowment to democracy, interim chief executive officer, president of franklin pierce university, acting dean of the bush school of public service at texas a and m and senior government role under three us presidents including white house chief of staff to george w. bush, and secretary to george h w bush. we have executive director of fiscal institute of international affairs. he has been it distinguished professor on diplomacy at georgetown, vice president of worldvision, a veteran who served in the gulf war, us special envoy to the darfur process and most especially administer of international development. today they have edited and produced transforming our world, george h w bush and american foreign policy, a collection of essays from well-known foreign-policy practitioners who participated in unfolding international events in the administration. i to make sure everyone knows we will have time to take some audience questions near the end of the program. if you have questions please submit them to event@wilsoncenter.org. please include your name a

marlene trestman has received recognition in fellowships from the national endowment for the humanities, the brandeis institute and american jewish archives. a busy lady to be sure. she has been a recipient of our society's gossip literary award for earlier article about, you guessed it, bessie margolin. today we continue that conversation. i'm delighted to welcome marlene trestman to the society's virtual platform and delighted to welcome our audience for what i promise will an interesting and informative afternoon. thanks. >> guest: thank you for that wonderful introduction. while i share my screen as i thought i might even though i practiced this, i want to take a moment to thank the historical society for making this book possible and indeed making it possible for to write the article about bessie margolin. i received enormous assistance from claire cushman who is now i believe the resident historian of society and she was instrumental in allowing me to have this program go forward. and again, thank you to the historical society. i know a good 11 would be pleased for you to get intr

i just wanted to thank again our generous sponsors, the national endowment for the humanities, the stennis foundation the history channel and oxford university press. thanks to everyone who submitted questions today and finally a special thanks to our i don't think i need to do much to introduce doris kearns goodwin to you. i think you all know who she is. she started out in brooklyn. and then she wound up here on long island what that rockville center, here we go, but she's a red sax fan, although that wasn't true in her younger days. you want to learn about her and her father that she wrote a wonderful book. what's it called? next year wait till next year about baseball. it's a terrific book and and many others she went to colby then she went to harvard got her various degrees up to her phd from harvard taught at harvard for a while then got into politics. so to speak staffer lbj and other i think you'll say a few words about this. lbj was really her focus for quite a while then she got into writing and has written all these wonderful books i have offered her. blurb anytime she wants it

i just wanted to thank again our generous sponsors, the national endowment for the humanities, the stennis foundation the history channel and oxford university press. thanks to everyone who submitted questions today and finally a special thanks to our

i just wanted to thank again our generous sponsors, the national endowment for the humanities, the stennis foundation the history channel and oxford university press. thanks to everyone who submitted questions today and finally a special thanks to our i don't think i need to do much to introduce doris kearns goodwin to you. i think you all know who she is. she started out in brooklyn. and then she wound up here on long island what that rockville center, here we go, but she's a red sax fan, although that wasn't true in her younger days. you want to learn about her and her fatherha

in partnership with fairlie dickinson university, funded by the national endowment for the humanities. these studies show that most americans trust and look to museums and historic sites to get their history knowing this what responsibility do we as practitioners have to tell a more complex that speaks to the development of the nation and again the human at your respective. i would think that it's not just a responsibility, it's a moral response ability, particularly in doing this kind of practices, sites of historic sites, enslavement. so with jefferson and monticello, we have to remember that jefferson is a thinker and one of the greatest thinkers of the enlightenment, but that he had serious, serious flaws. and how he thought about other people. and believe me, he othered others. right. he believed in racial inferiority. he believed white european individuals were the top of a human hierarchy, that the native americans fell beneath that. and then people of african descent fell beneath even that. and of course, he espouses this in in not just in his personal, but also in notes on th

endowment for democracy, but that support is to other countries to strengthen democracy in other countries. and so i see absolutely see value in in this. in fact vice chair timmons and i, we have 10 democrats and 10 republicans on a bill to maybe not create a trust, but set up a pilot program that could accept private philanthropy. and so do this grant making to local organizations. i think the question that most commonly comes up is to how do you measure one? how do you measure success and why is this a innately federal obligation? right. you know, you mentioned that there's philanthropists that are supporting this endeavor already. as i've spoken with colleagues on the floor and said, hey, do you want to sign on to this? probably the most common question i get is why is this something the federal government ought to do? so, can you respond to both of those? sorry for the long wind up, but i wanted to give you a sense of like i actually do think you're really on to something because we're seeing it in our communities. >> no, absolutely. we are seeing it all over and i want to lift up your

she has received fellowships from the ford foundation, the national endowment for the humanities, the macdowell colony, the arts council, and the w.e.b. dubois institute at university. a 2020 andrew carnegie fellow, emily barnard, lives her family in vermont. so please join me in welcoming emily bernhardt to our roundtable today. thank you so much, dr. word for that introduction and thank you for making it possible for me to be here today. i'm thrilled to be here. i couldn't ask for more. brilliant and wonderful colleagues than the colleagues. i'm sharing this panel with today. so it's a real pleasure. when i received the notice about this topic, my thoughts immediately went to zora neale hurston, who i've been thinking about a lot lately. not in no small part because of the recent passing. our beloved and brilliant colleague valerie boyd, who's the author of a brilliant, wonderful biography of hurston that i consult often in my work and i'm writing hurston for my upcoming book project, which is a series of biographies about black women where i want to in some trouble or complicate co