1
00:11:38,000 --> 00:11:42,000

S

2
00:11:42,000 --> 00:11:45,000
HAVE OFFERED AUDIENCES
SPECTACULAR IDEAS

3
00:11:45,000 --> 00:11:46,000
UNLIMITED POSSIBILITIES

4
00:11:46,000 --> 00:11:49,000
AND WORLDS WHERE
DREAMS CAN COME TRUE.

5
00:11:49,000 --> 00:11:50,000
DURING THE NEXT 60 MINUTES

6
00:11:50,000 --> 00:11:54,000
WE WILL EXAMINE SOME OF THE BEST
AND MOST EXTRAORDINARY EPISODES

7
00:11:54,000 --> 00:11:56,000
FROM TV'S GREATEST
SCIENCE FICTION SERIES.

8
00:11:56,000 --> 00:11:59,000
AND WE'LL DO IT WITHOUT
THE HELP OF ELABORATE GIMMICKS

9
00:11:59,000 --> 00:12:00,000
AND SPECIAL EFFECTS.

10
00:12:00,000 --> 00:12:03,000
WELL, MAYBE JUST ONE OR TWO.

11
00:12:03,000 --> 00:12:05,000
TRAVEL BACK THROUGH TIME

12
00:12:05,000 --> 00:12:08,000
TO THE EARLIEST DAYS
OF TV SCIENCE FICTION

13
00:12:08,000 --> 00:12:13,000
WHEN TV GUIDE LOOKS
AT SCIENCE FICTION RETURNS.

14
00:12:24,000 --> 00:12:27,000

AHH, FOR THE FRENCH,
FOOD IS A JOY...

15
00:12:27,000 --> 00:12:30,000
TO BE SHARED
BY ALL THE SENSES,

16
00:12:30,000 --> 00:12:33,000
THE GRAND FINALE
BEING THE TASTE.

17
00:12:33,000 --> 00:12:35,000
IT IS...

18
00:12:35,000 --> 00:12:40,000
YOPLAIT.

19
00:12:44,000 --> 00:12:46,000
@
COULD BE TRANSMITTED
THROUGH THE AIR

20
00:12:46,000 --> 00:12:49,000
WAS THOUGHT TO BE STRANGE,
FANTASTIC AND UNBELIEVABLE.

21
00:12:49,000 --> 00:12:54,000
IT HARDLY SEEMS SURPRISING THAT
WHEN TV DID BECOME A REALITY

22
00:12:54,000 --> 00:12:57,000
SCIENCE FICTION SHOWS
WEREN'T FAR BEHIND.

23
00:12:57,000 --> 00:12:59,000
THE DATE: JUNE 27, 1949.

24
00:12:59,000 --> 00:13:01,000
THE TIME: 7:00 P.M.

25
00:13:01,000 --> 00:13:03,000
CHILDREN OF THE PROSPEROUS,
POSTWAR BABY BOOM

26
00:13:03,000 --> 00:13:07,000
WERE ABOUT TO MEET TV'S
FIRST SCIENCE FICTION HERO.

27
00:13:07,000 --> 00:13:12,000
TV program announcer:
STAND BY FOR CAPTAIN VIDEO

28
00:13:12,000 --> 00:13:17,000
AND HIS VIDEO RANGERS.

29
00:13:17,000 --> 00:13:20,000
CAPTAIN VIDEO TO SAM SPREE,
CAPTAIN VIDEO TO SAM SPREE

30
00:13:20,000 --> 00:13:22,000
I READ YOU, I READ YOU, OVER.

31
00:13:22,000 --> 00:13:24,000
Shatner:
SET IN THE 22nd CENTURY

32
00:13:24,000 --> 00:13:27,000
CAPTAIN VIDEO
WAS A SCI-FI SUPERHERO

33
00:13:27,000 --> 00:13:30,000
WHO USED A VARIETY
OF GADGETS AND GIZMOS

34
00:13:30,000 --> 00:13:31,000
TO BATTLE COSMIC VILLAINS.

35
00:13:31,000 --> 00:13:36,000
HOW IS CAPTAIN VIDEO
GOING TO FEEL

36
00:13:36,000 --> 00:13:39,000
WHEN HE LEARNS THAT I, DR. FOLEY

37
00:13:39,000 --> 00:13:42,000
HIS BITTEREST ENEMY

38
00:13:42,000 --> 00:13:45,000
HAS ALSO REACHED
THE OUTER LIMITS?

39
00:13:45,000 --> 00:13:49,000
Shatner:
INCREDIBLY, THE SHOW'S
SPECIAL EFFECTS BUDGET

40
00:13:49,000 --> 00:13:50,000
WAS ONLY $25 A WEEK.

41
00:13:50,000 --> 00:13:53,000
BUT CAPTAIN VIDEO'S
IMMENSE POPULARITY

42
00:13:53,000 --> 00:13:56,000
USHERED IN A GOLDEN AGE
OF SCIENCE FICTION SERIES

43
00:13:56,000 --> 00:13:57,000
AIMED PRIMARILY AT CHILDREN.

44
00:13:57,000 --> 00:13:59,000
Hi, you future space cadets.

45
00:13:59,000 --> 00:14:01,000
Maybe I can tell you more

46
00:14:01,000 --> 00:14:04,000
about what's going on
here at Space Academy.

47
00:14:04,000 --> 00:14:05,000
Shatner:
ANOTHER SHOW THAT JUMPED ON

48
00:14:05,000 --> 00:14:08,000
CAPTAIN VIDEO'S
INTERGALACTIC COATTAILS

49
00:14:08,000 --> 00:14:10,000
WAS TOM CORBETT, SPACE CADET

50
00:14:10,000 --> 00:14:13,000
STARRING FRANK THOMAS
AS A CURLY-HAIRED STUDENT

51
00:14:13,000 --> 00:14:15,000
AT A FUTURISTIC SPACE ACADEMY.

52
00:14:15,000 --> 00:14:20,000
( engines blasting )

53
00:14:20,000 --> 00:14:21,000
NICE TAKE-OFF,
DR. DALE.

54
00:14:21,000 --> 00:14:23,000
THANK YOU, TOM.

55
00:14:23,000 --> 00:14:26,000
AT THE END OF THE SECOND WEEK,
WE KNEW WE HAD IT MADE.

56
00:14:26,000 --> 00:14:28,000
BECAUSE ALL OF THE, UH

57
00:14:28,000 --> 00:14:31,000
ALL OF THE DISC JOCKEYS AND
EVERYBODY PICKED UP OUR LINGO.

58
00:14:31,000 --> 00:14:33,000
"SPACEMAN'S LUCK."

59
00:14:33,000 --> 00:14:34,000
"GO BLOW YOUR JETS."

60
00:14:34,000 --> 00:14:36,000
"BY THE RINGS OF SATURN."

61
00:14:36,000 --> 00:14:39,000
ONLY SUCKERS WOULD FALL
FOR THAT ROUTINE

62
00:14:39,000 --> 00:14:41,000
ABOUT SOLDIERS
OF PEACE AND FREEDOM.

63
00:14:41,000 --> 00:14:43,000
BY THE CRATERS OF LUNA,
I THINK I'LL--

64
00:14:43,000 --> 00:14:45,000
EASY THERE,
DON'T BLAST YOUR JETS.

65
00:14:45,000 --> 00:14:47,000
THINK I'M AFRAID
TO FIGHT

66
00:14:47,000 --> 00:14:50,000
NO, BUT ANOTHER CRACK OUT OF YOU
AND I'LL START OPERATING..

67
00:14:50,000 --> 00:14:51,000
NOW, GET GOING! BLAST OFF!

68
00:14:51,000 --> 00:14:53,000
ALL RIGHT, JUNIOR,
TAKE IT EASY!

69
00:14:53,000 --> 00:14:56,000
YOUR HALO'S
GETTING CROOKED.

70
00:14:56,000 --> 00:14:59,000
IT JUST HAPPENED,
I DIDN'T BELIEVE IT.

71
00:14:59,000 --> 00:15:02,000
IT JUST WAS, IT WAS JUST WILD.

72
00:15:02,000 --> 00:15:04,000
WE LIKED IT, YOU UNDERSTAND

73
00:15:04,000 --> 00:15:07,000
BUT WE DIDN'T
REALLY EXPECT IT.

74
00:15:07,000 --> 00:15:08,000
WE COULDN'T.

75
00:15:08,000 --> 00:15:10,000
IT WAS SORT OF
A FIVE-YEAR PHENOMENON.

76
00:15:10,000 --> 00:15:15,000
Shatner:
PERHAPS THE MOST IMPRESSIVE
EARLY SCIENCE FICTION SHOW

77
00:15:15,000 --> 00:15:16,000
WAS SPACE PATROL.

78
00:15:16,000 --> 00:15:18,000
Man:
ALL RIGHT, CADET.

79
00:15:18,000 --> 00:15:19,000
NOW OPERATE
THE CONTROLS

80
00:15:19,000 --> 00:15:22,000
THAT TAKE US BACK
INTO THE PAST.

81
00:15:22,000 --> 00:15:23,000
NOTHING DOING.

82
00:15:23,000 --> 00:15:25,000
GO AHEAD, SHOOT ME!

83
00:15:25,000 --> 00:15:28,000
BUT I'M NOT PLAYING ROCKET
JOCKEY FOR YOU SPACE TRAMPS.

84
00:15:28,000 --> 00:15:30,000
YOU DON'T SEEM
TO UNDERSTAND

85
00:15:30,000 --> 00:15:32,000
YOUR POSITION,
YOUNG MAN.

86
00:15:32,000 --> 00:15:33,000
EITHER YOU CRANK UP
THIS SHIP

87
00:15:33,000 --> 00:15:35,000
AND HEAD
INTO THE PAST

88
00:15:35,000 --> 00:15:37,000
OR SOMETHING
PERMANENT HAPPENS

89
00:15:37,000 --> 00:15:39,000
TO THE LADY
BACK ON OUR SHIP.

90
00:15:39,000 --> 00:15:42,000
Shatner:
CONSIDERED BY MANY TO BE
THE STAR TREK OF ITS DAY

91
00:15:42,000 --> 00:15:44,000
THE SERIES FOLLOWED
THE ADVENTURES

92
00:15:44,000 --> 00:15:45,000
OF THE SPACESHIP TERRA

93
00:15:45,000 --> 00:15:46,000
ON ITS MISSION TO PROTECT

94
00:15:46,000 --> 00:15:48,000
THE UNITED PLANETS
OF THE UNIVERSE.

95
00:15:48,000 --> 00:15:50,000
Man:
I'm sorry, Commander

96
00:15:50,000 --> 00:15:53,000
we've got no report from
Cadet Happy or Carol Carlyle.

97
00:15:53,000 --> 00:15:55,000
WELL, CONTACT ME
THE SECOND YOU HAVE ANY WORD.

98
00:15:55,000 --> 00:15:57,000
YOU WON'T GET AWAY WITH IT.

99
00:15:57,000 --> 00:16:00,000
BUZZ COREY WILL FIND YOU
NO MATTER WHERE YOU HIDE.

100
00:16:00,000 --> 00:16:01,000
BUZZ COREY-- HUH!

101
00:16:01,000 --> 00:16:03,000
I CAN SEE HIM NOW.

102
00:16:03,000 --> 00:16:05,000
HE'LL SPEND A WEEK LOOKING

103
00:16:05,000 --> 00:16:08,000
FOR THE DAUGHTER
OF THE SECRETARY GENERAL.

104
00:16:08,000 --> 00:16:10,000
AND THE REST OF HIS LIFE

105
00:16:10,000 --> 00:16:15,000
SEARCHING ALL SPACE
AND TIME FOR HIS CADET.

106
00:16:17,000 --> 00:16:19,000
Shatner:
BUT THE ATOMIC AGE
ALSO SUGGESTED

107
00:16:19,000 --> 00:16:23,000
THAT SCIENCE HAD A DARKER SIDE.

108
00:16:23,000 --> 00:16:26,000
APPEALING TO A MORE
SOPHISTICATED ADULT AUDIENCE

109
00:16:26,000 --> 00:16:28,000
THE SCIENCE FICTION
ANTHOLOGY SERIES

110
00:16:28,000 --> 00:16:30,000
OFTEN DEALT WITH COMPLEX THEMES

111
00:16:30,000 --> 00:16:35,000
AND STRESSED TECHNOLOGY'S
MORE SINISTER RAMIFICATIONS.

112
00:16:35,000 --> 00:16:39,000
TV program announcer:
TALES OF TOMORROW.

113
00:16:39,000 --> 00:16:41,000
WHO ARE YOU?

114
00:16:41,000 --> 00:16:42,000
WILL YOU TELL ME THAT?

115
00:16:42,000 --> 00:16:45,000
WHERE DID YOU COME FROM
AND WHAT HAS MADE YOU?

116
00:16:45,000 --> 00:16:46,000
YOU MADE ME, DOCTOR.

117
00:16:46,000 --> 00:16:48,000
SCIENCE MADE ME.

118
00:16:48,000 --> 00:16:50,000
THE DISCOVERY
OF HOW TO SPLIT THE ATOM

119
00:16:50,000 --> 00:16:53,000
MADE DESTRUCTIVE
WEAPONS OF A SIZE AND POWER

120
00:16:53,000 --> 00:16:55,000
NEVER BEFORE CONTEMPLATED,
MADE ME.

121
00:16:55,000 --> 00:16:59,000
ARE YOU A NECESSARY PRODUCT
FOR HUMANITY'S SURVIVAL?

122
00:16:59,000 --> 00:17:00,000
I AM.

123
00:17:00,000 --> 00:17:02,000
THE USE OF ATOMIC ENERGY

124
00:17:02,000 --> 00:17:06,000
HAS MADE KNOWLEDGE OF THE FUTURE
INDISPENSABLE TO SURVIVAL.

125
00:17:06,000 --> 00:17:08,000
I HAVE THAT KNOWLEDGE.

126
00:17:08,000 --> 00:17:11,000
Shatner:
BUT CERTAINLY,
THE MOST SUCCESSFUL

127
00:17:11,000 --> 00:17:14,000
AND MOST POPULAR OF ALL THE
SCIENCE FICTION ANTHOLOGIES

128
00:17:14,000 --> 00:17:17,000
WAS ROD SERLING'S
THE TWILIGHT ZONE.

129
00:17:17,000 --> 00:17:20,000
Rod Serling:
THIS IS A FARMHOUSE.

130
00:17:20,000 --> 00:17:23,000
A HOUSE WITHOUT
ELECTRICITY OR GAS.

131
00:17:23,000 --> 00:17:26,000
A HOUSE UNTOUCHED BY PROGRESS.

132
00:17:26,000 --> 00:17:28,000
THIS IS THE WOMAN
WHO LIVES IN THE HOUSE

133
00:17:28,000 --> 00:17:30,000
A WOMAN WHO'S BEEN ALONE
FOR MANY YEARS.

134
00:17:30,000 --> 00:17:32,000
A STRONG, SIMPLE WOMAN

135
00:17:32,000 --> 00:17:34,000
WHOSE ONLY PROBLEM,
UP UNTIL THIS MOMENT

136
00:17:34,000 --> 00:17:37,000
HAS BEEN THAT OF
ACQUIRING ENOUGH FOOD TO EAT.

137
00:17:37,000 --> 00:17:41,000
A WOMAN ABOUT TO FACE TERROR,
WHICH IS, EVEN NOW

138
00:17:41,000 --> 00:17:44,000
COMING AT HER
FROM THE TWILIGHT ZONE.

139
00:17:44,000 --> 00:17:46,000
Shatner:
FOR FIVE YEARS AND 151 EPISODES

140
00:17:46,000 --> 00:17:49,000
THE TWILIGHT ZONE
DEALT WITH EVERYTHING

141
00:17:49,000 --> 00:17:51,000
FROM THE SCIENTIFICALLY POSSIBLE

142
00:17:51,000 --> 00:17:52,000
TO THE SUPERNATURALLY
IMPLAUSIBLE.

143
00:17:52,000 --> 00:17:55,000
( laser zaps )

144
00:17:55,000 --> 00:17:58,000
( moans )

145
00:17:58,000 --> 00:18:03,000
BUT ALWAYS WITH A STRANGE
AND IRONIC TWIST AT THE END.

146
00:18:03,000 --> 00:18:05,000
Man:
Central Control!

147
00:18:05,000 --> 00:18:07,000
Come in, Central Control!

148
00:18:07,000 --> 00:18:09,000
The ship's destroyed.

149
00:18:09,000 --> 00:18:10,000
We're finished.

150
00:18:10,000 --> 00:18:15,000
Stay away! Stay away!

151
00:18:29,000 --> 00:18:32,000
HURRY! HURRY!

152
00:18:32,000 --> 00:18:33,000
WHAT'S GOING ON?

153
00:18:33,000 --> 00:18:35,000
THERE'S A MAN OUT THERE!

154
00:18:35,000 --> 00:18:37,000
WILSON,
KEEP YOUR VOICE DOWN.

155
00:18:37,000 --> 00:18:38,000
I'M SORRY,
I'M SORRY...

156
00:18:38,000 --> 00:18:40,000
I DON'T KNOW
WHAT'S GOING ON HERE.

157
00:18:40,000 --> 00:18:41,000
WILL YOU LOOK?!

158
00:18:41,000 --> 00:18:43,000
MR. WILSON,
I'M WARNING YOU.

159
00:18:43,000 --> 00:18:48,000
WILL YOU PLEASE LOOK...
IN THE NAME OF--

160
00:18:50,000 --> 00:18:54,000
Rod Serling:
THE FLIGHT OF MR. ROBERT WILSON
HAS ENDED NOW.

161
00:18:54,000 --> 00:18:58,000
HAPPILY, HIS CONVICTION WILL NOT
REMAIN ISOLATED TOO MUCH LONGER.

162
00:18:58,000 --> 00:19:01,000
FOR, HAPPILY,
TANGIBLE MANIFESTATION

163
00:19:01,000 --> 00:19:04,000
IS VERY OFTEN LEFT
AS EVIDENCE OF TRESPASS.

164
00:19:04,000 --> 00:19:07,000
EVEN FROM SO
INTANGIBLE A QUARTER

165
00:19:07,000 --> 00:19:09,000
AS THE TWILIGHT ZONE.

166
00:19:09,000 --> 00:19:14,000
John F. Kennedy:
BUT IF I WERE TO SAY,
MY FELLOW CITIZENS

167
00:19:14,000 --> 00:19:18,000
THAT WE SHALL SEND TO THE MOON,
240,000 MILES AWAY

168
00:19:18,000 --> 00:19:22,000
A GIANT ROCKET,
MORE THAN 300 FEET TALL

169
00:19:22,000 --> 00:19:26,000
AND THEN RETURN IT
SAFELY TO EARTH

170
00:19:26,000 --> 00:19:29,000
AND DO ALL THIS AND
DO IT RIGHT AND DO IT FIRST

171
00:19:29,000 --> 00:19:33,000
BEFORE THIS DECADE IS OUT,
THEN WE MUST BE BOLD.

172
00:19:33,000 --> 00:19:35,000
Shatner:
BY THE EARLY '60s

173
00:19:35,000 --> 00:19:37,000
MORE THAN 44 MILLION
AMERICAN HOUSEHOLDS

174
00:19:37,000 --> 00:19:39,000
HAD A LEAST ONE TELEVISION SET

175
00:19:39,000 --> 00:19:41,000
AND THE WORLD HELD ITS BREATH

176
00:19:41,000 --> 00:19:46,000
WHILE THE INCREDIBLE HAPPENED
BEFORE ITS EYES.

177
00:19:46,000 --> 00:19:47,000
THE PARANOIA OF THE 1950s

178
00:19:47,000 --> 00:19:50,000
WAS GIVING WAY
TO A NEW SENSE OF OPTIMISM.

179
00:19:50,000 --> 00:19:52,000
AND BOTH CHILDREN AND ADULTS

180
00:19:52,000 --> 00:19:55,000
COULD PROJECT THEMSELVES
INTO A FUTURE

181
00:19:55,000 --> 00:19:57,000
WHERE ANYTHING COULD HAPPEN.

182
00:19:57,000 --> 00:19:59,000
TV program announcer:
HOW FAR OUT CAN YOU GET?

183
00:19:59,000 --> 00:20:04,000
( Lost in Space theme music )

184
00:20:04,000 --> 00:20:08,000
Shatner:
SET IN THE THEN DISTANT YEAR
OF 1997

185
00:20:08,000 --> 00:20:11,000
LOST IN SPACE
THRILLED AUDIENCES

186
00:20:11,000 --> 00:20:15,000
WITH ITS IMAGINATIVE
BLEND OF SCIENCE FICTION

187
00:20:15,000 --> 00:20:17,000
ADVENTURE AND FANTASY.

188
00:20:17,000 --> 00:20:18,000
LADIES AND GENTLEMEN

189
00:20:18,000 --> 00:20:21,000
TODAY THE FIRST
OF WHAT MAY BE

190
00:20:21,000 --> 00:20:24,000
AS MANY AS TEN MILLION
FAMILIES PER YEAR

191
00:20:24,000 --> 00:20:26,000
IS SETTING OUT
ON ITS EPIC VOYAGE

192
00:20:26,000 --> 00:20:29,000
TO MAN'S NEWEST FRONTIER FOR
COLONIZATION-- DEEP SPACE.

193
00:20:29,000 --> 00:20:31,000
Shatner:
CREATED BY IRWIN ALLEN

194
00:20:31,000 --> 00:20:34,000
LATER TO BE KNOWN AS "THE MASTER
OF DISASTER" FOR FILMS

195
00:20:34,000 --> 00:20:37,000
LIKE THE TOWERING INFERNO
AND THE POSEIDON ADVENTURE

196
00:20:37,000 --> 00:20:40,000
LOST IN SPACE FOLLOWED
THE ADVENTURES

197
00:20:40,000 --> 00:20:42,000
OF THE ROBINSON PARTY

198
00:20:42,000 --> 00:20:43,000
AS THEY BRAVED STRANGE ALIENS

199
00:20:43,000 --> 00:20:45,000
HOSTILE TERRAIN

200
00:20:45,000 --> 00:20:49,000
AND AN EVIL VILLAIN
NAMED DR. ZACHARY SMITH.

201
00:20:49,000 --> 00:20:51,000
ONLY ONE PERSON IS CURRENTLY

202
00:20:51,000 --> 00:20:53,000
OF USE TO US: MAJOR DON WEST.

203
00:20:53,000 --> 00:20:55,000
USEFUL BECAUSE HE'S THE ONLY ONE

204
00:20:55,000 --> 00:20:58,000
WHO CAN PILOT THIS SPACESHIP.

205
00:20:58,000 --> 00:21:00,000
SINCE THE OTHERS
SERVE NO PURPOSE

206
00:21:00,000 --> 00:21:01,000
THEY MUST BE LIQUIDATED.

207
00:21:01,000 --> 00:21:04,000
WHEN WE HAVE LEARNED WHAT WE
NEED TO KNOW FROM MAJOR WEST

208
00:21:04,000 --> 00:21:07,000
HE WILL BE LIQUIDATED
AS WELL.

209
00:21:07,000 --> 00:21:09,000
WITH ME SO FAR?

210
00:21:09,000 --> 00:21:11,000
Affirmative.

211
00:21:11,000 --> 00:21:13,000
Destroy everyone.

212
00:21:13,000 --> 00:21:14,000
VILLAINY IS EASY.

213
00:21:14,000 --> 00:21:16,000
I PLAYED MANY VILLAINS
IN MY TIME.

214
00:21:16,000 --> 00:21:18,000
MY MOST SUCCESSFUL VILLAINS

215
00:21:18,000 --> 00:21:22,000
HAVE BEEN COMEDIC VILLAINS
AND I KNEW THAT.

216
00:21:22,000 --> 00:21:25,000
I BEGAN TO SNEAK IT IN.

217
00:21:25,000 --> 00:21:26,000
INDUBITABLY.

218
00:21:26,000 --> 00:21:28,000
IT MUST SURELY
BE TIME FOR LUNCH.

219
00:21:28,000 --> 00:21:30,000
I THINK YOU'D BEST
GO BACK TO CAMP.

220
00:21:30,000 --> 00:21:31,000
I SHALL BE ALONG
PRESENTLY.

221
00:21:31,000 --> 00:21:34,000
YOU WON'T FOOL AROUND
WITH THOSE GLOVES?

222
00:21:34,000 --> 00:21:35,000
CERTAINLY NOT.

223
00:21:35,000 --> 00:21:39,000
I MERELY WISH TO BE ALONE
TO ENTERTAIN MY MUSE.

224
00:21:39,000 --> 00:21:40,000
LEAVE ME.

225
00:21:40,000 --> 00:21:41,000
COME ON, PENNY.

226
00:21:41,000 --> 00:21:43,000
HE'S IN ONE OF HIS MOODS.

227
00:21:43,000 --> 00:21:46,000
IRWIN NOT ONLY
ALLOWED ME TO DO THAT

228
00:21:46,000 --> 00:21:49,000
BUT ONE DAY SAID, "DO MORE."

229
00:21:49,000 --> 00:21:51,000
AND I DID.

230
00:21:51,000 --> 00:21:52,000
Robot:
Stee-rike!

231
00:21:52,000 --> 00:21:55,000
HOW DARE YOU!

232
00:21:55,000 --> 00:21:57,000
THAT BALL WAS
PRACTICALLY IN THE DIRT.

233
00:21:57,000 --> 00:21:58,000
One more display of temper

234
00:21:58,000 --> 00:22:01,000
and I shall be forced
to eject you from the game.

235
00:22:01,000 --> 00:22:03,000
YOU WILL EJECT ME?

236
00:22:03,000 --> 00:22:05,000
WHY, YOU MONSTROUS, MECHANIZED,
MISGUIDED MORON!

237
00:22:05,000 --> 00:22:06,000
Out!

238
00:22:06,000 --> 00:22:08,000
You are out
of the game!

239
00:22:08,000 --> 00:22:12,000
Shatner:
AN INSTANT HIT WITH VIEWERS,
IF NOT ALWAYS WITH CRITICS

240
00:22:12,000 --> 00:22:14,000
LOST IN SPACE

241
00:22:14,000 --> 00:22:18,000
AND THE CREW OF THE JUPITER II
TRAV GALAXY

242
00:22:18,000 --> 00:22:19,000
FOR THREE SEASONS

243
00:22:19,000 --> 00:22:22,000
AND 83 INCREASINGLY
BIZARRE EPISODES.

244
00:22:22,000 --> 00:22:24,000
( screams )

245
00:22:24,000 --> 00:22:29,000
( singing "Cielito Lindo" )

246
00:22:30,000 --> 00:22:32,000
Warning, warning,
alien approaching.

247
00:22:32,000 --> 00:22:35,000
( sings operatic high note )

248
00:22:35,000 --> 00:22:38,000
LOST IN SPACE'S COLORFUL
AND IMAGINATIVE APPROACH

249
00:22:38,000 --> 00:22:40,000
HAVE MADE IT
ONE OF THE MOST POPULAR

250
00:22:40,000 --> 00:22:43,000
AND BEST-LOVED SCIENCE FICTION
SHOWS OF ALL TIME.

251
00:22:43,000 --> 00:22:44,000
( clears throat  )

252
00:22:44,000 --> 00:22:46,000
Excuse me, Bill

253
00:22:46,000 --> 00:22:48,000
but you failed to mention
that I was the star.

254
00:22:48,000 --> 00:22:50,000
WELL, ROBOT,
YOU WEREN'T EXACTLY

255
00:22:50,000 --> 00:22:52,000
THE ONLY STAR
OF LOST IN SPACE.

256
00:22:52,000 --> 00:22:56,000
Tell that to my agent.

257
00:22:56,000 --> 00:22:58,000
NEXT, ATTACK
OF THE MECHANICAL MEN

258
00:22:58,000 --> 00:23:03,000
AS TV GUIDE LOOKS
AT SCIENCE FICTION.

259
00:23:08,000 --> 00:23:12,000

[GUNFIRE]

260
00:23:12,000 --> 00:23:17,000
AND I START.

261
00:23:35,000 --> 00:23:36,000
From the very beginning

262
00:23:36,000 --> 00:23:38,000
robots have played
an important part

263
00:23:38,000 --> 00:23:39,000
in science fiction television.

264
00:23:39,000 --> 00:23:41,000
WAIT, WAIT,
WAIT.
Some were...

265
00:23:41,000 --> 00:23:42,000
WHAT ARE YOU DOING?

266
00:23:42,000 --> 00:23:43,000
I thought
the audience

267
00:23:43,000 --> 00:23:45,000
might appreciate
a change of pace.

268
00:23:45,000 --> 00:23:47,000
QUIET, OR I'LL
DISCONNECT YOUR POWERPACK.

269
00:23:47,000 --> 00:23:48,000
And I thought
Dr. Smith was tough.

270
00:23:48,000 --> 00:23:50,000
FROM THE VERY
BEGINNING

271
00:23:50,000 --> 00:23:51,000
ROBOTS HAVE PLAYED
AN IMPORTANT PART

272
00:23:51,000 --> 00:23:53,000
IN SCIENCE FICTION
TELEVISION.

273
00:23:53,000 --> 00:23:55,000
I said that.

274
00:23:55,000 --> 00:23:58,000
LET'S SEE, THERE WAS
HYMIE FROM GET SMART.

275
00:23:58,000 --> 00:24:00,000
And Rosie
from The Jetsons.

276
00:24:00,000 --> 00:24:04,000
Shatner:
BUT ONE OF THE MOST FAMOUS
TV ROBOTS IS ROBBY.

277
00:24:04,000 --> 00:24:07,000
AFTER DEBUTING IN THE
FILM FORBIDDEN PLANET IN 1956

278
00:24:07,000 --> 00:24:11,000
ROBBY APPEARED IN FEATURE FILMS
AND NUMEROUS TV SHOWS.

279
00:24:11,000 --> 00:24:14,000
HE EVEN APPEARED OCCASIONALLY
ON LOST IN SPACE.

280
00:24:14,000 --> 00:24:16,000
You are obviously

281
00:24:16,000 --> 00:24:20,000
of a very
primitive design.

282
00:24:20,000 --> 00:24:21,000
From now on

283
00:24:21,000 --> 00:24:24,000
I will serve
the Robinsons.

284
00:24:24,000 --> 00:24:28,000
In all ways
I am superior to you.

285
00:24:28,000 --> 00:24:30,000
The Robinsons belong to me.

286
00:24:30,000 --> 00:24:32,000
I will not give up my family.

287
00:24:32,000 --> 00:24:34,000
NO, HE'S GOING
TO FREEZE ME!

288
00:24:34,000 --> 00:24:36,000
WHAT IS HE DOING?

289
00:24:36,000 --> 00:24:37,000
His sensors
indicate

290
00:24:37,000 --> 00:24:38,000
that there
is only one

291
00:24:38,000 --> 00:24:40,000
unrehabilitated
criminal type left

292
00:24:40,000 --> 00:24:42,000
and that is you.

293
00:24:42,000 --> 00:24:44,000
EXPLAIN TO HIM.

294
00:24:44,000 --> 00:24:46,000
MAKE HIM LET ME GO!

295
00:24:46,000 --> 00:24:47,000
( beeping )

296
00:24:47,000 --> 00:24:48,000
( whirring )

297
00:24:48,000 --> 00:24:50,000
WHAT IS HE SAYING?

298
00:24:50,000 --> 00:24:52,000
HE SAID,
YOU WILL BE BACK.

299
00:24:52,000 --> 00:24:53,000
THEY ALL COME BACK.

300
00:24:53,000 --> 00:24:56,000
SO, YOU HAD A CHANCE
TO WORK WITH HIM.

301
00:24:56,000 --> 00:24:57,000
THAT MUST
HAVE BEEN FUN.

302
00:24:57,000 --> 00:24:59,000
He was mean,
selfish

303
00:24:59,000 --> 00:25:00,000
and egotistical.

304
00:25:00,000 --> 00:25:01,000
WHOA, WHOA, ROBOT.

305
00:25:01,000 --> 00:25:03,000
WHAT'S YOUR PROBLEM?

306
00:25:03,000 --> 00:25:04,000
I am sorry

307
00:25:04,000 --> 00:25:07,000
but we robots
have feelings, too.

308
00:25:07,000 --> 00:25:08,000
WELL, THE DESIRE
TO BE MORE HUMAN

309
00:25:08,000 --> 00:25:10,000
IS JUST ONE
OF THE MANY TRAITS

310
00:25:10,000 --> 00:25:11,000
OF THE TV ROBOT.

311
00:25:11,000 --> 00:25:14,000
YOU CAN THINK
AND YOU CAN ACT.

312
00:25:14,000 --> 00:25:16,000
BUT WHAT ABOUT
THE EMOTIONAL ASPECTS?

313
00:25:16,000 --> 00:25:20,000
Shatner:
IN 1964, A FEMALE ROBOT
EVEN GOT HER OWN SERIES

314
00:25:20,000 --> 00:25:23,000
IN THE PERSON
OF BEAUTIFUL JULIE NEWMAR.

315
00:25:23,000 --> 00:25:25,000
THIS BLANKET OF YOURS
HAS GOT TO GO.

316
00:25:25,000 --> 00:25:27,000
VERY WELL.

317
00:25:27,000 --> 00:25:28,000
NO...

318
00:25:28,000 --> 00:25:29,000
NO!

319
00:25:29,000 --> 00:25:31,000
NOT NOW.

320
00:25:31,000 --> 00:25:32,000
NO, NOT NOW!

321
00:25:32,000 --> 00:25:34,000
BOY, I'VE GOT
TO BE CAREFUL

322
00:25:34,000 --> 00:25:35,000
WHAT I TELL YOU,
DON'T I?

323
00:25:35,000 --> 00:25:37,000
TELL ME ANYTHING
YOU LIKE.

324
00:25:37,000 --> 00:25:39,000
IF IT'S PICKED UP
ON MY COMPUTERS

325
00:25:39,000 --> 00:25:40,000
I RESPOND
IMMEDIATELY.

326
00:25:40,000 --> 00:25:42,000
YEAH, THAT'S WHAT
I'M AFRAID OF.

327
00:25:42,000 --> 00:25:44,000
PETER, I'D LIKE YOU
TO MEET... RHODA.

328
00:25:44,000 --> 00:25:45,000
( hoarsely ):
HI, THERE.

329
00:25:45,000 --> 00:25:47,000
( imitates hoarseness ):
HI, THERE.

330
00:25:47,000 --> 00:25:49,000
YEAH, RHODA AND I
ARE GOING TO BE WORKING

331
00:25:49,000 --> 00:25:51,000
ON A LITTLE, UH,
LITTLE PROJECT.

332
00:25:51,000 --> 00:25:52,000
OH, WELL,
ISN'T THAT NICE.

333
00:25:52,000 --> 00:25:54,000
IS IT SOMETHING
CONFIDENTIAL

334
00:25:54,000 --> 00:25:55,000
OR SHOULDN'T I
ASK ANY QUESTIONS?

335
00:25:55,000 --> 00:25:57,000
ASK ANY QUESTIONS YOU LIKE.

336
00:25:57,000 --> 00:25:59,000
MY MEMORY BANK HAS BEEN FED

337
00:25:59,000 --> 00:26:01,000
WITH OVER 50 MILLION
ITEMS OF INFORMATION

338
00:26:01,000 --> 00:26:04,000
WHICH I CAN COMPUTE
IN LESS THAN ONE SECOND.

339
00:26:04,000 --> 00:26:06,000
THIS IS A RECORDING.

340
00:26:06,000 --> 00:26:07,000
Shatner:
BUT THE SERIES

341
00:26:07,000 --> 00:26:08,000
STARRING BOB CUMMINGS

342
00:26:08,000 --> 00:26:10,000
LASTED ONLY ONE SEASON

343
00:26:10,000 --> 00:26:14,000
AND RHODA THE ROBOT
WAS SENT TO THE SCRAP PILE.

344
00:26:14,000 --> 00:26:16,000
PRODUCED MORE
THAN A DECADE LATER

345
00:26:16,000 --> 00:26:18,000
HOLMES & YOYO

346
00:26:18,000 --> 00:26:19,000
CO-STARRING JOHN SCHUCK

347
00:26:19,000 --> 00:26:21,000
AND RICHARD SHULL

348
00:26:21,000 --> 00:26:22,000
AS A 427-POUND CYBERNETIC COP

349
00:26:22,000 --> 00:26:25,000
AND HIS ALL-TOO-HUMAN PARTNER.

350
00:26:25,000 --> 00:26:28,000
UH, WE'RE NOT HERE
TO WATCH THE GAME, YOYO.

351
00:26:28,000 --> 00:26:31,000
SORRY.

352
00:26:31,000 --> 00:26:34,000
( pinging )

353
00:26:34,000 --> 00:26:38,000
WHAT ARE YOU DOING?

354
00:26:38,000 --> 00:26:41,000
I'M KEEPING THE MAGNET.

355
00:26:41,000 --> 00:26:42,000
HERE, LET'S GO.

356
00:26:42,000 --> 00:26:44,000
( pings )

357
00:26:44,000 --> 00:26:46,000
Shatner:
SHE WAS FANTASTIC,
MADE OF PLASTIC

358
00:26:46,000 --> 00:26:48,000
AND THIS SMALL WONDER
WAS A ROBOT

359
00:26:48,000 --> 00:26:50,000
BUILT IN THE FORM
OF A TEN-YEAR-OLD GIRL

360
00:26:50,000 --> 00:26:52,000
NAMED VICKI.

361
00:26:52,000 --> 00:26:54,000
RELEASED IN SYNDICATION

362
00:26:54,000 --> 00:26:56,000
SMALL WONDER BECAME A HIT
WITH YOUNG VIEWERS

363
00:26:56,000 --> 00:26:59,000
AND THE LONGEST-RUNNING
ROBOT SERIES ON TELEVISION

364
00:26:59,000 --> 00:27:01,000
AND ON ONLY ONE SET
OF BATTERIES.

365
00:27:01,000 --> 00:27:03,000
THERE'S GOT TO BE
A BETTER WAY

366
00:27:03,000 --> 00:27:05,000
TO GET RID
OF THESE LEAVES.

367
00:27:05,000 --> 00:27:10,000
A BETTER WAY TO GET RID
OF THESE LEAVES?

368
00:27:18,000 --> 00:27:19,000
SO, YOU CAN SEE,
ROBOT

369
00:27:19,000 --> 00:27:22,000
THAT THERE'S BEEN
A REAL TREND ON TELEVISION

370
00:27:22,000 --> 00:27:24,000
TO MAKE ROBOTS
MORE HUMAN.

371
00:27:24,000 --> 00:27:26,000
And do not forget
about the shows

372
00:27:26,000 --> 00:27:31,000
that made humans
into robots.

373
00:27:32,000 --> 00:27:33,000
Shatner:
STARRING LEE MAJORS

374
00:27:33,000 --> 00:27:35,000
THE SIX MILLION DOLLAR MAN

375
00:27:35,000 --> 00:27:38,000
CONCERNED STEVE AUSTIN,
A U.S. ASTRONAUT

376
00:27:38,000 --> 00:27:41,000
WHO, FOLLOWING
A HORRIBLE ACCIDENT

377
00:27:41,000 --> 00:27:43,000
IS TRANSFORMED
INTO A HALF-MAN, HALF-ROBOT.

378
00:27:43,000 --> 00:27:45,000
FOR FIVE SEASONS
ON THE ABC NETWORK

379
00:27:45,000 --> 00:27:46,000
STEVE AUSTIN HANDLED

380
00:27:46,000 --> 00:27:51,000
THE GOVERNMENT'S
MOST DANGEROUS ASSIGNMENTS.

381
00:27:52,000 --> 00:27:54,000
HOW YOU ABLE
TO DO THAT?

382
00:27:54,000 --> 00:27:55,000
VITAMINS.

383
00:27:55,000 --> 00:27:57,000
Shatner:
HE TACKLED BIGFOOT...

384
00:27:57,000 --> 00:27:58,000
( growling )

385
00:27:58,000 --> 00:28:01,000
ALIENS...

386
00:28:01,000 --> 00:28:05,000
A SEVEN MILLION DOLLAR MAN...

387
00:28:05,000 --> 00:28:08,000
AND EVEN THIS LOVELY
BIONIC LADY.

388
00:28:08,000 --> 00:28:10,000
DON'T GET FRESH
WITH ME

389
00:28:10,000 --> 00:28:11,000
BECAUSE I'M
THE ONE PERSON

390
00:28:11,000 --> 00:28:12,000
THAT CAN
FIGHT YOU OFF.

391
00:28:12,000 --> 00:28:14,000
Shatner:
HER NAME WAS JAIME SOMMERS

392
00:28:14,000 --> 00:28:17,000
AND SHE COULD RUN
65 MILES AN HOUR

393
00:28:17,000 --> 00:28:21,000
JUMP 30 FEET INTO THE AIR...

394
00:28:21,000 --> 00:28:24,000
AND HEAR THINGS
A HALF A MILE AWAY.

395
00:28:24,000 --> 00:28:25,000
( pulsing )

396
00:28:25,000 --> 00:28:26,000
UH, WHAT EXACTLY IS IT

397
00:28:26,000 --> 00:28:28,000
THAT UNCLE SAM
EXPECTS IN RETURN?

398
00:28:28,000 --> 00:28:31,000
WELL, I GUESS HE WANTS YOU
TO BE PART OF THE TEAM.

399
00:28:31,000 --> 00:28:35,000
Shatner:
FOR A WHILE,
IT SEEMED THE BIONIC DUO

400
00:28:35,000 --> 00:28:37,000
WAS TRULY INDESTRUCTIBLE.

401
00:28:37,000 --> 00:28:38,000
( gunshot )

402
00:28:38,000 --> 00:28:40,000
THE SIX MILLION DOLLAR MAN

403
00:28:40,000 --> 00:28:43,000
AND THE BIONIC WOMAN WENT ON
TO RECEIVE NUMEROUS AWARDS

404
00:28:43,000 --> 00:28:45,000
INCLUDING AN EMMY
FOR LINDSAY WAGNER

405
00:28:45,000 --> 00:28:47,000
AS BEST ACTRESS
IN A DRAMATIC SERIES.

406
00:28:47,000 --> 00:28:49,000
All I ever got
was a lunch box

407
00:28:49,000 --> 00:28:51,000
with my picture
on it.

408
00:28:51,000 --> 00:28:53,000
ANYTHING ELSE PERTINENT
TO ADD, ROBOT?

409
00:28:53,000 --> 00:28:56,000
Negative, and according
to my sub-atomic clock

410
00:28:56,000 --> 00:28:58,000
we seem to be running
short on time.

411
00:28:58,000 --> 00:28:59,000
NONSENSE,
ROBOT.

412
00:28:59,000 --> 00:29:01,000
TIME IS NEVER A PROBLEM

413
00:29:01,000 --> 00:29:02,000
IN SCIENCE FICTION TV.

414
00:29:02,000 --> 00:29:04,000
Warning, warning!

415
00:29:04,000 --> 00:29:06,000
My sensors indicate

416
00:29:06,000 --> 00:29:08,000
another topic
is approaching.

417
00:29:08,000 --> 00:29:10,000
THAT'S RIGHT: TIME TRAVEL.

418
00:29:10,000 --> 00:29:14,000
This is my cue to leave.

419
00:29:14,000 --> 00:29:15,000
SPECULATION ABOUT TIME TRAVEL

420
00:29:15,000 --> 00:29:17,000
IS ALMOST AS OLD AS TIME ITSELF.

421
00:29:17,000 --> 00:29:20,000
IN NUMEROUS BOOKS, PLAYS
AND MOTION PICTURES

422
00:29:20,000 --> 00:29:22,000
CREATIVE MINDS
HAVE PONDERED THE QUESTION

423
00:29:22,000 --> 00:29:24,000
ABOUT WHAT LIFE WOULD BE LIKE

424
00:29:24,000 --> 00:29:29,000
IF WE COULD TRAVEL THROUGH
AND EVEN, PERHAPS, ALTER TIME.

425
00:29:31,000 --> 00:29:32,000
SO, THAT'S
THE MONSTER

426
00:29:32,000 --> 00:29:34,000
THAT'S COST US
ALL THIS MONEY, HMM?

427
00:29:34,000 --> 00:29:38,000
Shatner:
IN 1966, IRWIN ALLEN
CREATED THE TIME TUNNEL

428
00:29:38,000 --> 00:29:41,000
ABOUT A SECRET GOVERNMENT
PROJECT GONE AWRY.

429
00:29:41,000 --> 00:29:43,000
I'M GLAD YOU WERE
INTERESTED ENOUGH

430
00:29:43,000 --> 00:29:45,000
IN OUR PROJECT
TO PAY US

431
00:29:45,000 --> 00:29:46,000
A PERSONAL CALL,
SENATOR.

432
00:29:46,000 --> 00:29:48,000
LET'S JUST SAY
I DON'T LIKE

433
00:29:48,000 --> 00:29:49,000
TO SCRAP BILLIONS
OF DOLLARS

434
00:29:49,000 --> 00:29:51,000
BY JUST
SENDING A MEMO.

435
00:29:51,000 --> 00:29:52,000
SCRAP?!

436
00:29:52,000 --> 00:29:54,000
BUT WE'RE SO
CLOSE NOW!

437
00:29:54,000 --> 00:29:55,000
CLOSE TO WHAT,
SON?

438
00:29:55,000 --> 00:29:57,000
TO SENDING A MAN BACK IN TIME

439
00:29:57,000 --> 00:29:58,000
AND RETURNING HIM, OF COURSE.

440
00:29:58,000 --> 00:30:00,000
WELL THEN, DO IT.

441
00:30:00,000 --> 00:30:01,000
NO MORE PROMISES, BOYS.

442
00:30:01,000 --> 00:30:04,000
Shatner:
STARRING JAMES DARREN
AS TONY NEWMAN

443
00:30:04,000 --> 00:30:06,000
AND ROBERT COLBERT
AS DOUG PHILLIPS

444
00:30:06,000 --> 00:30:09,000
THE SERIES FEATURED
STRONG STORIES

445
00:30:09,000 --> 00:30:11,000
SPECTACULAR SPECIAL EFFECTS

446
00:30:11,000 --> 00:30:16,000
AND LOTS
OF INEXPENSIVE STOCK FOOTAGE.

447
00:30:16,000 --> 00:30:18,000
CAPTAIN,
I MUST SPEAK TO YOU.

448
00:30:18,000 --> 00:30:19,000
IT'S VERY IMPORTANT.

449
00:30:19,000 --> 00:30:21,000
THIS SHIP IS THE TITANIC.

450
00:30:21,000 --> 00:30:22,000
THAT'S WHAT YOU
HAD TO SAY?

451
00:30:22,000 --> 00:30:26,000
I'M PART OF A SCIENTIFIC TEAM
IN THE YEAR 1968.

452
00:30:26,000 --> 00:30:28,000
WE'VE BEEN EXPERIMENTING
WITH TIME DISPLACEMENT.

453
00:30:28,000 --> 00:30:31,000
I'VE BEEN SENT BACK IN TIME
TO THIS SHIP.

454
00:30:31,000 --> 00:30:34,000
TO THIS MOMENT,
MONTH AND YEAR.

455
00:30:34,000 --> 00:30:37,000
I REALLY ENJOYED DOING THIS SHOW

456
00:30:37,000 --> 00:30:38,000
BECAUSE I COULDN'T WAIT

457
00:30:38,000 --> 00:30:40,000
FOR WHAT MIGHT HAPPEN NEXT WEEK,
SCRIPTWISE.

458
00:30:40,000 --> 00:30:43,000
SOMETHING WOULD COME IN,
WE WOULD TRAVEL

459
00:30:43,000 --> 00:30:45,000
TO THE ASSASSINATION
OF ABRAHAM LINCOLN

460
00:30:45,000 --> 00:30:46,000
OR WHATEVER IT MIGHT BE.

461
00:30:46,000 --> 00:30:50,000
THIS PLACE IS LIKE
SOME GIGANTIC HOTHOUSE.

462
00:30:50,000 --> 00:30:52,000
MAYBE IT'S...
MAYBE IT'S AN ISLAND.

463
00:30:52,000 --> 00:30:55,000
MAN, RIGHT NOW
I'D SETTLE FOR THE AMAZON

464
00:30:55,000 --> 00:30:58,000
AS LONG AS IT WAS
A 1968 AMAZON.

465
00:30:58,000 --> 00:31:03,000
( dinosaur bellows )

466
00:31:07,000 --> 00:31:10,000
WE HAD THE FINEST CREWS,
THE FINEST STAGES

467
00:31:10,000 --> 00:31:13,000
THE FINEST SETS,
THE FINEST LOCATION SHOTS.

468
00:31:13,000 --> 00:31:18,000
TV program announcer:
THIS IS THE INCREDIBLE TIME
TUNNEL IN THE WEEKS TO COME.

469
00:31:18,000 --> 00:31:19,000
IT WAS VERY INTERESTING

470
00:31:19,000 --> 00:31:22,000
BECAUSE WE WERE IN KRAKATOA
ONE DAY

471
00:31:22,000 --> 00:31:24,000
ON THE MOON THE NEXT.

472
00:31:24,000 --> 00:31:25,000
LOOK!

473
00:31:25,000 --> 00:31:27,000
WE'RE STRANDED.

474
00:31:27,000 --> 00:31:29,000
Announcer:
THE EXCITING PAST!

475
00:31:29,000 --> 00:31:31,000
THE BREATHTAKING FUTURE!

476
00:31:31,000 --> 00:31:36,000
THE TIME TUNNEL,
NEXT WEEK ON THIS CHANNEL.

477
00:31:37,000 --> 00:31:41,000
Shatner:
OF COURSE, NOT ALL STORIES ABOUT
TIME TRAVEL WERE SO SERIOUS.

478
00:31:41,000 --> 00:31:43,000
FEATURED AS PART OF JAY WARD'S

479
00:31:43,000 --> 00:31:46,000
CLASSIC ROCKY AND
BULLWINKLE CARTOON SERIES

480
00:31:46,000 --> 00:31:49,000
MR. PEABODY
AND HIS PET BOY SHERMAN

481
00:31:49,000 --> 00:31:51,000
TOOK AUDIENCES BACK IN TIME

482
00:31:51,000 --> 00:31:54,000
AND TAUGHT MILLIONS OF
IMPRESSIONABLE YOUNG VIEWERS

483
00:31:54,000 --> 00:31:57,000
LITTLE-KNOWN FACTS
ABOUT HISTORY.

484
00:31:57,000 --> 00:31:59,000
MR. PEABODY, LOOK
AT ALL THE BAYONETS!

485
00:31:59,000 --> 00:32:01,000
Mr. Peabody:
THAT GAVE ME AN IDEA.

486
00:32:01,000 --> 00:32:03,000
WE PLACED A HOT DOG ON
THE END OF EACH BAYONET.

487
00:32:03,000 --> 00:32:05,000
THE SOLDIERS ASSUMED
THEY WERE AT A WIENIE BAKE

488
00:32:05,000 --> 00:32:07,000
AND, BEING GERMAN, RUSHED OFF
TO GET SOME SAUERKRAUT.

489
00:32:07,000 --> 00:32:09,000
WE DID IT, MR. PEABODY.

490
00:32:09,000 --> 00:32:11,000
YES, DON'T WE ALWAYS?

491
00:32:11,000 --> 00:32:14,000
Shatner:
PERHAPS THE MOST THOUGHT-
PROVOKING AND SUCCESSFUL

492
00:32:14,000 --> 00:32:17,000
OF ALL THE SERIES
DEALING WITH TIME TRAVEL

493
00:32:17,000 --> 00:32:19,000
WAS THE CRITICALLY
ACCLAIMED QUANTUM LEAP

494
00:32:19,000 --> 00:32:23,000
STARRING SCOTT BAKULA
AND DEAN STOCKWELL.

495
00:32:23,000 --> 00:32:26,000
QUANTUM LEAP
LEAPT ACROSS THE AIRWAVES

496
00:32:26,000 --> 00:32:27,000
FOR FOUR NETWORK SEASONS

497
00:32:27,000 --> 00:32:31,000
AND TOOK VIEWERS
ON A SERIES OF AMAZING JOURNEYS.

498
00:32:31,000 --> 00:32:33,000
HERE, ONE PERSON
COULD CHANGE HISTORY...

499
00:32:33,000 --> 00:32:38,000
IF ONLY TO SET RIGHT
WHAT HAD ONCE GONE WRONG.

500
00:32:38,000 --> 00:32:42,000
ONE END OF THIS STRING
REPRESENTS YOUR BIRTH.

501
00:32:42,000 --> 00:32:44,000
THE OTHER END, YOUR DEATH.

502
00:32:44,000 --> 00:32:47,000
YOU TIE THE ENDS TOGETHER
AND YOUR LIFE IS A LOOP.

503
00:32:47,000 --> 00:32:51,000
BALL THE LOOP...

504
00:32:51,000 --> 00:32:53,000
AND THE DAYS
OF YOUR LIFE

505
00:32:53,000 --> 00:32:55,000
TOUCH EACH OTHER
OUT OF SEQUENCE.

506
00:32:55,000 --> 00:32:58,000
WHICH IS OUR PROJECT:
QUANTUM LEAP.

507
00:32:58,000 --> 00:33:01,000
Shatner:
BY THE TIME THE SERIES
ENDED IN 1993

508
00:33:01,000 --> 00:33:06,000
SCOTT BAKULA HAD EARNED A
GOLDEN GLOBE FOR HIS PERFORMANCE

509
00:33:06,000 --> 00:33:10,000
AND QUANTUM LEAP WENT ON
TO BECOME A SCI-FI CLASSIC.

510
00:33:10,000 --> 00:33:12,000
STAR TREK,
ALIEN NATION AND X-FILES

511
00:33:12,000 --> 00:33:15,000
AS TV GUIDE LOOKS
AT SCIENCE FICTION.

512
00:33:15,000 --> 00:33:20,000
]

513
00:33:27,000 --> 00:33:31,000
[PUNK ROCK PLAYS]

514
00:33:31,000 --> 00:33:34,000
INTRUCG THL-NEW...

515
00:33:34,000 --> 00:33:36,000
MORE POWERFUL...

516
00:33:36,000 --> 00:33:41,000
BETTER-HANDLING
HONDA PRELUDE.

517
00:33:42,000 --> 00:33:46,000
CHOOSE YOUR ACCESSORIES
WITH CAUTION.

518
00:33:46,000 --> 00:33:48,000
HELLO, PIZZA HUT?
HOW MUCH IS ONE OF
YOUR NEW PIZZAS?

519
00:33:48,000 --> 00:33:51,000
$8.99.

520
00:33:51,000 --> 00:33:55,000
THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.

521
00:33:55,000 --> 00:33:57,000
ITS FIVE-YEAR MISSION:

522
00:33:57,000 --> 00:34:00,000
TO EXPLORE STRANGE NEW WORLDS...

523
00:34:00,000 --> 00:34:04,000
TO SEEK OUT NEW LIFE
AND NEW CIVILIZATIONS...

524
00:34:04,000 --> 00:34:09,000
TO BOLDLY GO
WHERE NO MAN HAS GONE BEFORE.

525
00:34:09,000 --> 00:34:12,000
IN 1965, TELEVISION PRODUCER
GENE RODDENBERRY

526
00:34:12,000 --> 00:34:15,000
APPROACHED EXECUTIVES
AT THE NBC NETWORK

527
00:34:15,000 --> 00:34:18,000
WITH AN UNUSUAL IDEA
FOR A TELEVISION SERIES.

528
00:34:18,000 --> 00:34:22,000
IT WOULD BE SET IN DEEP SPACE,
ABOUT 300 YEARS INTO THE FUTURE

529
00:34:22,000 --> 00:34:26,000
AND FOCUS ON THE ADVENTURES
OF A STARSHIP CAPTAIN

530
00:34:26,000 --> 00:34:28,000
AND HIS CREW
AS THEY EXPLORE THE GALAXY.

531
00:34:28,000 --> 00:34:31,000
BUT UNLIKE OTHER SHOWS
OF ITS KIND

532
00:34:31,000 --> 00:34:33,000
THIS ONE WOULD BE
TARGETED AT ADULTS.

533
00:34:33,000 --> 00:34:37,000
THE EXECUTIVES
CAUTIOUSLY ACCEPTED THE IDEA

534
00:34:37,000 --> 00:34:39,000
BUT ONLY AFTER THEY WERE SURE

535
00:34:39,000 --> 00:34:42,000
IT WOULD BE A KIND OF
WAGON TRAIN TO THE STARS.

536
00:34:42,000 --> 00:34:47,000
( Star Trek theme music )

537
00:34:50,000 --> 00:34:52,000
SHIP-TO-SHIP.

538
00:34:52,000 --> 00:34:55,000
HAILING FREQUENCIES OPEN, SIR.

539
00:34:55,000 --> 00:34:57,000
THIS IS THE UNITED EARTH
SHIP ENTERPRISE.

540
00:34:57,000 --> 00:35:00,000
WE CONVEY GREETINGS
AND AWAIT YOUR REPLY.

541
00:35:00,000 --> 00:35:03,000
Shatner:
WHEN IT PREMIERED
ON SEPTEMBER 8, 1966

542
00:35:03,000 --> 00:35:05,000
STAR TREK'S INTEGRATED CAST

543
00:35:05,000 --> 00:35:07,000
AND POSITIVE VISION
OF THE FUTURE

544
00:35:07,000 --> 00:35:11,000
WERE SEEN AS HOPEFUL MESSAGES
TO A WORLD STILL DIVIDED

545
00:35:11,000 --> 00:35:14,000
BY RACISM, WAR AND INTOLERANCE.

546
00:35:14,000 --> 00:35:17,000
RECENT EVENTS WOULD SEEM TO BE
DIRECTED TOWARD A MAGNIFICATION

547
00:35:17,000 --> 00:35:21,000
OF THE BASIC HOSTILITIES
BETWEEN HUMANS AND KLINGONS.

548
00:35:21,000 --> 00:35:25,000
APPARENTLY, IT IS BY DESIGN
THAT WE FIGHT.

549
00:35:25,000 --> 00:35:27,000
WE SEEM TO BE PAWNS.

550
00:35:27,000 --> 00:35:28,000
BUT WHAT'S THE GAME?

551
00:35:28,000 --> 00:35:32,000
AND WHOSE?

552
00:35:32,000 --> 00:35:33,000
LOOK!

553
00:35:33,000 --> 00:35:36,000
FOR THE REST
OF OUR LIVES--

554
00:35:36,000 --> 00:35:38,000
A THOUSAND LIFETIMES--

555
00:35:38,000 --> 00:35:40,000
SENSELESS VIOLENCE

556
00:35:40,000 --> 00:35:42,000
FIGHTING, WHILE A...

557
00:35:42,000 --> 00:35:43,000
AN ALIEN

558
00:35:43,000 --> 00:35:46,000
HAS TOTAL CONTROL
OVER US.

559
00:35:46,000 --> 00:35:48,000
( clattering )

560
00:35:48,000 --> 00:35:50,000
Shatner:
UNFORTUNATELY, THAT ENTHUSIASM

561
00:35:50,000 --> 00:35:53,000
DIDN'T SEEM TO BE SHARED
BY MOST ADULT AUDIENCES.

562
00:35:53,000 --> 00:35:56,000
THEY COULDN'T SEEM TO GET PAST
THE SERIES' FUTURISTIC EXTERIOR.

563
00:35:56,000 --> 00:35:58,000
( siren blaring )
WHAT'S GOING ON DOWN THERE?

564
00:35:58,000 --> 00:36:03,000
HE'S NOT ABLE TO ANSWER YOU,
AT THE MOMENT, CAPTAIN.

565
00:36:03,000 --> 00:36:04,000
Your ship is mine.

566
00:36:04,000 --> 00:36:08,000
I have shut off the life support
system to your bridge.

567
00:36:08,000 --> 00:36:10,000
Jammed up your exit routes.

568
00:36:10,000 --> 00:36:13,000
I am willing to negotiate.

569
00:36:13,000 --> 00:36:15,000
Shatner:
DESPITE SOPHISTICATED STORIES

570
00:36:15,000 --> 00:36:18,000
DEALING WITH TOPICAL
SOCIAL ISSUES

571
00:36:18,000 --> 00:36:21,000
THE SHOW LANGUISHED
IN THE RATINGS.

572
00:36:21,000 --> 00:36:23,000
AFTER ONLY THREE YEARS
AND 79 EPISODES

573
00:36:23,000 --> 00:36:26,000
STAR TREK'S FIVE-YEAR MISSION
WAS TERMINATED

574
00:36:26,000 --> 00:36:29,000
AND THE ENTERPRISE
WAS FORCED INTO DRY DOCK.

575
00:36:29,000 --> 00:36:32,000
CAPTAIN, THE ENTERPRISE
IS UP THERE.

576
00:36:32,000 --> 00:36:37,000
THEY'RE ASKING
IF WE WANT TO BEAM UP.

577
00:36:39,000 --> 00:36:44,000
LET'S GET THE HELL OUT OF HERE.

578
00:36:54,000 --> 00:36:58,000
WHEN STAR TREK LEFT
OUR TV UNIVERSE IN 1969

579
00:36:58,000 --> 00:37:02,000
SO FOR THE MOST PART DID
PRIME-TIME SCIENCE FICTION.

580
00:37:02,000 --> 00:37:05,000
DESPITE THE GROWING LEGIONS
OF NEW FANS

581
00:37:05,000 --> 00:37:08,000
WHO WERE MAKING STAR TREK
A HIT IN RERUN SYNDICATION

582
00:37:08,000 --> 00:37:13,000
NETWORKS STILL SAW SCIENCE
FICTION AS A GENRE FOR CHILDREN.

583
00:37:14,000 --> 00:37:17,000
TV program announcer:
THEIR NAMES: FI AND FUM.

584
00:37:17,000 --> 00:37:18,000
THEIR GOAL: TO EXPLORE EARTH

585
00:37:18,000 --> 00:37:21,000
WITH TWO YOUNG EARTHLINGS
TO GUIDE THEM.

586
00:37:21,000 --> 00:37:22,000
JIM NABORS AND RUTH BUZZI STAR

587
00:37:22,000 --> 00:37:25,000
IN THE FUNNIEST
SCIENCE FICTION EVER--

588
00:37:25,000 --> 00:37:26,000
THE LOST SAUCER.

589
00:37:26,000 --> 00:37:31,000
♪ .. IN THE LOST SAUCER.

590
00:37:31,000 --> 00:37:34,000
Shatner:
ONE NOBLE ATTEMPT
TO PROVE THE NETWORKS WRONG

591
00:37:34,000 --> 00:37:37,000
WAS THIS POPULAR
BRITISH SERIES, SPACE: 1999.

592
00:37:37,000 --> 00:37:40,000
STARRING MARTIN LANDAU
AND BARBARA BAIN

593
00:37:40,000 --> 00:37:43,000
THE SERIES FOLLOWED
THE ADVENTURES

594
00:37:43,000 --> 00:37:44,000
OF MOONBASE ALPHA

595
00:37:44,000 --> 00:37:46,000
AFTER NUCLEAR EXPLOSIONS
SENT IT AND THE MOON

596
00:37:46,000 --> 00:37:48,000
HURTLING DEEP INTO SPACE.

597
00:37:48,000 --> 00:37:53,000
( creature roaring )

598
00:37:55,000 --> 00:38:00,000
HOLD YOUR FIRE!

599
00:38:00,000 --> 00:38:05,000
( grunting )

600
00:38:05,000 --> 00:38:07,000
( creature growling )

601
00:38:07,000 --> 00:38:12,000
( growling fades )

602
00:38:13,000 --> 00:38:18,000
( panting )

603
00:38:18,000 --> 00:38:21,000
Shatner:
BUT DESPITE A LAVISH BUDGET
AND IMPRESSIVE SPECIAL EFFECTS

604
00:38:21,000 --> 00:38:23,000
THE SERIES WAS CANCELED

605
00:38:23,000 --> 00:38:28,000
AFTER ONLY 48 EPISODES.

606
00:38:28,000 --> 00:38:30,000
THEN, STAR WARS

607
00:38:30,000 --> 00:38:34,000
WITH ITS SWASHBUCKLING TALE
OF LUKE SKYWALKER

608
00:38:34,000 --> 00:38:36,000
AND A SMALL BAND OF REBELS

609
00:38:36,000 --> 00:38:38,000
FIGHTI AN EVIL
GALACTIC EMPIRE.

610
00:38:38,000 --> 00:38:41,000
GEORGE LUCAS'S STAR WARS
BURST UPON THE WORLD

611
00:38:41,000 --> 00:38:42,000
LIKE NOTHING BEFORE.

612
00:38:42,000 --> 00:38:47,000
Red base, one minute and 30...

613
00:39:01,000 --> 00:39:04,000
Stand by.

614
00:39:04,000 --> 00:39:06,000
Shatner:
ALMOST OVERNIGHT,
SCIENCE FICTION

615
00:39:06,000 --> 00:39:08,000
BECAME THE YEAR'S "HOT" GENRE

616
00:39:08,000 --> 00:39:12,000
AND NETWORKS STARTED SCRAMBLING
TO WARM THEMSELVES.

617
00:39:12,000 --> 00:39:15,000
THE FIRST SERIES
TO CATCH THE STAR WARS WAVE

618
00:39:15,000 --> 00:39:18,000
WAS BATTLESTAR GALACTICA,
WITH SPECIAL EFFECTS

619
00:39:18,000 --> 00:39:19,000
BY JOHN DYKSTRA.

620
00:39:19,000 --> 00:39:22,000
THE SHOW CONCERNED
A SMALL FLEET OF HUMANS

621
00:39:22,000 --> 00:39:25,000
AS THEY SEARCHED THE STARS
FOR A SAFE HAVEN

622
00:39:25,000 --> 00:39:26,000
FROM THEIR ROBOT ENEMIES.

623
00:39:26,000 --> 00:39:29,000
MR. PRESIDENT, A WALL
OF UNIDENTIFIED CRAFT

624
00:39:29,000 --> 00:39:32,000
IS CLOSING IN ON THE FLEET.

625
00:39:32,000 --> 00:39:37,000
( craft firing )

626
00:39:38,000 --> 00:39:43,000
ENEMY CLOSING, 70 MICRONS.

627
00:39:47,000 --> 00:39:48,000
CLUSTER THE SHIELD, NOW!

628
00:39:48,000 --> 00:39:52,000
LAUNCH FIGHTERS!

629
00:39:52,000 --> 00:39:57,000
Shatner:
COSTING A RECORD $1 MILLION
AN EPISODE

630
00:39:57,000 --> 00:39:59,000
THE SHOW WAS A FEAST
OF TECHNOLOGICAL WIZARDRY

631
00:39:59,000 --> 00:40:03,000
AND HEROIC CHARACTERS.

632
00:40:03,000 --> 00:40:04,000
ENTERPRISE

633
00:40:04,000 --> 00:40:07,000
THIS IS ADMIRAL KIRK'S
PARTY ON FINAL APPROACH.

634
00:40:07,000 --> 00:40:09,000
Woman:
Enterprise welcomes you.

635
00:40:09,000 --> 00:40:11,000
Prepare for docking.

636
00:40:11,000 --> 00:40:13,000
Shatner:
AFTER RECORD RATINGS
IN SYNDICATION

637
00:40:13,000 --> 00:40:16,000
AND AN UNPRECEDENTED CAMPAIGN
BY MILLIONS OF LOYAL FANS

638
00:40:16,000 --> 00:40:19,000
STAR TREK WAS ENJOYING NEW LIFE

639
00:40:19,000 --> 00:40:22,000
AS A SERIES
OF BIG SCREEN BLOCKBUSTERS.

640
00:40:22,000 --> 00:40:24,000
I SHALL LEAVE YOU
AS YOU LEFT ME.

641
00:40:24,000 --> 00:40:29,000
Marooned for all eternity
in the center of a dead planet.

642
00:40:32,000 --> 00:40:35,000
BURIED ALIVE.

643
00:40:35,000 --> 00:40:38,000
KHAN!

644
00:40:38,000 --> 00:40:43,000
PHASERS TO STARBOARD!

645
00:40:47,000 --> 00:40:51,000
FIRE.

646
00:40:51,000 --> 00:40:55,000
Shatner:
THE SUCCESS OF THESE FILMS
INSPIRED PARAMOUNT PICTURES

647
00:40:55,000 --> 00:40:57,000
TO APPROACH GENE RODDENBERRY

648
00:40:57,000 --> 00:40:59,000
WITH THE IDEA
OF AN ALL-NEW STAR TREK SERIES.

649
00:40:59,000 --> 00:41:03,000
Captain Jean-Luc Picard:
SPACE: THE FINAL FRONTIER.

650
00:41:03,000 --> 00:41:08,000
THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.

651
00:41:08,000 --> 00:41:12,000
Shatner:
STARRING PATRICK STEWART
AS CAPTAIN JEAN-LUC PICARD

652
00:41:12,000 --> 00:41:16,000
THE UPDATED ENTERPRISE
AND HER CREW SET OUT

653
00:41:16,000 --> 00:41:20,000
TO EXPLORE EVEN MORE
STRANGE, NEW WORLDS.

654
00:41:20,000 --> 00:41:21,000
SHIELDS FAILING.

655
00:41:21,000 --> 00:41:22,000
( electronic beeping )

656
00:41:22,000 --> 00:41:24,000
( explosions, alarms beeping )

657
00:41:24,000 --> 00:41:29,000
TRACTOR BEAM HAS LOCKED ON.

658
00:41:32,000 --> 00:41:34,000
IT'S NO USE-- THEY'VE
ALREADY ADAPTED

659
00:41:34,000 --> 00:41:36,000
TO THE NEW FREQUENCIES.

660
00:41:36,000 --> 00:41:41,000
( grunts )

661
00:41:48,000 --> 00:41:52,000
Shatner:
STAR TREK: THE NEXT GENERATION
BECAME AN UNPRECEDENTED SUCCESS

662
00:41:52,000 --> 00:41:54,000
WITH CRITICS
AND AUDIENCES ALIKE.

663
00:41:54,000 --> 00:41:58,000
IT NOW SEEMED THAT THE CHILDREN
WHO HAD FIRST BEEN EXPOSED

664
00:41:58,000 --> 00:42:01,000
TO SCIENCE FICTION TELEVISION
OF THE 1950s AND '60s

665
00:42:01,000 --> 00:42:06,000
HAD GROWN UP INTO AN ARMY
OF NEW ADULT VIEWERS.

666
00:42:06,000 --> 00:42:08,000
LAUNCHED INTO SYNDICATION
IN 1993

667
00:42:08,000 --> 00:42:13,000
STAR TREK: DEEP SPACE NINE

668
00:42:14,000 --> 00:42:16,000
BEC TO BE AN UNSTOPPABLEFF
STAR TREK FRANCHISE.

669
00:42:16,000 --> 00:42:19,000
GOOD LUCK,
MR. CISCO.

670
00:42:19,000 --> 00:42:21,000
Shatner:
SET ABOARD A SPACE STATION

671
00:42:21,000 --> 00:42:24,000
IT FOCUSED ON THE EFFORTS
OF HUMANS AND ALIENS

672
00:42:24,000 --> 00:42:28,000
TO ADJUST TO THE CHALLENGES
OF A CHANGING UNIVERSE.

673
00:42:28,000 --> 00:42:31,000
YOU'RE FAR FROM
THE FEDERATION FLEET...

674
00:42:31,000 --> 00:42:34,000
ALONE IN THIS REMOTE OUTPOST

675
00:42:34,000 --> 00:42:37,000
WITH POOR DEFENSE SYSTEMS.

676
00:42:37,000 --> 00:42:40,000
YOUR CARDASSIAN NEIGHBORS
WILL BE QUICK TO RESPOND

677
00:42:40,000 --> 00:42:43,000
TO ANY PROBLEMS YOU MIGHT HAVE.

678
00:42:43,000 --> 00:42:47,000
WE'LL TRY TO KEEP
THEIR DOG OFF YOUR LAWN.

679
00:42:47,000 --> 00:42:50,000
Shatner:
IN 1995, ARREK: VOYAGER

680
00:42:50,000 --> 00:42:53,000
FOLLOWED THE ADVENTURES
OF A SMALL STARSHIP

681
00:42:53,000 --> 00:42:55,000
LOST SOME 75,000 LIGHT YEARS
FROM HOME.

682
00:42:55,000 --> 00:42:58,000
GENTLEMEN,
WELCOME ABOARD VOYAGER.

683
00:42:58,000 --> 00:43:01,000
THANK YOU, SIR.

684
00:43:01,000 --> 00:43:03,000
MR. KIM...

685
00:43:03,000 --> 00:43:05,000
DESPITE STAR FLEET
PROTOCOL

686
00:43:05,000 --> 00:43:07,000
I DON'T LIKE BEING
ADDRESSED AS "SIR."

687
00:43:07,000 --> 00:43:09,000
I'M SORRY... MA'AM.

688
00:43:09,000 --> 00:43:11,000
"MA'AM" IS ACCEPTABLE
IN A CRUNCH

689
00:43:11,000 --> 00:43:13,000
BUT I PREFER "CAPTAIN."

690
00:43:13,000 --> 00:43:16,000
Shatner:
LED BY STAR TREK'S
FIRST FEMALE CAPTAIN

691
00:43:16,000 --> 00:43:17,000
KATHRYN JANEWAY

692
00:43:17,000 --> 00:43:19,000
PLAYED BY KATE MULGREW

693
00:43:19,000 --> 00:43:22,000
THE VOYAGER AND HER CREW
PREPARED THEMSELVES

694
00:43:22,000 --> 00:43:24,000
FOR MANY STRANGE ENCOUNTERS.

695
00:43:24,000 --> 00:43:26,000
THE WAVE WILL INTERCEPT US
IN 12 SECONDS.

696
00:43:26,000 --> 00:43:28,000
BRACE FOR IMPACT!

697
00:43:28,000 --> 00:43:33,000
THREE...

698
00:43:37,000 --> 00:43:39,000
SOMEWHERE...

699
00:43:39,000 --> 00:43:42,000
ALONG THIS JOURNEY...

700
00:43:42,000 --> 00:43:45,000
WE'LL FIND A WAY BACK.

701
00:43:45,000 --> 00:43:49,000
MR. PARIS, SET A COURSE...

702
00:43:49,000 --> 00:43:53,000
FOR HOME.

703
00:43:53,000 --> 00:43:55,000
Shatner:
FOR MORE THAN THREE DECADES

704
00:43:55,000 --> 00:43:58,000
GENE RODDENBERRY'S VISION
OF AN OPTIMISTIC FUTURE

705
00:43:58,000 --> 00:44:01,000
HAS EXPANDED FAR BEYOND
ITS ORIGINAL FIVE-YEAR MISSION.

706
00:44:01,000 --> 00:44:03,000
STAR TREK'S PHILOSOPHY
OF JUSTICE THROUGH TOLERANCE

707
00:44:03,000 --> 00:44:05,000
HAS HELPED IT
TO BECOME A PHENOMENON

708
00:44:05,000 --> 00:44:08,000
NOT ONLY ON TELEVISION,
BUT IN FILMS, BOOKS

709
00:44:08,000 --> 00:44:10,000
AND CONVENTIONS
HELD THROUGHOUT THE WORLD.

710
00:44:10,000 --> 00:44:13,000
IT REALLY HAS GONE
WHERE NO ONE

711
00:44:13,000 --> 00:44:15,000
AND NO SERIES HAS GONE BEFORE.

712
00:44:15,000 --> 00:44:17,000
LOCK YOUR DOORS.

713
00:44:17,000 --> 00:44:18,000
SORTS OF EERIE ALIENS

714
00:44:18,000 --> 00:44:23,000
ARE HEADING YOUR WAY.

715
00:44:23,000 --> 00:44:24,000
All: MMM!

716
00:44:24,000 --> 00:44:27,000
THEY TRIED
OUR MINTY GREEN FLAVOR.

717
00:44:27,000 --> 00:44:29,000
PANTENE PRO-V:

718
00:44:29,000 --> 00:44:31,000
GLAMOUR READERS AGREE.

719
00:44:31,000 --> 00:44:34,000
IT'S A CLEAN SWEEP.

720
00:44:34,000 --> 00:44:37,000
ALLURE MAGAZINE ASKED
ITS READERS:

721
00:44:37,000 --> 00:44:39,000
WHAT'S THE BEST SHAMPOO...

722
00:44:39,000 --> 00:44:40,000
AND WHAT'S
THE BEST CONDITIONER ?

723
00:44:40,000 --> 00:44:45,000
TWO QUESTIONS, ONE ANSWER:

724
00:45:44,000 --> 00:45:45,000
FROM STRANGE, SCALY MONSTERS

725
00:45:45,000 --> 00:45:47,000
TO BENIGN, FRIENDLY HUMANOIDS

726
00:45:47,000 --> 00:45:50,000
THERE'S ONE THING ALMOST
EVERY SCIENCE FICTION SERIES

727
00:45:50,000 --> 00:45:51,000
HAS IN COMMON--

728
00:45:51,000 --> 00:45:52,000
ALIENS.

729
00:45:52,000 --> 00:45:57,000
( screams )

730
00:46:14,000 --> 00:46:18,000
TV program announcer:
THERE IS NOTHING WRONG
WITH YOUR TELEVISION SET.

731
00:46:18,000 --> 00:46:19,000
FOR THE NEXT HOUR, SIT QUIETLY

732
00:46:19,000 --> 00:46:22,000
AND WE WILL CONTROL
ALL THAT YOU SEE AND HEAR.

733
00:46:22,000 --> 00:46:26,000
YOU ARE ABOUT TO PARTICIPATE
IN A GREAT ADVENTURE.

734
00:46:26,000 --> 00:46:28,000
Shatner:
FOR TWO YEARS IN THE EARLY '60s

735
00:46:28,000 --> 00:46:31,000
THIS COMMANDING VOICE
PLUCKED US FROM REALITY

736
00:46:31,000 --> 00:46:35,000
AND THRUST US INTO THE UNKNOWN
WORLDS OF THE OUTER LIMITS.

737
00:46:35,000 --> 00:46:37,000
LIKE THE TWILIGHT ZONE

738
00:46:37,000 --> 00:46:40,000
IT WAS AN ANTHOLOGY SERIES
THAT INTRODUCED VIEWERS

739
00:46:40,000 --> 00:46:43,000
TO NEW CHARACTERS AND SITUATIONS
EACH WEEK.

740
00:46:43,000 --> 00:46:45,000
BUT AS THE TWILIGHT ZONE

741
00:46:45,000 --> 00:46:48,000
OFFERED EVERYTHING
FROM SCIENCE FICTION AND FANTASY

742
00:46:48,000 --> 00:46:50,000
TO HORROR AND THE SUPERNATURAL

743
00:46:50,000 --> 00:46:54,000
THE OUTER LIMITS WAS ALMOST
EXCLUSIVELY SCIENCE FICTION.

744
00:46:54,000 --> 00:46:57,000
Man:
"ARCHITECTS OF FEAR"

745
00:46:57,000 --> 00:47:01,000
WAS A STORY ABOUT A VERY
HIGH-LEVEL STAR-CHAMBER GROUP

746
00:47:01,000 --> 00:47:04,000
AND WHAT THEY DECIDED TO DO

747
00:47:04,000 --> 00:47:08,000
WAS UNITE THE WORLD
IN THE FEAR OF SOME THING.

748
00:47:08,000 --> 00:47:10,000
THEY WERE GOING
TO CREATE AN ALIEN.

749
00:47:10,000 --> 00:47:13,000
AND WE DREW STRAWS,
AND I GOT THE SHORT STRAW.

750
00:47:13,000 --> 00:47:16,000
YOU UNDERSTAND THAT
AS SOON AS I HIT YOU

751
00:47:16,000 --> 00:47:18,000
WITH THE CALSISFULEXUS-
NIMLANG-PROUDUCING HORMONE

752
00:47:18,000 --> 00:47:20,000
THERE'S NO TURNING BACK,
ALAN?

753
00:47:20,000 --> 00:47:21,000
YES.

754
00:47:21,000 --> 00:47:23,000
Culp:
WHAT REALLY MADE
THE PICTURE WORK

755
00:47:23,000 --> 00:47:25,000
WAS HIS LOVE FOR HIS WIFE

756
00:47:25,000 --> 00:47:28,000
AND HIS REGRET AT LOSING HER

757
00:47:28,000 --> 00:47:30,000
BECAUSE THERE WAS
NO REVERSING THIS PROCESS.

758
00:47:30,000 --> 00:47:32,000
ALAN...

759
00:47:32,000 --> 00:47:33,000
IT'S ALAN!

760
00:47:33,000 --> 00:47:36,000
Man:
GET BACK!

761
00:47:36,000 --> 00:47:38,000
Shatner:
IN 1964

762
00:47:38,000 --> 00:47:40,000
VOYAGE TO THE BOTTOM OF THE SEA

763
00:47:40,000 --> 00:47:42,000
SPLASHED ONTO TELEVISION SCREENS

764
00:47:42,000 --> 00:47:45,000
WITH THE ADVENTURES OF
THE ATOMIC SUBMARINE SEA VIEW.

765
00:47:45,000 --> 00:47:48,000
ALL RIGHT, WHAT DO YOU WANT
FROM US?

766
00:47:48,000 --> 00:47:49,000
YOU HAVE A FORCE, A POWER

767
00:47:49,000 --> 00:47:53,000
WHICH ENABLES BOTH YOUR SHIPS
TO MOVE THROUGH THE WATERS.

768
00:47:53,000 --> 00:47:54,000
WITH YOUR POWER
HARNESSED TO IT

769
00:47:54,000 --> 00:47:57,000
WE CAN CONTROL
THE SEAS OF
THE WORLD.

770
00:47:57,000 --> 00:47:59,000
YOU'LL GET NO COOPERATION
FROM US.

771
00:47:59,000 --> 00:48:00,000
WE WILL.

772
00:48:00,000 --> 00:48:04,000
( beep )

773
00:48:04,000 --> 00:48:06,000
Shatner:
STARRING RICHARD BASEHART
AND DAVID HEDISON

774
00:48:06,000 --> 00:48:09,000
THE SERIES WAS CREATED
AND PRODUCED BY IRWIN ALLEN

775
00:48:09,000 --> 00:48:11,000
AND FEATURED
IMPRESSIVE SFFECTS

776
00:48:11,000 --> 00:48:13,000
IPPING STORY LINES

777
00:48:13,000 --> 00:48:18,000
AND, OF COURSE,
LOTS OF STRANGE MONSTERS.

778
00:48:18,000 --> 00:48:22,000
I THINK IRWIN-- WHAT
HE WAS TRYING TO ACCOMPLISH

779
00:48:22,000 --> 00:48:26,000
WAS TO MAKE A VERY EXCITING,
FAST-PACED ONE HOUR

780
00:48:26,000 --> 00:48:28,000
WITH NO BALONEY IN BETWEEN.

781
00:48:28,000 --> 00:48:30,000
AND HE JUST LOVED
THE GRIMNESS OF MONSTERS

782
00:48:30,000 --> 00:48:32,000
AND ALL OF THAT STUFF.

783
00:48:32,000 --> 00:48:35,000
HE JUST WANTED THE ACTION
TO BE VERY SOLID AND VERY TENSE.

784
00:48:35,000 --> 00:48:39,000
AND THAT'S WHAT HE GOT.

785
00:48:39,000 --> 00:48:41,000
Shatner:
ALSO PRODUCED BY IRWIN ALLEN

786
00:48:41,000 --> 00:48:44,000
WAS THIS SERIES,
ABOUT A FUTURISTIC AIRLINER

787
00:48:44,000 --> 00:48:46,000
THAT CRASH-LANDS ON A PLANET

788
00:48:46,000 --> 00:48:51,000
INHABITED BY VERY HUMAN-LOOKING
ALIEN GIANTS.

789
00:48:57,000 --> 00:48:58,000
DAN, ARE YOU...?

790
00:48:58,000 --> 00:49:00,000
I TOLD YOU TO STAY
OUT OF THERE.

791
00:49:00,000 --> 00:49:03,000
DON'T YOU EVER LISTEN
TO ANYONE?

792
00:49:03,000 --> 00:49:08,000
WE DON'T KNOW WHAT
KIND OF PLACE THIS IS.

793
00:49:11,000 --> 00:49:14,000
NOW WHAT?

794
00:49:14,000 --> 00:49:19,000
( whispers ):
HIDE!

795
00:49:20,000 --> 00:49:24,000
Shatner:
ACHIEVED WITHOUT THE HELP OF
COMPUTERS OR DIGITAL TECHNOLOGY

796
00:49:24,000 --> 00:49:25,000
THE SERIES' EFFECTS

797
00:49:25,000 --> 00:49:28,000
WERE AMONG THE MOST EXPENSIVE
AND IMPRESSIVE

798
00:49:28,000 --> 00:49:31,000
IN THE HISTORY OF TELEVISION.

799
00:49:31,000 --> 00:49:36,000
( barking )

800
00:49:38,000 --> 00:49:43,000
( roaring )

801
00:49:44,000 --> 00:49:47,000
Shatne
BASED ON A SERIEOF
SUCCESSFULEATURE F

802
00:49:47,000 --> 00:49:50,000
THE PLANET OF THE APES
WAS VISITED ONCE AGAIN

803
00:49:50,000 --> 00:49:52,000
THIS TIME BY TWO ASTRONAUTS
WHO ARE HUNTED BY APES

804
00:49:52,000 --> 00:49:55,000
FEARFUL OF MAN'S
DESTRUCTIVE PAST.

805
00:49:55,000 --> 00:49:58,000
IS IT TRUE THAT
YOU ARE FROM THIS WORLD

806
00:49:58,000 --> 00:50:00,000
BUT FROM ANOTHER TIME?

807
00:50:00,000 --> 00:50:03,000
YES.

808
00:50:03,000 --> 00:50:07,000
YOU KEPT APES IN CAGES?

809
00:50:07,000 --> 00:50:11,000
THEY WEREN'T
AS INTELLIGENT
AS YOU ARE.

810
00:50:11,000 --> 00:50:12,000
THAT IS NOT TRUE.

811
00:50:12,000 --> 00:50:14,000
SORRY, BUSTER, IT IS.

812
00:50:14,000 --> 00:50:16,000
THAT IS
NOT TRUE!

813
00:50:16,000 --> 00:50:18,000
NO, IT'S ALL LIES!

814
00:50:18,000 --> 00:50:22,000
APES HAVE ALWAYS
RULED THE WORLD, ALWAYS!

815
00:50:22,000 --> 00:50:26,000
Shatner:
OF COURSE, NOT ALL TELEVISION
ALIENS HAVE BEEN THREATENING.

816
00:50:26,000 --> 00:50:28,000
ARE YOU THROUGH?

817
00:50:28,000 --> 00:50:29,000
( gasps )

818
00:50:29,000 --> 00:50:32,000
Shatner:
RAY WALSTON AS UNCLE MARTIN

819
00:50:32,000 --> 00:50:35,000
PROVED THAT SOMETIMES
THEY WERE JUST MISUNDERSTOOD

820
00:50:35,000 --> 00:50:37,000
AS IN THE CLASSIC COMEDY
MY FAVORITE MARTIAN

821
00:50:37,000 --> 00:50:39,000
CO-STARRING BILL BIXBY.

822
00:50:39,000 --> 00:50:40,000
NO, NO, NO.

823
00:50:40,000 --> 00:50:42,000
I'VE BEEN IN NOTHING BUT TROUBLE

824
00:50:42,000 --> 00:50:43,000
SINCE I MET YOU.

825
00:50:43,000 --> 00:50:45,000
AND I IMAGINE
THAT WILL CONTINUE.

826
00:50:45,000 --> 00:50:47,000
BUT IT WON'T BE DULL.

827
00:50:47,000 --> 00:50:49,000
AND A FRIEND WHO CAN READ MINDS

828
00:50:49,000 --> 00:50:52,000
CAN BE OF ENORMOUS HELP
TO A YOUNG REPORTER.

829
00:50:52,000 --> 00:50:54,000
I CAN GET YOU A LOT
OF INFORMATION

830
00:50:54,000 --> 00:50:59,000
STRAIGHT FROM THE HORSE'S HEAD.

831
00:50:59,000 --> 00:51:01,000
Shatner:
WHEN MORK FROM ORK

832
00:51:01,000 --> 00:51:03,000
IN THE PERSON OF ROBIN WILLIAMS

833
00:51:03,000 --> 00:51:04,000
INVADED BOULDER, COLORADO

834
00:51:04,000 --> 00:51:08,000
THE WHOLE WORLD LET OUT
A COLLECTIVE "NANOO, NANOO."

835
00:51:08,000 --> 00:51:10,000
I'LL GO TO
THAT STORE TODAY.

836
00:51:10,000 --> 00:51:12,000
I'M OBSERVING THE LEADER
OF THE DOGS.

837
00:51:12,000 --> 00:51:14,000
WHAT LEADER OF THE DOGS?

838
00:51:14,000 --> 00:51:16,000
THE RED LEADER--
IN FRONT OF THE STORE

839
00:51:16,000 --> 00:51:18,000
THE SHORT ONE
WITH THE FOUR BUMPS

840
00:51:18,000 --> 00:51:19,000
THAT HANGS AROUND
THE CURB.

841
00:51:19,000 --> 00:51:21,000
OH, THAT'S A FIRE HYDRANT.

842
00:51:21,000 --> 00:51:23,000
THAT'S NOT THE LEADER
OF THE DOGS.

843
00:51:23,000 --> 00:51:25,000
THEN WHY DO THEY ALL SALUTE HIM?

844
00:51:25,000 --> 00:51:28,000
Shatner:
CO-STARRING PAM DAWBER

845
00:51:28,000 --> 00:51:32,000
THE SERIES BECAME A COMEDY
STAPLE FOR FOUR NETWORK SEASONS.

846
00:51:32,000 --> 00:51:35,000
FRIENDLY ALIENS AMONG US
WERE ALSO THE PREMISE

847
00:51:35,000 --> 00:51:37,000
OF THIS PRIME-TIME SERIES.

848
00:51:37,000 --> 00:51:39,000
BASED ON THE MOTION PICTURE

849
00:51:39,000 --> 00:51:42,000
AND DEVELOPED FOR TELEVISION
BY KENNETH JOHNSON.

850
00:51:42,000 --> 00:51:45,000
THE STORIES CONCERNED
A PAIR OF LOS ANGELES COPS--

851
00:51:45,000 --> 00:51:47,000
ONE HUMAN, THE OTHER...

852
00:51:47,000 --> 00:51:48,000
DISTINCTLY IN-.

853
00:51:48,000 --> 00:51:50,000
I HATE TO PRY
BUT IF YOU COULD

854
00:51:50,000 --> 00:51:51,000
JUST TELL ME WHAT...

855
00:51:51,000 --> 00:51:53,000
YOU WANT TO PRY SOMETHING,
PRY THAT.

856
00:51:53,000 --> 00:51:55,000
DO WE HAVE
A SEARCH WARRANT?

857
00:51:55,000 --> 00:51:56,000
YEAH, I GOT
YOUR SEARCH WARRANT.

858
00:51:56,000 --> 00:52:00,000
OH, ALL RIGHT.

859
00:52:00,000 --> 00:52:03,000
( metal clinking on ground )

860
00:52:03,000 --> 00:52:06,000
Shatner:
ALTHOUGH IT LASTED
JUST ONE SEASON

861
00:52:06,000 --> 00:52:08,000
ALIEN NATION
SERVED AS THE BASIS

862
00:52:08,000 --> 00:52:13,000
FOR A STRING OF CRITICALLY
ACCLAIMED TELEVISION MOVIES.

863
00:52:13,000 --> 00:52:16,000
IT WOULD CERTAINLY SEEM TODAY
THAT SCIENCE FICTION TELEVISION

864
00:52:16,000 --> 00:52:19,000
HAS FINALLY FOUND A STRONG,
PERMANENT VIEWING AUDIENCE.

865
00:52:19,000 --> 00:52:21,000
RECENT SHOWS
CONTINUE TO INTRODUCE

866
00:52:21,000 --> 00:52:24,000
DARING NEW CONCEPTS
WHILE KEEPING A NOSTALGIC EYE

867
00:52:24,000 --> 00:52:28,000
ON THE BEST TRADITIONS
OF THE PAST.

868
00:52:28,000 --> 00:52:29,000
HURRAH! THAT'S A KILL!

869
00:52:29,000 --> 00:52:32,000
Shatner:
SPACE: ABOVE AND BEYOND

870
00:52:32,000 --> 00:52:36,000
CONCERNED A TEAM OF
INTREPID STAR FIGHTERS

871
00:52:36,000 --> 00:52:40,000
AS THEY PROTECTED MANKIND
FROM ALIEN INVADERS.

872
00:52:40,000 --> 00:52:43,000
Woman:
I CAN'T BELIEVE THAT
IT WOULD SO AFRAID OF US

873
00:52:43,000 --> 00:52:44,000
THAT IT WOULD KILL ITSELF.

874
00:52:44,000 --> 00:52:47,000
WE'RE THE ENEMY.

875
00:52:47,000 --> 00:52:51,000
THIS IS THE FIRST TIME
I'VE EVER SEEN A DEAD BODY.

876
00:52:51,000 --> 00:52:54,000
IT WON'T BE THE LAST.

877
00:52:54,000 --> 00:52:55,000
Shatner:
SLIDERS OFFERED

878
00:52:55,000 --> 00:52:58,000
A MODERN-DAY VARIATION
ON THE TIME-TRAVEL THEME

879
00:52:58,000 --> 00:53:00,000
THIS TIME SUGGESTING

880
00:53:00,000 --> 00:53:03,000
THAT THERE MIGHT BE ALTERNATE,
OR PARALLEL UNIVERSES

881
00:53:03,000 --> 00:53:05,000
SLIGHTLY BUT SIGNIFICANTLY
DIFFERENT FROM OUR OWN.

882
00:53:05,000 --> 00:53:08,000
( zapping )

883
00:53:08,000 --> 00:53:10,000
THAT'S THE ENTRANCE
TO A WORMHOLE

884
00:53:10,000 --> 00:53:12,000
THAT RUNS BETWEEN WORLDS.

885
00:53:12,000 --> 00:53:14,000
WHEN YOU STEP INSIDE,
YOU SLIDE THROUGH

886
00:53:14,000 --> 00:53:15,000
TO ANOTHER UNIVERSE

887
00:53:15,000 --> 00:53:18,000
COMPLETELY DISTINCT
AND SEPARATE FROM YOUR OWN.

888
00:53:18,000 --> 00:53:20,000
CAN YOU CHOOSE YOUR DESTINATION?

889
00:53:20,000 --> 00:53:21,000
AFRAID NOT.

890
00:53:21,000 --> 00:53:26,000
OR AT LEAST NOT YET.

891
00:53:26,000 --> 00:53:30,000
Shatner:
BABYLON 5, AN AMBITIOUS
SCIENCE FICTION NOVEL

892
00:53:30,000 --> 00:53:32,000
CREATED AND PRODUCED
FOR TELEVISION

893
00:53:32,000 --> 00:53:34,000
BY JAY MICHAEL STRACZYNSKI

894
00:53:34,000 --> 00:53:38,000
AND FEATURING LOST IN
SPACE VETERAN BILL MUMY--

895
00:53:38,000 --> 00:53:42,000
THIS TIME AS LENNIER,
A MYSTICAL MINBARI.

896
00:53:42,000 --> 00:53:45,000
IF YOU GO, YOU WILL
LEARN THINGS ABOUT ME

897
00:53:45,000 --> 00:53:48,000
THAT MAY CHANGE
YOUR OPINION OF ME.

898
00:53:48,000 --> 00:53:51,000
DELENN, I HAVE PLEDGED
MYSELF TO YOUR SIDE

899
00:53:51,000 --> 00:53:54,000
COME FIRE OR STORM
OR DARKNESS OR DEATH.

900
00:53:54,000 --> 00:53:58,000
CAN UNDERSTANDING BE
A GREATER DANGER?

901
00:53:58,000 --> 00:54:01,000
IN THIS CASE, YES.

902
00:54:01,000 --> 00:54:04,000
Shatner:
1993 MARKED THE DEBUT
OF THE X-FILES

903
00:54:04,000 --> 00:54:05,000
ONE OF THE BEST-WRITTEN

904
00:54:05,000 --> 00:54:08,000
AND MOST THOUGHT-PROVOKING SHOWS
ON TELEVISION.

905
00:54:08,000 --> 00:54:10,000
CREATED AND PRODUCED
BY CHRIS CARTER

906
00:54:10,000 --> 00:54:13,000
IT STARRED DAVID DUCHOVNY
AND GILLIAN ANDERSON

907
00:54:13,000 --> 00:54:16,000
AS F.B.I. AGENTS
FOX MULDER AND DANA SCULLY

908
00:54:16,000 --> 00:54:18,000
ASSIGNED TO INVESTIGATE CASES

909
00:54:18,000 --> 00:54:21,000
THAT DEFIED
CONVENTIONAL EXPLANATION.

910
00:54:21,000 --> 00:54:23,000
I'M HERE TO SOLVE
THIS CASE, MULDER.

911
00:54:23,000 --> 00:54:24,000
I WANT THE TRUTH.

912
00:54:24,000 --> 00:54:25,000
THE TRUTH?

913
00:54:25,000 --> 00:54:28,000
I THINK THOSE KIDS
HAVE BEEN ABDUCTED.

914
00:54:28,000 --> 00:54:30,000
YOU DON'T REALLY BELIEVE THAT?

915
00:54:30,000 --> 00:54:32,000
DO YOU HAVE A BETTER
EXPLANATION?

916
00:54:32,000 --> 00:54:36,000
MULDER AND SCULLY REALLY
REPRESENT THE TWO SIDES OF ME.

917
00:54:36,000 --> 00:54:39,000
I'M A SKEPTIC BY NATURE
BUT I HAVE A NEED TO BELIEVE.

918
00:54:39,000 --> 00:54:42,000
THE CHARACTERS,
WHO ARE VERY PERSONAL TO ME--

919
00:54:42,000 --> 00:54:44,000
THEIR SEARCH FOR THE TRUTH

920
00:54:44,000 --> 00:54:46,000
IS REALLY EVERYONE'S SEARCH
FOR THE TRUTH.

921
00:54:46,000 --> 00:54:50,000
Shatner:
MULDER AND SCULLY JOURNEYED
INTO THE UNKNOWN EACH WEEK

922
00:54:50,000 --> 00:54:53,000
BRINGING THEM FACE-TO-FACE
WITH EXTRATERRESTRIAL LIFE

923
00:54:53,000 --> 00:54:56,000
AND ALL MANNER OF MONSTERS,
HUMAN AND OTHERWISE.

924
00:54:56,000 --> 00:55:00,000
( growling )

925
00:55:00,000 --> 00:55:03,000
Carter:
FIRST AND FOREMOST
WITH THE X-FILES

926
00:55:03,000 --> 00:55:05,000
I WAS TRYING TO SCARE PEOPLE.

927
00:55:05,000 --> 00:55:07,000
I'VE ALWAYS SAID
THE SHOW TAKES PLACE

928
00:55:07,000 --> 00:55:09,000
WITHIN THE REALM
OF EXTREME POSSIBILITY

929
00:55:09,000 --> 00:55:10,000
AND THAT'S WHAT MAKES IT SCARY

930
00:55:10,000 --> 00:55:12,000
AND THAT'S WHAT MAKES IT
INTERESTING

931
00:55:12,000 --> 00:55:16,000
IS THAT YOU BELIEVE THAT THESE
THINGS COULD POSSIBLY HAPPEN.

932
00:55:16,000 --> 00:55:18,000
WHERE DID THEY TAKE YOU?

933
00:55:18,000 --> 00:55:21,000
IS THERE A SHIP?

934
00:55:21,000 --> 00:55:26,000
ARE YOU CONSCIOUS
OF BEING TRANSPORTED?

935
00:55:27,000 --> 00:55:32,000
( whimpering

936
00:55:35,000 --> 00:55:38,000
Shatner:
THE X-FILES QUICKLY CAME
WORLDWIDPHOMEN.

937
00:55:38,000 --> 00:55:40,000
CONSISTENTLY WINNING TOP RATINGS

938
00:55:40,000 --> 00:55:45,000
AS WELL AS NUMEROUS EMMYS
AND GOLDEN GLOBE AWARDS.

939
00:55:46,000 --> 00:55:48,000
OR THAT I CAN EXPLAIN
I K THESE THINGS

940
00:55:48,000 --> 00:55:51,000
AND THAT'S THE THING
THAT MAKES THE X-FILES

941
00:55:51,000 --> 00:55:52,000
A VERY UNTRADITIONAL TV SHOW

942
00:55:52,000 --> 00:55:54,000
IS THAT IT DOESN'T HAVE CLOSURE

943
00:55:54,000 --> 00:55:57,000
OR GIVE A SOLID
AND SATISFYING ANSWER

944
00:55:57,000 --> 00:55:59,000
AT THE END OF EACH SHOW.
( phone ringing )

945
00:55:59,000 --> 00:56:00,000
SCULLY.

946
00:56:00,000 --> 00:56:03,000
Mulder:
Scully, it's me, where are you?

947
00:56:03,000 --> 00:56:05,000
Scully?

948
00:56:05,000 --> 00:56:08,000
Are you there?

949
00:56:08,000 --> 00:56:12,000
Scully?

950
00:56:12,000 --> 00:56:14,000
NOW YOU CAN OWN THE ULTIMATE
COLLECTORS EDITION

951
00:56:14,000 --> 00:56:17,000
OF TV GUIDE
LOOKS AT SCIENCE FICTION.

952
00:56:17,000 --> 00:56:20,000
WITH 15 MINUTES OF EXCLUSIVE
BONUS FOOTAGE NOT SEEN ON TV.

953
00:56:20,000 --> 00:56:22,000
JUST CALL...

954
00:56:22,000 --> 00:56:25,000
FOR ONLY 14.95,
YOU'LL GET THE GREATEST MOMENTS

955
00:56:25,000 --> 00:56:27,000
FROM OVER 40 YEARS OF SCI-FI TV.

956
00:56:27,000 --> 00:56:30,000
PLUS EXPANDED, NEVER-BEFORE-SEEN
INTERVIEWS AND BONUS CLIPS.

957
00:56:30,000 --> 00:56:32,000
ONLY AVAILABLE ON HOME VIDEO.

958
00:56:32,000 --> 00:56:34,000
HAVE YOUR
CREDIT CARD

959
00:56:34,000 --> 00:56:38,000
READY,
AND CALL...

960
00:56:38,000 --> 00:56:43,000
OR ORDER
ON-LINE AT:

961
00:57:08,000 --> 00:57:10,000
@
THIS LITTLE GIRL
DOES SOMETHING AMAZING.

962
00:57:10,000 --> 00:57:12,000
SHE MAY EAT TWICE HER WEIGHT
IN SUGAR THIS YEAR.

963
00:57:12,000 --> 00:57:13,000
GOOD THING THERE'S CHEERIOS...

964
00:57:13,000 --> 00:57:15,000
WITH ONLY ONE LITTLE GRAM
OF SUGAR A BOWL.

965
00:57:15,000 --> 00:57:16,000
AND SINCE KIDS LOVE IT,

966
00:57:16,000 --> 00:57:19,000
IT'S A GREAT PLACE TO HELP
CUT DOWN THEIR SUGAR.

967
00:57:19,000 --> 00:57:24,000
♪ THE ONE AND ONLY

968
00:57:58,000 --> 00:58:00,000
IN JUST 50 YEARS

969
00:58:00,000 --> 00:58:01,000
SCIENCE FICTION TELEVISION

970
00:58:01,000 --> 00:58:03,000
HAS GROWN FROM
AN UNDERVALUED GENRE

971
00:58:03,000 --> 00:58:05,000
THOUGHT ONLY OF INTEREST
TO CHILDREN

972
00:58:05,000 --> 00:58:07,000
INTO A LARGE, THRIVING INDUSTRY.

973
00:58:07,000 --> 00:58:10,000
FAN MAGAZINES AND
SERIES-RELATED COLLECTIBLES

974
00:58:10,000 --> 00:58:12,000
NOW NUMBER IN THE THOUSANDS.

975
00:58:12,000 --> 00:58:14,000
MILLIONS OF FANS
THROUGHOUT THE WORLD

976
00:58:14,000 --> 00:58:16,000
CONGREGATE AT HUNDREDS
OF CONVENTIONS

977
00:58:16,000 --> 00:58:19,000
AND NEW AUDIENCES CONTINUE
TO DISCOVER CLASSIC PROGRAMS

978
00:58:19,000 --> 00:58:21,000
THANKS TO HOME VIDEO
AND CABLE TV.

979
00:58:21,000 --> 00:58:24,000
THERE'S EVEN A SCI-FI CHANNEL.

980
00:58:24,000 --> 00:58:27,000
AS NEW TECHNOLOGIES
ADVANCE AT A RECORD RATE

981
00:58:27,000 --> 00:58:29,000
ONE MUST WONDER WHAT
WE'LL SEE AND HEAR

982
00:58:29,000 --> 00:58:31,000
IN THE YEARS AHEAD.

983
00:58:31,000 --> 00:58:34,000
WILL TODAY'S
SCIENCE FICTION TELEVISION

984
00:58:34,000 --> 00:58:37,000
REALLY BE THE WINDOW
INTO TOMORROW'S SCIENCE FACT?

985
00:58:37,000 --> 00:58:40,000
THE POSSIBILITIES
TRULY ARE LIMITLESS.

986
00:58:40,000 --> 00:58:42,000
WE HOPE YOU'VE ENJOYED OUR TRIP

987
00:58:42,000 --> 00:58:46,000
INTO THE FANTASTIC WORLD OF
SCIENCE FICTION TELEVISION.

988
00:58:46,000 --> 00:58:47,000
THANK YOU FOR WATCHING.

989
00:58:47,000 --> 00:58:50,000
AND NOW, I HAVE TO RUN...
WELL, SORT OF.

990
00:58:50,000 --> 00:58:55,000
ENERGIZE.

991
01:08:52,000 --> 01:08:54,000
Janeway:
Red Alert.

992
01:08:54,000 --> 01:08:59,000
All hands to battle stations.

993
01:09:02,000 --> 01:09:04,000
TUVOK, FIRE PHASERS.

994
01:09:04,000 --> 01:09:09,000
ACKNOWLEDGED.

995
01:26:24,000 --> 01:26:26,000
[ Announcer ]
TONIGHT, IN BIGG
BEVERAGE WRESTLING,

996
01:26:26,000 --> 01:26:28,000
THE BIGG FIZZ SODA JERK
MEETS A MYSTERY CHALLENGER.

997
01:26:28,000 --> 01:26:30,000
- AAAAH !
- [ Chuckling ]

998
01:26:30,000 --> 01:26:32,000
AND WE ARE WRESTLING !
THEY COME TO GRIPS !

999
01:26:32,000 --> 01:26:33,000
THE JERK TRIES
THE HOLSTEIN HOIST.

1000
01:26:33,000 --> 01:26:36,000
- NOW HE'S DOING
THE LEG PRETZEL.
- [ Leg Creaking ]

1001
01:26:36,000 --> 01:26:37,000
OOH, THAT DOESN'T TICKLE.

1002
01:26:37,000 --> 01:26:40,000
FANS, THE CHALLENGER HAS
THE JERK IN THE HELICOPTER.

1003
01:26:40,000 --> 01:26:42,000
- AAAAAH !
- THE SODA JERK SEEMS DAZED.

1004
01:26:42,000 --> 01:26:45,000
HE BOUNCES OFF THE ROPE
AND HITS THE BOVINE CLOTHESLINE.

1005
01:26:45,000 --> 01:26:47,000
- THE JERK IS DOWN.
- ALL RIGHT, I'LL SAY IT.

1006
01:26:47,000 --> 01:26:52,000
- MILK.  IT DOES A BODY GOOD.
- [ Chuckling ]

1007
02:07:47,000 --> 02:07:49,000
OUR RACE COMMEMORATES

1008
02:07:49,000 --> 02:07:50,000
SIR WIDMORE'S ILL
FATED EXPEDITION

1009
02:07:50,000 --> 02:07:52,000
TO THE NTH POLE.

1010
02:07:52,000 --> 02:07:55,000
HE WAS TOLD HE WOULD HAVE
BETTER GRIP WITH WIDE SNOWSHOES

1011
02:07:55,000 --> 02:07:58,000
RISE AND SHINE, FOLKS.
GONNA BE ANOTHER SCORCHER.

1012
02:07:58,000 --> 02:08:03,000
PEOPLE DO.

1013
02:25:25,000 --> 02:25:27,000
AT MICHELIN

1014
02:25:27,000 --> 02:25:30,000
WE BELIEVE A TIRE
THAT'S JUST GOOD IN THE RAIN

1015
02:25:30,000 --> 02:25:31,000
ISN'T GOOD ENOUGH.

1016
02:25:31,000 --> 02:25:32,000
THE MICHELIN X-ONE

1017
02:25:32,000 --> 02:25:34,000
WITH A SIX-YEAR,
UNLIMITED MILEAGE

1018
02:25:34,000 --> 02:25:35,000
TREADLIFE WARRANTY

1019
02:25:35,000 --> 02:25:38,000
GIVES YOU BETTER WET TRACTION

1020
02:25:38,000 --> 02:25:39,000
THAN ANY RAIN TIRE

1021
02:25:39,000 --> 02:25:41,000
PLUS MICLIN CONFIDENCE

1022
02:25:41,000 --> 02:25:43,000
IN MOST DRIVING CONDITIONS.

1023
02:25:43,000 --> 02:25:44,000
IT HAS TO.

1024
02:25:44,000 --> 02:25:46,000
BECAUSE THE WAY WE SEE IT

1025
02:25:46,000 --> 02:25:47,000
YOU DON'T JUST
COVER A LOT OF MILES

1026
02:25:47,000 --> 02:25:50,000
YOU COVER A LOT OF WEATHER.

1027
02:25:50,000 --> 02:25:55,000
THE MICHELIN X-ONE.

1028
02:28:24,000 --> 02:28:29,000



1029
02:28:54,000 --> 02:28:59,000
?

1030
02:49:30,000 --> 02:49:35,000
@

1031
02:56:52,000 --> 02:56:54,000


1032
02:56:54,000 --> 02:56:55,000
MMM, SURE LOOKS
LONELY OUT THERE...

1033
02:56:55,000 --> 02:56:57,000
KIND OF A PLACE A GUY COULD
REALLY GET LOST IN...HUH?

1034
02:56:57,000 --> 02:56:59,000

YEAH...

1035
02:56:59,000 --> 02:57:01,000
BUT YOUR LEXUS HAS AN ON-BOARD
SATELLITE/CELLULAR COMMUNICATION

1036
02:57:01,000 --> 02:57:03,000
SYSTEM THAT WILL OPEN YOUR
DOOR IF YOU GET LOCKED OUT

1037
02:57:03,000 --> 02:57:04,000
GIVE YOU DIRECTIONS
IF YOU'RE LOST

1038
02:57:04,000 --> 02:57:07,000
SEND FOR HELP IF YOU
NEED IT OUT THERE...HUH?

1039
02:57:07,000 --> 02:57:09,000
NO...IT DOESN'T.

1040
02:57:09,000 --> 02:57:10,000
AND YOU PAID WHAT FOR THAT?

1041
02:57:10,000 --> 02:57:13,000
SEVILLE STS NOW OFFERS ONSTAR

1042
02:57:13,000 --> 02:57:15,000
THE INTERACTIVE COMMUNICATION
SYSTEM THERE TO HELP YOU

1043
02:57:15,000 --> 02:57:16,000
TWENTY-FOUR HOURS A DAY.

1044
02:57:16,000 --> 02:57:18,000
CAN I FOLLOW YOU?
NOPE.

1045
02:57:18,000 --> 02:57:20,000
  I MEAN, CAUSE IF WE'RE GOING
THE SAME DIRECTION...
UNH UNH...

1046
02:57:20,000 --> 02:57:25,000
OTHERWISE, I'M GONNA
BE A LITTLE LOST..
NO CAN DO...

1047
03:08:01,000 --> 03:08:02,000
>> Reporter: THE TINY MARS

1048
03:08:02,000 --> 03:08:03,000
ROVER, CALLED "SOJOURNER," HAS

1049
03:08:03,000 --> 03:08:04,000
MOVED ALL OF 16 INCHES SINCE IT

1050
03:08:04,000 --> 03:08:05,000
LEFT ITS MOTHER SHIP,

1051
03:08:05,000 --> 03:08:06,000
THE PATHFINDER LANDER.

1052
03:08:06,000 --> 03:08:07,000
THAT'S AS FAR AS IT NEEDED

1053
03:08:07,000 --> 03:08:09,000
TO MOVE FOR ITS FIRST ENCOUNTER

1054
03:08:09,000 --> 03:08:10,000
WITH A ROCK NICKNAMED "BARNACLE

1055
03:08:10,000 --> 03:08:13,000
BILL."

1056
03:08:13,000 --> 03:08:15,000
>> PROOF THAT OUR ROVER HAS

1057
03:08:15,000 --> 03:08:16,000
NESTLED UP AND KISSED

1058
03:08:16,000 --> 03:08:19,000
AFFECTIONATELY BARNACLE BILL.

1059
03:08:19,000 --> 03:08:20,000
>> Reporter: WITH THAT KISS,

1060
03:08:20,000 --> 03:08:21,000
NASA SCIENTISTS HOPE BARNACLE

1061
03:08:21,000 --> 03:08:23,000
BILL WILL TELL ITS SECRETS

1062
03:08:23,000 --> 03:08:24,000
TO A DEVICE ABOARD THE ROVER

1063
03:08:24,000 --> 03:08:26,000
CALLED A SPECTROMETER.

1064
03:08:26,000 --> 03:08:27,000
IT CAN DETERMINE BARNACLE BILL'S

1065
03:08:27,000 --> 03:08:30,000
CHEMICAL COMPOSITION.

1066
03:08:30,000 --> 03:08:31,000
THE ROVER WAS ALSO BUSY TAKING

1067
03:08:31,000 --> 03:08:32,000
PICTURES, FOR THE FIRST TIME,

1068
03:08:32,000 --> 03:08:34,000
SHOOTING BACK TOWARDS

1069
03:08:34,000 --> 03:08:35,000
THE LANDER.

1070
03:08:35,000 --> 03:08:37,000
THE DEFLATED AIRBAGS, WHICH

1071
03:08:37,000 --> 03:08:38,000
CUSHIONED PATHFINDER'S FALL

1072
03:08:38,000 --> 03:08:40,000
TO MARS, ARE CLEARLY VISIBLE.

1073
03:08:40,000 --> 03:08:41,000
SO ARE THE FIRST EARTHLY TIRE

1074
03:08:41,000 --> 03:08:43,000
PRINTS IN MARTIAN SOIL.

1075
03:08:43,000 --> 03:08:45,000
>> THE SCIENTISTS IN THE TEAM

1076
03:08:45,000 --> 03:08:46,000
ARE JUST RECEIVING MORE AND MORE

1077
03:08:46,000 --> 03:08:49,000
SURPRISES ABOUT WH WE SEE.

1078
03:08:49,000 --> 03:08:50,000
THE SITE IS EVERYTHING WE HOPED

1079
03:08:50,000 --> 03:08:52,000
IT COULD BE.

1080
03:08:52,000 --> 03:08:53,000
WE'RE FINDING MORE AND MORE

1081
03:08:53,000 --> 03:08:55,000
SURPRISES AS WE LOOK IN DETAIL

1082
03:08:55,000 --> 03:08:57,000
AT THE ROCKS IN THE TERRAIN.

1083
03:08:57,000 --> 03:08:58,000
>> Reporter: ONE SURPRISE IS

1084
03:08:58,000 --> 03:08:59,000
THE AMOUNT OF WATER THAT ONCE

1085
03:08:59,000 --> 03:09:00,000
OCCUPIED MARS.

1086
03:09:00,000 --> 03:09:02,000
SCIENTISTS NOW BELIEVE THE SPOT

1087
03:09:02,000 --> 03:09:03,000
WHERE PATHFINDER LANDED BEARS

1088
03:09:03,000 --> 03:09:05,000
THE UNMISTAKABLE SIGNS

1089
03:09:05,000 --> 03:09:07,000
OF AN ANCIENT MARTIAN FLOOD.

1090
03:09:07,000 --> 03:09:09,000
>> THE ANGLE AT WHICH THE ROCKS

1091
03:09:09,000 --> 03:09:12,000
WERE LAID DOWN IS INDICATIVE

1092
03:09:12,000 --> 03:09:14,000
OF THE DIRECTION AND THE FORCE

1093
03:09:14,000 --> 03:09:16,000
WITH WHICH THE BOULDERS WERE

1094
03:09:16,000 --> 03:09:18,000
BEING PUSHED.

1095
03:09:18,000 --> 03:09:19,000
>> Reporter: THE PATHFINDER TEAM

1096
03:09:19,000 --> 03:09:21,000
ALSO BELIEVES THAT THE SURFACE

1097
03:09:21,000 --> 03:09:22,000
OF MARS IS RUSTING LIKE AN OLD

1098
03:09:22,000 --> 03:09:23,000
TOOL BOX.

1099
03:09:23,000 --> 03:09:24,000
THE RED PLANET IS GETTING

1100
03:09:24,000 --> 03:09:26,000
REDDER.

1101
03:09:26,000 --> 03:09:28,000
THE SCIENTIFIC HEAVY LIFTING IS

1102
03:09:28,000 --> 03:09:29,000
BEING DONE BY THE ROVER, WHICH

1103
03:09:29,000 --> 03:09:30,000
THIS WEEK IS OUTSHINING

1104
03:09:30,000 --> 03:09:32,000
ITS MANNED COUNTERPARTS --

1105
03:09:32,000 --> 03:09:33,000
THE SHUTTLE AND THE MIR SPACE

1106
03:09:33,000 --> 03:09:34,000
STATION.

1107
03:09:34,000 --> 03:09:36,000
IT WEIGHS ONLY 22 POUNDS

1108
03:09:36,000 --> 03:09:38,000
AND COULD FIT IN AN OVERHEAD

1109
03:09:38,000 --> 03:09:39,000
LUGGAGE BIN WITH ROOM TO SPARE.

1110
03:09:39,000 --> 03:09:41,000
ALL OF THIS HAS BEEN DONE

1111
03:09:41,000 --> 03:09:42,000
RELATIVELY CHEAP.

1112
03:09:42,000 --> 03:09:44,000
THE PATHFINDER MISSION IS

1113
03:09:44,000 --> 03:09:46,000
COSTING $260 MILLION,

1114
03:09:46,000 --> 03:09:47,000
BY COMPARISON.

1115
03:09:47,000 --> 03:09:49,000
IF AMERICA'S LAST VISITOR

1116
03:09:49,000 --> 03:09:51,000
TO MARS 20 YEARS AGO,

1117
03:09:51,000 --> 03:09:53,000
THE VIKING, WAS BUILT TODAY, IT

1118
03:09:53,000 --> 03:09:55,000
WOULD COST $3.5 BILLION.

1119
03:09:55,000 --> 03:09:57,000
TO MEET THE TIGHT BUDGET, NASA

1120
03:09:57,000 --> 03:09:58,000
SHOPPED AT ITS NEIGHBORHOOD

1121
03:09:58,000 --> 03:09:59,000
ELECTRONICS STORE.

1122
03:09:59,000 --> 03:10:00,000
>> THE CAMERAS ARE MADE

1123
03:10:00,000 --> 03:10:02,000
BY KODAK.

1124
03:10:02,000 --> 03:10:03,000
THE RADIOS ARE MADE BY MOTOROLA,

1125
03:10:03,000 --> 03:10:05,000
AND THOSE WERE BT RIGHT OF

1126
03:10:05,000 --> 03:10:06,000
THE SHELF.

1127
03:10:06,000 --> 03:10:07,000
>> Reporter: CHEAP, YES,

1128
03:10:07,000 --> 03:10:09,000
BUT ALSO EFFECTIVE.

1129
03:10:09,000 --> 03:10:10,000
NASA'S UNOFFICIAL MOTTO THESE

1130
03:10:10,000 --> 03:10:11,000
DAYS IS "FASTER, CHEAPER,

1131
03:10:11,000 --> 03:10:13,000
BETTER."

1132
03:10:13,000 --> 03:10:14,000
ON THIS MISSION, SO FAR,

1133
03:10:14,000 --> 03:10:16,000
AT LEAST THEY'VE LIVED UP TO IT.

1134
03:10:16,000 --> 03:10:17,000
MIKE BOETTCHER, NBC NEWS,

1135
03:10:17,000 --> 03:10:19,000
PASADENA.

1136
03:10:19,000 --> 03:10:21,000
>> IS ALL OF THIS LEADING UP

1137
03:10:21,000 --> 03:10:22,000
TO A MANNED MISSION TO MARS?

1138
03:10:22,000 --> 03:10:24,000
WE WILL HAVE THAT STORY

1139
03:10:24,000 --> 03:10:25,000
"IN DEPTH" COMING UP LATER ON.

1140
03:10:25,000 --> 03:10:27,000
AND THEN THERE'S THE MIR.

1141
03:10:27,000 --> 03:10:29,000
THE ASTRONAUTS ON BOARD

1142
03:10:29,000 --> 03:10:31,000
THE RUSSIAN SPACE STATION GOT

1143
03:10:31,000 --> 03:10:32,000
SOME HELP TODAY BUT IT STILL

1144
03:10:32,000 --> 03:10:33,000
NEEDS FIXING.

1145
03:10:33,000 --> 03:10:34,000
WE GET THAT TONIGHT FROM NBC'S

1146
03:10:34,000 --> 03:10:38,000
JIM MACEDA.

1147
03:10:38,000 --> 03:10:39,000
>> Reporter: AT MISSION CONTROL

1148
03:10:39,000 --> 03:10:40,000
OUTSIDE MOSCOW, A COLLECTIVE

1149
03:10:40,000 --> 03:10:41,000
SIGH OF RELIEF.

1150
03:10:41,000 --> 03:10:42,000
[ APPLAUSE ]

1151
03:10:42,000 --> 03:10:43,000
FINALLY, GOOD NEWS FOR THE TWO

1152
03:10:43,000 --> 03:10:44,000
RUSSIANS AND ONE AMERICAN,

1153
03:10:44,000 --> 03:10:45,000
MICHAEL FOALE, ABOARD THE MIR

1154
03:10:45,000 --> 03:10:47,000
SPACE STATION.

1155
03:10:47,000 --> 03:10:49,000
A CARGO SHIP WITH OVER 5,000

1156
03:10:49,000 --> 03:10:51,000
POUNDS OF CRUCIAL SPARE PARTS

1157
03:10:51,000 --> 03:10:52,000
AND SUPPLIES INCLUDING CLOTHING,

1158
03:10:52,000 --> 03:10:53,000
EVEN A TOOTHBRUSH,

1159
03:10:53,000 --> 03:10:55,000
FOR THE AMERICAN, DOCKS

1160
03:10:55,000 --> 03:10:56,000
SUCCESSFULLY.

1161
03:10:56,000 --> 03:10:57,000
ALL GUIDED BY COMPUTERS

1162
03:10:57,000 --> 03:10:59,000
ON EARTH.

1163
03:10:59,000 --> 03:11:01,000
>> VERY GOOD AUTOMATIC DOCKING.

1164
03:11:01,000 --> 03:11:02,000
ALL AUTOMATIC SYSTEMS WORK

1165
03:11:02,000 --> 03:11:03,000
AS WE EXPECTED.

1166
03:11:03,000 --> 03:11:05,000
>> Reporter: TWO WEEKS AGO,

1167
03:11:05,000 --> 03:11:06,000
THE VERY SAME MANOEUVRE,

1168
03:11:06,000 --> 03:11:07,000
BUT UNDER THE COSMONAUTS'

1169
03:11:07,000 --> 03:11:08,000
CONTROL IN SPACE, TURNED

1170
03:11:08,000 --> 03:11:10,000
TO DISASTER.

1171
03:11:10,000 --> 03:11:11,000
A SIMILAR CARGO SHIP SLAMMED

1172
03:11:11,000 --> 03:11:12,000
INTO MIR, PIERCING ONE

1173
03:11:12,000 --> 03:11:13,000
OF ITS MODULES.

1174
03:11:13,000 --> 03:11:15,000
THE CREW WAS FORCED TO SEAL OFF

1175
03:11:15,000 --> 03:11:16,000
THAT PART OF THE STATION

1176
03:11:16,000 --> 03:11:18,000
WITH FOALE'S GEAR INSIDE.

1177
03:11:18,000 --> 03:11:19,000
MIR LOST ALMOST ONE-HALF

1178
03:11:19,000 --> 03:11:21,000
ITS POWER.

1179
03:11:21,000 --> 03:11:23,000
OFFICIALS IN MOSCOW INSIST THAT

1180
03:11:23,000 --> 03:11:24,000
THE LIVES OF THOSE ON BOARD ARE

1181
03:11:24,000 --> 03:11:26,000
NOT IN DANGER BUT THE FUTURE

1182
03:11:26,000 --> 03:11:27,000
OF THE 11-YEAR-OLD RUSSIAN SPACE

1183
03:11:27,000 --> 03:11:29,000
STATION AS WELL AS THE JOINT

1184
03:11:29,000 --> 03:11:31,000
RUSSIAN SPACE PROGRAM COULD BE

1185
03:11:31,000 --> 03:11:34,000
DEALT A FATAL BLOW IF ANYTHING

1186
03:11:34,000 --> 03:11:35,000
ELSE GOES ON AND MUCH COULD

1187
03:11:35,000 --> 03:11:37,000
STILL GO WRONG.

1188
03:11:37,000 --> 03:11:39,000
IN THE NEXT TEN DAYS, COSMONAUTS

1189
03:11:39,000 --> 03:11:40,000
WORKING IN A SIMULATION TANK

1190
03:11:40,000 --> 03:11:41,000
NEAR EOSCOW MUST FIND THE SAFEST

1191
03:11:41,000 --> 03:11:45,000
WAY TI REPTOR@ IR'S PEP@@

1192
03:11:45,000 --> 03:11:47,000
BIMMABDER TONTERd" CRAMPED

1193
03:11:47,000 --> 03:11:49,000
MODTLE IN THE DARK, FIND

1194
03:11:49,000 --> 03:11:50,000
AND RECONNECT CABLES WITH BTLKY

1195
03:11:50,000 --> 03:11:52,000
MODTLE IN THE DARK, FIND
AND RECONNECT CABLES WITH BTLKY
SPA@E F@OV, WHID NHDIN@@@

1196
03:11:52,000 --> 03:11:57,000
BQ
N@ES

1197
03:11:57,000 --> 03:11:59,000
IT MAY TAKE MONTHS FOR THE HOLE

1198
03:11:59,000 --> 03:12:01,000
IN MIR TO BE RESEALED.

1199
03:12:01,000 --> 03:12:02,000
THIS AND A SERIES OF OTHER

1200
03:12:02,000 --> 03:12:04,000
MALFUNCTIONS HAVE LED U.S.

1201
03:12:04,000 --> 03:12:06,000
OFFICIALS TO HOLD OFF, FOR NOW,

1202
03:12:06,000 --> 03:12:07,000
ON COMMITTING ANY FUTURE

1203
03:12:07,000 --> 03:12:08,000
AMERICAN ASTRONAUTS

1204
03:12:08,000 --> 03:12:09,000
TO THE TROUBLED RUSSIAN SPACE

1205
03:12:09,000 --> 03:12:11,000
STATION.

1206
03:12:11,000 --> 03:12:13,000
JIM MACEDA, NBC NEWS, MOSCOW.

1207
03:12:13,000 --> 03:12:14,000
>>> STILL AHEAD TONIGHT --

1208
03:12:14,000 --> 03:12:16,000
ON THE EVE OF THE SENATE

1209
03:12:16,000 --> 03:12:17,000
CAMPAIGN FINANCE HEARINGS,

1210
03:12:17,000 --> 03:12:18,000
EgáER@@@@@@

1211
03:12:18,000 --> 03:12:20,000
J8STAGE.@@@@@@@@

1212
03:12:20,000 --> 03:12:22,000
>> FROM YOUR POINT OF VIEW, WHAT

1213
03:12:22,000 --> 03:12:24,000
CONSTITUTES SUCCESS?

1214
03:12:24,000 --> 03:12:25,000
FINDING INFORMATION THAT LANDS

1215
03:12:25,000 --> 03:12:26,000
PEOPLE IN JAIL?

1216
03:12:26,000 --> 03:12:27,000
BRINGING DOWN A PRESIDENT?

1217
03:12:27,000 --> 03:12:28,000
>> NO!

1218
03:12:28,000 --> 03:12:29,000
NO!

1219
03:12:29,000 --> 03:12:31,000
JUST THE OPPOSITE.

1220
03:12:31,000 --> 03:12:32,000
>> IS SENATOR FRED THOMPSON

1221
03:12:32,000 --> 03:12:33,000
AIMING TO SHOOT DOWN AN ENTIRE

1222
03:12:33,000 --> 03:12:36,000
ADEINISTRATION'

1223
03:12:36,000 --> 03:12:38,000
>>> AND UP NEXT --

1224
03:12:38,000 --> 03:12:39,000
IT LOOKS LIKE A HORRIBLE SCEFE

1225
03:12:39,000 --> 03:12:40,000
FROM THE PAST, BUT IT'S GOING

1226
03:12:40,000 --> 03:12:41,000
ON RIGHT NOW IN NORTHERN

1227
03:12:41,000 --> 03:12:43,000
IRELAND.
KE IS TO SPAIN

1228
03:12:43,000 --> 03:12:45,000
WHAT A BASEBALL STRIKE IS

1229
03:12:45,000 --> 03:12:46,000
TO AMERICA, EVEN WORSE IN A WAY

1230
03:12:46,000 --> 03:12:48,000
BECAUSE WHAT IS AT ISSUE HERE

1231
03:12:48,000 --> 03:12:50,000
GOES TO THE VERY HEART OF WHAT

1232
03:12:50,000 --> 03:12:51,000
A SPANISH MATADOR IS SUPPOSED

1233
03:12:51,000 --> 03:12:53,000
TO BE.

1234
03:12:53,000 --> 03:12:54,000
HE'S SUPPOSED TO BE A BRAVE

1235
03:12:54,000 --> 03:12:56,000
AND HONORABLE.

1236
03:12:56,000 --> 03:12:57,000
AND HORN SHAVING IS NOT THE ONLY

1237
03:12:57,000 --> 03:12:58,000
ISSUE THAT HAS PEOPLE

1238
03:12:58,000 --> 03:13:01,000
QUESTIONING THE INTEGRITY

1239
03:13:01,000 --> 03:13:02,000
OF MATADORS.

1240
03:13:02,000 --> 03:13:04,000
AT A RECENT FESTIVAL, BULLS LOST

1241
03:13:04,000 --> 03:13:07,000
THEIR BALANCE SUSPICIOUSLY

1242
03:13:07,000 --> 03:13:09,000
OFTEN.

1243
03:13:09,000 --> 03:13:10,000
SOME SUGGESTED THE BULLS WERE

1244
03:13:10,000 --> 03:13:11,000
NOT ONLY SHAVED, THEY MAY HAVE

1245
03:13:11,000 --> 03:13:12,000
BEEN DRUGGED.

1246
03:13:12,000 --> 03:13:13,000
BULLS WITH SHAVED HORNS CAN

1247
03:13:13,000 --> 03:13:15,000
STILL KILL MATADORS.
SOME HAVE.

1248
03:13:15,000 --> 03:13:16,000
AND THE RISK FACTOR STILL SELLS

1249
03:13:16,000 --> 03:13:17,000
TICKETS.

1250
03:13:17,000 --> 03:13:18,000
BUT YOU GET THE FEELING THAT

1251
03:13:18,000 --> 03:13:19,000
A TRIP INTO THE BULL RING HAS

1252
03:13:19,000 --> 03:13:22,000
NEVER BEEN MORE DANGEROUS

1253
03:13:22,000 --> 03:13:23,000
FOR THE BULL, OR LESS DANGEROUS

1254
03:13:23,000 --> 03:13:25,000
FOR THE BULLFIGHTER.

1255
03:13:25,000 --> 03:13:28,000
RICHARD GIZBERT, ABC NEWS,

1256
03:13:28,000 --> 03:13:29,000
VALENCIA, SPAIN.

1257
03:13:29,000 --> 03:13:30,000
>>> THAT IS OUR REPORT ON "WORLD

1258
03:13:30,000 --> 03:13:35,000
&E

1259
03:20:01,000 --> 03:20:03,000
STATION MIR IS ON THE ROAD TO

1260
03:20:03,000 --> 03:20:04,000
REPAIR, EVERYONE HOPES

1261
03:20:04,000 --> 03:20:06,000
TONIGHT.

1262
03:20:06,000 --> 03:20:11,000
A CARGO SHIP DELIVERING TWO

1263
03:20:14,000 --> 03:20:16,000
TONS OF DESPERATELY NEEDED

1264
03:20:16,000 --> 03:20:19,000
EQUIPMENT WAS SENT TO REPAIR

1265
03:20:19,000 --> 03:20:22,000
THE DAMAGED SPACE STATION MIR.

1266
03:20:22,000 --> 03:20:25,000
LAST WEEK A CARGO SHIP

1267
03:20:25,000 --> 03:20:27,000
COLLIDED WITH MIR AND KNOCKED

1268
03:20:27,000 --> 03:20:29,000
OUT ALMOST HALF OF ITS POWER.

1269
03:20:29,000 --> 03:20:32,000
>> THIS IS GREG LINTERAS,

1270
03:20:32,000 --> 03:20:34,000
SHOWING HOW TO WASH YOUR HAIR

1271
03:20:34,000 --> 03:20:35,000
IN SPACE.

1272
03:20:35,000 --> 03:20:37,000
>> Reporter: GREG LINTERAS

1273
03:20:37,000 --> 03:20:39,000
SAYS IT'S EASIER TO WASH IN

1274
03:20:39,000 --> 03:20:41,000
SPACE BECAUSE ZERO GRAVITY

1275
03:20:41,000 --> 03:20:42,000
FORCES THE WATER TO STAY IN

1276
03:20:42,000 --> 03:20:44,000
PLACE.

1277
03:20:44,000 --> 03:20:48,000
CREW MEMBERS ARE WORKING ON

1278
03:20:48,000 --> 03:20:49,000
SCIENTIFIC EXPERIMENTS THAT

1279
03:20:49,000 --> 03:20:51,000
COULD LEAD TO IMPROVEMENTS ON

1280
03:20:51,000 --> 03:20:53,000
MANY THINGS.

1281
03:20:53,000 --> 03:20:55,000
EVEN GOLF CLUBS.

1282
03:20:55,000 --> 03:20:57,000
>>> GARY IS COMING UP AFTER

1283
03:20:57,000 --> 03:20:58,000
THE BREAK WITH AN ALL-STAR

1284
03:20:58,000 --> 03:20:59,000
PREVIEW.

1285
03:20:59,000 --> 03:21:00,000
STARTED AT 7:00 THIS MORNING

1286
03:21:00,000 --> 03:21:02,000
IN PAMPLONA, SPAIN.

1287
03:21:02,000 --> 03:21:03,000
IT WILL GO ALL WEEK.

1288
03:21:03,000 --> 03:21:05,000
NOW, WE UNDERSTAND THAT AS THE

1289
03:21:05,000 --> 03:21:07,000
WEEK PROGRESSES THE BULLS GET

1290
03:21:07,000 --> 03:21:09,000
MEANER.
TO BE HONEST WITH YOU, ONE OF

1291
03:21:09,000 --> 03:21:12,000
THE HIGHLIGHTS WHEN A LOCAL

1292
03:21:12,000 --> 03:21:14,000
NEWS CAST SHOWS YOU THAT,

1293
03:21:14,000 --> 03:21:17,000
NOBODY GOT HURT.

1294
03:21:17,000 --> 03:21:19,000
JUST BULLS RUNNING AFTER
PEOPLE.

1295
03:21:19,000 --> 03:21:20,000
>> BUT THE WEEK IS YOUNG.

1296
03:21:20,000 --> 03:21:21,000
>> USUALLY SOMEONE DOES GET

1297
03:21:21,000 --> 03:21:23,000
HURT.

1298
03:21:23,000 --> 03:21:25,000
>>> WELL, THE SAN FRANCISCO

1299
03:21:25,000 --> 03:21:27,000
ZOO COULD USE SOME HELP FROM

1300
03:21:27,000 --> 03:21:29,000
MARY POPPINS, I GUESS.

1301
03:21:29,000 --> 03:21:31,000
CALLE, THE ASIAN ELEPHANT, IS

1302
03:21:31,000 --> 03:21:34,000
SICK, AND ZOO KEEPERS CAN'T

1303
03:21:34,000 --> 03:21:35,000
SEEM TO GET HER MEDICINE TO GO

1304
03:21:35,000 --> 03:21:37,000
DOWN.

1305
03:21:37,000 --> 03:21:39,000
>> Reporter: WHEN CALE CAME TO

1306
03:21:39,000 --> 03:21:41,000
THE SAN FRANCISCO ZOO FROM LOS

1307
03:21:41,000 --> 03:21:43,000
ANGELES, SHE BROUGHT WITH HER

1308
03:21:43,000 --> 03:21:46,000
A CASE OF TUBERCULOSIS.

1309
03:21:46,000 --> 03:21:48,000
NOW THE ELEPHANT HAS A HEFTY

1310
03:21:48,000 --> 03:21:50,000
DOSE OF MEDICINE TO SWALLOW.

1311
03:21:50,000 --> 03:21:52,000
HOW MANY PILLS DOES IT TAKE TO

1312
03:21:52,000 --> 03:21:54,000
CURE A PACHYDERM?

1313
03:21:54,000 --> 03:21:57,000
>> SHE NEEDS TO TAKE ABOUT 500

1314
03:21:57,000 --> 03:21:58,000
PILLS OF MEDICATION A DAY FOR

1315
03:21:58,000 --> 03:21:59,000
60 DAYS.

1316
03:21:59,000 --> 03:22:01,000
AFTER THAT, IT DROPS DOWN TO

1317
03:22:01,000 --> 03:22:03,000
ABOUT 300 PILLS THREE DAYS A

1318
03:22:03,000 --> 03:22:05,000
WEEK FOR ANOTHER 10 MONTHS.

1319
03:22:05,000 --> 03:22:07,000
>> Reporter: BUT CALLE TURNED

1320
03:22:07,000 --> 03:22:09,000
HER TRUNK UP TO THE BITTER

1321
03:22:09,000 --> 03:22:10,000
TASTING PILLS.

1322
03:22:10,000 --> 03:22:13,000
SHE'S NO DUMBO.

1323
03:22:13,000 --> 03:22:17,000
SHE REFUSED BANANAS SPIKED

1324
03:22:17,000 --> 03:22:18,000
WITH THE MEDICINE.

1325
03:22:18,000 --> 03:22:20,000
>> WE'VE TRIED BREAD, JAM,

1326
03:22:20,000 --> 03:22:22,000
BAKING IT IN COOKIES, WE'VE

1327
03:22:22,000 --> 03:22:25,000
TRIED MIXING IT UP BANANA

1328
03:22:25,000 --> 03:22:28,000
FLAVOR, STRAWBERRY FLAVOR.

1329
03:22:28,000 --> 03:22:29,000
>> Reporter: NOT EVEN A

1330
03:22:29,000 --> 03:22:31,000
SPOONFUL OF SUGAR WOULD HELP

1331
03:22:31,000 --> 03:22:35,000
THE MEDICINE GO DOWN, SO ZO

1332
03:22:35,000 --> 03:22:37,000
ZOOKEEPERS HOPE THE PUBLIC HAS

1333
03:22:37,000 --> 03:22:38,000
A REMEDY.

1334
03:22:38,000 --> 03:22:40,000
>> I'D LT LET IT DISSOLVE IN

1335
03:22:40,000 --> 03:22:42,000
THE WATER.
>> I WOULD MAKE A BIG CANDY

1336
03:22:42,000 --> 03:22:45,000
FOR HIM.
>> MAKE A PEANUT AND CUT THE

1337
03:22:45,000 --> 03:22:47,000
TOP OF IT, INSERT THE PILL ON

1338
03:22:47,000 --> 03:22:49,000
ONE PART OF THE PEANUT AND

1339
03:22:49,000 --> 03:22:51,000
THEN COVER IT UP WITH MAYBE SP

1340
03:22:51,000 --> 03:22:53,000
PEANUT PUTTER.

1341
03:22:53,000 --> 03:22:54,000
BUT I GUESS THAT WOULD BE A

1342
03:22:54,000 --> 03:22:57,000
LOT OF PEANUTS.

1343
03:22:57,000 --> 03:22:58,000
>> Reporter: LETTERS ARE

1344
03:22:58,000 --> 03:23:02,000
COMING IN FROM ALL AACROSS THE

1345
03:23:02,000 --> 03:23:03,000
COUNTRY.

1346
03:23:03,000 --> 03:23:08,000
THIS ONE SUGGESTS SHE SMASH --

1347
03:23:08,000 --> 03:23:09,000
ZOOKEEPERS SMASH IT UP IN

1348
03:23:09,000 --> 03:23:10,000
PEANUT BUTTER.

1349
03:23:10,000 --> 03:23:12,000
THEY TRIED THAT, AND SHE STILL

1350
03:23:12,000 --> 03:23:13,000
REFUSED.

1351
03:23:13,000 --> 03:23:15,000
>> YOU CAN PUT THE MEDICINE IN

1352
03:23:15,000 --> 03:23:20,000
A SUPOSITORY.

1353
03:23:20,000 --> 03:23:22,000
>> Reporter: A TEXAS WOMAN

1354
03:23:22,000 --> 03:23:25,000
WROTE IN TELLING THEM TO TAKE

1355
03:23:25,000 --> 03:23:28,000
THE ELEPHANT TO A CHRISTIAN

1356
03:23:28,000 --> 03:23:30,000
SCIENCE CENTER WHERE SHE HAD

1357
03:23:30,000 --> 03:23:34,000
GIVEN HER DOG MIND TREATMENT.

1358
03:23:34,000 --> 03:23:36,000
>> I'LL PASS THAT ON TO OUR

1359
03:23:36,000 --> 03:23:38,000
KEEPERS.

1360
03:23:38,000 --> 03:23:40,000
>> Reporter: THIS PACHYDERM

1361
03:23:40,000 --> 03:23:42,000
WOULD PROBABLY PREFER

1362
03:23:42,000 --> 03:23:43,000
SPIRITUAL HEALING OVER POPPING

1363
03:23:43,000 --> 03:23:46,000
PILLS ANY DAY.

1364
03:23:46,000 --> 03:23:49,000
>> ZOOKEEPERS ARE SOON GOING

1365
03:23:49,000 --> 03:23:51,000
TO HAVE TO TACKLE THE SAME

1366
03:23:51,000 --> 03:23:53,000
TASK WITH TINKER BELL, THE

1367
03:23:53,000 --> 03:23:54,000
OTHER ASIAN ELEPHANT WHO WAS

1368
03:23:54,000 --> 03:23:59,000
EXPOSED TO CALLE'S TB.

1369
03:24:02,000 --> 03:24:03,000
HONOLULU, PEORIA AND CHESAPEAKE

1370
03:24:03,000 --> 03:24:05,000
BAY.

1371
03:24:05,000 --> 03:24:07,000
THAT IS, AFTER ALL, THE NATO
PLEDGE.

1372
03:24:07,000 --> 03:24:08,000
AN ATTACK ON ONE IS AN ATTACK

1373
03:24:08,000 --> 03:24:11,000
ON ALL.

1374
03:24:11,000 --> 03:24:12,000
>> WE BRIDGED A CHASM IN HISTORY

1375
03:24:12,000 --> 03:24:14,000
AND BEGAN A JOURNEY TO A NEW

1376
03:24:14,000 --> 03:24:17,000
EUROPE AND A NEW CENTURY.

1377
03:24:17,000 --> 03:24:18,000
>> Reporter: WHAT'S REMARKABLE

1378
03:24:18,000 --> 03:24:19,000
AS THE DIPLOMATS WORKED OUT

1379
03:24:19,000 --> 03:24:21,000
THE DETAILS HERE, IS HOW LITTLE

1380
03:24:21,000 --> 03:24:22,000
DEBATE THERE HAS BEEN

1381
03:24:22,000 --> 03:24:24,000
IN WASHINGTON AND THE U.S.

1382
03:24:24,000 --> 03:24:26,000
IN GENERAL ABOUT THIS

1383
03:24:26,000 --> 03:24:27,000
POTENTIALLY HUGE NEW OBLIGATION

1384
03:24:27,000 --> 03:24:28,000
FOR AMERICAN SOLDIERS.

1385
03:24:28,000 --> 03:24:31,000
THAT APPEARS TO BE CHANGING.

1386
03:24:31,000 --> 03:24:32,000
>> I THINK THESE ARE

1387
03:24:32,000 --> 03:24:33,000
THE QUESTIONS THAT NEED TO BE

1388
03:24:33,000 --> 03:24:34,000
ANSWERED BEFORE WE HAVE

1389
03:24:34,000 --> 03:24:37,000
INVITATIONS TO EXPAND NATO.

1390
03:24:37,000 --> 03:24:38,000
>> Reporter: 20 SENATORS HAVE

1391
03:24:38,000 --> 03:24:40,000
WRITTEN THE PRESIDENT CONCERNED

1392
03:24:40,000 --> 03:24:42,000
THAT NATO RUSHED THESE

1393
03:24:42,000 --> 03:24:43,000
INVITATIONS AND BELIEVE THAT IT

1394
03:24:43,000 --> 03:24:46,000
DESERVES MORE DEBATE.

1395
03:24:46,000 --> 03:24:48,000
THEIR CONCERNS INCLUDE COST.

1396
03:24:48,000 --> 03:24:49,000
THE CONGRESSIONAL BUDGET OFFICE

1397
03:24:49,000 --> 03:24:51,000
PREDICTS THAT NATO ENLARGEMENT

1398
03:24:51,000 --> 03:24:53,000
WILL COST U.S. TAXPAYERS

1399
03:24:53,000 --> 03:24:55,000
$19 BILLION OVER 15 YEARS.

1400
03:24:55,000 --> 03:24:57,000
THE ADMINISTRATION SAYS THE COST

1401
03:24:57,000 --> 03:24:58,000
WOULD BE ABOUT 80% LOWER THAN

1402
03:24:58,000 --> 03:25:00,000
THAT FIGURE, AND ARGUES IT'S

1403
03:25:00,000 --> 03:25:01,000
MONEY WELL SPENT TO KEEP

1404
03:25:01,000 --> 03:25:05,000
THE PEACE.

1405
03:25:05,000 --> 03:25:06,000
THE SENATE CAN STOP NATO

1406
03:25:06,000 --> 03:25:07,000
EXPANSION IF IT WANTS TO.

1407
03:25:07,000 --> 03:25:09,000
34 VOTES AGAINST WILL DO IT.

1408
03:25:09,000 --> 03:25:11,000
THE VOTE IS EARLY NEXT YEAR.

1409
03:25:11,000 --> 03:25:13,000
SEVERAL OTHER COUNTRIES ALSO

1410
03:25:13,000 --> 03:25:15,000
WANT TO INVITE ROMANIA

1411
03:25:15,000 --> 03:25:17,000
AND SLOVENIA, BUT THE U.S.

1412
03:25:17,000 --> 03:25:18,000
BLOCKED THAT, ARGUING THAT THOSE

1413
03:25:18,000 --> 03:25:19,000
COUNTRIES ARE NOT YET READY

1414
03:25:19,000 --> 03:25:21,000
TO JOIN THE CLUB.

1415
03:25:21,000 --> 03:25:23,000
THOSE SAME COUNTRIES ALSO LIE

1416
03:25:23,000 --> 03:25:25,000
IN EUROPE'S LEAST STABLE CORNER,

1417
03:25:25,000 --> 03:25:26,000
NEAR BOSNIA, AN AREA THE U.S.

1418
03:25:26,000 --> 03:25:27,000
WOULD RATHER GET TROOPS OUT

1419
03:25:27,000 --> 03:25:29,000
OF THAN INTO.

1420
03:25:29,000 --> 03:25:30,000
JOHN DONVAN, ABC NEWS,

1421
03:25:30,000 --> 03:25:32,000
WITH THE PRESIDENT IN MADRID.

1422
03:25:32,000 --> 03:25:33,000
>>> NOW WE STAY OVERSEAS --

1423
03:25:33,000 --> 03:25:34,000
IN SOUTH AFRICA TODAY,

1424
03:25:34,000 --> 03:25:36,000
THE GOVERNMENT COMMISSION THAT'S

1425
03:25:36,000 --> 03:25:38,000
TRYING TO HELP THE COUNTRY GET

1426
03:25:38,000 --> 03:25:40,000
BEYOND ITS VIOLENT AND RACIST

1427
03:25:40,000 --> 03:25:41,000
PAST HAS BEEN HEARING APPEALS

1428
03:25:41,000 --> 03:25:42,000
IN A MURDER CASE THAT GOT

1429
03:25:42,000 --> 03:25:43,000
A GREAT DEAL OF ATTENTION

1430
03:25:43,000 --> 03:25:45,000
AT THE TIME.

1431
03:25:45,000 --> 03:25:46,000
BECAUSE IT INVOLVED A YOUNG

1432
03:25:46,000 --> 03:25:51,000
AMERICAN WOMAN NAMED AMY BIEHL.

1433
03:25:52,000 --> 03:25:53,000
AT A HEARING IN CAPETOWN,

1434
03:25:53,000 --> 03:25:55,000
THE FOUR MEN, EACH SERVING 18

1435
03:25:55,000 --> 03:25:57,000
YEARS FOR MURDERING AMY BIEHL,

1436
03:25:57,000 --> 03:25:58,000
ASKED FOR AMNESTY FROM THE TRUTH

1437
03:25:58,000 --> 03:26:01,000
AND RECONCILIATION COMMISSION.

1438
03:26:01,000 --> 03:26:02,000
THEY ARGUED TODAY THAT

1439
03:26:02,000 --> 03:26:04,000
THE KILLING WAS A POLITICAL ACT.

1440
03:26:04,000 --> 03:26:06,000
AND THEY ASKED AMY BIEHL'S

1441
03:26:06,000 --> 03:26:08,000
PARENTS, WHO HAD COME ALL

1442
03:26:08,000 --> 03:26:09,000
THE WAY FROM CALIFORNIA

1443
03:26:09,000 --> 03:26:12,000
FOR THEIR FORGIVENESS.

1444
03:26:12,000 --> 03:26:14,000
AMY BIEHL WAS 26, A GRADUATE
OF STANFORD UNIVERSITY.

1445
03:26:14,000 --> 03:26:15,000
SHE HAD GONE TO SOUTH AFRICA

1446
03:26:15,000 --> 03:26:18,000
IN THAT FATEFUL SUMMER OF 1993

1447
03:26:18,000 --> 03:26:20,000
AS A VOLUNTEER TO HELP REGISTER

1448
03:26:20,000 --> 03:26:22,000
BLACK SOUTH AFRICANS TO VOTE

1449
03:26:22,000 --> 03:26:23,000
IN THE FIRST EVER COMPLETELY

1450
03:26:23,000 --> 03:26:27,000
OPEN SOUTH AFRICAN ELECTIONS.

1451
03:26:27,000 --> 03:26:28,000
ON AUGUST 23rd, BIEHL WAS PULLED

1452
03:26:28,000 --> 03:26:30,000
FROM HER CAR BY A MOB OF YOUNG

1453
03:26:30,000 --> 03:26:31,000
BLACKS, WHO THEN STABBED

1454
03:26:31,000 --> 03:26:34,000
AND STONED HER TO DEATH.

1455
03:26:34,000 --> 03:26:37,000
TODAY HER PARENTS SAID THAT

1456
03:26:37,000 --> 03:26:38,000
IF AMNESTY FOR THOSE WHO

1457
03:26:38,000 --> 03:26:39,000
MURDERED THEIR DAUGHTER WOULD

1458
03:26:39,000 --> 03:26:40,000
HELP TO HEAL SOUTH AFRICA, AFTER

1459
03:26:40,000 --> 03:26:42,000
A HISTORY OF RACIAL DIVISION,

1460
03:26:42,000 --> 03:26:45,000
SO BE IT.

1461
03:26:45,000 --> 03:26:46,000
>>> WHEN WE COME BACK,

1462
03:26:46,000 --> 03:26:48,000
THE REMARKABLE CHANGE

1463
03:26:48,000 --> 03:26:49,000
IN THE NEIGHBORHOOD THEY USED

1464
03:26:49,000 --> 03:26:50,000
TO CALL THE HOLE.

1465
03:26:50,000 --> 03:26:55,000
IT'S TONIGHT'S "SOLUTION."
3q

1466
03:27:01,000 --> 03:27:03,000
CRAIG JOINED THE BANDWAGON

1467
03:27:03,000 --> 03:27:04,000
AND HAD DOCTORS PRESCRIBING

1468
03:27:04,000 --> 03:27:05,000
FEN-PHEN.

1469
03:27:05,000 --> 03:27:06,000
>> THESE DIET DRUGS ARE

1470
03:27:06,000 --> 03:27:07,000
DANGEROUS.

1471
03:27:07,000 --> 03:27:08,000
THEY HAVE POTENTIAL SIDE

1472
03:27:08,000 --> 03:27:09,000
EFFECTS.

1473
03:27:09,000 --> 03:27:11,000
>> Reporter: HOW MANY PEOPLE

1474
03:27:11,000 --> 03:27:12,000
LIKE MARY SUFFER ADVERSE HEALTH

1475
03:27:12,000 --> 03:27:13,000
CONSEQUENCES FROM FEN-PHEN?

1476
03:27:13,000 --> 03:27:15,000
UNTIL THE FDA FINISHES

1477
03:27:15,000 --> 03:27:16,000
ITS INVESTIGATION, IT'S ANYONE'S

1478
03:27:16,000 --> 03:27:18,000
GUESS.

1479
03:27:18,000 --> 03:27:20,000
FOR NOW, THE DIET DRUGS MAY BE

1480
03:27:20,000 --> 03:27:22,000
WORTHWHILE FOR SERIOUSLY OBESE

1481
03:27:22,000 --> 03:27:23,000
PEOPLE, BUT IF YOU ARE JUST

1482
03:27:23,000 --> 03:27:25,000
TRYING TO LOSE A FEW POUNDS,

1483
03:27:25,000 --> 03:27:26,000
YOU COULD BE TAKING A BIG RISK

1484
03:27:26,000 --> 03:27:28,000
WITH FEN-PHEN.

1485
03:27:28,000 --> 03:27:29,000
ROBERT BAZELL, NBC NEWS, NEW

1486
03:27:29,000 --> 03:27:31,000
YORK.

1487
03:27:31,000 --> 03:27:32,000
>>> WE'LL HAVE MUCH MORE

1488
03:27:32,000 --> 03:27:34,000
ON THE POSSIBLE DANGERSCALLED P.

1489
03:27:34,000 --> 03:27:36,000
THEY SAY THAT PHEN/FEN MAY CAUSE

1490
03:27:36,000 --> 03:27:38,000
SERIOUS HEART PROBLEMS, WHICH

1491
03:27:38,000 --> 03:27:40,000
COULD BE FATAL.

1492
03:27:40,000 --> 03:27:41,000
>>> FINALLY FROM US THIS EVENING

1493
03:27:41,000 --> 03:27:42,000
ANOTHER SCIENTIFIC MILESTONE.

1494
03:27:42,000 --> 03:27:43,000
TODAY WE LEARNED THAT THE ROCKS

1495
03:27:43,000 --> 03:27:44,000
ON MARS MAY BE VERY SIMILAR

1496
03:27:44,000 --> 03:27:45,000
TO A COMMON FORM OF LAVA FOUND

1497
03:27:45,000 --> 03:27:48,000
HERE ON EARTH.

1498
03:27:48,000 --> 03:27:49,000
ANOTHER DISCOVERY FROM THAT

1499
03:27:49,000 --> 03:27:50,000
COCKY LITTLE ROBOT UP THERE,

1500
03:27:50,000 --> 03:27:52,000
SOJOURNER.

1501
03:27:52,000 --> 03:27:54,000
IT IS SMALL AND IT IS SLOW,

1502
03:27:54,000 --> 03:27:56,000
BUT WHAT A SET OF WHEELS.

1503
03:27:56,000 --> 03:27:58,000
ABC'S NED POTTER ONCE AGAIN

1504
03:27:58,000 --> 03:27:59,000
AT THE JET PROPULSION LAB

1505
03:27:59,000 --> 03:28:01,000
IN CALIFORNIA, WHERE TODAY

1506
03:28:01,000 --> 03:28:02,000
HE MET THE MAN IN THE DRIVER'S

1507
03:28:02,000 --> 03:28:04,000
SEAT.

1508
03:28:04,000 --> 03:28:05,000
>> Reporter: TO WATCH THE LITTLE

1509
03:28:05,000 --> 03:28:06,000
SOJOURNER ROVER IN THE LATEST

1510
03:28:06,000 --> 03:28:08,000
PICTURES, YOU WOULD THINK IT WAS

1511
03:28:08,000 --> 03:28:09,000
THE COOLEST REMOTE-CONTROLLED

1512
03:28:09,000 --> 03:28:12,000
RACER IN THE UNIVERSE.

1513
03:28:12,000 --> 03:28:13,000
IN A WAY, YOU'D BE RIGHT.

1514
03:28:13,000 --> 03:28:15,000
AND BRIAN COOPER IS THE LUCKY

1515
03:28:15,000 --> 03:28:16,000
37-YEAR-OLD KID WHO GETS

1516
03:28:16,000 --> 03:28:18,000
TO DRIVE IT.

1517
03:28:18,000 --> 03:28:20,000
BUT AS HE'LL SHOW YOU, IT'S NOT

1518
03:28:20,000 --> 03:28:21,000
A TOY CAR AT ALL.

1519
03:28:21,000 --> 03:28:24,000
IT'S A VIDEO GAME.

1520
03:28:24,000 --> 03:28:25,000
>> AS I PULL UP ON THE BALL,

1521
03:28:25,000 --> 03:28:27,000
THE ROVER MOVES UP ON THE SCREEN

1522
03:28:27,000 --> 03:28:32,000
AND RIGHT, LEFT, AND IN AND OUT.

1523
03:28:33,000 --> 03:28:34,000
>> Reporter: COOPER, IN 3-D

1524
03:28:34,000 --> 03:28:36,000
GOGGLES, GUIDES THE ROVER

1525
03:28:36,000 --> 03:28:37,000
BY LOOKING AT PICTURES FROM BOTH

1526
03:28:37,000 --> 03:28:39,000
ROVER AND LANDER, TO SEE EXACTLY

1527
03:28:39,000 --> 03:28:40,000
WHERE THE ROVER IS AND WHERE

1528
03:28:40,000 --> 03:28:42,000
THE SCIENTISTS WANT HIM TO SEND

1529
03:28:42,000 --> 03:28:43,000
IT.

1530
03:28:43,000 --> 03:28:44,000
>> I'M ABLE TO PLACE WHAT

1531
03:28:44,000 --> 03:28:45,000
WE CALL WEIGHT POINTS

1532
03:28:45,000 --> 03:28:47,000
ON THE SURFACE OF MARS AND TELL

1533
03:28:47,000 --> 03:28:48,000
THE ROVER TO GO TO THOSE

1534
03:28:48,000 --> 03:28:49,000
LOCATIONS.

1535
03:28:49,000 --> 03:28:50,000
>> Reporter: BUT COOPER DOESN'T

1536
03:28:50,000 --> 03:28:51,000
DRIVE ROVER IN THE TRADITIONAL

1537
03:28:51,000 --> 03:28:53,000
SENSE.

1538
03:28:53,000 --> 03:28:54,000
BECAUSE SIGNALS BETWEEN EARTH

1539
03:28:54,000 --> 03:28:56,000
AND MARS TAKES SO LONG, HE HAS

1540
03:28:56,000 --> 03:28:57,000
TO SEND UP A STRING OF COMMANDS

1541
03:28:57,000 --> 03:28:59,000
FOR A WHOLE DAY'S MANEUVERING,

1542
03:28:59,000 --> 03:29:00,000
AND HAS TO WAIT ANOTHER DAY

1543
03:29:00,000 --> 03:29:03,000
TO SEE HOW THINGS WENT.

1544
03:29:03,000 --> 03:29:05,000
WHILE ON ITS OWN, THE ROVER USES

1545
03:29:05,000 --> 03:29:07,000
BUILT-IN SMARTS, PROTECTING FIVE

1546
03:29:07,000 --> 03:29:09,000
LASER BEAMS AHEAD OF ITSELF,

1547
03:29:09,000 --> 03:29:10,000
TO MAKE SURE IT DOESN'T DRIVE

1548
03:29:10,000 --> 03:29:13,000
INTO TROUBLE.

1549
03:29:13,000 --> 03:29:14,000
BACK ON EARTH, ENGINEERS LIKE

1550
03:29:14,000 --> 03:29:16,000
LEE SWORD WATCHES WITH PRIDE.

1551
03:29:16,000 --> 03:29:18,000
>> I WAS INVOLVED

1552
03:29:18,000 --> 03:29:19,000
WITH THE DESIGN OF THE WHEELS,

1553
03:29:19,000 --> 03:29:20,000
AND MY MARK HAS BEEN LEFT

1554
03:29:20,000 --> 03:29:21,000
ON THE SURFACE OF MARS NOW.

1555
03:29:21,000 --> 03:29:23,000
>> Reporter: SWORD IS ALREADY

1556
03:29:23,000 --> 03:29:24,000
BUILDING ALREADY MORE AMBITIOUS

1557
03:29:24,000 --> 03:29:26,000
ROVERS TO COLLECT MARTIAN ROCK

1558
03:29:26,000 --> 03:29:27,000
SAMPLES AND BRING THEM BACK

1559
03:29:27,000 --> 03:29:28,000
TO EARTH.

1560
03:29:28,000 --> 03:29:30,000
THAT'S NASA'S TOUGHEST GOAL --

1561
03:29:30,000 --> 03:29:31,000
TO HELP LEARN IF MARS EVER HAD

1562
03:29:31,000 --> 03:29:33,000
LIFE.

1563
03:29:33,000 --> 03:29:34,000
SO THE ROVER CANNOT BE A TOY.

1564
03:29:34,000 --> 03:29:35,000
IT HAS TO BE A PACKAGE OF HUMAN

1565
03:29:35,000 --> 03:29:38,000
INGENUITY.

1566
03:29:38,000 --> 03:29:39,000
NED POTTER, ABC NEWS, PASADENA,

1567
03:29:39,000 --> 03:29:41,000
CALIFORNIA.

1568
03:29:41,000 --> 03:29:43,000
>>> AND THAT IS OUR REPORT
ON "WORLD NEWS TONIGHT."

1569
03:29:43,000 --> 03:29:44,000
I'M PETER JENNINGS.

1570
03:29:44,000 --> 03:29:45,000
WE HOPE YOU HAVE A NICE EVENING

1571
03:29:45,000 --> 03:29:50,000
AND THAT YOU JOIN US AGAIN
TOMORROW.

1572
03:29:50,000 --> 03:29:51,000
PEOPLE BE ALLOWED TO CHECK

1573
03:29:51,000 --> 03:29:56,000
MORE THAN ONE BOX IN QUESTIONS

1574
03:29:57,000 --> 03:29:59,000
ON FEDERAL FORMS, THEY BE

1575
03:29:59,000 --> 03:30:00,000
ALLOWED TO CHECK MORE THAN ONE

1576
03:30:00,000 --> 03:30:01,000
CATEGORY.

1577
03:30:01,000 --> 03:30:04,000
THE DECISION MAY SEEM LOGICAL,

1578
03:30:04,000 --> 03:30:09,000
BUT AS ANTHONY MOOR REPORTS,

1579
03:30:09,000 --> 03:30:10,000
THERE'S BEEN SIGNIFICANT

1580
03:30:10,000 --> 03:30:12,000
OPPOSITION.

1581
03:30:12,000 --> 03:30:13,000
>> Reporter: PROSECUTOR

1582
03:30:13,000 --> 03:30:14,000
DANIELLE ISMAN IS THE PRODUCT

1583
03:30:14,000 --> 03:30:15,000
OF OUR INCREASINGLY DIVERSE

1584
03:30:15,000 --> 03:30:16,000
SOCIETY.

1585
03:30:16,000 --> 03:30:20,000
HER DAD, BLACK; HER MOM,
WHITE.

1586
03:30:20,000 --> 03:30:21,000
>> I CHECKED BLACK.

1587
03:30:21,000 --> 03:30:23,000
>> IS THAT HARD?

1588
03:30:23,000 --> 03:30:24,000
>> DEFINITELY.
DEFINITELY.

1589
03:30:24,000 --> 03:30:26,000
BECAUSE I WAS RAISED BY MY MOM,

1590
03:30:26,000 --> 03:30:28,000
AND SHE'S WHITE.

1591
03:30:28,000 --> 03:30:30,000
SO CHECKING BLACK IS LIKE

1592
03:30:30,000 --> 03:30:32,000
DISQUALIFYING HER OF 26 YEARS

1593
03:30:32,000 --> 03:30:36,000
OF GREAT MOTHERHOOD.

1594
03:30:36,000 --> 03:30:37,000
6
>> Reporter: KIM HUNTER ALWAYS

1595
03:30:37,000 --> 03:30:39,000
CHECKED TWO

1596
03:30:39,000 --> 03:30:40,000
BOXES, AND ONLY LEARNED IN

1597
03:30:40,000 --> 03:30:41,000
HIGH SCHOOL THAT MOST AGENCIES

1598
03:30:41,000 --> 03:30:42,000
JUST COUNT ONE, THAT MOST

1599
03:30:42,000 --> 03:30:43,000
ORGANIZATIONS, PUBLIC AND

1600
03:30:43,000 --> 03:30:44,000
PRIVATE, FOLLOW U.S. CENSUS

1601
03:30:44,000 --> 03:30:46,000
FORMS, WHICH CURRENTLY ALLOW

1602
03:30:46,000 --> 03:30:47,000
PEOPLE TO CHECK ONE OF FIVE

1603
03:30:47,000 --> 03:30:49,000
BROAD RACIAL CLASSIFICATIONS.
ADVOCATES FOR CHANGE PROPOSED

1604
03:30:49,000 --> 03:30:50,000
ADDING A NEW ONE, MULTIRACIAL.

1605
03:30:50,000 --> 03:30:52,000
TODAY FEDERAL AUTHORITIES

1606
03:30:52,000 --> 03:30:54,000
REJECTED THAT, BUT PROPOSED

1607
03:30:54,000 --> 03:30:56,000
PEOPLE BE ALLOWED TO CHECK TWO

1608
03:30:56,000 --> 03:30:57,000
OR MORE OF THE EXISTING BOXES

1609
03:30:57,000 --> 03:31:02,000
INSTEAD.

1610
03:31:02,000 --> 03:31:05,000
>> THAT'S BEING REALISTIC

1611
03:31:05,000 --> 03:31:06,000
ABOUT WHO OUR POPULATION IS.

1612
03:31:06,000 --> 03:31:07,000
>> Reporter: IT REPRESENTS A

1613
03:31:07,000 --> 03:31:09,000
TRIUMPH FOR

1614
03:31:09,000 --> 03:31:10,000
CARLOS FERNANDEZ OF BERKELEY
WHO FOUNDED THE ASSOCIATION OF

1615
03:31:10,000 --> 03:31:11,000
MULTI-ETHNIC AMERICANS AND

1616
03:31:11,000 --> 03:31:15,000
SPEARHEADED THE CHANGE.

1617
03:31:15,000 --> 03:31:17,000
>> THE NUMBERS OF PEOPLE WHO

1618
03:31:17,000 --> 03:31:19,000
CONSIDER THEMSELVES

1619
03:31:19,000 --> 03:31:23,000
MULTIRACIAL IS INCREASING VERY

1620
03:31:23,000 --> 03:31:24,000
QUICKLY.

1621
03:31:24,000 --> 03:31:26,000
>> Reporter: YET

1622
03:31:26,000 --> 03:31:27,000
UNCONTROVERSIAL AS IT MAY

1623
03:31:27,000 --> 03:31:28,000
SEEM, THE DRIVE TO LET

1624
03:31:28,000 --> 03:31:29,000
TOMORROW'S MULTIRACIAL

1625
03:31:29,000 --> 03:31:30,000
CHILDREN IDENTIFY THEMSELVES

1626
03:31:30,000 --> 03:31:31,000
MORE ACCURATELY HAS VOCAL

1627
03:31:31,000 --> 03:31:32,000
FOES.

1628
03:31:32,000 --> 03:31:35,000
SOME CIVIL RIGHTS GROUPS.

1629
03:31:35,000 --> 03:31:39,000
THE NAACP'S AFRAID THE

1630
03:31:39,000 --> 03:31:40,000
NUMBERS OF PEOPLE IDENTIFYING

1631
03:31:40,000 --> 03:31:41,000
THEMSELVES AS BLACK WILL
PLUMMET, AND WITH THAT THE

1632
03:31:41,000 --> 03:31:42,000
FEDERAL DOLLARS THAT FUND

1633
03:31:42,000 --> 03:31:43,000
MINORITY PROGRAMS.

1634
03:31:43,000 --> 03:31:44,000
THEY ALSO FEAR THE GOVERNMENT

1635
03:31:44,000 --> 03:31:45,000
WON'T BE ABLE TO CORRECTLY

1636
03:31:45,000 --> 03:31:47,000
IDENTIFY BLACK VOTERS,E AND SO

1637
03:31:47,000 --> 03:31:48,000
WON'T BE ABLE TO RECONFIGURE

1638
03:31:48,000 --> 03:31:49,000
VOTING DISTRICTS TO COUNTER

1639
03:31:49,000 --> 03:31:50,000
DISCRIMINATION.

1640
03:31:50,000 --> 03:31:51,000
>> IF YOU'RE DRIVING YOUR

1641
03:31:51,000 --> 03:31:53,000
JAGUAR AND YOU ARE MULTIRACIAL

1642
03:31:53,000 --> 03:31:55,000
AND SOME POLICEMAN PULLS YOU
OVER BY THE SIDE OF THE ROAD

1643
03:31:55,000 --> 03:31:56,000
AND BEATS YOU UPSIDE YOUR

1644
03:31:56,000 --> 03:31:57,000
HEAD, TO HIM YOU LOOK LIKE A

1645
03:31:57,000 --> 03:31:59,000
COLORED PERSON.

1646
03:31:59,000 --> 03:32:00,000
>> Reporter: BUT FOR DANIELLE

1647
03:32:00,000 --> 03:32:01,000
AND KIM, WHAT'S MOST IMPORTANT

1648
03:32:01,000 --> 03:32:04,000
IS BEING ABLE TO SAY WHO THEY

1649
03:32:04,000 --> 03:32:07,000
ARE.

1650
03:32:07,000 --> 03:32:09,000
>> IT'S NOT ACCURATE NOW, AND

1651
03:32:09,000 --> 03:32:11,000
SO IT'S NOT NECESSARILY THAT

1652
03:32:11,000 --> 03:32:14,000
I'M DILUTING, I'M JUST MAKING

1653
03:32:14,000 --> 03:32:19,000
ñ

1654
03:42:41,000 --> 03:42:42,000
OOH, HOW LA, TI, DA.

1655
03:42:42,000 --> 03:42:46,000
UR SEA OF BEAUTY.

1656
03:42:46,000 --> 03:42:48,000
I AM A FRUIT TWIST
FROM STARBURST.

1657
03:42:48,000 --> 03:42:49,000
COME NIBBLE ON ME...

1658
03:42:49,000 --> 03:42:52,000
AND FLOAT ON MY RIVER
OF FRUIT JUICINESS.

1659
03:42:52,000 --> 03:42:54,000
OH, A SLIPPERY MERMAID.
HA, HA, HA !

1660
03:42:54,000 --> 03:42:56,000
SHE PLAYS HARD TO GET.

1661
03:42:56,000 --> 03:42:59,000
MAYBE CHERRY, LEMON
OR STRAWBERRY WILL ENTICE YOU.

1662
03:42:59,000 --> 03:43:01,000
- UH-OH, CABANA BOYS.
- HEY, OUT OF THE POOL !

1663
03:43:01,000 --> 03:43:02,000
FRUIT TWISTS FROM STARBURST.

1664
03:43:02,000 --> 03:43:07,000
[ Gurgling ]
TWIST UP THE JUICE.

1665
03:43:37,000 --> 03:43:38,000
HOW DO YOU GET THIS EQUIPMENT

1666
03:43:38,000 --> 03:43:39,000
TO THESE TROOPS

1667
03:43:39,000 --> 03:43:41,000
WHEN THERE'S A RIVER
BETWEEN THEM?

1668
03:43:41,000 --> 03:43:43,000
BUILD A BRIDGE.

1669
03:43:43,000 --> 03:43:44,000
PROBLEM SOLVING.

1670
03:43:44,000 --> 03:43:46,000
YOU NEED IT NOW IN COLLEGE.

1671
03:43:46,000 --> 03:43:48,000
LEARN IT NOW
IN THE ARMY RESERVE.

1672
03:43:48,000 --> 03:43:53,000
♪ BE ALL THAT YOU CAN BE.

1673
03:43:59,000 --> 03:44:01,000
♪ PEOPLE ALL OVER THE WORLD

1674
03:44:01,000 --> 03:44:03,000
♪ JOIN HANDS

1675
03:44:03,000 --> 03:44:05,000
♪ GET ON THE LOVE TRAIN

1676
03:44:05,000 --> 03:44:07,000
♪ LOVE TRAIN

1677
03:44:07,000 --> 03:44:09,000
♪ PEOPLE ALL OVER THE WORLD

1678
03:44:09,000 --> 03:44:11,000
♪ JOIN HANDS...

1679
03:44:11,000 --> 03:44:16,000
[LEVER BREAKS OFF]

1680
03:44:16,000 --> 03:44:17,000
[WHISTLING]

1681
03:44:17,000 --> 03:44:22,000
MUG ROOT BEER...

1682
03:44:22,000 --> 03:44:23,000
THERE'S SOMETHING BIG
AT McDONALD'S.

1683
03:44:23,000 --> 03:44:26,000
RIGHT NOW,
A TRIPLE CHEESEBURGER
IS JUST 99¢.

1684
03:44:26,000 --> 03:44:28,000
A BIG, BEEFY BURGER
IN HONOR OF HERCULES,

1685
03:44:28,000 --> 03:44:30,000
FROM DISNEY'S NEW MOVIE
IN THEATERS NOW.

1686
03:44:30,000 --> 03:44:32,000
WHAT YOU FOLKS NEED
IS A HERO.

1687
03:44:32,000 --> 03:44:35,000
AND IF YOU'VE GOT
A HERO-SIZED APPETITE,
McDONALD'S IS JUST THE BURGER.

1688
03:44:35,000 --> 03:44:38,000
IT'S HOT, IT'S TASTY.

1689
03:44:38,000 --> 03:44:41,000
IT'S A TRIPLE CHEESEBURGER
FOR JUST 99¢.

1690
03:44:41,000 --> 03:44:43,000
SO, HOP IN YOUR CHARIOT
AND HURRY TO YOUR McDONALD'S...

1691
03:44:43,000 --> 03:44:46,000
'CAUSE THIS BIG DEAL
WON'T BE AROUND FOR LONG.

1692
03:44:46,000 --> 03:44:48,000
IT'S A BIG BURGER
WITH A SMALL PRICE.

1693
03:44:48,000 --> 03:44:53,000
♪ HERCULES
AT MY McDONALD'S.

1694
03:45:53,000 --> 03:45:58,000
?

1695
03:54:22,000 --> 03:54:23,000
xV>Q
x
♪ I WANT A...

1696
03:54:23,000 --> 03:54:25,000
♪ A RIMSHOT, HEY,
DIGGY, DIGGY ♪

1697
03:54:25,000 --> 03:54:27,000
♪ A RIMSHOT, HEY ♪

1698
03:54:27,000 --> 03:54:29,000
♪ COME ON ♪

1699
03:54:29,000 --> 03:54:31,000
♪ A RIMSHOT, HEY

1700
03:54:31,000 --> 03:54:33,000
♪ DIGGY, DIGGY, A RIMSHOT

1701
03:54:33,000 --> 03:54:36,000
♪ HEY, COME ON

1702
03:54:36,000 --> 03:54:40,000
♪ I CAME
TO HEAR THE BAND TODAY ♪

1703
03:54:40,000 --> 03:54:43,000
♪ I AIN'T THINKING ABOUT YOU

1704
03:54:43,000 --> 03:54:45,000
♪ I CAME
TO HEAR MY DRUMMER PLAY ♪

1705
03:54:45,000 --> 03:54:49,000
♪ BOOM, CLACK, BOOM, CLACK

1706
03:54:49,000 --> 03:54:52,000
♪ I'M IN LOVE WITH YOU

1707
03:54:52,000 --> 03:54:53,000
♪ BECAUSE OF THE

1708
03:54:53,000 --> 03:54:55,000
♪ THINGS YOU

1709
03:54:55,000 --> 03:54:57,000
♪ DO TO ME

1710
03:54:57,000 --> 03:54:59,000
♪ WHEN YOU

1711
03:54:59,000 --> 03:55:01,000
♪ BOOM, CLACK, BOOM, CLACK

1712
03:55:01,000 --> 03:55:04,000
♪ I WANT A RIMSHOT, HEY ♪

1713
03:55:04,000 --> 03:55:05,000
♪ DIGGY, DIGGY ♪

1714
03:55:05,000 --> 03:55:08,000
♪ A RIMSHOT, HEY, COME ON ♪

1715
03:55:08,000 --> 03:55:09,000
♪ I WANT A...

1716
03:55:09,000 --> 03:55:10,000
♪ A RIMSHOT, HEY ♪

1717
03:55:10,000 --> 03:55:12,000
♪ DIGGY, DIGGY ♪

1718
03:55:12,000 --> 03:55:14,000
♪ A RIMSHOT, HEY, COME ON ♪

1719
03:55:14,000 --> 03:55:15,000
♪ I CAME TO HEAR THE...

1720
03:55:15,000 --> 03:55:18,000
♪ A RIMSHOT, HEY, DIGGY, DIGGY ♪

1721
03:55:18,000 --> 03:55:21,000
♪  A RIMSHOT, HEY, COME ON ♪

1722
03:55:21,000 --> 03:55:22,000
♪ I WANT A...

1723
03:55:22,000 --> 03:55:24,000
♪ A RIMSHOT, HEY ♪

1724
03:55:24,000 --> 03:55:25,000
♪ DIGGY, DIGGY

1725
03:55:25,000 --> 03:55:28,000
♪ A RIMSHOT, HEY, COME ON

1726
03:55:28,000 --> 03:55:31,000
♪ BOOM, CLACK, BOOM, CLACK

1727
03:55:31,000 --> 03:55:35,000
♪ BOOM, CLACK,
BOOM, CLACK ♪

1728
03:55:35,000 --> 03:55:38,000
♪ BOOM, CLACK, BOOM, CLACK

1729
03:55:38,000 --> 03:55:41,000
♪ BOOM, CLACK, A-BOOM, COME ON

1730
03:55:41,000 --> 03:55:44,000
♪ BOOM, CLACK, BOOM, CLACK ♪

1731
03:55:44,000 --> 03:55:47,000
♪ BOOM, CLACK, BOOM, CLACK ♪

1732
03:55:47,000 --> 03:55:51,000
♪ BOOM CLACK, BOOM, CLACK ♪

1733
03:55:51,000 --> 03:55:53,000
♪ BOOM, CLACK, BOOM, CLACK ♪

1734
03:55:53,000 --> 03:55:56,000
♪ I WANT A RIMSHOT.
THANK YOU.

1735
03:55:56,000 --> 03:55:57,000
( applause and cheering )

1736
03:55:57,000 --> 03:56:00,000
♪ AHH...
♪ BOOM, CLACK, BOOM, CLACK ♪

1737
03:56:00,000 --> 03:56:04,000
♪ HIT YOUR STICK
UP AGAINST THAT DRUM ♪

1738
03:56:04,000 --> 03:56:07,000
♪ PUDGEI, HEY
♪ BOOM, CLACK, BOOM, CLACK ♪

1739
03:56:07,000 --> 03:56:09,000
♪ BOOM, CLACK ♪

1740
03:56:09,000 --> 03:56:12,000
♪ DON'T WANT TO HEAR NO SNARE
♪ BOOM, CLACK, BOOM, CLACK ♪

1741
03:56:12,000 --> 03:56:16,000
♪ OVER THERE,
I WANT A RIMSHOT, HEY ♪

1742
03:56:16,000 --> 03:56:20,000
♪ GOT A FEELING
♪ BOOM, CLACK, BOOM, CLACK ♪

1743
03:56:20,000 --> 03:56:22,000
♪ I WANT A RIMSHOT, HEY
♪ BOOM, CLACK ♪

1744
03:56:22,000 --> 03:56:25,000
♪ YOU DIGGY-DIG IT, A RIMSHOT.
♪ BOOM, CLACK. ♪

1745
03:56:25,000 --> 03:56:26,000
THANK YOU.

1746
03:56:26,000 --> 03:56:29,000
( cheering and applause )

1747
03:56:29,000 --> 03:56:34,000
( applause and whistling )

1748
03:56:36,000 --> 03:56:38,000
( piano chord )

1749
03:56:38,000 --> 03:56:41,000
( applause dies down )

1750
03:56:41,000 --> 03:56:46,000
( slow, mellow keyboard )

1751
03:56:50,000 --> 03:56:55,000
♪ NOW, WHAT AM I
SUPPOSED TO DO ♪

1752
03:56:55,000 --> 03:56:59,000
♪ WHEN I WANT YOU IN MY WORLD?

1753
03:56:59,000 --> 03:57:02,000
♪ BUT HOW CAN I WANT YOU
FOR MYSELF ♪

1754
03:57:02,000 --> 03:57:07,000
♪ WHEN I'M ALREADY
SOMEONE'S GIRL? ♪

1755
03:57:07,000 --> 03:57:10,000
♪ FIRST TIME
♪ THAT I SAW YOU, BOY

1756
03:57:10,000 --> 03:57:15,000
♪ IT WAS A WARM AND SUNNY DAY

1757
03:57:15,000 --> 03:57:18,000
♪ ALL I KNOW IS I WANTED YOU

1758
03:57:18,000 --> 03:57:22,000
♪ I REALLY HOPED
YOU'D LOOK MY WAY ♪

1759
03:57:22,000 --> 03:57:24,000
♪ THEN YOU SMILED AT ME

1760
03:57:24,000 --> 03:57:27,000
♪ SO WARM AND SWEET
♪ YOU SMILED ♪

1761
03:57:27,000 --> 03:57:30,000
♪ I COULD NOT SPEAK

1762
03:57:30,000 --> 03:57:35,000
♪ YOU MADE ME FEEL
LIKE A LITTLE BITTY GIRL ♪

1763
03:57:35,000 --> 03:57:38,000
♪ WHAT DO YOU DO TO ME?

1764
03:57:38,000 --> 03:57:41,000
♪ NOW, WHAT AM I
SUPPOSED TO DO ♪

1765
03:57:41,000 --> 03:57:45,000
♪ WHAT YOU WANT ME TO DO?
♪ WHEN I WANT YOU
IN MY WORLD? ♪

1766
03:57:45,000 --> 03:57:47,000
♪ HEY...
♪ WANT YOU IN MY WORLD ♪

1767
03:57:47,000 --> 03:57:50,000
♪ HOLD ON, HEY
♪ HOW CAN I WANT YOU
FOR MYSELF ♪

1768
03:57:50,000 --> 03:57:53,000
♪ WHEN I'M ALREADY
SOMEONE'S GIRL? ♪

1769
03:57:53,000 --> 03:57:57,000
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1770
03:57:57,000 --> 03:58:00,000
♪ NO HARD FEELINGS

1771
03:58:00,000 --> 03:58:04,000
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1772
03:58:04,000 --> 03:58:09,000
♪ I'M GONNA BE THERE

1773
03:58:09,000 --> 03:58:12,000
♪ YOUR ENERGY

1774
03:58:12,000 --> 03:58:16,000
♪ FEELS SO DAMN GOOD TO ME

1775
03:58:16,000 --> 03:58:18,000
♪ IT PICKS ME UP

1776
03:58:18,000 --> 03:58:20,000
♪ DON'T WANT TO COME DOWN

1777
03:58:20,000 --> 03:58:24,000
♪ YOU GOT ME SPINNING
ALL AROUND ♪

1778
03:58:24,000 --> 03:58:26,000
♪ OH, BABY
♪ OHH ♪

1779
03:58:26,000 --> 03:58:30,000
♪ YOU NEED TO KNOW

1780
03:58:30,000 --> 03:58:32,000
♪ I'VE GOT SOMEBODY

1781
03:58:32,000 --> 03:58:36,000
♪ BUT YOU'RE BEAUTIFUL,
YEAH, YEAH ♪

1782
03:58:36,000 --> 03:58:40,000
♪ BUT STILL, IT AIN'T
THAT TYPE OF PARTY ♪

1783
03:58:40,000 --> 03:58:43,000
♪ NOW, WHAT AM I
SUPPOSED TO DO ♪

1784
03:58:43,000 --> 03:58:47,000
♪ WHAT YOU WANT ME TO DO?
♪ WHEN I WANT YOU
IN MY WORLD? ♪

1785
03:58:47,000 --> 03:58:49,000
♪ HEY, HEY
♪ WANT YOU IN MY WORLD ♪

1786
03:58:49,000 --> 03:58:52,000
♪ HOLD ON, HEY
♪ BUT HOW CAN I WANT YOU
FOR MYSELF ♪

1787
03:58:52,000 --> 03:58:56,000
♪ WHEN I'M ALREADY
SOMEONE'S GIRL? ♪

1788
03:58:56,000 --> 03:58:59,000
♪ NOW, WHAT AM I
SUPPOSED TO DO ♪

1789
03:58:59,000 --> 03:59:02,000
♪ I KNOW
♪ WHEN I WANT YOU IN MY WORLD? ♪

1790
03:59:02,000 --> 03:59:05,000
♪ I KNOW I'M SELFISH, BUT...

1791
03:59:05,000 --> 03:59:07,000
♪ BUT HOW CAN I WANT YOU
FOR MYSELF ♪

1792
03:59:07,000 --> 03:59:11,000
♪ OOH, OOH, YEAH
♪ WHEN I'M ALREADY
SOMEONE'S GIRL? ♪

1793
03:59:11,000 --> 03:59:14,000
♪ WELL, NEXT LIFETIME ♪

1794
03:59:14,000 --> 03:59:19,000
♪ MAYBE WE'LL BE BUTTERFLIES

1795
03:59:19,000 --> 03:59:23,000
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1796
03:59:23,000 --> 03:59:26,000
♪ MM, THAT SOUNDS SO DIVINE

1797
03:59:26,000 --> 03:59:30,000
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1798
03:59:30,000 --> 03:59:34,000
♪ I GUESS I WILL NOW, BABY

1799
03:59:34,000 --> 03:59:38,000
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1800
03:59:38,000 --> 03:59:39,000
♪ YOU GOT TO WAIT

1801
03:59:39,000 --> 03:59:43,000
♪ WAIT A LITTLE WHILE, MMM

1802
03:59:43,000 --> 03:59:47,000
♪ SEE, THERE AIN'T NOTHING WRONG
WITH DREAMING ♪

1803
03:59:47,000 --> 03:59:51,000
♪ BUT, BOY, DON'T GET ME WRONG

1804
03:59:51,000 --> 03:59:54,000
♪ 'CAUSE EVERY TIME I SEE YOU
♪ EVERY TIME,
EVERY SINGLE TIME ♪

1805
03:59:54,000 --> 03:59:57,000
♪ IT LETS ME KNOW
JUST HOW STRONG ♪

1806
03:59:57,000 --> 03:59:58,000
♪ EVERY SINGLE TIME ♪

1807
03:59:58,000 --> 04:00:02,000
♪ THAT MY LOVE IS FOR MY BABY

1808
04:00:02,000 --> 04:00:06,000
♪ BUT EMOTIONS JUST DON'T LIE

1809
04:00:06,000 --> 04:00:10,000
♪ WELL, I KNOW
I'M A LOT OF WOMAN ♪

1810
04:00:10,000 --> 04:00:14,000
♪ BUT NOT ENOUGH
TO DIVIDE THE PIE, OOH ♪

1811
04:00:14,000 --> 04:00:18,000
♪ WAIT, WAIT
♪ NOW, WHAT AM I
SUPPOSED TO DO ♪

1812
04:00:18,000 --> 04:00:20,000
♪ WHEN I WANT YOU
IN MY WORLD? ♪

1813
04:00:20,000 --> 04:00:23,000
♪ OOH, OOH, OOH, OOH
♪ WANT YOU IN MY WORLD ♪

1814
04:00:23,000 --> 04:00:25,000
♪ BUT HOW CAN I WANT YOU
FOR MYSELF ♪

1815
04:00:25,000 --> 04:00:29,000
♪ OOH, OOH
♪ WHEN I'M ALREADY
SOMEONE'S GIRL? ♪

1816
04:00:29,000 --> 04:00:33,000
♪ OOH, BABY
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1817
04:00:33,000 --> 04:00:36,000
♪ YOU KNOW
I WANT TO STAY A WHILE, BABY ♪

1818
04:00:36,000 --> 04:00:40,000
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1819
04:00:40,000 --> 04:00:43,000
♪ I'M SO CONFUSED NOW

1820
04:00:43,000 --> 04:00:45,000
♪ SO, BREAK IT DOWN,
BREAK IT DOWN ♪

1821
04:00:45,000 --> 04:00:49,000
♪ NOW, WHAT AM I
SUPPOSED TO DO ♪

1822
04:00:49,000 --> 04:00:52,000
♪ WHAT YOU WANT ME TO DO?
♪ WHEN I WANT YOU IN MY WORLD? ♪

1823
04:00:52,000 --> 04:00:54,000
♪ HEY
♪ WANT YOU IN MY WORLD ♪

1824
04:00:54,000 --> 04:00:57,000
♪ BUT HOW CAN I WANT YOU
FOR MYSELF ♪

1825
04:00:57,000 --> 04:00:59,000
♪ WHEN I'M ALREADY
SOMEONE'S GIRL? ♪

1826
04:00:59,000 --> 04:01:03,000
♪ OOH...
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1827
04:01:03,000 --> 04:01:07,000
♪ YOU DON'T HAVE TO CRY
NO BOO, OHH ♪

1828
04:01:07,000 --> 04:01:10,000
♪ I GUESS
I'LL SEE YOU NEXT LIFETIME ♪

1829
04:01:10,000 --> 04:01:12,000
♪ NO, NO, HEY

1830
04:01:12,000 --> 04:01:14,000
♪ OH, HEY

1831
04:01:14,000 --> 04:01:18,000
♪ YOU DON'T HAVE TO CRY

1832
04:01:18,000 --> 04:01:20,000
♪ PLEASE, DON'T CRY

1833
04:01:20,000 --> 04:01:21,000
♪ YOU CAN BE STRONG

1834
04:01:21,000 --> 04:01:24,000
♪ IF YOU JUST HOLD ON

1835
04:01:24,000 --> 04:01:25,000
♪ DRY YOUR EYES

1836
04:01:25,000 --> 04:01:27,000
♪ PLEASE, DON'T CRY

1837
04:01:27,000 --> 04:01:29,000
♪ YOU CAN BE STRONG

1838
04:01:29,000 --> 04:01:31,000
♪ I GUESS, I GUESS I WILL NOW

1839
04:01:31,000 --> 04:01:33,000
♪ I GUESS I WILL

1840
04:01:33,000 --> 04:01:35,000
♪ I GUESS I WILL, UH-HUH

1841
04:01:35,000 --> 04:01:36,000
♪ I GUESS I WILL

1842
04:01:36,000 --> 04:01:39,000
♪ I GUESS I WILL, WELL, HUH

1843
04:01:39,000 --> 04:01:42,000
♪ I GUESS I WILL,
I GUESS I WILL ♪

1844
04:01:42,000 --> 04:01:46,000
♪ I GUESS I WILL, HELP ME

1845
04:01:46,000 --> 04:01:48,000
♪ I GUESS I WILL,
I GUESS I WILL ♪

1846
04:01:48,000 --> 04:01:50,000
♪ I SAID, I GUESS I WILL, WILL

1847
04:01:50,000 --> 04:01:52,000
♪ I GUESS I WILL,
I GUESS I WILL, WILL ♪

1848
04:01:52,000 --> 04:01:55,000
♪ I SAID, I GUESS I WILL, WILL
♪ I GUESS I WILL ♪

1849
04:01:55,000 --> 04:01:57,000
♪ I SAID, I GUESS I WILL
♪ I GUESS I WILL ♪

1850
04:01:57,000 --> 04:02:00,000
♪ OH, AH, OH
♪ I GUESS I WILL,
I GUESS I WILL, WILL ♪

1851
04:02:00,000 --> 04:02:04,000
♪ BA-DO-DO-DAT-DAT-DOWN,
SIT BACK DOWN ♪
( backup singers scat singing )

1852
04:02:04,000 --> 04:02:06,000
( scatting )

1853
04:02:06,000 --> 04:02:10,000
♪ WILL, OH, WILL

1854
04:02:10,000 --> 04:02:14,000
♪ WILL, OH, WILL, OOH

1855
04:02:14,000 --> 04:02:19,000
( scatting )

1856
04:02:19,000 --> 04:02:22,000
♪ WILL, WILL, WILL

1857
04:02:22,000 --> 04:02:25,000
♪ OH, I... OH, I...

1858
04:02:25,000 --> 04:02:30,000
♪ YOU DON'T HAVE TO CRY ♪

1859
04:02:31,000 --> 04:02:34,000
♪ ALONE, BABY, 'CAUSE I...

1860
04:02:34,000 --> 04:02:37,000
♪ 'CAUSE I'LL BE
RIGHT BY YOUR SIDE ♪

1861
04:02:37,000 --> 04:02:41,000
♪ YOU HAVE TO BE STRONG,
STRONG, OH ♪

1862
04:02:41,000 --> 04:02:44,000
♪ BABY, DRY YOUR EYES ♪

1863
04:02:44,000 --> 04:02:47,000
♪ I SAID YOU'RE VERY STRONG

1864
04:02:47,000 --> 04:02:49,000
♪ BABY, BABY

1865
04:02:49,000 --> 04:02:53,000
♪ I CAN HOLD YOU
THROUGH THESE TIMES ♪

1866
04:02:53,000 --> 04:02:56,000
♪ 'CAUSE I CAN HOLD YOU
THROUGH THESE TIMES ♪

1867
04:02:56,000 --> 04:03:01,000
♪ YOU DON'T HAVE TO CRY. ♪

1868
04:03:01,000 --> 04:03:04,000
( cheering and applause )

1869
04:03:04,000 --> 04:03:09,000
( cheering
and whistling )

1870
04:03:09,000 --> 04:03:14,000
THANK YOU.

1871
04:03:20,000 --> 04:03:22,000
çu?8=soxCU
YATATA, YATATA, YATATA.

1872
04:03:22,000 --> 04:03:25,000
A REAL WEIRDO THAT KEPT
GOING YATATA, YATATA, YATATA?

1873
04:03:25,000 --> 04:03:26,000
MM-HMM.

1874
04:03:26,000 --> 04:03:30,000
WHAT DID THIS, UH,
HOT DOG VENDOR LOOK LIKE?

1875
04:03:30,000 --> 04:03:32,000
OH, TALL, RED HAIR.

1876
04:03:32,000 --> 04:03:33,000
UH-OH.

1877
04:03:33,000 --> 04:03:35,000
OH? WHAT?

1878
04:03:35,000 --> 04:03:36,000
IT COULD BE MY WIFE.

1879
04:03:36,000 --> 04:03:39,000
ARE YOU MARRIED TO
A TALL, REDHEADED WEIRDO

1880
04:03:39,000 --> 04:03:40,000
THAT GOES YATATA,
YATATA, YATATA?

1881
04:03:40,000 --> 04:03:41,000
YES.

1882
04:03:41,000 --> 04:03:43,000
WITH A MUSTACHE?

1883
04:03:43,000 --> 04:03:44,000
OH, THANK GOODNESS.

1884
04:03:44,000 --> 04:03:45,000
FOR ONCE IT WASN'T LUCY

1885
04:03:45,000 --> 04:03:49,000
BUT IF YOU EVER BUMP INTO
A TALL, RED-HAIRED WEIRDO

1886
04:03:49,000 --> 04:03:51,000
THAT GOES YATATA,
YATATAYATATA

1887
04:03:51,000 --> 04:03:53,000
AND DOESN'T HAVE
A MOUSTACHE

1888
04:03:53,000 --> 04:03:54,000
RUN FOR YOUR LIFE.

1889
04:03:54,000 --> 04:03:55,000
THAT'S LUCY.

1890
04:03:55,000 --> 04:03:57,000
YOUR WIFE REALLY LIKE THAT?

1891
04:03:57,000 --> 04:04:01,000
YES.

1892
04:04:01,000 --> 04:04:03,000
YOU NEED THIS
MORE THAN I DO.

1893
04:04:03,000 --> 04:04:05,000
LISTEN, BOB, I WANTED
TO TALK TO YOU

1894
04:04:05,000 --> 04:04:07,000
ABOUT THAT OPENING FOR THE CLUB.

1895
04:04:07,000 --> 04:04:09,000
YOU GOT ANY IDEAS
WHAT WE SHOULD DO?

1896
04:04:09,000 --> 04:04:11,000
I'VE BEEN THINKING...

1897
04:04:11,000 --> 04:04:12,000
HOW'S THE GAME?

1898
04:04:12,000 --> 04:04:15,000
( imitating ballplayer ):
PRETTY GOOD, BUT THE GAME

1899
04:04:15,000 --> 04:04:17,000
ISN'T OVER TILL
THE LAST MAN IS OUT.

1900
04:04:17,000 --> 04:04:19,000
YOU KNOW?

1901
04:04:19,000 --> 04:04:24,000
WELL, HELLO, MR. HOPE.

1902
04:04:24,000 --> 04:04:26,000
WELL, GOOD-BYE, MR. HOPE.

1903
04:04:26,000 --> 04:04:28,000
OH, UH, SONNY?

1904
04:04:28,000 --> 04:04:29,000
WHO? ME?

1905
04:04:29,000 --> 04:04:31,000
YEAH, YOU.
COME HERE.

1906
04:04:31,000 --> 04:04:33,000
I WANT TO
TALK TO YOU.

1907
04:04:33,000 --> 04:04:34,000
I DON'T REMEMBER

1908
04:04:34,000 --> 04:04:37,000
SEEING YOU WITH
THE TEAM BEFORE.

1909
04:04:37,000 --> 04:04:38,000
UH, NO. I'M A NEW ONE.

1910
04:04:38,000 --> 04:04:41,000
WELL, BACK TO
THE OL' BALL GAME.

1911
04:04:41,000 --> 04:04:42,000
WAIT A MINUTE.

1912
04:04:42,000 --> 04:04:43,000
SAY, YOU MUST BE

1913
04:04:43,000 --> 04:04:45,000
THAT NEW ROOKIE
WE BROUGHT UP

1914
04:04:45,000 --> 04:04:47,000
FROM OUR FARM
IN IIANAPOLIS.

1915
04:04:47,000 --> 04:04:48,000
UH, YEP.

1916
04:04:48,000 --> 04:04:50,000
WELL, HOW ARE THINGS
ON THE FARM?

1917
04:04:50,000 --> 04:04:53,000
PIGS ARE ALL RIGHT,
BUT THE COW DIED.

1918
04:04:53,000 --> 04:04:55,000
WELL, BACK TO
THE OL' BALL GAME.

1919
04:04:55,000 --> 04:04:58,000
I UNDERSTAND YOU HAVE
QUITE A THROWING ARM.

1920
04:04:58,000 --> 04:05:01,000
I'D LIKE TO SEE
YOUR PITCHING MOTION.

1921
04:05:01,000 --> 04:05:06,000
UM, ALL RIGHTY.

1922
04:05:18,000 --> 04:05:19,000
WHAT DO YOU PITCH?

1923
04:05:19,000 --> 04:05:20,000
BONBONS?

1924
04:05:20,000 --> 04:05:22,000
I COULD PITCH BETTER
IF I HAD TOBACCO.

1925
04:05:22,000 --> 04:05:24,000
ALL US PITCHERS
CHEW TOBACCO.

1926
04:05:24,000 --> 04:05:27,000
I'LL GET SOME TOBACCO
AND PITCH FOR YOU LATER.

1927
04:05:27,000 --> 04:05:29,000
HEY, WAIT A MINUTE,
BUDDY.

1928
04:05:29,000 --> 04:05:31,000
HERE. HERE'S
SOME CHEWING TOBACCO

1929
04:05:31,000 --> 04:05:36,000
RIGHT HERE.

1930
04:05:49,000 --> 04:05:51,000
WHAT'S THE MATTER?

1931
04:05:51,000 --> 04:05:56,000
NOT MY BRAND.

1932
04:05:59,000 --> 04:06:02,000
LUCY, WHO YOU DO
THINK YOU'RE FOOLIN'?

1933
04:06:02,000 --> 04:06:04,000
OH, YOU WERE GREAT.

1934
04:06:04,000 --> 04:06:09,000
YOU WERE A
MILLION LAUGHS.

1935
04:06:09,000 --> 04:06:11,000
COULD I INTEREST YOU
IN A STOMACH PUMP?

1936
04:06:11,000 --> 04:06:15,000
LOOK. WOULD YOU PLEASE TELL
ME WHAT YOU WERE DOING?

1937
04:06:15,000 --> 04:06:19,000
WELL, I WAS ONLY TRYING.

1938
04:06:19,000 --> 04:06:22,000
NOTHING DOING. WE'LL
GET SOMEBODY ELSE.

1939
04:06:22,000 --> 04:06:24,000
I'LL TALK TO YOU LATER.

1940
04:06:24,000 --> 04:06:29,000
( imitating Lucy ):
WELL, BACK TO THE OL' BALL GAME.

1941
04:06:40,000 --> 04:06:44,000
( sobbing and crying )

1942
04:06:44,000 --> 04:06:46,000
FORGOT MY...

1943
04:06:46,000 --> 04:06:49,000
OH, WHAT'S WRONG, LUCY?

1944
04:06:49,000 --> 04:06:51,000
OH, NOTHG.

1945
04:06:51,000 --> 04:06:53,000
OH, NOW, IT
CAN'T BE THAT BAD.

1946
04:06:53,000 --> 04:06:54,000
WHAT'S THE PROBLEM?

1947
04:06:54,000 --> 04:06:56,000
WELL, I REALLY DID WAN

1948
04:06:56,000 --> 04:06:59,000
TO DO THAT ACT
WITH YOU, MR. HOPE.