1 00:00:02,000 --> 00:00:04,000 O THERE? >> IT'S INTERES, YOU KNOW. 2 00:00:04,000 --> 00:00:05,000 YOU DON'T WANT TO MAKE MOVIES 3 00:00:05,000 --> 00:00:08,000 ABOUT HOW EVETHING IS OKA 4 00:00:08,000 --> 00:00:09,000 BECA IT'S NOT VERY DRAMATIC. 5 00:00:09,000 --> 00:00:12,000 IUST LIKE PEOPLE THAT GET IN 6 00:00:12,000 --> 00:00:14,000 TROUBLE WITH EACH OTHER. 7 00:00:14,000 --> 00:00:15,000 IT ALWAYS IERESTED ME. 8 00:00:15,000 --> 00:00:19,000 >> IT TACKLES SOME VERY INTIMATE 9 00:00:19,000 --> 00:00:20,000 PROVOCATIVE ISSUES IN MARRIAGE. 10 00:00:20,000 --> 00:00:23,000 DID YOU BOTHCUSS THE CONTENT 11 00:00:23,000 --> 00:00:26,000 OF THE FILM AS ITAS HAPPENING? 12 00:00:26,000 --> 00:00:28,000 >> IS IT AUTOBIOGRAPHICAL? 13 00:00:28,000 --> 00:00:29,000 >> NO. 14 00:00:29,000 --> 00:00:33,000 >> THE QUESTION I SHOULDAVE 15 00:00:33,000 --> 00:00:34,000 ASKED. >> THAT'S IS SIMPST AND TRUEST 16 00:00:34,000 --> 00:00:35,000 ANSWER. 17 00:00:35,000 --> 00:00:36,000 IT HAS NOTHING TO DO WITH US. 18 00:00:36,000 --> 00:00:38,000 IT HAS TO DO WITHE 19 00:00:38,000 --> 00:00:40,000 CHACTERS. AND TH THROUGH IT. 20 00:00:40,000 --> 00:00:42,000 THEY END UP BETTER OFF. 21 00:00:42,000 --> 00:00:44,000 >> GOOD LUCK TONIGHT. 22 00:00:44,000 --> 00:00:45,000 LOVELY TO SEE YOU. 23 00:00:45,000 --> 00:00:46,000 >> NANCY LET'S GO TO YOU. 24 00:00:46,000 --> 00:00:48,000 >> HI, THANK YOU VERY MUC 25 00:00:48,000 --> 00:00:50,000 I'M WITH JENNIFER GNER NOW WHO 26 00:00:50,000 --> 00:00:51,000 NOMINATED FOR A PERFORMANCE 27 00:00:51,000 --> 00:00:54,000 IN "ALIAS." 28 00:00:54,000 --> 00:00:55,000 I HAVE TASKOU HOW Y'RE 29 00:00:55,000 --> 00:00:56,000 DOING BECAUSE KNOW YOU HAD 30 00:00:56,000 --> 00:00:57,000 SOME BACK PROBLEMS. 31 00:00:57,000 --> 00:00:59,000 >> I WASN'T FLING WELL OVER 32 00:00:59,000 --> 00:01:01,000 CHRISTMAS. I TOOK AN EXTRA BREAK. 33 00:01:01,000 --> 00:01:02,000 GOING BACK TO WK TOMORROW. 34 00:01:02,000 --> 00:01:03,000 >> WHAT ABOUT ALL THOSE STUNTS 35 00:01:03,000 --> 00:01:05,000 IN "ALIAS"? 36 00:01:05,000 --> 00:01:07,000 >> I MIGHTTART BACK A LITTLE 37 00:01:07,000 --> 00:01:09,000 SLOWLY. I KNOW THAT I'LL START WATCHING 38 00:01:09,000 --> 00:01:11,000 AND IT WILL LOOK LIKE TOOUC 39 00:01:11,000 --> 00:01:12,000 FUN AND I'LL HAVE TO GET IN 40 00:01:12,000 --> 00:01:14,000 THERE. >> YOU'RE ALSO ELEKTRA, WHICH 41 00:01:14,000 --> 00:01:15,000 JUST H THEATER 42 00:01:15,000 --> 00:01:17,000 HOW WAS IT DOI ALLSE 43 00:01:17,000 --> 00:01:19,000 PERFORMANCES? YORE BECOMING THE ACTION WOMAN 44 00:01:19,000 --> 00:01:22,000 WHO CANNOT BE DEFEATED 45 00:01:22,000 --> 00:01:24,000 >> SCE I'VE ACTED IN IT, I'VE 46 00:01:24,000 --> 00:01:25,000 BECOME AN ACTION WOMAN 47 00:01:25,000 --> 00:01:28,000 THOSE WERE REALLY WELL 48 00:01:28,000 --> 00:01:30,000 OREOGRAPHED FIGHTS, HARD 49 00:01:30,000 --> 00:01:32,000 CHALLENGING, FUNO DO. >> WHAT IS THE MOST FUN WHEN YOU 50 00:01:32,000 --> 00:01:35,000 GO TO DO A MOVIE LIKE THAT AND 51 00:01:35,000 --> 00:01:37,000 YOUEALLY GET TGET INTO THE 52 00:01:37,000 --> 00:01:38,000 ROLE AS FAR AS THE ACTION I 53 00:01:38,000 --> 00:01:39,000 CONCERNE 54 00:01:39,000 --> 00:01:40,000 IS THAT WHAT MAKES IT SO MUCH 55 00:01:40,000 --> 00:01:41,000 FU 56 00:01:41,000 --> 00:01:42,000 >> IT IS NOTOMETHING INTEND 57 00:01:42,000 --> 00:01:43,000 TO DO FOREVER. 58 00:01:43,000 --> 00:01:45,000 SO WHEN I'M DOING IT,F IT'S 59 00:01:45,000 --> 00:01:46,000 DONE REALLY WELLER YOU 60 00:01:46,000 --> 00:01:48,000 REHEARSEIT, IT FEELS LIKE 61 00:01:48,000 --> 00:01:49,000 YOU'RE DOING A DANCE. 62 00:01:49,000 --> 00:01:51,000 ALMOST LIKE AALLROOM DANCE. 63 00:01:51,000 --> 00:01:52,000 THERE'S NOTHING BETTER THA 64 00:01:52,000 --> 00:01:53,000 THAT. 65 00:01:53,000 --> 00:01:55,000 >> GOOD TO SEE YOU 66 00:01:55,000 --> 00:01:56,000 U HAVE A GOOD NIGHT TONIGHT. 67 00:01:56,000 --> 00:01:57,000 HAVE FUN. 68 00:01:57,000 --> 00:01:58,000 >> YOU LOOK GORGEOUS. 69 00:01:58,000 --> 00:02:03,000 >> OH, YOU LOOK GORGEOUS.H 70 00:05:09,000 --> 00:05:10,000 >>> WELCOME BACK TOHE GOLDEN 71 00:05:10,000 --> 00:05:12,000 GLOBE AWARDS. 72 00:05:12,000 --> 00:05:14,000 I'M WITH KEVIN SPACEY WHO IS 73 00:05:14,000 --> 00:05:16,000 NOMINATED FOR BEST ACTOR I A 74 00:05:16,000 --> 00:05:17,000 MUSICAL OR COMEDY FOR HIS WORK 75 00:05:17,000 --> 00:05:19,000 IN "YOND THE SEA" WHICH YOU 76 00:05:19,000 --> 00:05:21,000 WROTE, DIRD AND ACTED IN. 77 00:05:21,000 --> 00:05:23,000 WHAT WAS IT ABOUT BOBBY DARIN 78 00:05:23,000 --> 00:05:26,000 THAT MADE YOU WANT TO DO THIS? 79 00:05:26,000 --> 00:05:28,000 >> I ALWAYS ADMIRED H AN 80 00:05:28,000 --> 00:05:29,000 ENOR AMOUNT. 81 00:05:29,000 --> 00:05:31,000 I KNOW THERERE LEGIONS OF FANS 82 00:05:31,000 --> 00:05:32,000 WHO ADORED HIS WORK. 83 00:05:32,000 --> 00:05:34,000 BECAUSE HE DIED AT SUCH A YOUNG 84 00:05:34,000 --> 00:05:36,000 AGE, AT 37, HE'S BEEN LARGELY 85 00:05:36,000 --> 00:05:37,000 FORGOTTEN. 86 00:05:37,000 --> 00:05:40,000 MOVIE AS A CELEBRAON OF HISS 87 00:05:40,000 --> 00:05:41,000 LIFE 88 00:05:41,000 --> 00:05:42,000 AND ALSO BY THE WAY, HAVING THE 89 00:05:42,000 --> 00:05:45,000 TIME OF MY LIFE DOING IT, THAT 90 00:05:45,000 --> 00:05:46,000 WILL BNG A LOT MORE ATTENTION 91 00:05:46,000 --> 00:05:47,000 TO HIS BODY OF WORK. 92 00:05:47,000 --> 00:05:49,000 I'HAPPY TO SAY THAT HIS CD 93 00:05:49,000 --> 00:05:50,000 SALEIN THE LAST MONTH HAVE 94 00:05:50,000 --> 00:05:52,000 JUST SKYROCKETED. 95 00:05:52,000 --> 00:05:54,000 OUR ALBUM IS DOING WELL, TOO, 96 00:05:54,000 --> 00:05:55,000 AND WE'RE HAPPY ABOUT THAT. 97 00:05:55,000 --> 00:05:57,000 BUT I'M PARTICULARLY PLEASED 98 00:05:57,000 --> 00:05:59,000 THAT A YOUNGER GENERATION IS 99 00:05:59,000 --> 00:06:00,000 STARTING TO FIND OUT ABOUTHIS 100 00:06:00,000 --> 00:06:01,000 REMARKABLE TALENT. 101 00:06:01,000 --> 00:06:03,000 >> MICK JAGR AND J FOXX 102 00:06:03,000 --> 00:06:04,000 E CAUSING A RS OVER THERE. 103 00:06:04,000 --> 00:06:06,000 >> THEY SHOULD STOP WRESTLING, 104 00:06:06,000 --> 00:06:07,000 THOSE GUYS. 105 00:06:07,000 --> 00:06:08,000 >> YOU ACTUALLY CHOSE TO DIRECT 106 00:06:08,000 --> 00:06:10,000 THIS ONE? 107 00:06:10,000 --> 00:06:11,000 >> IT WASN'T M ORIGINAL 108 00:06:11,000 --> 00:06:13,000 INTENTIO IT SORT OF FELT TO ME AFTER TIME 109 00:06:13,000 --> 00:06:15,000 THAT THE DIRECTORS I WENT OUT TO 110 00:06:15,000 --> 00:06:16,000 TO TRY TO DO THE MOVIE WEREN'T 111 00:06:16,000 --> 00:06:17,000 AVAILABLE. 112 00:06:17,000 --> 00:06:20,000 SO I THOUG, WELL, IF I'M UP 113 00:06:20,000 --> 00:06:21,000 AINST THE WALL AND I EITHER 114 00:06:21,000 --> 00:06:23,000 DIRECT THE MOVIE OR NOT, IF THE 115 00:06:23,000 --> 00:06:24,000 CHOOSE I MAKING THE MOVIE, 116 00:06:24,000 --> 00:06:25,000 DECIDED TO MAKE IT. 117 00:06:25,000 --> 00:06:27,000 AND WE'REERY PROUD TO HAVE 118 00:06:27,000 --> 00:06:28,000 DONE IT. I'M PARTICULARLY PLEASED THAT 119 00:06:28,000 --> 00:06:31,000 BOBBY DARIN'S FILY, SANDRA DEE 120 00:06:31,000 --> 00:06:33,000 AND THEIR SON DAUD HAVE 121 00:06:33,000 --> 00:06:34,000 I'LL HAVE TO GO DN THE LINE 122 00:06:34,000 --> 00:06:35,000 HERE. 123 00:06:35,000 --> 00:06:37,000 SEAN HAYESOMINATED. 124 00:06:37,000 --> 00:06:38,000 GI A WAVE, HELLO. 125 00:06:38,000 --> 00:06:41,000 MATT LLANC RIGHT HER 126 00:06:41,000 --> 00:06:42,000 NOMINATED FOR YOUR PERFORMANCE 127 00:06:42,000 --> 00:06:43,000 IN "JOEY." 128 00:06:43,000 --> 00:06:46,000 HIS BEAUTIFUL WIFE. 129 00:06:46,000 --> 00:06:48,000 DENISE RICHAS, CHARLIE SHEEN 130 00:06:48,000 --> 00:06:49,000 AL NOMINAT. 131 00:06:49,000 --> 00:06:51,000 THIS IS COMPLICATED ALL THESE 132 00:06:51,000 --> 00:06:54,000 PEOPLE LINP HERE IN ONE ROW? NIE 133 00:06:54,000 --> 00:06:55,000 SPECIFICALLY OUR AUDIENCE HAS 134 00:06:55,000 --> 00:06:56,000 REALLY STUCK WITH US FOR THE 135 00:06:56,000 --> 00:06:57,000 SEVEN YEARS THAT WE'VE BEEN ON. 136 00:06:57,000 --> 00:07:00,000 I GOT TO GO. 137 00:07:00,000 --> 00:07:01,000 >> THEY ARE CALLING Y GUYS. 138 00:07:01,000 --> 00:07:03,000 BUT WAIT A MINUTE. 139 00:07:03,000 --> 00:07:04,000 WE GOT TO COME BACK OVEHERE 140 00:07:04,000 --> 00:07:07,000 FOA SECOND. MATT LeBLANC, YOUR SHOW JUST 141 00:07:07,000 --> 00:07:08,000 THE AIR. 142 00:07:08,000 --> 00:07:10,000 HOW DOES IT FEEL TO BE NOMINATED 143 00:07:10,000 --> 00:07:12,000 RIGHT OUT OFHE GATE? 144 00:07:12,000 --> 00:07:13,000 >>T'S A GREAT FEELING. 145 00:07:13,000 --> 00:07:15,000 A LOT PRESSURE ON IT. 146 00:07:15,000 --> 00:07:16,000 THE NETWORK AND T STUDIO HAS 147 00:07:16,000 --> 00:07:17,000 BEEN BEHIND US AND SUPPORTIVE. 148 00:07:17,000 --> 00:07:19,000 THE RATINGS ARE GOOD. 149 00:07:19,000 --> 00:07:21,000 A T MORE BORK I EVER H 150 00:07:21,000 --> 00:07:23,000 TO O "FRIEND" 151 00:07:23,000 --> 00:07:24,000 BUT TO BE RECOGNIZEDOR 152 00:07:24,000 --> 00:07:25,000 IT. 153 00:07:25,000 --> 00:07:26,000 >> YOU'RE THE MAINAN. 154 00:07:26,000 --> 00:07:28,000 THAT'S WHAT YOU GOT TO DO. 155 00:07:28,000 --> 00:07:29,000 YOU KNOW I'M A BIG FAN OF T 156 00:07:29,000 --> 00:07:30,000 SHOW. 157 00:07:30,000 --> 00:07:32,000 >> LIKE A GUY LIKE CHARLIE OVER 158 00:07:32,000 --> 00:07:33,000 THERE, HE'S PRETTY FUNNY. 159 00:07:33,000 --> 00:07:36,000 WE'LL SEE HOW IT GOES. 160 00:07:36,000 --> 00:07:38,000 >> CONGRATULATIONS. 161 00:07:38,000 --> 00:07:39,000 I'M COMING OVE TO YOU GUYS 162 00:07:39,000 --> 00:07:40,000 NOW. 163 00:07:40,000 --> 00:07:41,000 NOMINATED. 164 00:07:41,000 --> 00:07:42,000 BUT I WANT TO TALK ABOUT 165 00:07:42,000 --> 00:07:44,000 SOMETHING ELSE. YOU GUYS HAVE ANOTHER BABY 166 00:07:44,000 --> 00:07:45,000 YOU'RE EXPECTING. 167 00:07:45,000 --> 00:07:46,000 >> WE'RE THRILLED. 168 00:07:46,000 --> 00:07:48,000 IT IS RY EXCITING, YEAH. 169 00:07:48,000 --> 00:07:50,000 >> HOW MUCH INSPIRATION DO YOU 170 00:07:50,000 --> 00:07:52,000 GET FROM YOUR SHOW FOR YOUR 171 00:07:52,000 --> 00:07:54,000 FAMILY ITSELF? >> WELL, I HOPE I'M AITTLE 172 00:07:54,000 --> 00:07:55,000 RE RESPONSIBLE AT HOME THAN I 173 00:07:55,000 --> 00:07:56,000 MY SHOW. 174 00:07:56,000 --> 00:07:59,000 AND A LITTLE MORE MATURE. 175 00:07:59,000 --> 00:08:00,000 >> THERE ARE SOM FAMILY 176 00:08:00,000 --> 00:08:03,000 SITUATIO, YOU KNOW, THAT COULD 177 00:08:03,000 --> 00:08:04,000 HAPPEN. >> YEAH,H, YEAH. 178 00:08:04,000 --> 00:08:05,000 ABSOLUTELY. 179 00:08:05,000 --> 00:08:07,000 NO, IT'S NOT THAT IT SO MUCH 180 00:08:07,000 --> 00:08:08,000 INSPIRATION. 181 00:08:08,000 --> 00:08:09,000 IS THE PREPARATION THAT I GET 182 00:08:09,000 --> 00:08:14,000 TIRELESS L NIGHT REHEARSALS 183 00:08:14,000 --> 00:08:15,000 CONVINCING ME THAT I KNOW A 184 00:08:15,000 --> 00:08:17,000 SCENE AND TO JUST MOVE ON AN 185 00:08:17,000 --> 00:08:19,000 LET'S TO BED. SO THAT'S THE SUPPORT I GET. 186 00:08:19,000 --> 00:08:21,000 >> AND I KNOW THAT YOU GUEST 187 00:08:21,000 --> 00:08:23,000 ANY MORE APPEARANCES? 188 00:08:23,000 --> 00:08:24,000 >> I'VE DONE TWO. 189 00:08:24,000 --> 00:08:26,000 AND I THINK EVERYONE'S PROBABLY 190 00:08:26,000 --> 00:08:27,000 SIF ME. 191 00:08:27,000 --> 00:08:29,000 >> I DOUBT THAT. 192 00:08:29,000 --> 00:08:32,000 >> OUR HIGHE RATED SHOW EVER. 193 00:08:32,000 --> 00:08:33,000 >> TAKE CREDIT WHERE YOU CAN, 194 00:08:33,000 --> 00:08:34,000 RIGHT? >> ALL RIGHT. 195 00:08:34,000 --> 00:08:35,000 THANK YOU. 196 00:08:35,000 --> 00:08:38,000 >> GOO TO SEE YOU. 197 00:08:38,000 --> 00:08:41,000 LISA, BACK TO YOU. >> I HAVE GOOSEBUMPS R NOW 198 00:08:41,000 --> 00:08:42,000 BECAUSE I'M STAIN NEXT TO 199 00:08:42,000 --> 00:08:44,000 MICK JAGGER WHO IS NOMINATEDOR 200 00:08:44,000 --> 00:08:48,000 BEST SONG FROM IF FILM "ALFIE." 201 00:08:48,000 --> 00:08:49,000 WELCOME TO THE GOLDEN GLOBES. 202 00:08:49,000 --> 00:08:50,000 >> THANKOU VERY MUCH. 203 00:08:50,000 --> 00:08:52,000 >> IS THERE AIG DIFFERENCE 204 00:08:52,000 --> 00:08:54,000 BETWEEN PRODUCING A SONG FOR A 205 00:08:54,000 --> 00:08:57,000 FILM VERSUS REGULAR ALBUMS? 206 00:08:57,000 --> 00:08:58,000 >> YEAH. 207 00:08:58,000 --> 00:09:00,000 YOU'VE GOT TO BE VERYPECIFIC, 208 00:09:00,000 --> 00:09:01,000 YOU KNOW. 209 00:09:01,000 --> 00:09:02,000 YOU HAO DO SOMETHING REAL 210 00:09:02,000 --> 00:09:03,000 SPECIFIC. 211 00:09:03,000 --> 00:09:04,000 THAT WHAT I DID. 212 00:09:04,000 --> 00:09:06,000 I'M VERY PLEASED. 213 00:09:06,000 --> 00:09:08,000 FIRST TIME WE'VE D IT, DAVE 214 00:09:08,000 --> 00:09:09,000 STEWART AND I. 215 00:09:09,000 --> 00:09:12,000 TO BE NOMINATED FOR THE FIRST 216 00:09:12,000 --> 00:09:14,000 TIME WE' DONE THIS IS VERY 217 00:09:14,000 --> 00:09:15,000 GRATIFYIN 218 00:09:15,000 --> 00:09:16,000 >> IS THIS AN UNUSUAL AMOUNT OF 219 00:09:16,000 --> 00:09:17,000 ACTIVITY? 220 00:09:17,000 --> 00:09:18,000 >> A LOT OF STUFF. 221 00:09:18,000 --> 00:09:19,000 I'VE BEEN TO A FEW OF THESE 222 00:09:19,000 --> 00:09:20,000 BEFORE. 223 00:09:20,000 --> 00:09:21,000 GREAT FUN. 224 00:09:21,000 --> 00:09:22,000 WE'LL HAVE A LAUGH. 225 00:09:22,000 --> 00:09:23,000 >> WHAT ARE YOU WORKING ON THE 226 00:09:23,000 --> 00:09:25,000 DAYS? >> WRITING SONGS FOR A NEW 227 00:09:25,000 --> 00:09:26,000 STONES ALBUM. 228 00:09:26,000 --> 00:09:27,000 >> WILL YOUARTY HARD TONIGHT 229 00:09:27,000 --> 00:09:28,000 >> I AM. 230 00:09:28,000 --> 00:09:29,000 NICE TO TO YOU. 231 00:09:29,000 --> 00:09:31,000 >> WELL, WE JUST LOST MICK. 232 00:09:31,000 --> 00:09:32,000 SO I'M GOING TO TURNT OVER TO 233 00:09:32,000 --> 00:09:37,000 >> WELL, WE JUST LOST MICK. SO I'M GOING TO TURNT OVER TO NANCY OR AL. 234 00:10:18,000 --> 00:10:20,000 BUT WE HAVE TO GO IN BECAUSE 235 00:10:20,000 --> 00:10:21,000 WE'RE GOING TO GET IN BIG 236 00:10:21,000 --> 00:10:23,000 TROUBLE. WE'RE VERY HAPPY T BE HERE. 237 00:10:23,000 --> 00:10:24,000 >> ARE YOU HAVG AREAT TIME 238 00:10:24,000 --> 00:10:26,000 ON "MEDIUM"? 239 00:10:26,000 --> 00:10:27,000 >> YES, WE ARE. 240 00:10:27,000 --> 00:10:29,000 THANKS FOR WATING, EVERYBODY. 241 00:10:29,000 --> 00:10:30,000 >> I DON'T WANTO PUT ANY 242 00:10:30,000 --> 00:10:32,000 PRESSURE ON YOU AND ASK YOU IF 243 00:10:32,000 --> 00:10:33,000 YOU BELIEVE. BUT HAS IT CHANGED YOUR 244 00:10:33,000 --> 00:10:35,000 PERCEPTION OF PSYCHIC MEDIU? 245 00:10:35,000 --> 00:10:37,000 >> ACTUALLY, RIG NOW I'M JUST 246 00:10:37,000 --> 00:10:38,000 THINKING ABOUT GETTING INHERE. 247 00:10:38,000 --> 00:10:39,000 >> OKAY. 248 00:10:39,000 --> 00:10:41,000 RUN. 249 00:10:41,000 --> 00:10:42,000 IT IS AOLUTELY CHAOTIC HERE. 250 00:10:42,000 --> 00:10:44,000 AND YOU KNOW, SO INTERESTING, 251 00:10:44,000 --> 00:10:46,000 BECAUSE EVERYONE ARRIVES AT THE 252 00:10:46,000 --> 00:10:48,000 SAME TIME. NANCY, WHAT ARE Y DOING UP 253 00:10:48,000 --> 00:10:49,000 THERE? YES. 254 00:10:49,000 --> 00:10:50,000 WI THE BEAUTIFUL HAL BERRY 255 00:10:50,000 --> 00:10:53,000 WHO I ALWAYS TEASE HERND SAY 256 00:10:53,000 --> 00:10:54,000 NOT THE PERSON TO STAND NEXT TO 257 00:10:54,000 --> 00:10:56,000 BEUSE YOU'RE SO BIFUL. 258 00:10:56,000 --> 00:10:57,000 YOU'RE PRESENTING TONIGHT. 259 00:10:57,000 --> 00:10:58,000 YOU'RE USED TO WALKING OUT HERE 260 00:10:58,000 --> 00:10:59,000 AS AN NOMEE. 261 00:10:59,000 --> 00:11:01,000 >> I AM. 262 00:11:01,000 --> 00:11:02,000 -- WELL, I D'T KW ABOUT 263 00:11:02,000 --> 00:11:04,000 THAT. BUT I AM HERE TO PRESENT 264 00:11:04,000 --> 00:11:06,000 "FINDING NEVERND" FOR THE 265 00:11:06,000 --> 00:11:08,000 WHOLE CAST AND CREW. >> I KNOW YOU'RE CUTTING IT 266 00:11:08,000 --> 00:11:10,000 CLOSE FOR THE SHOWTIME. 267 00:11:10,000 --> 00:11:11,000 THEY'RE CALLING EVERYBODY. >> I KNOW. 268 00:11:11,000 --> 00:11:12,000 IT MY CAT TONHT. 269 00:11:12,000 --> 00:11:13,000 I A NEW KITTEN. 270 00:11:13,000 --> 00:11:14,000 AND ULDN'T FIND HIM. 271 00:11:14,000 --> 00:11:16,000 I COULDN'T LEAVE THE HOUSE U 272 00:11:16,000 --> 00:11:17,000 I SAW HIS FE. 273 00:11:17,000 --> 00:11:18,000 >> YOU FOUND THE CAT RIGHT? 274 00:11:18,000 --> 00:11:19,000 >> I FOUNDHE CAT. 275 00:11:19,000 --> 00:11:20,000 AND HERE AM. 276 00:11:20,000 --> 00:11:22,000 >> YOU HAVE BEENERY BUSY. 277 00:11:22,000 --> 00:11:24,000 I KNOW YOU PARTICIPATED IN THE 278 00:11:24,000 --> 00:11:26,000 TSUNBENEFIT. WHY IT SO IMPORTANT, 279 00:11:26,000 --> 00:11:27,000 OBVIOUSLY, FOR CELEBRITIES TO 280 00:11:27,000 --> 00:11:28,000 BRING ATTENTION TOIFFERENT 281 00:11:28,000 --> 00:11:30,000 CAUSES, BUT WHY DID YOU 282 00:11:30,000 --> 00:11:33,000 PARTICULARLY WANT TO BE A PART? 283 00:11:33,000 --> 00:11:34,000 >> BECSE IT WAS DEVASTATING. 284 00:11:34,000 --> 00:11:35,000 IT COULD HAVE HAPPENED TO ANY 285 00:11:35,000 --> 00:11:37,000 ONE OF US ANYWHERE. 286 00:11:37,000 --> 00:11:39,000 WEUST DO IT. 287 00:11:39,000 --> 00:11:40,000 SO IT WAS MY PLEASURE. 288 00:11:40,000 --> 00:11:41,000 >> I KNOW YOU'VE GOT A PROJECT 289 00:11:41,000 --> 00:11:43,000 COMING UP WITH ONEF YOUR GOOD 290 00:11:43,000 --> 00:11:46,000 FRIENDS, MISS OPRAH WFREY? 291 00:11:46,000 --> 00:11:47,000 >> DO.C 292 00:11:47,000 --> 00:11:49,000 >> TELL US ABOUT IT. 293 00:11:49,000 --> 00:11:52,000 >> IT'S BED ON A FAMOU BOOK. 294 00:11:52,000 --> 00:11:53,000 A WONDERFUL CHARACTER FOR MEO 295 00:11:53,000 --> 00:11:56,000 PLAY. A WONDERFUL BOOK. 296 00:11:56,000 --> 00:11:59,000 LAURA NEIL WAS S OF FORGOTTEN 297 00:11:59,000 --> 00:12:01,000 IN BLACK LITERATURE. 298 00:12:01,000 --> 00:12:03,000 NICE THATHE GETS PAID SOME 299 00:12:03,000 --> 00:12:04,000 HOMAGE. 300 00:12:04,000 --> 00:12:05,000 >> GOOD TO SEE YOU. 301 00:12:05,000 --> 00:12:06,000 I KNOW THEY'RE CALLING EVERYBODY 302 00:12:06,000 --> 00:12:08,000 FOR THE SHOW. 303 00:12:08,000 --> 00:12:11,000 LISA? >> I'M HE WITH THE LEG 304 00:12:11,000 --> 00:12:12,000 WILLIAM SHATNER AND HIS 305 00:12:12,000 --> 00:12:13,000 BEAUTIFUL WIFE ELIZABETH. 306 00:12:13,000 --> 00:12:15,000 WILLIAM I NOMINED TONIGHT FOR 307 00:12:15,000 --> 00:12:16,000 BEST SUPPOING ACTOR FOR HIS 308 00:12:16,000 --> 00:12:19,000 WORK IN "BOSTON LEGAL." 309 00:12:19,000 --> 00:12:22,000 YOU HA BEEN IN SO MAN HUGELY 310 00:12:22,000 --> 00:12:25,000 FAMOUS TV SERIES QP STAR TREK" 311 00:12:25,000 --> 00:12:27,000 "T.J. HOOKER." 312 00:12:27,000 --> 00:12:28,000 YOUR FIRST GOLDEN GLOBE 313 00:12:28,000 --> 00:12:29,000 NOMINATION. 314 00:12:29,000 --> 00:12:30,000 HOW DO YOU FEEL ABOBOUT IT? 315 00:12:30,000 --> 00:12:31,000 >> I FEEL GOOD, OF COURSE. 316 00:12:31,000 --> 00:12:33,000 I'M DELIGHTED THAT THEY DECIDED 317 00:12:33,000 --> 00:12:34,000 TO NOMINATE ME. 318 00:12:34,000 --> 00:12:36,000 >> HOW HAS HEEEN AROUND THE 319 00:12:36,000 --> 00:12:39,000 HOUSE? >> NORMAL. 320 00:12:39,000 --> 00:12:41,000 >> I JUST CAUGHT JOHNNY DEPP. 321 00:12:41,000 --> 00:12:44,000 WHY ARE YOU ALWAYS SO LATE TO 322 00:12:44,000 --> 00:12:45,000 THESE TNG 323 00:12:45,000 --> 00:12:47,000 >> I'M LATE FOR EVERYTHING. 324 00:12:47,000 --> 00:12:48,000 I CAN'T HELP MYSELF. 325 00:12:48,000 --> 00:12:50,000 >> WELL, YOU'RE NOMINATED F 326 00:12:50,000 --> 00:12:52,000 BESTCTOR FOR "FIING 327 00:12:52,000 --> 00:12:55,000 NEVERLAND." WHAT DREW YOU T THIS ROLE? 328 00:12:55,000 --> 00:12:56,000 I'M SORRY, WHAT? 329 00:12:56,000 --> 00:12:57,000 >> WHAT DREW YOU TO THE ROL 330 00:12:57,000 --> 00:12:59,000 >> THOUGHT IT WAS A VERY 331 00:12:59,000 --> 00:13:00,000 BEAUTIFUL SEENPLAY. 332 00:13:00,000 --> 00:13:02,000 AND I WAS VERY INTERESTED IN THE 333 00:13:02,000 --> 00:13:06,000 DIRECTOR MARC FORST. 334 00:13:06,000 --> 00:13:09,000 A LOT OF GREAT PEOPLE INVOLVED. 335 00:13:09,000 --> 00:13:10,000 >> YOU ARE O OF THE MOST 336 00:13:10,000 --> 00:13:11,000 VERSATILE ACTORS IN THE 337 00:13:11,000 --> 00:13:12,000 BUSINESS. 338 00:13:12,000 --> 00:13:14,000 BUT JOHNNY DEPP THE PERSON 339 00:13:14,000 --> 00:13:15,000 REINS RY ELUSIVE. 340 00:13:15,000 --> 00:13:16,000 IS THAT INTENTIONAL? 341 00:13:16,000 --> 00:13:18,000 >> NO IT'S NOT INTENONAL YET. 342 00:13:18,000 --> 00:13:19,000 WHEN IT GETSNTENONAL, I 343 00:13:19,000 --> 00:13:21,000 GUES I'LL START WORRYING. 344 00:13:21,000 --> 00:13:22,000 >> IS THERE A ROLE THAT YOU'VE 345 00:13:22,000 --> 00:13:26,000 ALWAYS DREAMT OF PLAYING? 346 00:13:26,000 --> 00:13:30,000 >> NO, NOT REALLY. 347 00:13:30,000 --> 00:13:33,000 BUT YOU KNOW WHAT COMES TO MIND AT THE MOMENT IS LIKE MAE WEST, 348 00:13:33,000 --> 00:13:34,000 ALTHOUGH I PROBABLY WOULDN'T DO 349 00:13:34,000 --> 00:13:36,000 IT. I'M A LITTLE TOO OLD FOR THAT 350 00:13:36,000 --> 00:13:38,000 ROLE NOW. MAYBE CAROL CNNING. 351 00:13:38,000 --> 00:13:39,000 >> WHAT ARE YOU WORKING ON NOW? 352 00:13:39,000 --> 00:13:42,000 >> I JUST FINISHED A FINGER 353 00:13:42,000 --> 00:13:44,000 CALLED CHARLIE AND THE CHOCOLATE 354 00:13:44,000 --> 00:13:46,000 FACTORY WITH TIM BURTON. 355 00:13:46,000 --> 00:13:47,000 AND I DID ANOTHER FILM BEFORE 356 00:13:47,000 --> 00:13:48,000 THAT CALD THE LIBBER TEENS. 357 00:13:48,000 --> 00:13:49,000 >> GOOD LUCK TONIGHT. 358 00:13:49,000 --> 00:13:51,000 WE'LL BE RIGHT BACK. 359 00:13:51,000 --> 00:13:53,000 IN THE THIS TIME ♪ 360 00:13:53,000 --> 00:13:54,000 ♪ I KW 361 00:13:54,000 --> 00:13:56,000 YES, I KNO 362 00:13:56,000 --> 00:13:57,000 HALLELUJAH 363 00:13:57,000 --> 00:13:59,000 I JUST LOVE THE GLOBES♪ 364 00:13:59,000 --> 00:14:01,000 ♪ ROBIN WILLIAMS 365 00:14:01,000 --> 00:14:04,000 HE'S A KICK TO S 366 00:14:04,000 --> 00:14:07,000 THEY'RE GIVING HIM THE CECIL B. 367 00:14:07,000 --> 00:14:08,000 SO MANY S ARE ON T BILL ♪ 368 00:14:08,000 --> 00:14:10,000 ♪ HERE COMES GRACE 369 00:14:10,000 --> 00:14:12,000 NO IT'S WILL 370 00:14:12,000 --> 00:14:13,000 HERE'S A STAR THAT 371 00:14:13,000 --> 00:14:15,000 MAKES THE RAFTERS RING ♪ 372 00:14:15,000 --> 00:14:19,000 THAT SIMPLY LOVES TO SWING 373 00:14:19,000 --> 00:14:21,000 GAOLFINI HE'S BACK TONIGHT 374 00:14:21,000 --> 00:14:22,000 MEANS HE WON'T ♪ 375 00:14:22,000 --> 00:14:24,000 ♪ GET WHACKED TONIGHT 376 00:14:24,000 --> 00:14:25,000 I KNOW N 377 00:14:25,000 --> 00:14:26,000 YES, I KNOW 378 00:14:26,000 --> 00:14:27,000 HALLELUJ ♪ 379 00:14:27,000 --> 00:14:29,000 ♪ I JUST LO THE GLOBES 380 00:14:29,000 --> 00:14:30,000 HALLELUJAH 381 00:14:30,000 --> 00:14:35,000 LET'S BEGIN THE GLOB♪ 382 00:14:35,000 --> 00:14:36,000 >> Announcer: LI 383 00:14:36,000 --> 00:14:37,000 FROM THE STAR-FILLED 384 00:14:37,000 --> 00:14:38,000 INTERNATIONAL BALLROOM 385 00:14:38,000 --> 00:14:41,000 OF THE BEVERLY HILTON HOTEL, 386 00:14:41,000 --> 00:14:42,000 LCE TO THE "62nd ANNUAL 387 00:14:42,000 --> 00:14:45,000 GOLDENBE AWARDS." 388 00:14:45,000 --> 00:14:46,000 DIES AND GENTLEMEN, LAST 389 00:14:46,000 --> 00:14:48,000 YE BEST SUPPORTING ACTRESS 390 00:14:48,000 --> 00:14:49,000 FOR "COLD UNTAIN" AND STAR 391 00:14:49,000 --> 00:14:51,000 OF THE UPCOMG "CINDERELLA 392 00:14:51,000 --> 00:14:55,000 MAN," HERE IS REE ZELLWEGER. 393 00:14:55,000 --> 00:15:00,000 [ APPLAUSE ] >> WITH OV A HALF BILLION 394 00:15:12,000 --> 00:15:13,000 PEOPLE WCHING IN 163 COUNTRIES 395 00:15:13,000 --> 00:15:14,000 ARNDHE WORLD, LET'S T 396 00:15:14,000 --> 00:15:16,000 TO THE AWARDS. 397 00:15:16,000 --> 00:15:17,000 HERE ARE THE NOMINR BEST 398 00:15:17,000 --> 00:15:18,000 ORTING ACTORN A MOON 399 00:15:18,000 --> 00:15:23,000 PICTURE. MOTION PICTU. 400 00:15:28,000 --> 00:15:31,000 CA BNCHETT, "THE AVIOR." 401 00:15:31,000 --> 00:15:36,000 LAURA LINNEY, "KINSEY." VIRGINIA MADSEN "SIDEYS 402 00:15:39,000 --> 00:15:44,000 [ APSE ] 403 00:15:44,000 --> 00:15:48,000 NATALIE PORTMAN,OSER." 404 00:15:48,000 --> 00:15:53,000 [ APPLAUSE ] 405 00:15:54,000 --> 00:15:55,000 MERYLTREEP, 406 00:15:55,000 --> 00:16:00,000 [ PLAUSE ] CANDIDATE 407 00:16:00,000 --> 00:16:02,000 AND THE WIN IS -- 408 00:16:02,000 --> 00:16:05,000 NATALI PORT MAN, "CLOSER." 409 00:16:05,000 --> 00:16:10,000 [ APPLAUSE ] 410 00:16:28,000 --> 00:16:33,000 CANDIDATES, I NO EXPECTA 411 00:16:33,000 --> 00:16:35,000 HIS. 412 00:16:35,000 --> 00:16:36,000 ADMIRE A OF YOU S MUCH. 413 00:16:36,000 --> 00:16:38,000 THOU. 414 00:16:38,000 --> 00:16:40,000 MIKEHOLS, I LOVE YOU. 415 00:16:40,000 --> 00:16:43,000 YOU'RE THE NICEST, SEST, 416 00:16:43,000 --> 00:16:48,000 WISEST DADDY, FRIEND,K STAR 417 00:16:49,000 --> 00:16:50,000 EVYTHING 418 00:16:50,000 --> 00:16:52,000 IUST LE Y MUCH. 419 00:16:52,000 --> 00:16:56,000 YOU'RE THE BEST.YOUR SCRIPT, 420 00:16:56,000 --> 00:16:59,000 D CLIVE AND JULIA AND JUDE, AT 421 00:16:59,000 --> 00:17:00,000 HO WHO WE LOVE AND MISS. 422 00:17:00,000 --> 00:17:05,000 AND AMY AND JOHN CALLEY AND 423 00:17:05,000 --> 00:17:07,000 MUCH.E LINTON, THANK Y 424 00:17:07,000 --> 00:17:08,000 AND CELIA AND CARE. 425 00:17:08,000 --> 00:17:09,000 EVERYONE IS JUST SO NICE. 426 00:17:09,000 --> 00:17:11,000 AND MY FAMILY IS THE MOST 427 00:17:11,000 --> 00:17:12,000 AMAZG FAMILY IN THE WORLD. 428 00:17:12,000 --> 00:17:15,000 MY COUSIN DANIELLELA, IANT TO 429 00:17:15,000 --> 00:17:17,000 GROW UP ANDE LIKE Y SOMEDAY. 430 00:17:17,000 --> 00:17:19,000 THK YOU. 431 00:17:19,000 --> 00:17:21,000 [ APPLAUSE ] MAR 432 00:17:21,000 --> 00:17:26,000 WAHLBE. 433 00:17:27,000 --> 00:17:29,000 >> GOOD EVENI. THERE ARE FIVE EXCEPTIONAL 434 00:17:29,000 --> 00:17:31,000 ACTRESS NOMIN FOR BEST 435 00:17:31,000 --> 00:17:32,000 SUPPORTING ACTRESS IN A SERIES 436 00:17:32,000 --> 00:17:35,000 TV MOVIE. 437 00:17:35,000 --> 00:17:38,000 >> AND HERE ARE THE NOMINEES -  438 00:17:38,000 --> 00:17:42,000 DREAe MATTEO, "THE SOPRANO" 439 00:17:42,000 --> 00:17:43,000 >> ANGELICA HU, "IRON JAD 440 00:17:43,000 --> 00:17:48,000 GELS," 441 00:17:48,000 --> 00:17:49,000 >> NICOLLETTE SHERIDAN, 442 00:17:49,000 --> 00:17:54,000 "DESPERATE HOUSEVES," 443 00:17:55,000 --> 00:18:00,000 HARLIZE THON, "THE LIFE AND DEATH OF PETER SLERS," 444 00:18:02,000 --> 00:18:03,000 >> EMILY WATSON, "THE LIFE 445 00:18:03,000 --> 00:18:05,000 D DEATH OF PETER SELLERS." 446 00:18:05,000 --> 00:18:09,000 >> AND THE GOLDEN GOES 447 00:18:09,000 --> 00:18:14,000 TO -- 448 00:18:14,000 --> 00:18:16,000 >> ANGELICA HUSTON, "IRON JAWED 449 00:18:16,000 --> 00:18:19,000 ANGELS." 450 00:18:19,000 --> 00:18:24,000 [ APAUSE ] >> WOW, I'M IN K. 451 00:18:59,000 --> 00:19:02,000 THANK YOU SO MUCH. 452 00:19:02,000 --> 00:19:04,000 THE FGN PRESS. 453 00:19:04,000 --> 00:19:07,000 THANK YOU, HBO AND COLIN 454 00:19:07,000 --> 00:19:10,000 ENR FOR YOUR FANTA 455 00:19:10,000 --> 00:19:11,000 PRRAMMING. 456 00:19:11,000 --> 00:19:13,000 TO TONY HOWARD, BY WONDERFUL 457 00:19:13,000 --> 00:19:15,000 AGENT.T OF YOU, THANK 458 00:19:15,000 --> 00:19:17,000 YOU SO MUCH. 459 00:19:17,000 --> 00:19:18,000 IT'S SUCH A PASURE TO BE IN 460 00:19:18,000 --> 00:19:20,000 THISINESS. 461 00:19:20,000 --> 00:19:25,000 APPLAUSE ] 462 00:19:29,000 --> 00:19:30,000 >> AND NOW, BEST SPORTING 463 00:19:30,000 --> 00:19:33,000 TOR IN A SERIES OR TV MOVIE. 464 00:19:33,000 --> 00:19:34,000 >> HERARE THE OUTSTANDING 465 00:19:34,000 --> 00:19:37,000 GROUP OF NOMINEES -- 466 00:19:37,000 --> 00:19:40,000 SE HAYES, "WILL & ACE," 467 00:19:40,000 --> 00:19:44,000 [ APPLAUSE ] 468 00:19:44,000 --> 00:19:45,000 >> WILLIAM SHNE 469 00:19:45,000 --> 00:19:47,000 "BOSTON GAL." 470 00:19:47,000 --> 00:19:51,000 [ APPLAUSE ] 471 00:19:51,000 --> 00:19:52,000 >>ND THE GDEN GLOBE GOES 472 00:19:52,000 --> 00:19:55,000 -- 473 00:19:55,000 --> 00:20:00,000 WILLIAM SHATNER, "BOSTON LEGAL." 474 00:20:34,000 --> 00:20:39,000 WIL SHATNER. 475 00:20:39,000 --> 00:20:42,000 I WANT TO THANK THE WIFE, 476 00:20:42,000 --> 00:20:47,000 IZ, MY KS 477 00:21:42,000 --> 00:21:44,000 BEHAVIOR UNDER TICROSCOPE, 478 00:21:44,000 --> 00:21:45,000 AND, IN DOING , ARTED 479 00:21:45,000 --> 00:21:48,000 THE SEXUAL REVOLUTION. 480 00:21:48,000 --> 00:21:49,000 WRIT/DIRECTOR BILL CDO 481 00:21:49,000 --> 00:21:51,000 TH AAST HEAD 482 00:21:51,000 --> 00:21:53,000 BY LIAM ESONND LAURA LINNEY, 483 00:21:53,000 --> 00:21:54,000 VIVIDLY CAPTURES THE PERSONAL 484 00:21:54,000 --> 00:21:57,000 DRAMA OF THE MAN WHO CHANGED 485 00:21:57,000 --> 00:21:58,000 OUR VES AND HIS REVER, 486 00:21:58,000 --> 00:22:03,000 "KSEY." 487 00:22:04,000 --> 00:22:05,000 IN AN UNINHIBITED SOCIETY, 488 00:22:05,000 --> 00:22:07,000 A 12EAR-WOULD KNOW MOST 489 00:22:07,000 --> 00:22:12,000 TO GIVE YN FORMAL LECTULL HAVE 490 00:22:12,000 --> 00:22:13,000 >> IT'S ADVISABLE TO SCK 491 00:22:13,000 --> 00:22:14,000 TH WHAT'S NOAL. 492 00:22:14,000 --> 00:22:15,000 YOU DON'T WASHAKE PEOPLE 493 00:22:15,000 --> 00:22:16,000 UP. 494 00:22:16,000 --> 00:22:17,000 >> OF COURSEOT. 495 00:22:17,000 --> 00:22:18,000 STOP USING SCIENCE JUSTIFY 496 00:22:18,000 --> 00:22:19,000 WHAT YOU'VE DONE 497 00:22:19,000 --> 00:22:20,000 >> FORGIVE M MAGGIE. 498 00:22:20,000 --> 00:22:22,000 I'VE TAKEN ON ANY OTHER 499 00:22:22,000 --> 00:22:23,000 PEOP'S SECRETS, DON'T WANT 500 00:22:23,000 --> 00:22:24,000 ANY MY OWN. 501 00:22:24,000 --> 00:22:25,000 >> SEX IA RISKY GAME 502 00:22:25,000 --> 00:22:28,000 BECAUSE OU'RE NOT CAFUL, 503 00:22:28,000 --> 00:22:33,000 IT WILT U WIDE OPEN. 504 00:22:34,000 --> 00:22:35,000 >> Annouer: LADIES 505 00:22:35,000 --> 00:22:36,000 AND GENTLEMEN, TWO-TIMLDEN 506 00:22:36,000 --> 00:22:38,000 GLOBE WINNER AND NOMINEE TONIGHT 507 00:22:38,000 --> 00:22:39,000 FOR "ETERNAL S 508 00:22:39,000 --> 00:22:40,000 S MIND 509 00:22:40,000 --> 00:22:42,000 JIM CARREY 510 00:22:42,000 --> 00:22:47,000 [ APSE ] >> GOOD ENING, HUMAN U 511 00:22:57,000 --> 00:22:58,000 E CINEMA HAS BEESED 512 00:22:58,000 --> 00:22:59,000 WITHY NTRIBUTION 513 00:22:59,000 --> 00:23:00,000 PEOE OF T ITALIAN 514 00:23:00,000 --> 00:23:01,000 CULTURE. 515 00:23:01,000 --> 00:23:03,000 MELIKE FEDERICO INI, 516 00:23:03,000 --> 00:23:08,000 MARCELLO MASTROIANNI 517 00:23:08,000 --> 00:23:11,000 HAEY WEINSIN- WELL, HE 518 00:23:11,000 --> 00:23:13,000 DID YOU E SEE THE EAT PAS 519 00:23:13,000 --> 00:23:15,000 IT'S CRAZY. 520 00:23:15,000 --> 00:23:16,000 NTERTAINING. 521 00:23:16,000 --> 00:23:21,000 OF INTRODUNG ANOTHER VY 522 00:23:22,000 --> 00:23:26,000 INFLUENTIAL ITALIAN, A CULTUD 523 00:23:26,000 --> 00:23:27,000 WRITER FORTHE PUBLICATIONS 524 00:23:27,000 --> 00:23:31,000 WHH IS A MAGAZINE YOU READ" 525 00:23:31,000 --> 00:23:32,000 LIKE THIS. 526 00:23:32,000 --> 00:23:33,000 AND THE PRESIDENT 527 00:23:33,000 --> 00:23:34,000 HOLLYWOODOREIGN PRESS. 528 00:23:34,000 --> 00:23:35,000 A MAN WHSAID TO ME EARLIER 529 00:23:35,000 --> 00:23:37,000 TODAY -- 530 00:23:37,000 --> 00:23:41,000 AND I OUGHT, "WHY ISRISH ] 531 00:23:41,000 --> 00:23:43,000 HEAKING GIBBERISH?" 532 00:23:43,000 --> 00:23:45,000 HE KNOWS T LANGUAGE. 533 00:23:45,000 --> 00:23:47,000 BUT THEN IAU 534 00:23:47,000 --> 00:23:52,000 BECAUSE HE CANUT MTABLE TO LORENZOOR.NG "BUONA SER 535 00:23:57,000 --> 00:24:02,000 [ APPLAUSE ] 536 00:24:11,000 --> 00:24:13,000 >> THANK YOU, JIM. 537 00:24:13,000 --> 00:24:15,000 >> LENZO! 538 00:24:15,000 --> 00:24:16,000 >> WARE HERE TONIGHT 539 00:24:16,000 --> 00:24:17,000 TO CEBRA NOT JUSARTI 540 00:24:17,000 --> 00:24:22,000 LADIES AND GENTLEMEN, 541 00:24:22,000 --> 00:24:27,000 EW YORK, BL INTON. 542 00:24:29,000 --> 00:24:33,000 >> BEHALF OF FORMERSIDENT 543 00:24:33,000 --> 00:24:34,000 BUSH A MYSELF, IT TO THANK 544 00:24:34,000 --> 00:24:36,000 AN SALUT THE ENTERTAINNT 545 00:24:36,000 --> 00:24:38,000 COUNITY FOR GENER 546 00:24:38,000 --> 00:24:39,000 RESPONSE TO THE TSUNAMIRAGEDY. 547 00:24:39,000 --> 00:24:41,000 I ESPECIALLY TNK THE HOLLYWOOD 548 00:24:41,000 --> 00:24:43,000 REN PRESS ASSOCIAON AND 549 00:24:43,000 --> 00:24:45,000 YOUR PRESIDENT LORENZO S 550 00:24:45,000 --> 00:24:47,000 FO BEING AMONG T VY FIRST 551 00:24:47,000 --> 00:24:49,000 OUPS TO MAKE AUBSTANTIAL 552 00:24:49,000 --> 00:24:51,000 CONTRIBUON. THISEE JOINED WITH UNIF 553 00:24:51,000 --> 00:24:53,000 CREATE A WER AND SANITATION 554 00:24:53,000 --> 00:24:55,000 ND T PREVENT T SPREAD OF 555 00:24:55,000 --> 00:24:57,000 CHILDREN.ASES, ESPECIALLY TO 556 00:24:57,000 --> 00:24:59,000 TO FIND ABOUT THIS 557 00:24:59,000 --> 00:25:01,000 OTHERELIEF EFFORTS, YOU GO 558 00:25:01,000 --> 00:25:06,000 FRS.GOV.ONFOUNDAON.O ORO 559 00:25:07,000 --> 00:25:09,000 THE TNAMIEM US OF THE 560 00:25:09,000 --> 00:25:10,000 FRAIFE. 561 00:25:10,000 --> 00:25:13,000 BUUR RESPONSE T IT REAFFIRMS 562 00:25:13,000 --> 00:25:14,000 THE STRENGTH HE HUMAN 563 00:25:14,000 --> 00:25:15,000 SPIRIT. THANK YOU AGAIN DOING YOUR 564 00:25:15,000 --> 00:25:16,000 PART. 565 00:25:16,000 --> 00:25:17,000 [ AP DANES, ANFROM "IN GOOD 566 00:25:17,000 --> 00:25:22,000 COMPANY," TOPHER GRACE. 567 00:25:28,000 --> 00:25:30,000 >> OUR FIRST CATEGY IS BES 568 00:25:30,000 --> 00:25:33,000 TRESS, TV SEER YIS DRAMA. 569 00:25:33,000 --> 00:25:38,000 HERE ARE THE NOMINEES. 570 00:25:38,000 --> 00:25:41,000 >> EDIE FALCO, "THE SOANOS," 571 00:25:41,000 --> 00:25:45,000 JENNIFER GARN, "ALIAS," 572 00:25:45,000 --> 00:25:48,000 [ APPLAUSE 573 00:25:48,000 --> 00:25:49,000 >> MARISARGITAY, "LAW & 574 00:25:49,000 --> 00:25:51,000 ORDER: SPECI VICMS UNIT," 575 00:25:51,000 --> 00:25:56,000 APPLSE ] 576 00:25:56,000 --> 00:25:57,000 >> CHRISTINEAHTI, 577 00:25:57,000 --> 00:25:59,000 "JACK & BOBBY," 578 00:25:59,000 --> 00:26:04,000 [ APPLAUSE ] 579 00:26:04,000 --> 00:26:07,000 >> JOELYICHARDSON, "NIP/TUCK," 580 00:26:07,000 --> 00:26:12,000 PLAUSE 581 00:26:13,000 --> 00:26:14,000 >> A THE GOLDEN GLOBGOES 582 00:26:14,000 --> 00:26:19,000 TO- 583 00:26:20,000 --> 00:26:25,000 >> MARISKA HARGITAY. 584 00:26:27,000 --> 00:26:28,000 "LAW AND ORDER SPECIAL VICTIMS 585 00:26:28,000 --> 00:26:33,000 UNIT." 586 00:27:10,000 --> 00:27:12,000 >> KIND OF WANT TO THANK 587 00:27:12,000 --> 00:27:13,000 ERYBY I'VE EVER MET RIGHT 588 00:27:13,000 --> 00:27:16,000 NOW. 589 00:27:16,000 --> 00:27:17,000 THU SO MUCH. 590 00:27:17,000 --> 00:27:19,000 I'M A LITTLE OVERWHELMED, SO 591 00:27:19,000 --> 00:27:21,000 FORGIVE THE SKING. 592 00:27:21,000 --> 00:27:23,000 I WANT TO THANK THE HOLLYOD 593 00:27:23,000 --> 00:27:25,000 FOREIGN PSS SO MUCH FOR 594 00:27:25,000 --> 00:27:27,000 CONSIDERING ME WIT TSE 595 00:27:27,000 --> 00:27:32,000 INGOMINEES. 596 00:27:32,000 --> 00:27:36,000 AND DICK WOLFE, LOVE YOU. 597 00:27:36,000 --> 00:27:38,000 TED, HAS STEERED OUR SHIP 598 00:27:38,000 --> 00:27:43,000 AND TO NEIL BAER, MY FRIEN 599 00:27:43,000 --> 00:27:48,000 ANDASAID SO ELOQUENTLYEARLR, YOA 600 00:27:48,000 --> 00:27:49,000 THENE YOU'RN. 601 00:27:49,000 --> 00:27:53,000 TO NEIL BAER, I SALUT YOU AND WI 602 00:27:53,000 --> 00:27:54,000 WRITER 603 00:27:54,000 --> 00:27:55,000 THANK YOU SO MUC 604 00:27:55,000 --> 00:27:57,000 D AO FOREING MYRIEND. 605 00:27:57,000 --> 00:28:00,000 CHRISAL YOU SETHE BAR 606 00:28:00,000 --> 00:28:01,000 SO HIG 607 00:28:01,000 --> 00:28:03,000 THANK YOU FOR YOUR PASON AND 608 00:28:03,000 --> 00:28:05,000 DEDITION TO THE TRUTH,ND YOU 609 00:28:05,000 --> 00:28:06,000 MAKE EVERYONEUND Y BETR. 610 00:28:06,000 --> 00:28:10,000 R ALL THE ACTS THAT I WORK 611 00:28:10,000 --> 00:28:11,000 WITH. 612 00:28:11,000 --> 00:28:13,000 AN TO MY HUSBAND, WHO HAS 613 00:28:13,000 --> 00:28:14,000 CHANGEDY LIFE. 614 00:28:14,000 --> 00:28:16,000 TO NBC. 615 00:28:16,000 --> 00:28:19,000 AND I JT WT T S THAT 4 616 00:28:19,000 --> 00:28:22,000 YEARGO M MOTHEREPD A 617 00:28:22,000 --> 00:28:25,000 AWARD, A MY FATHER WASITH 618 00:28:25,000 --> 00:28:27,000 HER, AND I'M LUCKY ENOUGH 619 00:28:27,000 --> 00:28:28,000 NIGHT TOAVE MYATHER HERE 620 00:28:28,000 --> 00:28:29,000 WI ME. 621 00:28:29,000 --> 00:28:31,000 AND IUSAN TAYHAT YOU 622 00:28:31,000 --> 00:28:32,000 ARE HERO. 623 00:28:32,000 --> 00:28:34,000 YOU'VE TAUGHT MEOT ONL BY 624 00:28:34,000 --> 00:28:36,000 YOURD BUT BY EXAMPLE, AND I 625 00:28:36,000 --> 00:28:37,000 LOVE YOU. 626 00:28:37,000 --> 00:28:38,000 >> I L YOU, HON 627 00:28:38,000 --> 00:28:43,000 [ APPLAUSE ] 628 00:28:53,000 --> 00:28:54,000 >> BOREPRESENT THEEXT 629 00:28:54,000 --> 00:28:56,000 AWARD, WE' LIKE TO REMD YOU 630 00:28:56,000 --> 00:28:59,000 OF THE GOLDEN GLOBES EDITION OF 631 00:28:59,000 --> 00:29:00,000 HA SECOND GENERATION 632 00:29:00,000 --> 00:29:02,000 CEREMONY.SSIST USITH THE 633 00:29:02,000 --> 00:29:04,000 >> PLEASE WELCOME THE 634 00:29:04,000 --> 00:29:06,000 16-YR-OLD DAUGHTER OF JACN 635 00:29:06,000 --> 00:29:07,000 REEVES AND CLINT EASTWOOD 636 00:29:07,000 --> 00:29:09,000 KATHRYN EASTWOOD. 637 00:29:09,000 --> 00:29:14,000 [ APPLAUSE ] McSHANE, "DEAOO" 638 00:29:21,000 --> 00:29:26,000 [ APPLAUSE ] ht Nht 639 00:29:42,000 --> 00:29:44,000 >> I'D LIKE TO ANK T 640 00:29:44,000 --> 00:29:45,000 HOYWOOD FOREIGN PRESS, N 641 00:29:45,000 --> 00:29:50,000 ONLY FORHIS BUTOR T GOOD 642 00:29:50,000 --> 00:29:52,000 PHILANROPICORK THEYO. 643 00:29:52,000 --> 00:29:57,000 OF PERSONAL GAIN, 644 00:30:42,000 --> 00:30:44,000 (Patrick) I always used to joke, 645 00:30:44,000 --> 00:30:46,000 "Am I gonna get a bed today?" 646 00:30:46,000 --> 00:30:51,000 Because you're always on gravel or some rock. 647 00:30:51,000 --> 00:30:52,000 You know how I have sex? 648 00:30:52,000 --> 00:30:56,000 I have sex at home on a bed missionary with the lights out. 649 00:30:56,000 --> 00:30:58,000 And I think my husband, when he married me, 650 00:30:58,000 --> 00:31:00,000 thought, "Oh, wow, I'm marrying Tera Patrick. 651 00:31:00,000 --> 00:31:01,000 is great. 652 00:31:01,000 --> 00:31:04,000 You know, she's gonna bring home all these chicks." 653 00:31:04,000 --> 00:31:06,000 Nope, I had to tell him, 654 00:31:06,000 --> 00:31:09,000 "Let me tell you, I'm really boring." 655 00:31:09,000 --> 00:31:13,000 (Knight) Our sex life at home is a lot different 656 00:31:13,000 --> 00:31:14,000 than in the movies. 657 00:31:14,000 --> 00:31:16,000 I can't last as long. 658 00:31:16,000 --> 00:31:18,000 On film, I do anal. 659 00:31:18,000 --> 00:31:21,000 Which he would love to do on me, but-- 660 00:31:21,000 --> 00:31:23,000 Not even in my personal life, I don't do it. 661 00:31:23,000 --> 00:31:24,000 I had a toy up there a good seven inches, 662 00:31:24,000 --> 00:31:29,000 and she didn't even know it, 663 00:31:37,000 --> 00:31:42,000 >> CONGRATULATIONS, NATAL 664 00:31:51,000 --> 00:31:56,000 [LAUGHTER] 665 00:31:59,000 --> 00:32:02,000 E CEGOR IEST MOTION 666 00:32:02,000 --> 00:32:03,000 CTURE MADE FOR TELEVISION. 667 00:32:03,000 --> 00:32:08,000 AND HERE AREHE NOMINEES -- 668 00:32:08,000 --> 00:32:09,000 "AMERICAN : JOURNEY 669 00:32:09,000 --> 00:32:10,000 OF THE GONS MILY, WHOSE 670 00:32:10,000 --> 00:32:11,000 PROBLEMS INCLUDE A S WHO IS 671 00:32:11,000 --> 00:32:15,000 RVING IN THE IRAQ WAR. 672 00:32:15,000 --> 00:32:18,000 >> WE'VE NEVER D ANYTHING LIKE 673 00:32:18,000 --> 00:32:20,000 THIS. WE SHOULD HAVE HAD THE WHOLE 674 00:32:20,000 --> 00:32:21,000 WORLD BEHIND US BEF WE DID 675 00:32:21,000 --> 00:32:22,000 ANYTHING. 676 00:32:22,000 --> 00:32:24,000 >> THE GER ARE GREAT.>> I CAN'TD 677 00:32:24,000 --> 00:32:26,000 STATES DOI THIS, NOTHE 678 00:32:26,000 --> 00:32:27,000 COY WE LOVE. 679 00:32:27,000 --> 00:32:28,000 WE DON'T ATTACK ANYBODY BEFORE 680 00:32:28,000 --> 00:32:29,000 WE'RE ATTKED. 681 00:32:29,000 --> 00:32:34,000 >> ARE YOU KIDNG ME? 682 00:32:35,000 --> 00:32:36,000 >> "IRON JAWNGS," THE STRULE OFFRAGISTS 683 00:32:36,000 --> 00:32:37,000 IN920, FIGHTING TO GIVE WOMEN 684 00:32:37,000 --> 00:32:41,000 THE RIGHT TO VOTE. 685 00:32:41,000 --> 00:32:43,000 >> WE GET LAID O, WE GET FED 686 00:32:43,000 --> 00:32:44,000 ONONDA 687 00:32:44,000 --> 00:32:46,000 CHILEN D EAT BALLOTS. 688 00:32:46,000 --> 00:32:47,000 >> THE RULING CLA IS THOSE WHO 689 00:32:47,000 --> 00:32:49,000 VE A VOICE, AND TT VOICE IS 690 00:32:49,000 --> 00:32:51,000 A VOTE. NO OEARS YOU 691 00:32:51,000 --> 00:32:52,000 "T LIFE AND DEATH 692 00:32:52,000 --> 00:32:53,000 OF PETER SRS," 693 00:32:53,000 --> 00:32:54,000 ND-THE-SCENELOOK 694 00:32:54,000 --> 00:32:55,000 AT THE PRIVATE SIDE OF THE GREAT 695 00:32:55,000 --> 00:33:00,000 COMEDY A.  696 00:33:02,000 --> 00:33:07,000 >> AHH, YES, SWITZERLAND. 697 00:33:16,000 --> 00:33:18,000 >> TIGHT'S SECOND NOMITE 698 00:33:18,000 --> 00:33:20,000 DRA TELLS THE STORY H 699 00:33:20,000 --> 00:33:21,000 AUTHORAMES M. BARRIE F 700 00:33:21,000 --> 00:33:22,000 INSPIRATION THE STORY 701 00:33:22,000 --> 00:33:24,000 "TER PAN." 702 00:33:24,000 --> 00:33:27,000 THE BRILT CRTIVE TEATHAT 703 00:33:27,000 --> 00:33:31,000 INCLUDES DIRTOR MARC FORSTER, 704 00:33:31,000 --> 00:33:33,000 WRITER DAVID MAGEE AND NOMINEES 705 00:33:33,000 --> 00:33:36,000 JO DEPP AND KATE WINSLET, 706 00:33:36,000 --> 00:33:40,000 ABOUT E WISH TO NEVEGRP 707 00:33:40,000 --> 00:33:41,000 AN EXPERIENCE AUENCE 708 00:33:41,000 --> 00:33:44,000 WISH WILL NEVER EN 709 00:33:44,000 --> 00:33:49,000 HERE IS "FINDI NEVERLAND." 710 00:33:53,000 --> 00:33:55,000 >>E TO SEEEVERLAND. 711 00:33:55,000 --> 00:34:00,000 >> WEN, I'L TYOU THE. 712 00:34:08,000 --> 00:34:13,000 ♪ 713 00:34:18,000 --> 00:34:20,000 >> YOU CANIS NEVND ANY 714 00:34:20,000 --> 00:34:21,000 TIE. 715 00:34:21,000 --> 00:34:22,000 >> HOW? 716 00:34:22,000 --> 00:34:27,000 >> JUST BELIEVE. 717 00:34:27,000 --> 00:34:28,000 Announcer: TO PRESENT 718 00:34:28,000 --> 00:34:29,000 OUR NEXT AWARD, PLEASE WELCOME 719 00:34:29,000 --> 00:34:34,000 WILLCATEGORY IS BEST ACTRESS 720 00:34:36,000 --> 00:34:38,000 IN A MION PICTURE MUSICAL 721 00:34:38,000 --> 00:34:39,000 OR COMEDY, AND IT WILLE 722 00:34:39,000 --> 00:34:41,000 AN HONOR FOR ME TO PRENT 723 00:34:41,000 --> 00:34:44,000 THE AWARD TO ANY O 724 00:34:44,000 --> 00:34:49,000 OF THE FOLLOWING NOMINEES. [LAUGHTER]NB 725 00:34:53,000 --> 00:34:54,000 ANNETTE BENING, FO 726 00:34:54,000 --> 00:34:55,000 "BEING JULIA," 727 00:34:55,000 --> 00:34:59,000 [ APPLAUSE ] 728 00:34:59,000 --> 00:35:02,000 ASHLEY JUDD,ORDE-LOVELY," 729 00:35:02,000 --> 00:35:06,000 [ APPLAUSE ] 730 00:35:06,000 --> 00:35:07,000 EMMY ROSSU FOR "THE PHANTOM 731 00:35:07,000 --> 00:35:09,000 OF THE OPERA," 732 00:35:09,000 --> 00:35:14,000 PLAUSE ] 733 00:35:14,000 --> 00:35:15,000 KATE WINSL, R "ETERNAL 734 00:35:15,000 --> 00:35:17,000 SUNSHINE OF THE OTLESS MIND" 735 00:35:17,000 --> 00:35:21,000 [ APPLAUSE ] 736 00:35:21,000 --> 00:35:23,000 AND RENELLWEGER 737 00:35:23,000 --> 00:35:26,000 "BRIDGET JONTHE EDGE OF REAN." 738 00:35:26,000 --> 00:35:30,000 PLAUSE ] 739 00:35:30,000 --> 00:35:35,000 ANTHLDEN GLO GS TO -- 740 00:35:36,000 --> 00:35:41,000 ANNETTENING. 741 00:35:42,000 --> 00:35:47,000 "BING JULIA." 742 00:36:11,000 --> 00:36:14,000 >> THANK YOU. 743 00:36:14,000 --> 00:36:19,000 [ CHEERS AND APPLAUSE ] 744 00:36:19,000 --> 00:36:20,000 THANK YOU VERY MUCH TO THE 745 00:36:20,000 --> 00:36:21,000 HOLLYWOODOREIRESS. 746 00:36:21,000 --> 00:36:22,000 IOVE MY WORK. 747 00:36:22,000 --> 00:36:23,000 I LOVET I DO. 748 00:36:23,000 --> 00:36:27,000 ANDPPRECIATE THIS VERY MUCH. 749 00:36:27,000 --> 00:36:30,000 I'D ALSO LIKE T THANK MY 750 00:36:30,000 --> 00:36:32,000 COMRADES ON "BING JULIA." 751 00:36:32,000 --> 00:36:36,000 WE HAD A HELL OF A GOOD TIME 752 00:36:36,000 --> 00:36:38,000 ITKING THIS MOVIE AND WE LOVE 753 00:36:38,000 --> 00:36:43,000 ALLY AND MYRIEND. THEECTOR, MY 754 00:36:47,000 --> 00:36:48,000 LUNCH AT THE PIZZA JOINT WAS 755 00:36:48,000 --> 00:36:50,000 DELICIOUS. 756 00:36:50,000 --> 00:36:54,000 THANK YO 757 00:36:54,000 --> 00:36:58,000 [ PLAUSE ] 758 00:36:58,000 --> 00:36:59,000 >> Ann: PLEASE WCOME 759 00:36:59,000 --> 00:37:00,000 THE STARS OF "CSI: NEW YORK" 760 00:37:00,000 --> 00:37:02,000 AND "WHOUT A TRACE" -- 761 00:37:02,000 --> 00:37:04,000 MELINA KAREDES AND LAST 762 00:37:04,000 --> 00:37:08,000 ANTHONY LaGLIA. IN A TV DRAMA, 763 00:37:08,000 --> 00:37:13,000 [ APPLAUSE ] 764 00:37:14,000 --> 00:37:15,000 >> THIS ISHEBES HIGHEST 765 00:37:15,000 --> 00:37:16,000 AWARD FOR DRAMAT WEEKLY 766 00:37:16,000 --> 00:37:18,000 TELEVISION. 767 00:37:18,000 --> 00:37:20,000 >> HERE THE NOMINEES 768 00:37:20,000 --> 00:37:23,000 FOR BEST TV SERIES, DRAM 769 00:37:23,000 --> 00:37:25,000 >> "24." 770 00:37:25,000 --> 00:37:26,000 >> I WON'T R. 771 00:37:26,000 --> 00:37:31,000 I EAR. 772 00:37:31,000 --> 00:37:32,000 >> I I'D BE LYING I SAI 773 00:37:32,000 --> 00:37:34,000 I WASN'T SCARED, B I'M NOT GONNA RUN. 774 00:37:34,000 --> 00:37:36,000 I COULDN'T LIVWITH MYSELF 775 00:37:36,000 --> 00:37:37,000 KNG I WAS RESPONSIBLE 776 00:37:37,000 --> 00:37:38,000 FOR THE DEATHS OALL THOSE 777 00:37:38,000 --> 00:37:41,000 PEOP. 778 00:37:41,000 --> 00:37:46,000 YOU GOTTLIEVE ME. ♪ 779 00:38:06,000 --> 00:38:10,000 >> NO. YOU HURHER? 780 00:38:10,000 --> 00:38:12,000 NODOC. 781 00:38:12,000 --> 00:38:14,000 BUT SHBETTER THAN YOU THOU 782 00:38:14,000 --> 00:38:19,000 ES ARE ON. 783 00:38:23,000 --> 00:38:26,000 >> "." 784 00:38:26,000 --> 00:38:28,000 >>OLD YOU. HE N WATER. 785 00:38:28,000 --> 00:38:32,000 >> WILL HE SUFR? >> WILL IT BE QUICK? 786 00:38:32,000 --> 00:38:33,000 >> NO, IT WOBE QUICK. 787 00:38:33,000 --> 00:38:35,000 TW THREE, MAYBFOUR DAYS. 788 00:38:35,000 --> 00:38:36,000 >> ANDE'LL FEEL IT 789 00:38:36,000 --> 00:38:38,000 >> YEAH, HLL FEEIT. 790 00:38:38,000 --> 00:38:39,000 >> C'T YOU PUT HIM 791 00:38:39,000 --> 00:38:44,000 OFIS MISERY? 792 00:38:47,000 --> 00:38:51,000 >> IAW YOUR MUGSHOT, KAT 793 00:38:51,000 --> 00:38:56,000 I AM N A MURDERE 794 00:39:02,000 --> 00:39:05,000 >> "NIP/TUCK."it 795 00:39:05,000 --> 00:39:06,000 >> YOU'RE THE RE IOT THE IMPLAN, D YOU'RE 796 00:39:06,000 --> 00:39:11,000 >> "THE PRANOS."SO UPSET >> LOO YOUR FACE. 797 00:39:13,000 --> 00:39:14,000 IF YOU GOT SKI OF SEXU 798 00:39:14,000 --> 00:39:15,000 PROCLIVITY WITH THAT TEAER 799 00:39:15,000 --> 00:39:16,000 OR WHATEVER, NOW IS THE TI 800 00:39:16,000 --> 00:39:17,000 TOELL US. 801 00:39:17,000 --> 00:39:19,000 PAPAS D WEIRD SEX.P THERE? 802 00:39:19,000 --> 00:39:21,000 >>T? NO. 803 00:39:21,000 --> 00:39:22,000 LOOKWE DON DO DRUGS. 804 00:39:22,000 --> 00:39:26,000 WE'RNOT SOME STUPID DOPE. 805 00:39:26,000 --> 00:39:27,000 I A FEW BEERS, BT ST MADE ME SICK 806 00:39:27,000 --> 00:39:28,000 >> HAN ANYBODY BELVE WHAT 807 00:39:28,000 --> 00:39:29,000 U SAY? 808 00:39:29,000 --> 00:39:30,000 >> BECAUSEOLD YOU. 809 00:39:30,000 --> 00:39:34,000 YOU 810 00:39:34,000 --> 00:39:35,000 >> AND THE GOLDEN E GOES 811 00:39:35,000 --> 00:39:39,000 TO -- 812 00:39:39,000 --> 00:39:44,000 "NIP/TUCK."wóh  813 00:39:51,000 --> 00:39:52,000 HE TITLE CES FROM A POEM 814 00:39:52,000 --> 00:39:55,000 BYLEXANDER POPE. 815 00:39:55,000 --> 00:39:56,000 THE STORY COMEFROM 816 00:39:56,000 --> 00:39:58,000 THE OUTRAGEOUS MIND 817 00:39:58,000 --> 00:40:01,000 OF SCREENWRITECHLES KAUFMA 818 00:40:01,000 --> 00:40:02,000 MICHAEL RY MASTEULLY 819 00:40:02,000 --> 00:40:04,000 DIRECTS NOMI JIM CARREY 820 00:40:04,000 --> 00:40:06,000 AND KATE WINSLET AS CO 821 00:40:06,000 --> 00:40:09,000 TRYING TO CLINICLYRASE EACH 822 00:40:09,000 --> 00:40:12,000 OTHER FROM THEIR MORIES. 823 00:40:12,000 --> 00:40:15,000 E SULT IS FUNNY, TENDER, 824 00:40:15,000 --> 00:40:19,000 ZARRE AND COMPLETELY ORIGINAL. 825 00:40:19,000 --> 00:40:20,000 YOU'LL NEV FGET "ETERN 826 00:40:20,000 --> 00:40:25,000 SUNSHINE OF THE SPOTLESSIND." 827 00:40:26,000 --> 00:40:27,000 >> I'M HE TO ERASE 828 00:40:27,000 --> 00:40:28,000 CLEMENTINE KRUCZYNSKI. 829 00:40:28,000 --> 00:40:30,000 >> WE'RE GONNA START 830 00:40:30,000 --> 00:40:31,000 WITH YOUR MOST RECENT MEMORIES 831 00:40:31,000 --> 00:40:32,000 AND RK BARDS FROM ERE. 832 00:40:32,000 --> 00:40:34,000 GE BY MORNG! 833 00:40:34,000 --> 00:40:36,000 >> TT BY'S HISTORY. 834 00:40:36,000 --> 00:40:38,000 >> I LOVED ON THIS DAY. 835 00:40:38,000 --> 00:40:40,000 YOU'RE ERASIERROM ME. 836 00:40:40,000 --> 00:40:41,000 I LOVE HERT WHEN I WAKE UP, 837 00:40:41,000 --> 00:40:42,000 I WON'T KNOW H 838 00:40:42,000 --> 00:40:43,000 >> WHYON'T YOU TAKME 839 00:40:43,000 --> 00:40:44,000 SOMEELSE? 840 00:40:44,000 --> 00:40:45,000 HIDE ME SOWHERE DEEPER 841 00:40:45,000 --> 00:40:50,000 >> HE'. 842 00:40:50,000 --> 00:40:55,000 nS 9U 843 00:40:58,000 --> 00:41:00,000 >> Announcer: PLEASE WELME 844 00:41:00,000 --> 00:41:01,000 E "DESPERATE HOUSEWIVES" -- 845 00:41:01,000 --> 00:41:03,000 MARCIA CROSS, TERI HATCHER, 846 00:41:03,000 --> 00:41:04,000 FELICITY HUFFMAN, EVA LOORIA 847 00:41:04,000 --> 00:41:07,000 AND NICOLLETTE SHERIDAN. 848 00:41:07,000 --> 00:41:12,000 [ APPLAUSE ] 849 00:41:13,000 --> 00:41:14,000 >> WE'RE HERE TO HONOR FIVE 850 00:41:14,000 --> 00:41:16,000 OF THE OUTSTANDING TV 851 00:41:16,000 --> 00:41:17,000 RFORMANCES OF E YEAR. 852 00:41:17,000 --> 00:41:18,000 >> IT'S A CATEGO T 853 00:41:18,000 --> 00:41:19,000 CONTINUETO GROIN IMPORTANCE 854 00:41:19,000 --> 00:41:21,000 AND PRESTIGE. 855 00:41:21,000 --> 00:41:22,000 PAINNERS INCLUDE 856 00:41:22,000 --> 00:41:24,000 JACK LEMMON, MICHAEL CAINE, 857 00:41:24,000 --> 00:41:26,000 RORT DUVALL AND ALO. 858 00:41:26,000 --> 00:41:28,000 IN A MINI-RIES OR TELESI 859 00:41:28,000 --> 00:41:31,000 MOE. 860 00:41:31,000 --> 00:41:32,000 >> AND HERE ISHIS YE'S 861 00:41:32,000 --> 00:41:36,000 INCREDIB LIST OF NOMINEE-- 862 00:41:36,000 --> 00:41:38,000 >> AS THE NVTED STREET GANG 863 00:41:38,000 --> 00:41:40,000 LEADER STAN OOKIE" WILLIS -- 864 00:41:40,000 --> 00:41:43,000 MIE FOXX IN "REDION." 865 00:41:43,000 --> 00:41:46,000 [ APPLAUSE ] 866 00:41:46,000 --> 00:41:47,000 I'M NOT GONET IT HAPPEN. 867 00:41:47,000 --> 00:41:48,000 I DON'T WA TE ANY 868 00:41:48,000 --> 00:41:49,000 OF YOUN YO WAY TO TH 869 00:41:49,000 --> 00:41:50,000 PLAC TO SPENY TIME HERE 870 00:41:50,000 --> 00:41:51,000 BECAUSE THIS ILACE 871 00:41:51,000 --> 00:41:52,000 FOR U. 872 00:41:52,000 --> 00:41:55,000 WHAT WE'RE GNA DO, WE'RE G 873 00:41:55,000 --> 00:41:57,000 FORM AN AMONGST L OF US. 874 00:41:57,000 --> 00:41:59,000 WE'LL MAKE AND SAY THA 875 00:41:59,000 --> 00:42:00,000 WILL NEVEEND UP IN THIS SITUATION LIKE I AM. 876 00:42:00,000 --> 00:42:01,000 DO YOU HME? 877 00:42:01,000 --> 00:42:02,000 >> YES, SIR. 878 00:42:02,000 --> 00:42:03,000 YES, SIR. 879 00:42:03,000 --> 00:42:08,000 GOOD. 880 00:42:16,000 --> 00:42:19,000 >> YES, AND HERE I . 881 00:42:19,000 --> 00:42:22,000 I'M SCHMOG WITH DIANE 882 00:42:22,000 --> 00:42:25,000  DEAF-MUTEPARTMENT 883 00:42:25,000 --> 00:42:26,000 MANAR -- 884 00:42:26,000 --> 00:42:27,000 LLIAM H. MACY THE WOOL 885 00:42:27,000 --> 00:42:30,000 CAP." 886 00:42:30,000 --> 00:42:32,000 >> I WASISON, I CAN'T 887 00:42:32,000 --> 00:42:33,000 FOSTER -- I CAN'T FOE 888 00:42:33,000 --> 00:42:35,000 HER MYLF 889 00:42:35,000 --> 00:42:37,000 I WOULD T WORK. 890 00:42:37,000 --> 00:42:40,000 I'D MOVE HERE. 891 00:42:40,000 --> 00:42:45,000 SHE LL LIVE WITHE. 892 00:42:46,000 --> 00:42:47,000 >> AS THHEART SURGPIONEE 893 00:42:47,000 --> 00:42:49,000 ALED BLAYLOCK -- 894 00:42:49,000 --> 00:42:50,000 MOS DEF, IN OMETHING THEORD 895 00:42:50,000 --> 00:42:55,000 MADE." 896 00:42:56,000 --> 00:43:01,000 AFTER T DIVIDE, CUT IT, 897 00:43:02,000 --> 00:43:06,000 RIGHT UNDER E CLAVICLE, SW 898 00:43:06,000 --> 00:43:07,000 IT DOWN NG, SLOW GENE 899 00:43:07,000 --> 00:43:09,000 LINE. 900 00:43:09,000 --> 00:43:11,000 PULL IT DOWN FONCHES. 901 00:43:11,000 --> 00:43:14,000 >> D GET TOO EXCITED. 902 00:43:14,000 --> 00:43:15,000 AS THE GREAT SCREEN COMEDIAN 903 00:43:15,000 --> 00:43:17,000 PETER SEERS 904 00:43:17,000 --> 00:43:18,000 FREY RUSH IN "THE LIFE 905 00:43:18,000 --> 00:43:21,000 AND DEATOF PETER SEL 906 00:43:21,000 --> 00:43:22,000 >> THEN I DEMAO SPEAK 907 00:43:22,000 --> 00:43:23,000 TO THE PERSO CHARGE. 908 00:43:23,000 --> 00:43:24,000 >> I AM THPERSON IN CHARGE, 909 00:43:24,000 --> 00:43:25,000 SIR. 910 00:43:25,000 --> 00:43:26,000 >> AHH, DEMAND SPEAK 911 00:43:26,000 --> 00:43:28,000 WITHOU. 912 00:43:28,000 --> 00:43:29,000 >> YOU ARE SAKING TO ME. 913 00:43:29,000 --> 00:43:31,000 OF COURSE I'M SPEAKING WITH YOU. 914 00:43:31,000 --> 00:43:32,000 WH KIND OF A CRA STEWARDESS 915 00:43:32,000 --> 00:43:34,000 THINKS A PASSENGER SNDS 916 00:43:34,000 --> 00:43:38,000 SPEAITH HIMSELF? 917 00:43:38,000 --> 00:43:39,000 >> WT KINDF A PERSONUTS 918 00:43:39,000 --> 00:43:40,000 EVERYONESKUST 919 00:43:40,000 --> 00:43:45,000 FORE A LDIHMM? >> O LIVES ARE AT RISK?! >> AS E AGING KING HENRY II -- 920 00:43:53,000 --> 00:43:58,000 PATRICK STEWIN "E LIONINTER." 921 00:43:58,000 --> 00:43:59,000 FOUND OHE WAY YOUR MIND S ANTHE KIND OF MAN 922 00:43:59,000 --> 00:44:03,000 YOU'VE JT BUD EVERY BIT 923 00:44:03,000 --> 00:44:06,000 OF STRATEGU'VE GOT. 924 00:44:06,000 --> 00:44:07,000 I OW EXALYT YOU WILL DO 925 00:44:07,000 --> 00:44:08,000 AND WHAT YOU W DO, 926 00:44:08,000 --> 00:44:09,000 AND I HAVE TYOEXACTLY 927 00:44:09,000 --> 00:44:13,000 NOTHING. 928 00:44:13,000 --> 00:44:14,000 TOHESE AGED EYESBOY, TS 929 00:44:14,000 --> 00:44:16,000 WHAT WINNIOOKS LIKE. 930 00:44:16,000 --> 00:44:21,000 DON'T LEE YET. 931 00:44:23,000 --> 00:44:24,000 A THE GOLDEN GLOBE GOES 932 00:44:24,000 --> 00:44:29,000 TO -- 933 00:44:33,000 --> 00:44:35,000 OFFREY RUSH, "THE LIFE AND 934 00:44:35,000 --> 00:44:40,000 DEATH OF PETER SELLERS."[ APPLS] 935 00:45:05,000 --> 00:45:09,000 >> THAT WAS BEST PART. 936 00:45:09,000 --> 00:45:11,000 I H REALL BEEN CARRIED U 937 00:45:11,000 --> 00:45:13,000 HE ON THE BEAUL SHOULDERS 938 00:45:13,000 --> 00:45:16,000 OF SO MANY EXTORNARY PEOPLE. 939 00:45:16,000 --> 00:45:20,000 HAIR AND MEUP TM, ASHLEY, 940 00:45:20,000 --> 00:45:22,000 DAY, WES 941 00:45:22,000 --> 00:45:25,000 MY VOICECH AENTOR, 942 00:45:25,000 --> 00:45:27,000 BARBAR BACHARY. 943 00:45:27,000 --> 00:45:30,000 IF ANYF THECTORS ARE HAVING 944 00:45:30,000 --> 00:45:32,000 FFICULT VOWEMENTS, S'S 945 00:45:32,000 --> 00:45:35,000 THE RSON. 946 00:45:35,000 --> 00:45:40,000 TH DEMANDS ON M 947 00:45:42,000 --> 00:45:45,000 >> HERE THE NOMINEES 948 00:45:45,000 --> 00:45:48,000 BEST ACTRESS IN MINISERIES OR 949 00:45:48,000 --> 00:45:53,000 TV MOVIE. 950 00:45:54,000 --> 00:45:55,000 >> AS THE AD-TONGUED EANOR OFQUITAI -- 951 00:45:55,000 --> 00:45:56,000 GLENN CLOSE "THE LION 952 00:45:56,000 --> 00:45:58,000 IN WR. 953 00:45:58,000 --> 00:45:59,000 >>H, GOD. 954 00:45:59,000 --> 00:46:00,000 OH, OP IT. 955 00:46:00,000 --> 00:46:02,000 >> A KNIFE! 956 00:46:02,000 --> 00:46:04,000 >> OF SE HE HAS A KNIFE. HE ALWAYS HAS A KNIFE. 957 00:46:04,000 --> 00:46:06,000 WE A HAVE KNIVES 958 00:46:06,000 --> 00:46:11,000 IT IS , AND WE ARE BARBARIANS! 959 00:46:12,000 --> 00:46:17,000 OHH. 960 00:46:22,000 --> 00:46:24,000 >>S A WOMAN RE-EXA 961 00:46:24,000 --> 00:46:27,000 HER LIFE CHOICES -- 962 00:46:27,000 --> 00:46:28,000 BLYT DANNER IN "BACK WHEN 963 00:46:28,000 --> 00:46:31,000 WE WERE GROWNUPS." 964 00:46:31,000 --> 00:46:32,000 >> I THINK OF THE OLD DAYS, 965 00:46:32,000 --> 00:46:35,000 THE THINGS THAINTERESTED US. WELL, I THINK, YEAH, THAT WA 966 00:46:35,000 --> 00:46:36,000 BACK -- AT WAS BACK WHEN 967 00:46:36,000 --> 00:46:39,000 WE WERE GROWN-UPS. 968 00:46:39,000 --> 00:46:42,000 OF COURSE, YOU STILL ARE 969 00:46:42,000 --> 00:46:45,000 GROWN-UP, BUT ME, I FEEL LE 970 00:46:45,000 --> 00:46:50,000 I'VE BEEN TRAVELING REVERSE. @ 971 00:46:59,000 --> 00:47:01,000 >> AS A NO-NONSEE 972 00:47:01,000 --> 00:47:03,000 COUNTERRORISM DIREOR -- 973 00:47:03,000 --> 00:47:04,000 JULIANNA MES IN "THE 974 00:47:04,000 --> 00:47:07,000 GRID 975 00:47:07,000 --> 00:47:08,000 >> THE ATTEMPTED USE OF A WEON 976 00:47:08,000 --> 00:47:09,000 OF MASSTRUCTION INDICATE 977 00:47:09,000 --> 00:47:11,000 A NEW LEVEL OF DESPERATION 978 00:47:11,000 --> 00:47:12,000 MAY, THE IMMINE THREAT 979 00:47:12,000 --> 00:47:13,000 OF A SAR INCIDENT HERE DEMANDS 980 00:47:13,000 --> 00:47:14,000 WEUITHE USUAL SQUABBLING 981 00:47:14,000 --> 00:47:15,000 AND TURFWARS. 982 00:47:15,000 --> 00:47:16,000 NO MORE LIP SEICE 983 00:47:16,000 --> 00:47:18,000 CPERATIONWEEN US. 984 00:47:18,000 --> 00:47:21,000 THIS S IS SERIOUS SINESS, 985 00:47:21,000 --> 00:47:22,000 SO THEAME OF DATABASES BEING 986 00:47:22,000 --> 00:47:23,000 OFF LIMI OR INFORMATIOING 987 00:47:23,000 --> 00:47:28,000 ARDED HAS GOT TO STOP. 988 00:47:32,000 --> 00:47:33,000 AEEN MARYTHER 989 00:47:33,000 --> 00:47:36,000 OF PRINCE JO- 990 00:47:36,000 --> 00:47:38,000 MIRANDA RIARDSON I"THE LOST 991 00:47:38,000 --> 00:47:41,000 PRINCE." 992 00:47:41,000 --> 00:47:42,000 >> IS AT REALLY HOW YOSEE 993 00:47:42,000 --> 00:47:46,000 JUST MAKE TT NO RUSSIAN 994 00:47:46,000 --> 00:47:51,000 EVER SEES THAT PICTU. 995 00:47:51,000 --> 00:47:56,000 CROWN. FATHER WEARING A GIANT 996 00:47:56,000 --> 00:48:01,000 SO MUCH GG TN HIS AD. 997 00:48:05,000 --> 00:48:07,000 AS THE DEFIANSUFFRAGIST 998 00:48:07,000 --> 00:48:10,000 ALICE PAUL -- 999 00:48:10,000 --> 00:48:11,000 HILARY SWANK IN "IRON WE 1000 00:48:11,000 --> 00:48:15,000 ANGELS." 1001 00:48:15,000 --> 00:48:16,000 >> WE GOT LUCKY. 1002 00:48:16,000 --> 00:48:17,000 >> 100 PEOPLE IN THE HOSPITA 1003 00:48:17,000 --> 00:48:18,000 YOU CALL THAT LUCKY, MISS PAUL 1004 00:48:18,000 --> 00:48:20,000 >>EANS THE EXTRA PUBLICITY. 1005 00:48:20,000 --> 00:48:21,000 OK, ANNA. 1006 00:48:21,000 --> 00:48:22,000 >> THE POLICE WERE NEGLIGE. 1007 00:48:22,000 --> 00:48:25,000 THE PO ILLING FO INVESTIGATI. 1008 00:48:25,000 --> 00:48:26,000 LSON'S A GENTLEMAN THE SOUTH 1009 00:48:26,000 --> 00:48:27,000 DON'T E HOW HE CAN DENY 1010 00:48:27,000 --> 00:48:28,000 A DELEGATION OF MEN, 1011 00:48:28,000 --> 00:48:30,000 ESPECIALLY WHEEY WERE 1012 00:48:30,000 --> 00:48:31,000 TILLY MOSTED ATHIS 1013 00:48:31,000 --> 00:48:36,000 STEP. AND E GOLDEN GLOBE GOE -- 1014 00:48:50,000 --> 00:48:53,000 GLENN CLOSE, "THE LION IN 1015 00:48:53,000 --> 00:48:58,000 NT." 1016 00:49:21,000 --> 00:49:23,000 YOU G NOMINATEDOU'RE NOT 1017 00:49:23,000 --> 00:49:24,000 SUOSED TO WIN. 1018 00:49:24,000 --> 00:49:28,000 MERYL, IT OKAY? 1019 00:49:28,000 --> 00:49:29,000 THANK YOU. 1020 00:49:29,000 --> 00:49:32,000 AR WE STILL FRIEN? 1021 00:49:32,000 --> 00:49:33,000 OH MY GOD. 1022 00:49:33,000 --> 00:49:36,000 THIS WAS ONE OF MOST JOYOU 1023 00:49:36,000 --> 00:49:37,000 CES OF M CAREER, AND TO 1024 00:49:37,000 --> 00:49:40,000 BEOGNIZED F THIS, HAVING 1025 00:49:40,000 --> 00:49:44,000 ALREY HAD THE MOST AMAZING 1026 00:49:44,000 --> 00:49:47,000 PRESS, IT'S REALLY A VY 1027 00:49:47,000 --> 00:49:48,000 SHIN, SPECIAL CHERR ON A HUGE 1028 00:49:48,000 --> 00:49:49,000 FABULOUS CAKE. 1029 00:49:49,000 --> 00:49:53,000 AND I WANT TO THANK SHOWTIMEND 1030 00:49:53,000 --> 00:49:55,000 HALLMARK ENTERTAINMENT AND 1031 00:49:55,000 --> 00:49:58,000 PATRICK STEWART AND WENDY NEUSS, 1032 00:49:58,000 --> 00:50:00,000 AND I WANT TO THANKY BEAUTIF 1033 00:50:00,000 --> 00:50:02,000 CAST. 1034 00:50:02,000 --> 00:50:05,000 MY SONS ANDREW ANDGB#AS. 1035 00:50:05,000 --> 00:50:07,000 TOGETHER, THEY B WRITER 1036 00:50:07,000 --> 00:50:08,000 PATRICK MARBER'S SCRIPT 1037 00:50:08,000 --> 00:50:11,000 ABOUT ATTRTION AND BETRAL 1038 00:50:11,000 --> 00:50:12,000 TO LIFE WITH ATINGIN 1039 00:50:12,000 --> 00:50:14,000 EMOTIONAL PUNC 1040 00:50:14,000 --> 00:50:17,000 TOGHT'S THIRD NOMITED MOTION 1041 00:50:17,000 --> 00:50:22,000 CTURE, DRAMA IS "CLOSER." 1042 00:50:25,000 --> 00:50:29,000 >> H 1043 00:50:29,000 --> 00:50:32,000 YOU'RE ANNSFRIEND. 1044 00:50:32,000 --> 00:50:34,000 A PNCESS CAN KISS TOD. 1045 00:50:34,000 --> 00:50:35,000 >>G. 1046 00:50:35,000 --> 00:50:37,000 >> TOAD. 1047 00:50:37,000 --> 00:50:38,000 >> FROG. 1048 00:50:38,000 --> 00:50:40,000 >> TOAD FROG, LOBSTER. 1049 00:50:40,000 --> 00:50:41,000 EY'RE ALL THE SAME. 1050 00:50:41,000 --> 00:50:42,000 S HOW LONG HAVE Y BEEN 1051 00:50:42,000 --> 00:50:43,000 SEEING H 1052 00:50:43,000 --> 00:50:46,000 >> FR MONTHS. WEE IN FIR CRUSH. 1053 00:50:46,000 --> 00:50:47,000 IT'S PADISE. 1054 00:50:47,000 --> 00:50:49,000 ALL M NASTY HABITS A HER. 1055 00:50:49,000 --> 00:50:52,000 YOU SHOULDN SMOKE. 1056 00:50:52,000 --> 00:50:53,000 I'M A DOCTOR. 1057 00:50:53,000 --> 00:50:58,000 I'M OSED TO SAY THILIKE THAT. 1058 00:50:58,000 --> 00:51:00,000 >> Announcer: PLEASE WELCOME TWO STARS SOON TO BE SEEN 1059 00:51:00,000 --> 00:51:01,000 IN "THE ISLAND," EWAN MCGREGOR 1060 00:51:01,000 --> 00:51:02,000 AND, NOMINEE TONIGHT, 1061 00:51:02,000 --> 00:51:05,000 SCARLETT JOHANSSON. 1062 00:51:05,000 --> 00:51:10,000 [ APPLAUSE ] 1063 00:51:14,000 --> 00:51:16,000 THE GOLDEN SHOW IS 1064 00:51:16,000 --> 00:51:17,000 SEEN AROUNTHWORLD, ANDHESE 1065 00:51:17,000 --> 00:51:18,000 FILMS REPRENT SOME 1066 00:51:18,000 --> 00:51:20,000 OF THEORLD BEST CINEMATIT. 1067 00:51:20,000 --> 00:51:21,000 HERE ARE THE FI 1068 00:51:21,000 --> 00:51:26,000 AORDINARY NONEES FOR BEST FOREIGN NGUAGE FILM. 1069 00:51:26,000 --> 00:51:28,000 >> "E CHORUS" RANCE. 1070 00:51:28,000 --> 00:51:29,000 BOARDING SCHOOL TRIES TO CHA 1071 00:51:29,000 --> 00:51:34,000 ROUGH MUSIC.' VES 1072 00:51:45,000 --> 00:51:48,000 ♪ 1073 00:51:48,000 --> 00:51:49,000 >> "HOUSE OF FLYING DAGGERS" -- 1074 00:51:49,000 --> 00:51:50,000 CHINA. 1075 00:51:50,000 --> 00:51:51,000 AT THE ENDF THE TANG DYNASTY 1076 00:51:51,000 --> 00:51:52,000 IN CHINA, A POLICE DEPUTY FALLS 1077 00:51:52,000 --> 00:51:54,000 IN LOVE WI A BEAUTIFUL, BLIND 1078 00:51:54,000 --> 00:51:58,000 VOLUTIONARY. 1079 00:51:58,000 --> 00:52:03,000 ♪ 1080 00:52:09,000 --> 00:52:10,000 >> "THMOTORCYCLE DIARIES" -- 1081 00:52:10,000 --> 00:52:12,000 BRAZIL. 1082 00:52:12,000 --> 00:52:13,000 TWO BEST FRIENDS TL ACROSS 1083 00:52:13,000 --> 00:52:14,000 THE COUNY SEEKING ADVENTURE, 1084 00:52:14,000 --> 00:52:15,000 BASED ON THE JOURNAL 1085 00:52:15,000 --> 00:52:19,000 OF THE YHE GUEVERA. 1086 00:52:19,000 --> 00:52:24,000 ♪ 1087 00:52:32,000 --> 00:52:33,000 >> "THE SEA INSIDE-- SPAIN. 1088 00:52:33,000 --> 00:52:35,000 THUE STORY OF SHIP MECHANIC, 1089 00:52:35,000 --> 00:52:36,000 RAMON SAMPEDROWHO FOUGHT 1090 00:52:36,000 --> 00:52:37,000 A 30-YEAR CAMPAIGN TO END 1091 00:52:37,000 --> 00:52:42,000 HIS FE WITH DIGNY. ♪ 1092 00:52:53,000 --> 00:52:54,000 >> "A VERY LONG ENGAGEMENT" -- 1093 00:52:54,000 --> 00:52:55,000 FRANCE. 1094 00:52:55,000 --> 00:52:56,000 A YOUNG WOMAN SECHES 1095 00:52:56,000 --> 00:52:57,000 FOR HER FIANCE, WHO DISAEA 1096 00:52:57,000 --> 00:52:58,000 FROM THE TRENCHES 1097 00:52:58,000 --> 00:53:02,000 DURI WORLD WAR I. 1098 00:53:02,000 --> 00:53:07,000 ♪ 1099 00:53:08,000 --> 00:53:13,000 PX% >> ANDHE GOLDEN GLOBE 1100 00:53:25,000 --> 00:53:30,000 TO- 1101 00:53:32,000 --> 00:53:35,000 SEA INSIDE." 1102 00:53:35,000 --> 00:53:40,000 [ APPLAUSE 1103 00:53:49,000 --> 00:53:50,000 >> Announcer: COMING 1104 00:53:50,000 --> 00:53:51,000 TOHE STAGE -- PRODUCER, 1105 00:53:51,000 --> 00:53:52,000 FERNANDO BOVAIRA. 1106 00:53:52,000 --> 00:53:53,000 AND ACCEING THE GOLDEN 1107 00:53:53,000 --> 00:53:55,000 GLOBE -- DIRECTOR, 1108 00:53:55,000 --> 00:54:00,000 ALEJANDRO AMENABAR. 1109 00:54:04,000 --> 00:54:09,000 [ APPLAUSE ] >> I AM SO PROUD TO BE PA 1110 00:54:13,000 --> 00:54:15,000 OF THE NEXT NOMINATED FILM. 1111 00:54:15,000 --> 00:54:17,000 IT WAS AMAZING TO WATCH 1112 00:54:17,000 --> 00:54:19,000 DI, JOEL SCHHER 1113 00:54:19,000 --> 00:54:20,000 IN ACTION AS HE PANDED A GREAT 1114 00:54:20,000 --> 00:54:21,000 STAGE MUSICAL TO FILL THE GIANT 1115 00:54:21,000 --> 00:54:25,000 SCREEN. 1116 00:54:25,000 --> 00:54:27,000 EMMY ROSSUM AS CHRTINE, 1117 00:54:27,000 --> 00:54:31,000 PATRICK WILSON ASUL,ND 1118 00:54:31,000 --> 00:54:33,000 GERALD BUTLER ASHE DIG FIGURED 1119 00:54:33,000 --> 00:54:38,000 PHANTOM, PLAY OUT THE TALE OF 1120 00:54:38,000 --> 00:54:40,000 UNREQUITED L 1121 00:54:40,000 --> 00:54:41,000 AND REVENGE AMONG CANDLES, 1122 00:54:41,000 --> 00:54:42,000 ROSEND LAVISSE. 1123 00:54:42,000 --> 00:54:44,000 ON ARAND SCALE, BUT WHATE 1124 00:54:44,000 --> 00:54:45,000 WOULBEITTING FOR 1125 00:54:45,000 --> 00:54:50,000 "THE PHA OF THE OPERA." 1126 00:54:50,000 --> 00:54:54,000 ♪ 1127 00:54:54,000 --> 00:54:47,000 "THE PHANTOM OF OPERA" 1128 00:54:47,000 --> 00:54:52,000 ♪ "THE PHANTOM OF OPERA" PLAYING ] 1129 00:55:18,000 --> 00:55:19,000 nnouncer: HERE IS 1130 00:55:19,000 --> 00:55:20,000 THE LEADING LADY FROM 1131 00:55:20,000 --> 00:55:21,000 "NATIONAL TREASURE" 1132 00:55:21,000 --> 00:55:22,000 AND WITH HER, E STAR 1133 00:55:22,000 --> 00:55:23,000 OF THE UPCOMING "SAHARA, 1134 00:55:23,000 --> 00:55:24,000 DIANE KRUGER AND 1135 00:55:24,000 --> 00:55:29,000 TTHEW McCONAUGHEY. 1136 00:55:34,000 --> 00:55:35,000 VERY NOMINATED SCRIPT 1137 00:55:35,000 --> 00:55:36,000 IN THIS CATEGORY HAS ABEEN 1138 00:55:36,000 --> 00:55:38,000 MINATED FOR BEST PICTURE. 1139 00:55:38,000 --> 00:55:39,000 >> HE ARE THE NOMINEES 1140 00:55:39,000 --> 00:55:44,000 FOR BEST SCREENPLAY -- 1141 00:55:44,000 --> 00:55:45,000 FOR "ETERNAL SUNSHINE 1142 00:55:45,000 --> 00:55:46,000 OF THEPOTLESS MIND," 1143 00:55:46,000 --> 00:55:50,000 CHARLIE KAUFMAN 1144 00:55:50,000 --> 00:55:55,000 [ APPLAUSE ] 1145 00:55:55,000 --> 00:55:57,000 >> FOR "E AVIATOR," HN LOGAN 1146 00:55:57,000 --> 00:56:02,000 [ APPLSE ] 1147 00:56:03,000 --> 00:56:05,000 FOR "FINDING NEVERLAND," DAVID MAGEE 1148 00:56:05,000 --> 00:56:10,000 APPLAUSE ] 1149 00:56:12,000 --> 00:56:13,000 >> FOR "CLOSER," PATRICK MARBE 1150 00:56:13,000 --> 00:56:18,000 [ APAU 1151 00:56:19,000 --> 00:56:20,000 >> FOR "SIDEWAYS," 1152 00:56:20,000 --> 00:56:22,000 ALEXANDER PAYNE AND JIM TAYLOR 1153 00:56:22,000 --> 00:56:27,000 [ APPLAUSE ] 1154 00:56:27,000 --> 00:56:28,000 >> AND THE GOLDEN GLOBE GOES 1155 00:56:28,000 --> 00:56:33,000 TO -- 1156 00:56:36,000 --> 00:56:38,000 >> ALEXANDER PAYNE. 1157 00:56:38,000 --> 00:56:43,000 I'M SO EXCITED. 1158 00:56:44,000 --> 00:56:49,000 "SIDEWAYS." 1159 00:56:55,000 --> 00:56:56,000 >> THIS IS LIVING. 1160 00:56:56,000 --> 00:57:01,000 THK YOUO MUC F 1161 00:57:09,000 --> 00:57:11,000 >> LIFES GOOD, BAB 1162 00:57:11,000 --> 00:57:12,000 >> OUR CATEGORY IS BESACTRESS 1163 00:57:12,000 --> 00:57:13,000 A TV SERIES, COMEDY. 1164 00:57:13,000 --> 00:57:17,000 >> AND HERE ARE THE NOMINEES -- 1165 00:57:17,000 --> 00:57:21,000 AS I STEP ON YOUR L. 1166 00:57:21,000 --> 00:57:24,000 >> MARCIA CROSS, ESPERATE HOUSE 1167 00:57:24,000 --> 00:57:26,000 "DESPERATE HOUSEWIVES" 1168 00:57:26,000 --> 00:57:29,000 [ AUSE ] 1169 00:57:29,000 --> 00:57:30,000 >> FELICITY HUMAN, 1170 00:57:30,000 --> 00:57:31,000 "DESPERATE HOUSEVES" 1171 00:57:31,000 --> 00:57:36,000 [ APPLAUSE 1172 00:57:36,000 --> 00:57:38,000 >> DEBRA MESSING, "W& GRACE" 1173 00:57:38,000 --> 00:57:42,000 PLAUSE ] 1174 00:57:42,000 --> 00:57:43,000 >> SARAHESSICA PARKER, 1175 00:57:43,000 --> 00:57:44,000 "SEX AND THE CITY" 1176 00:57:44,000 --> 00:57:49,000 APPLAUSE ] 1177 00:57:49,000 --> 00:57:50,000 >> AND THE GOLDEN GLOBE 1178 00:57:50,000 --> 00:57:55,000 GOES TO --Co 1179 00:57:55,000 --> 00:57:56,000 RIATCH, "DESPERATE 1180 00:57:56,000 --> 00:57:59,000 HOUSEWIVES 1181 00:57:59,000 --> 00:58:04,000 [ APPLAUSE ] 1182 00:58:38,000 --> 00:58:40,000 >> THAT'UR THEME MUSIC. 1183 00:58:40,000 --> 00:58:41,000 I NEVER REALLY HEA I LIKE 1184 00:58:41,000 --> 00:58:42,000 THEFORE. 1185 00:58:42,000 --> 00:58:45,000 AY. 1186 00:58:45,000 --> 00:58:46,000 FIRST TIME EVER NINATED FOR 1187 00:58:46,000 --> 00:58:48,000 ANYTHING IN MY WHOLE LIFE. 1188 00:58:48,000 --> 00:58:52,000 SO EXCUSE ME. 1189 00:58:52,000 --> 00:58:53,000 SO OKAY. 1190 00:58:53,000 --> 00:58:57,000 MOST IMPTANTLY, DON'T G 1191 00:58:57,000 --> 00:59:00,000 ANYWHERE LIKE THI B YOURSELF. 1192 00:59:00,000 --> 00:59:05,000 D I AM HERE BECAUSE MK 1193 00:59:05,000 --> 00:59:06,000 CHERRY WROTE ME JUST THE MOST 1194 00:59:06,000 --> 00:59:08,000 ING PART, WHERE I GET TO 1195 00:59:08,000 --> 00:59:10,000 FALL DOWN A GETKED OUT OF 1196 00:59:10,000 --> 00:59:11,000 MY HOUSE NAKED AND ALL SORTS OF 1197 00:59:11,000 --> 00:59:12,000 REALLY GREAT THING 1198 00:59:12,000 --> 00:59:14,000 AND I WOR WITH THE MOST AMAZING 1199 00:59:14,000 --> 00:59:16,000 GROU OF POWERFUL, STRONG OVER 1200 00:59:16,000 --> 00:59:18,000 40, ALMOST EVERYBODY, WOMEN. 1201 00:59:18,000 --> 00:59:19,000 EXCEPT FOR THE KUS YOUNGNE WHO 1202 00:59:19,000 --> 00:59:23,000 EATS A LOT. 1203 00:59:23,000 --> 00:59:26,000 AND THE MOST AMANGT AND 1204 00:59:26,000 --> 00:59:28,000 CREW WHO JUST G THROUGH SUCH 1205 00:59:28,000 --> 00:59:30,000 LONG D WITH SUC SMILES ON 1206 00:59:30,000 --> 00:59:31,000 THEIR FACES. 1207 00:59:31,000 --> 00:59:33,000 AND A NWORK WHO GAVE M A 1208 00:59:33,000 --> 00:59:35,000 SECOND CNCE AT A CEER WHE I 1209 00:59:35,000 --> 00:59:40,000 AN JUST I CAN'T BELIEVE I'M 1210 00:59:40,000 --> 00:59:42,000 PART OF EVEN GETTINGO STAND 1211 00:59:42,000 --> 00:59:43,000 HERE IN FRONT OFLL THESE MOV 1212 00:59:43,000 --> 00:59:48,000 ST 1213 00:59:48,000 --> 00:59:52,000 I HAVE TO THANK EMERSON ROSE 1214 00:59:52,000 --> 00:59:55,000 ON TV BECAUSEHOUT 1215 00:59:55,000 --> 00:59:57,000 BLSING OF GETTIO BE HER 1216 00:59:57,000 --> 00:59:58,000 MOM EVERY Y, I DON'T TNK I 1217 00:59:58,000 --> 00:59:59,000 WOD HAVE BEENBL TO GROW 1218 00:59:59,000 --> 01:00:01,000 INTO THE PERSON I AMAY THAT 1219 01:00:01,000 --> 01:00:03,000 MIGHTAVDE ME B ABLE TO 1220 01:00:03,000 --> 01:00:04,000 WIN SOMETHI LIKE THIS. 1221 01:00:04,000 --> 01:00:09,000 SO I'M SURE IGOT EVERYONE. 1222 01:00:09,000 --> 01:00:10,000 BUT -- WAI ONE LAST T. 1223 01:00:10,000 --> 01:00:12,000 ST ALL MY FRIEN AND TSE 1224 01:00:12,000 --> 01:00:14,000 AGENHAT STUCK AUND WHEN I 1225 01:00:14,000 --> 01:00:18,000 COULDN'T GET AN AUD 1226 01:00:18,000 --> 01:00:19,000 IOULD JUST BE ABSOLELY 1227 01:00:19,000 --> 01:00:21,000 NOWHE WITHOUT ALL OF YOU, AND 1228 01:00:21,000 --> 01:00:22,000 YOU KNOW WHO YOU. 1229 01:00:22,000 --> 01:00:23,000 SO THIS IKIND OF N. 1230 01:00:23,000 --> 01:00:24,000 THANK YOU. 1231 01:00:24,000 --> 01:00:29,000 [ APPLAUSE 1232 01:00:30,000 --> 01:00:33,000 >> Announcer: WHO WILL WIN 1233 01:00:33,000 --> 01:00:36,000 THE REST OF TONIGHTWARDS. 1234 01:00:36,000 --> 01:00:37,000 ONLY JOHN NENDICK ANANDY SALE 1235 01:00:37,000 --> 01:00:40,000 OF ERNST &NG KNOW FOR SURE. 1236 01:00:40,000 --> 01:00:45,000 PLUS ROBIN WIL 1237 01:00:47,000 --> 01:00:51,000 >> ACCIDENTALL IN LOVE FROM 1238 01:00:51,000 --> 01:00:53,000 HREK 2." 1239 01:00:53,000 --> 01:00:54,000 MUSIC AND LYRICS BY ADAM DUR 1240 01:00:54,000 --> 01:00:56,000 DAN VICKERY, DAVID IMMERGLUC 1241 01:00:56,000 --> 01:01:01,000 W MALLEYDAVID BRYSON. 1242 01:01:02,000 --> 01:01:03,000 "LEARN TO BEELY," 1243 01:01:03,000 --> 01:01:07,000 FROM "THPHANTOM OF THE OPE 1244 01:01:07,000 --> 01:01:08,000 MUSIC ANDREW LLOYD BBER. 1245 01:01:08,000 --> 01:01:13,000 CSCHARLES HART. 1246 01:01:17,000 --> 01:01:18,000 ARN TO BE LONELY 1247 01:01:18,000 --> 01:01:23,000 LEARN TO BUR ONE C♪ 1248 01:01:24,000 --> 01:01:25,000 >> "MILLION VOICES", 1249 01:01:25,000 --> 01:01:28,000 FROM "HOTEL RWANDA" 1250 01:01:28,000 --> 01:01:30,000 MUSIC BY WYCLEF AN, 1251 01:01:30,000 --> 01:01:33,000 JEY "WONDER" DUPLEIS 1252 01:01:33,000 --> 01:01:37,000 AND ANDR GUERRA. 1253 01:01:37,000 --> 01:01:42,000 LY BY WYCLEF JEAN. 1254 01:01:47,000 --> 01:01:48,000 "OLDABITS DIE ," 1255 01:01:48,000 --> 01:01:49,000 FROM "ALFIE"m 1256 01:01:49,000 --> 01:01:50,000 MUSID LYRICSY MICK JAGGE 1257 01:01:50,000 --> 01:01:54,000 AND VID A. STEWA 1258 01:01:54,000 --> 01:01:58,000 OLD HABITS DIHARD 1259 01:01:58,000 --> 01:01:59,000 HARD ENOUG 1260 01:01:59,000 --> 01:02:04,000 TO FL THE PAIN ♪ 1261 01:02:07,000 --> 01:02:08,000 >> AND THE GOLDEN GLOB 1262 01:02:08,000 --> 01:02:13,000 GOES TO -- 1263 01:02:15,000 --> 01:02:19,000 " OLD HABITS DIEHARD," MUSIC BY 1264 01:02:19,000 --> 01:02:24,000 MICK JAGGER AND DAVID STEWART. 1265 01:02:24,000 --> 01:02:29,000 APPLAUSE ] 1266 01:02:51,000 --> 01:02:54,000 >> WELL, I'D LIKEO THANK DAVE 1267 01:02:54,000 --> 01:02:55,000 STEWART FOR GETTING ME INTO THIS 1268 01:02:55,000 --> 01:02:57,000 MESS. HE WAS THE ONE INTCED ME 1269 01:02:57,000 --> 01:02:59,000 TO THE WHOLE IDEA OF DOING THIS 1270 01:02:59,000 --> 01:03:01,000 MOVIE SOUNDTRACK, WHICH WE'VE 1271 01:03:01,000 --> 01:03:02,000 NEVER DONE BEFE. 1272 01:03:02,000 --> 01:03:03,000 . 1273 01:03:03,000 --> 01:03:06,000 >> AND I LIKE TOHA THE 1274 01:03:06,000 --> 01:03:09,000 HOLLYWD FOREIGN PRE FOR TAKI THIS RATHER OBSCUREONG 1275 01:03:09,000 --> 01:03:13,000 D I BECOME LIKE A PUSH-UP 1276 01:03:13,000 --> 01:03:14,000 BRA F US. 1277 01:03:14,000 --> 01:03:18,000 LIMELIGHG IT BACK INTO THE 1278 01:03:18,000 --> 01:03:22,000 WHO ELSE? 1279 01:03:22,000 --> 01:03:25,000 I'D LIK TO THANK EVERYONE WHO 1280 01:03:25,000 --> 01:03:30,000 HAS HELPED US, WHO'S WORKING AT 1281 01:03:30,000 --> 01:03:31,000 PARAMOUNT, AND EVERYONE THAT W 1282 01:03:31,000 --> 01:03:33,000 WORKING AT PARAMOUNT, THANK YOU 1283 01:03:33,000 --> 01:03:38,000 VERY MUCH. 1284 01:03:41,000 --> 01:03:44,000 AND,AVE, THINK IT'S YOUR 1285 01:03:44,000 --> 01:03:46,000 TURN. 1286 01:03:46,000 --> 01:03:51,000 >> I'D LIKOHANK CHARLES 1287 01:03:51,000 --> 01:03:52,000 SCHEIR FOR TING THE RISK ON M 1288 01:03:52,000 --> 01:03:54,000 AN THEN ME INTRODUCIICK AND 1289 01:03:54,000 --> 01:03:56,000 HIM HAVING A HEART ATTACK. 1290 01:03:56,000 --> 01:03:57,000 BU HE SURVIVED. 1291 01:03:57,000 --> 01:04:01,000 AND I'D LIKE TO THA J 1292 01:04:01,000 --> 01:04:04,000 LAWRENCE FOR BEING SO IN T 1293 01:04:04,000 --> 01:04:05,000 PROJECT AND BEING IN THE STUDIO. 1294 01:04:05,000 --> 01:04:07,000 I'D LIKEONK BRUCE BOWMAN, 1295 01:04:07,000 --> 01:04:09,000 WHO STEERED THE COURSE ALO 1296 01:04:09,000 --> 01:04:10,000 WITH SAM SCHWARTZ. 1297 01:04:10,000 --> 01:04:12,000 AND EE POPE, WHO WROTE THE 1298 01:04:12,000 --> 01:04:13,000 RIPT. 1299 01:04:13,000 --> 01:04:14,000 AND MY WIFE, WHO'SERE TONIGHT. 1300 01:04:14,000 --> 01:04:16,000 AND AL MY KIDS AND MICS 1301 01:04:16,000 --> 01:04:17,000 KIDS, AND ALL OUR KIDS. 1302 01:04:17,000 --> 01:04:18,000 ALL OHILDREN. 1303 01:04:18,000 --> 01:04:20,000 THERE'S SO MANY WE'RE NOT EVEN 1304 01:04:20,000 --> 01:04:22,000 ING TO MENTION IT. 1305 01:04:22,000 --> 01:04:24,000 AND THANKS FOR THE FLATHOES IN 1306 01:04:24,000 --> 01:04:29,000 THE RAIN. 1307 01:04:34,000 --> 01:04:35,000 >> Announcer: THE 1308 01:04:35,000 --> 01:04:40,000 PRINCE! >> I YOU'VE EVER HEAAY 1309 01:04:57,000 --> 01:04:58,000 CHARLES SING, YOU KNOWHAT 1310 01:04:58,000 --> 01:05:00,000 THEY CAPRED NOT ONL THE 1311 01:05:00,000 --> 01:05:03,000 VITALIF HIS MUSIC,UT ALS 1312 01:05:03,000 --> 01:05:05,000 RAY'S BOUTS WITH BLINDNESS 1313 01:05:05,000 --> 01:05:08,000 RACISM, ANDIS DEMONS. 1314 01:05:08,000 --> 01:05:10,000 PERFORMAES.WERE T AMAZI 1315 01:05:10,000 --> 01:05:11,000 MR. JAMI FX. 1316 01:05:11,000 --> 01:05:14,000 [ APSE ] 1317 01:05:14,000 --> 01:05:16,000 YOU DIDN'T JT PTRAY RAY 1318 01:05:16,000 --> 01:05:21,000 CHARLES, YOU WERE RAY CHARLES. 1319 01:05:23,000 --> 01:05:26,000 HERE'S A BIOGRHY WORTHY OF THE 1320 01:05:26,000 --> 01:05:27,000 MAN HSELF. 1321 01:05:27,000 --> 01:05:29,000 PLEASE TAKE A LOOK ATY." 1322 01:05:29,000 --> 01:05:30,000 >> IS CALLE THE MESS AROUND. 1323 01:05:30,000 --> 01:05:32,000 >> IT TO ME, MAN. 1324 01:05:32,000 --> 01:05:33,000 >> SG IT? 1325 01:05:33,000 --> 01:05:34,000 IT A LIKE IAN REA THE 1326 01:05:34,000 --> 01:05:35,000 LYRICS. 1327 01:05:35,000 --> 01:05:36,000 >> HER GO. 1328 01:05:36,000 --> 01:05:38,000 ♪ YOU C TALK ABOUT THE 1329 01:05:38,000 --> 01:05:39,000 BARBUE ♪ 1330 01:05:39,000 --> 01:05:41,000 ♪ THE BAND WAS JUMPING THE 1331 01:05:41,000 --> 01:05:43,000 PEOPLE ♪ 1332 01:05:43,000 --> 01:05:44,000 ♪ THEY'RE DOING MES 1333 01:05:44,000 --> 01:05:46,000 ♪ THERE DOING THE MES 1334 01:05:46,000 --> 01:05:49,000 ♪ TY'RE DOINGHES 1335 01:05:49,000 --> 01:05:51,000 AROU♪ ♪VEBODY D THE MESS AROUND 1336 01:05:51,000 --> 01:05:54,000 >> TAKE IT OME. 1337 01:05:54,000 --> 01:05:56,000 ♪ THIS BAND'S GOGO STAY FROM 1338 01:05:56,000 --> 01:05:58,000 9:00 TO 1:00 ♪ 1339 01:05:58,000 --> 01:06:00,000 ♪ EVERYBODY HERS GOING TO HAVE 1340 01:06:00,000 --> 01:06:03,000 SO F DOING THE MESS AROUND ♪ 1341 01:06:03,000 --> 01:06:05,000 >> Announcer:LEASE WELCOME THE 1342 01:06:05,000 --> 01:06:07,000 OSCAR-WINNING DIRECTOR WHOSE 1343 01:06:07,000 --> 01:06:10,000 NEXTRES "CIERELLA 1344 01:06:10,000 --> 01:06:15,000 RON HOWARD. 1345 01:06:22,000 --> 01:06:26,000 >> THANK INCLUDESEE GAT FILM ICONSORY 1346 01:06:26,000 --> 01:06:28,000 AN THREE NES TT ARE LIK 1347 01:06:28,000 --> 01:06:29,000 TO JOIHEM ONE DAY. 1348 01:06:29,000 --> 01:06:32,000 HERE ARE THE NOMINEES FOR BEST 1349 01:06:32,000 --> 01:06:34,000 DIRECTOROTION PICTURE. 1350 01:06:34,000 --> 01:06:36,000 FOR "MLION DOLLAR BABY, CLINT 1351 01:06:36,000 --> 01:06:37,000 EASTWOOD. 1352 01:06:37,000 --> 01:06:42,000 [ APPLAU ] 1353 01:06:42,000 --> 01:06:44,000 FOR "FDING NEVLAND," MARC 1354 01:06:44,000 --> 01:06:45,000 FOTER. 1355 01:06:45,000 --> 01:06:49,000 [ APPLAUSE ] 1356 01:06:49,000 --> 01:06:51,000 FORCLOSER MIKE NICHOLS. 1357 01:06:51,000 --> 01:06:55,000 [ APPLAUSE ] 1358 01:06:55,000 --> 01:07:00,000 FOR "DEWAYS," ALEXANDER PAYNE. 1359 01:07:00,000 --> 01:07:03,000 [ APPLAUSE ] 1360 01:07:03,000 --> 01:07:06,000 AND FOR "ATOR," MARTIN 1361 01:07:06,000 --> 01:07:07,000 SCORSE. 1362 01:07:07,000 --> 01:07:12,000 [ APPLAU ] 1363 01:07:12,000 --> 01:07:17,000 AND THE GOLDENBE GOES TO -- 1364 01:07:17,000 --> 01:07:18,000 CLINT EASTWOOD, "MILLIOLLAR 1365 01:07:18,000 --> 01:07:19,000 BABY." 1366 01:07:19,000 --> 01:07:24,000 PLAUSE ] 1367 01:07:52,000 --> 01:07:53,000 >> THANK YOU VERY MUCH. 1368 01:07:53,000 --> 01:07:58,000 THANK U. 1369 01:08:07,000 --> 01:08:09,000 >> I TUGHT IAS DONE WHEN 1370 01:08:09,000 --> 01:08:11,000 EY GAVE ME ONE OF THE TEN BEST 1371 01:08:11,000 --> 01:08:13,000 XES OUT IN TINAND I 1372 01:08:13,000 --> 01:08:14,000 THOUT, OKAY, THAS THE OFie 1373 01:08:14,000 --> 01:08:16,000 IT. THAN VERY MUCH. 1374 01:08:16,000 --> 01:08:18,000 HOLLYWOOEIGNSS, I WAN 1375 01:08:18,000 --> 01:08:21,000 THANK YOU FOR ALL YOU DO, 1376 01:08:21,000 --> 01:08:22,000 ESPECIALLY IHE TNAMI 1377 01:08:22,000 --> 01:08:23,000 VIIMS THING. 1378 01:08:23,000 --> 01:08:26,000 THAT WAS GREAT. 1379 01:08:26,000 --> 01:08:28,000 AUSE ] 1380 01:08:28,000 --> 01:08:29,000 I'D LE TO THANK THEREAT 1381 01:08:29,000 --> 01:08:30,000 LARY SWANK. 1382 01:08:30,000 --> 01:08:35,000 [ PLAUSE 1383 01:08:35,000 --> 01:08:37,000 AND WORLD'S GREATEST ACTOR 1384 01:08:37,000 --> 01:08:38,000 MORGAN FREEMAN. 1385 01:08:38,000 --> 01:08:43,000 AND PAUL HAGGIS AND AL RUD, 1386 01:08:49,000 --> 01:08:50,000 WHO BOUGHT M THIS. 1387 01:08:50,000 --> 01:08:53,000 AND P ROSEN BERG FROM 1388 01:08:53,000 --> 01:08:58,000 LAKESHORE, AND GARY 1389 01:09:02,000 --> 01:09:03,000 >> HELLO. 1390 01:09:03,000 --> 01:09:06,000 OKAY. 1391 01:09:06,000 --> 01:09:07,000 MEN. 1392 01:09:07,000 --> 01:09:10,000 MEN REMAIN THE MYSTERY OFY 1393 01:09:10,000 --> 01:09:11,000 LIFE 1394 01:09:11,000 --> 01:09:13,000 THAT' WHY, DON'T KNOW 1395 01:09:13,000 --> 01:09:15,000 WATCHI GREAT AORSS S DAMN 1396 01:09:15,000 --> 01:09:19,000 MPELLING. 1397 01:09:19,000 --> 01:09:21,000 WATCHING THEM TS AR WAS 1398 01:09:21,000 --> 01:09:23,000 ALMOST LE -- GOD, IEA 1399 01:09:23,000 --> 01:09:25,000 HONESTIT WASIKE FALNG IN 1400 01:09:25,000 --> 01:09:26,000 LOVE FOR THE FIRST TIME WITHOUT 1401 01:09:26,000 --> 01:09:31,000 EY WERE SPECTACULAR. 1402 01:09:32,000 --> 01:09:35,000 ANYWAY, SO HE THE NOMINEES 1403 01:09:35,000 --> 01:09:38,000 FOR BEST ACTOR IN A MOTION 1404 01:09:38,000 --> 01:09:43,000 PICTURE, MUSICAL OR COMEDY -- 1405 01:09:48,000 --> 01:09:51,000 >> JIM CARREY"ETERNAL SUNSHIN 1406 01:09:51,000 --> 01:09:52,000 OFHE SPOTLS MIND." 1407 01:09:52,000 --> 01:09:56,000 [ APPLAUSE ] 1408 01:09:56,000 --> 01:09:58,000 >> JIE FOXX, "RA" 1409 01:09:58,000 --> 01:10:03,000 [ APPLAUSE ] 1410 01:10:07,000 --> 01:10:10,000 >> PAUL GIAMATTI, "SIDEWAYS." 1411 01:10:10,000 --> 01:10:15,000 [ APPLSE ] 1412 01:10:15,000 --> 01:10:19,000 >> KEVIN KLINE, "DE-LOVELY." 1413 01:10:19,000 --> 01:10:23,000 [ APPLAUSE ] 1414 01:10:23,000 --> 01:10:24,000 >> AND KEVIN SPACEY, "BEYOND 1415 01:10:24,000 --> 01:10:26,000 THE SEA." 1416 01:10:26,000 --> 01:10:31,000 [ APPLAUSE ] 1417 01:10:33,000 --> 01:10:34,000 OKAY. 1418 01:10:34,000 --> 01:10:35,000 HERE'S THE WINNER. ALLIGHT. 1419 01:10:35,000 --> 01:10:36,000 OKAY, OKAY. 1420 01:10:36,000 --> 01:10:38,000 OH I'M SO EXCITED. 1421 01:10:38,000 --> 01:10:39,000 OKAY, OF COURSE. 1422 01:10:39,000 --> 01:10:44,000 JAMIE FOXX, "RAY"! 1423 01:10:45,000 --> 01:10:46,000 [ APPLAUSE ] 1424 01:10:46,000 --> 01:10:51,000 VI 1425 01:11:25,000 --> 01:11:28,000 ♪ OH 1426 01:11:28,000 --> 01:11:30,000 ♪ AH 1427 01:11:30,000 --> 01:11:32,000 ♪H 1428 01:11:32,000 --> 01:11:35,000 ♪ AH 1429 01:11:35,000 --> 01:11:36,000 KAY, ALRIGHT. IT'S COO 1430 01:11:36,000 --> 01:11:38,000 ANI'LL JUST TELL YOU THAT I AM 1431 01:11:38,000 --> 01:11:39,000 NG THE RIDE M LIFE RIGHT 1432 01:11:39,000 --> 01:11:40,000 NOW. 1433 01:11:40,000 --> 01:11:42,000 AM HAVINHE RIDE OF MY LIFE. 1434 01:11:42,000 --> 01:11:43,000 IT ISREAT 1435 01:11:43,000 --> 01:11:45,000 I WISH I COU TAKEHA I'M 1436 01:11:45,000 --> 01:11:46,000 FEELING RIGHT NOW A PUT IT IN 1437 01:11:46,000 --> 01:11:48,000 TH WATER SYSMS, AND EVERYBODY 1438 01:11:48,000 --> 01:11:50,000 COULK IT, AND WEOULD ALL 1439 01:11:50,000 --> 01:11:51,000 LOVE EACH OTH A WHOLE LOT M 1440 01:11:51,000 --> 01:11:52,000 I'TEINYOU. 1441 01:11:52,000 --> 01:11:54,000 I'GOING TO THAAY CHARLES. 1442 01:11:54,000 --> 01:11:57,000 S SITTING AND I WASLAYING I 1443 01:11:57,000 --> 01:11:59,000 WI HIM. AND I HIT A WRONG NOTE, AND I 1444 01:11:59,000 --> 01:12:00,000 SAID, NOW, WHY THE HELL WOULD 1445 01:12:00,000 --> 01:12:01,000 YOU DO THAT? 1446 01:12:01,000 --> 01:12:02,000 AND I SAID, I DON'T KNOW. 1447 01:12:02,000 --> 01:12:04,000 HE SAID,HE NOTES AREIGHT 1448 01:12:04,000 --> 01:12:05,000 UNDERNEATH YOUR FRS. 1449 01:12:05,000 --> 01:12:08,000 HE SAID, LE IS NOTES RIGHT 1450 01:12:08,000 --> 01:12:09,000 UNDERNEATH OUR FINGERS. 1451 01:12:09,000 --> 01:12:10,000 AL YOU GOT TO DO IS KE T 1452 01:12:10,000 --> 01:12:12,000 TI T PLAY THEHT 1453 01:12:12,000 --> 01:12:14,000 NOTES. RAY, WE ARE PLAYING BEAUTIFUL 1454 01:12:14,000 --> 01:12:15,000 MUSIC RIGHT NOW TODAY. 1455 01:12:15,000 --> 01:12:20,000 [ APPLAUSE ] 1456 01:12:22,000 --> 01:12:26,000 I WANT T THANK TAYLORACKFORD 1457 01:12:26,000 --> 01:12:29,000 FOR AAUCASIAN MAN TING THE 1458 01:12:29,000 --> 01:12:31,000 CHANCE O THIS BEAUL BLA 1459 01:12:31,000 --> 01:12:33,000 FILM I'M TELLING YOU, IT MEANS A LOT. 1460 01:12:33,000 --> 01:12:37,000 PLEASE STAND UP. TELLING YOBEST DIRECTOR I'M 1461 01:12:37,000 --> 01:12:38,000 DON'N TRIP. 1462 01:12:38,000 --> 01:12:41,000 I'M G YO 1463 01:12:41,000 --> 01:12:42,000 YOU TOOK A CHANCE. 1464 01:12:42,000 --> 01:12:43,000 LISTENED. 1465 01:12:43,000 --> 01:12:45,000 HEK A CHA, AND HE MADE A 1466 01:12:45,000 --> 01:12:46,000 BEAUTIFUL FM. 1467 01:12:46,000 --> 01:12:49,000 THANK EVERYBODYT BRISTOL BA 1468 01:12:49,000 --> 01:12:50,000 PH, WHOENRIGHT INIS 1469 01:12:50,000 --> 01:12:52,000 POCKETND S 35 MILLION, GO 1470 01:12:52,000 --> 01:12:53,000 IT. 1471 01:12:53,000 --> 01:12:55,000 WE WER SINGING -- MAN, AT 1472 01:12:55,000 --> 01:12:56,000 WERE WE SINGING? 1473 01:12:56,000 --> 01:12:58,000 Y, Y'ALL, TELL EVERYBODY RAY 1474 01:12:58,000 --> 01:12:59,000 CHARLES. 1475 01:12:59,000 --> 01:13:01,000 "L THE GOODES ROLL." 1476 01:13:01,000 --> 01:13:02,000 ANHIL CAME DN A SAID, I 1477 01:13:02,000 --> 01:13:04,000 WANT TOEE WHEREY MON 1478 01:13:04,000 --> 01:13:05,000 GOING. AND HE SAID, I LOV TILM. 1479 01:13:05,000 --> 01:13:08,000 AND THEN RON MEYER, UNIVERSAL, 1480 01:13:08,000 --> 01:13:09,000 EVERYBODY TOOK T FILM BECAU 1481 01:13:09,000 --> 01:13:10,000 WAS INDEPENNT, AND THEY 1482 01:13:10,000 --> 01:13:11,000 MADE IT HAPP. 1483 01:13:11,000 --> 01:13:12,000 PLEASE CLAP FORM. 1484 01:13:12,000 --> 01:13:14,000 I'M TELLING YOU, RIOUS. 1485 01:13:14,000 --> 01:13:17,000 YBODY. 1486 01:13:17,000 --> 01:13:19,000 ST, THEDWINS, EVERYBODY. 1487 01:13:19,000 --> 01:13:21,000 I HAVE TOHANK MY MANAGERS 1488 01:13:21,000 --> 01:13:22,000 JAMIE NG AND MARCUS KING 1489 01:13:22,000 --> 01:13:24,000 BECAUSE THEY ARE THE UNSUNG 1490 01:13:24,000 --> 01:13:26,000 HEROES. I'M TELLING YOU RHT N. 1491 01:13:26,000 --> 01:13:27,000 YOU'RE BLACK AND PUD. LOVE IT. 1492 01:13:27,000 --> 01:13:29,000 THERE'S NOTNG WITH THAT 1493 01:13:29,000 --> 01:13:30,000 CELEBRATING IT. 1494 01:13:30,000 --> 01:13:31,000 YOUAN STICKOUR CHE THE OUT 1495 01:13:31,000 --> 01:13:32,000 RIGHT W. 1496 01:13:32,000 --> 01:13:33,000 ICK YOU CHEST O AND SAY, 1497 01:13:33,000 --> 01:13:35,000 YEAH, WE DID I BAUSE WE 1498 01:13:35,000 --> 01:13:36,000 ITED LONG TIME. AND I LOVE YOU FOR THAT. 1499 01:13:36,000 --> 01:13:38,000 I HAVE T THANK MY CAST. 1500 01:13:38,000 --> 01:13:40,000 REGINA KING, CARRI AND 1501 01:13:40,000 --> 01:13:41,000 EVERYBODY IN THAT CAST WAS SO 1502 01:13:41,000 --> 01:13:42,000 BEAUTIFUL. 1503 01:13:42,000 --> 01:13:43,000 SO BEAUTIFUL, MAN. 1504 01:13:43,000 --> 01:13:46,000 EVYBODY. YOU GET MY VOTE FOR BEST CAST 1505 01:13:46,000 --> 01:13:47,000 R HOLDING ME WN. 1506 01:13:47,000 --> 01:13:49,000 ELL YOUHAT RIGHT NOW. 1507 01:13:49,000 --> 01:13:54,000 I T TO THANKICK KURER 1508 01:13:54,000 --> 01:13:55,000 SMOOT. 1509 01:13:55,000 --> 01:13:57,000 KURT HODGETTE. GOT TO THAVERYBODY. 1510 01:13:57,000 --> 01:14:01,000 K MYUBLICIST ALLEN NIEROD, 1511 01:14:01,000 --> 01:14:03,000 WHO SAYS, WHEN YOU GO DOWN TO 1512 01:14:03,000 --> 01:14:06,000 MIAMI FOR NEW YEAR'S, D'T MESS 1513 01:14:06,000 --> 01:14:07,000 IT UP. 1514 01:14:07,000 --> 01:14:09,000 HEAID, D MESS I UP, FOXX. 1515 01:14:09,000 --> 01:14:11,000 I KNOW YOU L TO PARTY, B 1516 01:14:11,000 --> 01:14:12,000 DON'T MESST UP. 1517 01:14:12,000 --> 01:14:14,000 MAN, IAS TWO DNKS AWAY FRO 1518 01:14:14,000 --> 01:14:16,000 SSING IT ALL UP, BUT I DIDN'T. 1519 01:14:16,000 --> 01:14:17,000 BUT I GUARA YOU TONIGHT 1520 01:14:17,000 --> 01:14:19,000 E WILL BE A AFTER PARTY, 1521 01:14:19,000 --> 01:14:20,000 AND PUFFY'S GOING TO THROW IT. 1522 01:14:20,000 --> 01:14:22,000 IT'S GOING TO BE OFF THE CHAIN, 1523 01:14:22,000 --> 01:14:23,000 ANPRINCE IS PERFORMING. 1524 01:14:23,000 --> 01:14:27,000 IT'S GOING DOWN. 1525 01:14:27,000 --> 01:14:29,000 AND I GOT TNK ONE LT 1526 01:14:29,000 --> 01:14:30,000 PERSON. 1527 01:14:30,000 --> 01:14:34,000 FIRST OFF, TNKS TO TER, 1528 01:14:34,000 --> 01:14:35,000 TEXAS. 1529 01:14:35,000 --> 01:14:36,000 'S M FIRST TIME BEING ON THE 1530 01:14:36,000 --> 01:14:40,000 FRONT PAGE O "TERRELL TRIBUNE." 1531 01:14:40,000 --> 01:14:41,000 IT'S 28 PAGES LONG, AND MADE 1532 01:14:41,000 --> 01:14:42,000 E FRONT PAG TOD. 1533 01:14:42,000 --> 01:14:46,000 WANT TO SAY TO THEM, "YEEHAW 1534 01:14:46,000 --> 01:14:49,000 AND LAST BUT NOT LEAST, IE 1535 01:14:49,000 --> 01:14:51,000 TO THANK SOMEONE B THE NAMEF 1536 01:14:51,000 --> 01:14:52,000 ESTELLEY GRANDMOTHER 1537 01:14:52,000 --> 01:14:55,000 I USE TO THINK ITAS CORNY 1538 01:14:55,000 --> 01:14:56,000 EN PEOPLE WOULD SAY -SED 1539 01:14:56,000 --> 01:14:58,000 TO THINK IT WAS CORNY WHEN 1540 01:14:58,000 --> 01:15:02,000 LOOKG DOWNN YOU.PEOPLE ARE 1541 01:15:02,000 --> 01:15:07,000 AND DIDN'T REALLY -I DIDN'T 1542 01:15:07,000 --> 01:15:11,000 BELIE IT. 1543 01:15:11,000 --> 01:15:12,000 T I GOT A FEELING. 1544 01:15:12,000 --> 01:15:15,000 THANK YO 1545 01:15:15,000 --> 01:15:20,000 [ APPLAUSE ] 1546 01:15:37,000 --> 01:15:39,000 >> Anner: SOME O 1547 01:15:39,000 --> 01:15:40,000 WHEN I FIRST CAME TO THE S 1548 01:15:40,000 --> 01:15:42,000 OFMRS. DOUBTFIRE" AND RST 1549 01:15:42,000 --> 01:15:44,000 SAW ROBIN WILLIARESSED 1550 01:15:44,000 --> 01:15:46,000 THE SCOTTISNANNY, I SAID 1551 01:15:46,000 --> 01:15:47,000 TO MYS "ONLY HE COULD HAVE 1552 01:15:47,000 --> 01:15:50,000 E BALLS TO PLAY AT WOMAN." 1553 01:15:50,000 --> 01:15:51,000 N IS TRULY OF A KIND. 1554 01:15:51,000 --> 01:15:53,000 HEAN MAKE YOU LAUGh 1555 01:15:53,000 --> 01:15:56,000 HE CAKE YOU CR 1556 01:15:56,000 --> 01:15:58,000 HE CAN MAKYOU CRY LAUGHING 1557 01:15:58,000 --> 01:15:59,000 AND, HE N OU LAUGH 1558 01:15:59,000 --> 01:16:02,000 THYOUR T. 1559 01:16:02,000 --> 01:16:04,000 HEAY BE A COMEDIC , 1560 01:16:04,000 --> 01:16:06,000 T HAS AO GIVEN US SOME 1561 01:16:06,000 --> 01:16:07,000 OF MOTION PICTES' MOST 1562 01:16:07,000 --> 01:16:11,000 MEMOBLE AND CHALLENGG DRATIC PERRMAN 1563 01:16:11,000 --> 01:16:13,000 ROBIN GOT HIS ART 1564 01:16:13,000 --> 01:16:14,000 IN EARLY '70s DOING STAND- 1565 01:16:14,000 --> 01:16:19,000 UP IN SMALL CODY CLUBS. 1566 01:16:19,000 --> 01:16:21,000 AND THEN, IN 18, A GUEST 1567 01:16:21,000 --> 01:16:22,000 APPEARANCE OAPPY DAYS" GOT 1568 01:16:22,000 --> 01:16:26,000 HIM GNED TOWN SITCOM, 1569 01:16:26,000 --> 01:16:28,000 N HIM HIS FIRS FIVE GOLDEN 1570 01:16:28,000 --> 01:16:30,000 GLOBE AWARDS AND MADE HIM 1571 01:16:30,000 --> 01:16:35,000 GALACTIC STAR MED MORK. 1572 01:16:35,000 --> 01:16:36,000 >> ARE YOU ALLHT? 1573 01:16:36,000 --> 01:16:41,000 HEY, HEY, SF'S UP!LL RIG.Co 1574 01:16:51,000 --> 01:16:52,000 THE FOLLOWING Y HE MADE 1575 01:16:52,000 --> 01:16:54,000 E LEAP TFEATURE FILMS. 1576 01:16:54,000 --> 01:16:58,000 >> I'M POP, THE SLOR. 1577 01:16:58,000 --> 01:17:03,000 I'M PEYE THE SAILOR MAN. 1578 01:17:04,000 --> 01:17:05,000 >> HS ROBIN'S SECO 1579 01:17:05,000 --> 01:17:07,000 GO GLOBE-WNING ROLE. 1580 01:17:07,000 --> 01:17:10,000 >> GOODNING,IEAM 1581 01:17:10,000 --> 01:17:11,000 HEIS IS NOT A TT. 1582 01:17:11,000 --> 01:17:15,000 ISHAT MUSIC, OR DOES THAT 1583 01:17:15,000 --> 01:17:17,000 SOUND LE AN EIS PRESLEY 1584 01:17:17,000 --> 01:17:20,000 MOVIE? 1585 01:17:20,000 --> 01:17:23,000 VIVA DANANG. 1586 01:17:23,000 --> 01:17:25,000 DANANG ME, GET A HOPE AND RANG 1587 01:17:25,000 --> 01:17:28,000 ME. 1588 01:17:28,000 --> 01:17:29,000 -- ROPEND HANG ME. 1589 01:17:29,000 --> 01:17:31,000 >> HERE' THE EE PAGE. 1590 01:17:31,000 --> 01:17:33,000 RIP IT O.MALTON. 1591 01:17:33,000 --> 01:17:34,000 RIP. 1592 01:17:34,000 --> 01:17:38,000 BE GONE, J. EVANS PRITCHARD 1593 01:17:38,000 --> 01:17:39,000 Ph.D.. 1594 01:17:39,000 --> 01:17:40,000 RIP IT OUT. 1595 01:17:40,000 --> 01:17:43,000 AR. RIP IT OUT! 1596 01:17:43,000 --> 01:17:44,000 >> RIP IT OUT. 1597 01:17:44,000 --> 01:17:45,000 >> WHAT THE HELL I GOING ON 1598 01:17:45,000 --> 01:17:47,000 HERE? >> I DON'T HEAR EUGHS. 1599 01:17:47,000 --> 01:17:48,000 >> I'M SORRY. 1600 01:17:48,000 --> 01:17:50,000 I DIDN'T KNOW YOU 1601 01:17:50,000 --> 01:17:54,000 >> I 1602 01:17:54,000 --> 01:17:55,000 >>OR TS FILM, N WON 1603 01:17:55,000 --> 01:17:59,000 HIS THD GOLD GLOBE. 1604 01:17:59,000 --> 01:18:00,000 >> YOU KNOW WHAHE LITTLE 1605 01:18:00,000 --> 01:18:01,000 OPLE TOLD ME 1606 01:18:01,000 --> 01:18:06,000 >> THE LITTLOPLE. 1607 01:18:06,000 --> 01:18:09,000 >> THEYAID,'RE THE ONE. 1608 01:18:09,000 --> 01:18:12,000 >> THE ONEHAT? 1609 01:18:12,000 --> 01:18:13,000 HUT UP 1610 01:18:13,000 --> 01:18:18,000 GET AWAY FROM M! 1611 01:18:18,000 --> 01:18:23,000 >> SORRYBOUT THIS. 1612 01:18:23,000 --> 01:18:25,000 THERE WE ARE. THEY SAIDOU'RE NOT READY TO 1613 01:18:25,000 --> 01:18:26,000 KNOW YET. 1614 01:18:26,000 --> 01:18:27,000 I 1615 01:18:27,000 --> 01:18:29,000 >>IS TOO. 1616 01:18:29,000 --> 01:18:30,000 GET T OF H 1617 01:18:30,000 --> 01:18:32,000 THE BIRDCAGE" SHOWED 1618 01:18:32,000 --> 01:18:35,000 DIFFERENT SIDE OF ROBIN WILLIAMS. 1619 01:18:35,000 --> 01:18:37,000 >> YOU DNCLTIC 1620 01:18:37,000 --> 01:18:38,000 CEATION OF THE DANCE. 1621 01:18:38,000 --> 01:18:43,000 YOU DO FOSSE, FOSSE,OSSE, 1622 01:18:43,000 --> 01:18:45,000 MARTHA GRAM, MAR GRAHAM, 1623 01:18:45,000 --> 01:18:50,000 , MICHAEL KID, MICHAEL KID,YLA, 1624 01:18:50,000 --> 01:18:53,000 MICHAEL KI, MADONNA, MADONNA, 1625 01:18:53,000 --> 01:18:54,000 NNA, BUT YEEP IT ALL 1626 01:18:54,000 --> 01:18:55,000 INSIDE. 1627 01:18:55,000 --> 01:18:58,000 WINNER.THER GOEN GLOBE 1628 01:18:58,000 --> 01:19:00,000 >> THIS SMELLS LIKE BUR 1629 01:19:00,000 --> 01:19:01,000 RUBB. 1630 01:19:01,000 --> 01:19:03,000 GOD, IT'S IN HERE 1631 01:19:03,000 --> 01:19:08,000 OH! 1632 01:19:14,000 --> 01:19:19,000 MY FIR DAY AS A WOM AND I'M 1633 01:19:23,000 --> 01:19:26,000 >>E, ROBIN WAS HON 1634 01:19:26,000 --> 01:19:31,000 BY THE GBES AND THOSCARS. 1635 01:19:36,000 --> 01:19:37,000 YOU HAD IT. 1636 01:19:37,000 --> 01:19:39,000 WHAT HAPPENED? 1637 01:19:39,000 --> 01:19:43,000 DID SHE LEAVE 1638 01:19:43,000 --> 01:19:44,000 S SHE -- 1639 01:19:44,000 --> 01:19:45,000 >> IF YOUVER DISRESPECT MY 1640 01:19:45,000 --> 01:19:49,000 WIFE AGAIN, I WILL 1641 01:19:49,000 --> 01:19:51,000 GOT THAT? 1642 01:19:51,000 --> 01:19:52,000 >> WITH NSOMNIA," ROBIN GETS 1643 01:19:52,000 --> 01:19:57,000 A KE-UP CALL FROM PACINO. 1644 01:20:02,000 --> 01:20:04,000 >> IT TAKES A SECOND TO KILL 1645 01:20:04,000 --> 01:20:06,000 YO PARTNER. 1646 01:20:06,000 --> 01:20:10,000 WAS IT MOREF AN ACDENT? 1647 01:20:10,000 --> 01:20:15,000 >> IT WASN ACCIDENT 1648 01:20:15,000 --> 01:20:20,000 IF YOU NEED IE. 1649 01:20:22,000 --> 01:20:27,000 I PATCH. 1650 01:20:41,000 --> 01:20:44,000 >> BAREFUL. 1651 01:20:44,000 --> 01:20:49,000 [ APPLAUSE 1652 01:20:50,000 --> 01:20:51,000 >> AND NIT GIVES ME GRT 1653 01:20:51,000 --> 01:20:52,000 EASURE TO INTRODANOTHER 1654 01:20:52,000 --> 01:20:53,000 IEND OF ROBIN'S, 1655 01:20:53,000 --> 01:20:54,000 THE ILLUSTRIOUS RECTOR, 1656 01:20:54,000 --> 01:20:58,000 . MIKE NICHOLS. 1657 01:20:58,000 --> 01:21:03,000 [ APPLAUSE ] 1658 01:21:09,000 --> 01:21:11,000 WE ALL SAW HIM FIRST A A 1659 01:21:11,000 --> 01:21:15,000 MARTIAN ON "RCK AND M," 1660 01:21:15,000 --> 01:21:18,000 AND I MAN WAYS WE STILL DO. 1661 01:21:18,000 --> 01:21:20,000 HE SURELY NOT OF T EARTH. 1662 01:21:20,000 --> 01:21:22,000 HE'S A SUPERHUMA FROM ANOTHER 1663 01:21:22,000 --> 01:21:24,000 PLANET. TO WATND LISTE TO H IS TO 1664 01:21:24,000 --> 01:21:26,000 FEEL SERIOUSAINN OUR 1665 01:21:26,000 --> 01:21:28,000 TH HARD LONG LAUGHINGS 1666 01:21:28,000 --> 01:21:30,000 ASAINFULSOING A FEW DOZ 1667 01:21:30,000 --> 01:21:31,000 SITUPS. 1668 01:21:31,000 --> 01:21:33,000 TRY IT. TRY WORKING WH HIM OVER THE 1669 01:21:33,000 --> 01:21:34,000 COURSE OF A WHOLEOVIE. 1670 01:21:34,000 --> 01:21:35,000 IT REA HURTS. 1671 01:21:35,000 --> 01:21:37,000 SO WE ALL KNOW HE'S PROBABLY THE 1672 01:21:37,000 --> 01:21:39,000 IEST MAN ON EAR ORARS. 1673 01:21:39,000 --> 01:21:40,000 NOT EVERYE KNOWS 1674 01:21:40,000 --> 01:21:45,000 BUT GOOESS.R WORD.RY. 1675 01:21:45,000 --> 01:21:46,000 'S ADORE BY EVERYONE ON THE 1676 01:21:46,000 --> 01:21:48,000 SET OIN THEATER BECAUSE H 1677 01:21:48,000 --> 01:21:49,000 IS KIND AND THOUGHTFU WH 1678 01:21:49,000 --> 01:21:51,000 EVERYONE. 1679 01:21:51,000 --> 01:21:53,000 HE'S A GAT HUSBAND A FATHER 1680 01:21:53,000 --> 01:21:54,000 HIS WIFE AHILDREN, AND 1681 01:21:54,000 --> 01:21:57,000 EYET RHT BAC AT HIMY BE 1682 01:21:57,000 --> 01:21:59,000 BEING T BEST. HE'S A RARE FRIEND. 1683 01:21:59,000 --> 01:22:00,000 HE TAKES CARE O HIS FRIENDS 1684 01:22:00,000 --> 01:22:03,000 ALWAYS. 1685 01:22:03,000 --> 01:22:06,000 HE GOES WITHOUT FAIR TO IRAQ 1686 01:22:06,000 --> 01:22:08,000 AN T AFGHANIST TWICEAUSE 1687 01:22:08,000 --> 01:22:10,000 HE TS THE SOLERS THERE 1688 01:22:10,000 --> 01:22:11,000 WOULD PBABL LE SOME LAUGH 1689 01:22:11,000 --> 01:22:13,000 HE IS, TO PUT I SIMY, A 1690 01:22:13,000 --> 01:22:17,000 WONDERL MAN. A SPIAL AWARD FROMD 1691 01:22:17,000 --> 01:22:18,000 THLLYWOOD FOREIGPRESS 1692 01:22:18,000 --> 01:22:19,000 ASCIATION FOGIVING US 1693 01:22:19,000 --> 01:22:21,000 IN THE ANIMAD FEATURE, 1694 01:22:21,000 --> 01:22:23,000 "ALADDIN." 1695 01:22:23,000 --> 01:22:24,000 AND, IN THATM, HE SA A WONDFUL SONG, WHICH SUP 1696 01:22:24,000 --> 01:22:25,000 HOW WE ALL FEET 1697 01:22:25,000 --> 01:22:27,000 S CAREER 1698 01:22:27,000 --> 01:22:29,000 E WORLD OF ENTERINMENT HAS 1699 01:22:29,000 --> 01:22:33,000 "NEVER HAD A FRIEND LIKE THIS." 1700 01:22:33,000 --> 01:22:35,000 OY! 1701 01:22:35,000 --> 01:22:37,000 1000 YEARSILL GIVE SUCH 1702 01:22:37,000 --> 01:22:41,000 A CRICKN THE NECK. 1703 01:22:41,000 --> 01:22:44,000 ♪HE BA BA HAD THEM 4 1704 01:22:44,000 --> 01:22:46,000 THIEVES AND A THOUSAND TALES♪ 1705 01:22:46,000 --> 01:22:48,000 MASTER, YOU'RE IN LUCK BECAUSE 1706 01:22:48,000 --> 01:22:53,000 OF MAGIC TT NEVER FAILS ♪ 1707 01:22:53,000 --> 01:22:56,000 ♪ YOUOT POWER IN YOU CORNER 1708 01:22:56,000 --> 01:22:58,000 NOW HAVE THE AMMUNITN IN THURR 1709 01:22:58,000 --> 01:22:59,000 CAMP ♪ 1710 01:22:59,000 --> 01:23:00,000 ♪ ALL Y G TO DOS RUB THAT 1711 01:23:00,000 --> 01:23:02,000 LAMP ♪ 1712 01:23:02,000 --> 01:23:05,000 ♪R. ALADD, SIR,'L BE YOUR 1713 01:23:05,000 --> 01:23:06,000 APPRENCE, PLEE ♪ 1714 01:23:06,000 --> 01:23:08,000 ♪ YOU AIN'T NEVAD ARIEND 1715 01:23:08,000 --> 01:23:12,000 LIKEE ♪ 1716 01:23:12,000 --> 01:23:15,000 ♪ CAN YOURIENDS DOHAT 1717 01:23:15,000 --> 01:23:19,000 ♪ CAN YOURRIENDS DO THIS 1718 01:23:19,000 --> 01:23:23,000 ♪ OUT THEIR LITTLE HAT 1719 01:23:23,000 --> 01:23:24,000 ♪ M ALADDIN, SIR,'M ON T 1720 01:23:24,000 --> 01:23:25,000 JO♪ 1721 01:23:25,000 --> 01:23:27,000 ♪ YOU AIN'T NEVER HAD ARIEND 1722 01:23:27,000 --> 01:23:29,000 ♪ YOU AIN'T NEVER H FRIEND, 1723 01:23:29,000 --> 01:23:30,000 NEVER HAD FRIEND ♪ 1724 01:23:30,000 --> 01:23:34,000 ♪ YOU AIN'TEVER HAD A FRIEND 1725 01:23:34,000 --> 01:23:38,000 LIKE ME ♪ 1726 01:23:38,000 --> 01:23:42,000 >> I AM MORK FROMRK. 1727 01:23:42,000 --> 01:23:47,000 LET'S GOROUND AGAIN! 1728 01:23:47,000 --> 01:23:52,000 APPLAUSE ] 1729 01:23:57,000 --> 01:24:00,000 >> ROBIN COME AND GET IT. 1730 01:24:00,000 --> 01:24:05,000 [ APPLAUSE ] ; 1731 01:24:24,000 --> 01:24:26,000 >>HANK YOU. 1732 01:24:26,000 --> 01:24:28,000 ENGLISHS NOTO GOOD. 1733 01:24:28,000 --> 01:24:30,000 I THANK THE HOLLYWO FOREI 1734 01:24:30,000 --> 01:24:35,000 PRESS, GRAZI,RACIAS,KE, 1735 01:24:38,000 --> 01:24:41,000 SPASI BO, THANK YOU, HOLLYWOOD 1736 01:24:41,000 --> 01:24:42,000 REIGN PRESS. 1737 01:24:42,000 --> 01:24:43,000 THANKOU FOR THIS WITH THE 1738 01:24:43,000 --> 01:24:46,000 LITTLE NPLEY THING ON THE TOP. 1739 01:24:46,000 --> 01:24:48,000 IT'S A WONDERFUL AWARD. 1740 01:24:48,000 --> 01:24:51,000 AND, QUICK, JANET JACKSON. 1741 01:24:51,000 --> 01:24:53,000 I HAVE TO THAN THELYWOOD 1742 01:24:53,000 --> 01:24:54,000 FOIGN PRE BECAUSE,UMBER 1743 01:24:54,000 --> 01:24:56,000 ON Y'VE BEEN SOICE OVERTHE YEA. 1744 01:24:56,000 --> 01:25:00,000 AWAR FOR M,EST NEWCOMER. 1745 01:25:00,000 --> 01:25:01,000 THANK YOU. 1746 01:25:01,000 --> 01:25:02,000 TWO YEA LATER YOUAVE THE 1747 01:25:02,000 --> 01:25:07,000 SAME AWARD TO PIA ZA. 1748 01:25:07,000 --> 01:25:09,000 THK YOU. THAT W VERY HUMBLING, THANK 1749 01:25:09,000 --> 01:25:10,000 YOU. 1750 01:25:10,000 --> 01:25:12,000 YOU'RE QUITE AMAZING THAT WAY. 1751 01:25:12,000 --> 01:25:13,000 IIDN'T KNOW WHATHE FOREIGN 1752 01:25:13,000 --> 01:25:14,000 PRESWAS. 1753 01:25:14,000 --> 01:25:15,000 ALWAYS THOUGHT FOREIGN PRESS 1754 01:25:15,000 --> 01:25:17,000 WAS WRESTNG MOVE. 1755 01:25:17,000 --> 01:25:20,000 AND THEN M MYIRST 1756 01:25:20,000 --> 01:25:21,000 HOLLYWOOD FORGNRESS. 1757 01:25:21,000 --> 01:25:22,000 THAD IT. 1758 01:25:22,000 --> 01:25:23,000 IT WAS ARESS CONNCE. 1759 01:25:23,000 --> 01:25:25,000 ANSAID, WHO ARE THE PEOPLE 1760 01:25:25,000 --> 01:25:26,000 AT THE BT? 1761 01:25:26,000 --> 01:25:27,000 I SAI, THOSE AREHEOLLYWOOD 1762 01:25:27,000 --> 01:25:28,000 FOREIGN PRESS. 1763 01:25:28,000 --> 01:25:30,000 WHAT A LOVELY DANISH. 1764 01:25:30,000 --> 01:25:32,000 TRY THE DANISH. 1765 01:25:32,000 --> 01:25:34,000 SO NICE A DANISH IS GOOD FOR ME 1766 01:25:34,000 --> 01:25:36,000 ATT TIME A LONG TIMEGO, 1767 01:25:36,000 --> 01:25:37,000 TH ALL DAYOBS. 1768 01:25:37,000 --> 01:25:39,000 I GUESS THINGS HAVE CHANGED. 1769 01:25:39,000 --> 01:25:41,000 YOUO TO A RESTAURT ANDAY, 1770 01:25:41,000 --> 01:25:43,000 HI, TABLE FOR TWO? 1771 01:25:43,000 --> 01:25:44,000 MAYBE LAT. 1772 01:25:44,000 --> 01:25:45,000 BUT IT'S ALWAYS NICE T GO THE 1773 01:25:45,000 --> 01:25:46,000 TO TAKE PICTURES TH. 1774 01:25:46,000 --> 01:25:48,000 HI THE MAGINE UPSIDE DOWN. 1775 01:25:48,000 --> 01:25:49,000 M VERY SORRY TO THE CHINESE 1776 01:25:49,000 --> 01:25:50,000 PEOP 1777 01:25:50,000 --> 01:25:52,000 I'M VERYRY. 1778 01:25:52,000 --> 01:25:53,000 D LIKE T THANK ALSO THE 1779 01:25:53,000 --> 01:25:54,000 HOLLYWOOD FOREIGN PRE FOR, 1780 01:25:54,000 --> 01:25:56,000 NU ONE, HIN ANPEN B 1781 01:25:56,000 --> 01:25:58,000 IS MAKES THISVE GO KIND 1782 01:25:58,000 --> 01:26:00,000 OF WELL,SPECIALLY THE YEAR 1783 01:26:00,000 --> 01:26:03,000 GERD DEPEU HAD A 1784 01:26:03,000 --> 01:26:05,000 COUPLE O BTLES OF WIN AND 1785 01:26:05,000 --> 01:26:09,000 ID, I WANT T GIVE JEFFREY 1786 01:26:09,000 --> 01:26:11,000 KATZENBE, A B WET KISS. 1787 01:26:11,000 --> 01:26:14,000 I HOPE THAT HAPPE SOMEDAY 1788 01:26:14,000 --> 01:26:15,000 ALSO WANT TO THANK YOU FOR 1789 01:26:15,000 --> 01:26:17,000 HAVING P, WILLIAM SHATNER, 1790 01:26:17,000 --> 01:26:19,000 PUFF DADDYN THEE STAGE. 1791 01:26:19,000 --> 01:26:24,000 THAT IS SIGN OF THE 1792 01:26:24,000 --> 01:26:25,000 APOCALYPSE. THANK Y. THAT I THE E. 1793 01:26:25,000 --> 01:26:26,000 WORLAS WE KNOW IT. 1794 01:26:26,000 --> 01:26:27,000 I ALSO WANT TO THANK THE 1795 01:26:27,000 --> 01:26:29,000 HOLLOOEIGN PRESS F 1796 01:26:29,000 --> 01:26:31,000 JIM,NOW THIS.EDY. 1797 01:26:31,000 --> 01:26:33,000 WE ARE -- RMALLY, THE L AT 1798 01:26:33,000 --> 01:26:34,000 COMEDIANS AS VERY SPECI 1799 01:26:34,000 --> 01:26:35,000 PELE. THANK YOU VERY MUCH. 1800 01:26:35,000 --> 01:26:37,000 AND YOU ALLOW US TO BE IN T 1801 01:26:37,000 --> 01:26:38,000 ROOM WTHDULTS. 1802 01:26:38,000 --> 01:26:39,000 YOU NOMINAT US. 1803 01:26:39,000 --> 01:26:41,000 YOU EVENAV A CATEGY FOR US, 1804 01:26:41,000 --> 01:26:42,000 COMEDY AND DANCING. 1805 01:26:42,000 --> 01:26:44,000 THERE'S A LOT OF DANCERS WHO 1806 01:26:44,000 --> 01:26:45,000 CO HAVE BEEN UP HERE TONIGHT, 1807 01:26:45,000 --> 01:26:46,000 BUT THEY DIDN'T MAKE IT. 1808 01:26:46,000 --> 01:26:48,000 ILSO WANT TO ANK T 1809 01:26:48,000 --> 01:26:49,000 HOLLYWOOD FOREIG PRESS FORHE 1810 01:26:49,000 --> 01:26:52,000 LOVELY "STAR TREK, THE MAL" 1811 01:26:52,000 --> 01:26:55,000 SET. 1812 01:26:55,000 --> 01:26:57,000 U DO ANOWLEDGEOMEDY, WHIC 1813 01:26:57,000 --> 01:26:58,000 IS A WONDEUL THING OVER THE 1814 01:26:58,000 --> 01:26:59,000 YE 1815 01:26:59,000 --> 01:27:00,000 AND THAT BEEN A GLORIOUS, 1816 01:27:00,000 --> 01:27:01,000 GLORIOUS THING. 1817 01:27:01,000 --> 01:27:03,000 YOU KNOW, COMEDY IS VERY HARD. 1818 01:27:03,000 --> 01:27:05,000 COMEDYS ABOUT WOMEN WH 1819 01:27:05,000 --> 01:27:10,000 WONDERFUL HANDS AND A GOVERNOR 1820 01:27:10,000 --> 01:27:13,000 IN CALIFORNIAHOALKS LIKE 1821 01:27:13,000 --> 01:27:15,000 THIS A MANHO SAYS WEE TO 1822 01:27:15,000 --> 01:27:16,000 CALIFO. 1823 01:27:16,000 --> 01:27:17,000 A TRUE AMERIN. 1824 01:27:17,000 --> 01:27:18,000 NOW WE KNOW. 1825 01:27:18,000 --> 01:27:21,000 WRE BROHT HERE TONIGHTO 1826 01:27:21,000 --> 01:27:23,000 K THEM BECAUSE OF -- I 1827 01:27:23,000 --> 01:27:24,000 ALSO -- EVERY TIME I WOULD GO TO 1828 01:27:24,000 --> 01:27:26,000 THEOLLYWOOD FOREIGN P 1829 01:27:26,000 --> 01:27:27,000 THEY WOULD SAY ROBBIE, IF I 1830 01:27:27,000 --> 01:27:29,000 KNEWHE MOVIE WASN' VERY GO, 1831 01:27:29,000 --> 01:27:30,000 THERE WAS ALWAYS THIS ONE 1832 01:27:30,000 --> 01:27:33,000 WONDERFUL W N DORA, 1833 01:27:33,000 --> 01:27:34,000 WOULGOHOW ARE THE KIDS? 1834 01:27:34,000 --> 01:27:37,000 SO, DORA, I BROUGHT MY KIDS 1835 01:27:37,000 --> 01:27:38,000 TOGHT. 1836 01:27:38,000 --> 01:27:40,000 THEY'RE HE TONIGHT. 1837 01:27:40,000 --> 01:27:44,000 AND THE'S CODY, THE NIN 1838 01:27:44,000 --> 01:27:45,000 POET. 1839 01:27:45,000 --> 01:27:46,000 CO 1840 01:27:46,000 --> 01:27:48,000 ZELDA. 1841 01:27:48,000 --> 01:27:50,000 PHOTOGRAPHER, ARESS BIG FAN 1842 01:27:50,000 --> 01:27:51,000 OF HELLO KITTY. 1843 01:27:51,000 --> 01:27:54,000 ZACHRY,HE LINGUIST. 1844 01:27:54,000 --> 01:27:57,000 YES, VERY GOOD. 1845 01:27:57,000 --> 01:27:59,000 HE'S GOINGO OPEN UP A STAX 1846 01:27:59,000 --> 01:28:00,000 PAIR SHOP. THANK YOU. 1847 01:28:00,000 --> 01:28:03,000 D I ALSOT THARE THIS 1848 01:28:03,000 --> 01:28:05,000 AW WITH A VERY SPECIAL WOMAN, 1849 01:28:05,000 --> 01:28:07,000 A LIFETIME ACHIEVEME AWARD. 1850 01:28:07,000 --> 01:28:08,000 WI MARSHA. 1851 01:28:08,000 --> 01:28:11,000 BO,'D LIKE TO GIVE YOUHE 1852 01:28:11,000 --> 01:28:12,000 AWARD FOR LIVING WITH A 1853 01:28:12,000 --> 01:28:14,000 COMEDIAN. IT'S AN IERESTING JOB, ISN'T 1854 01:28:14,000 --> 01:28:15,000 IT? 1855 01:28:15,000 --> 01:28:17,000 E A TAD MOO ISN'T TT 1856 01:28:17,000 --> 01:28:19,000 RIGHT, SYBIL? 1857 01:28:19,000 --> 01:28:20,000 S! 1858 01:28:20,000 --> 01:28:21,000 WE'RE AITTLE ROUGH. 1859 01:28:21,000 --> 01:28:23,000 BUT ANK YOU F ALL 1860 01:28:23,000 --> 01:28:24,000 YOUR -- FOR OFFERING ME A 1861 01:28:24,000 --> 01:28:29,000 SHELTER IN THE MIDST OF 1862 01:28:29,000 --> 01:28:30,000 SHODDENFREUD. THANK YOU. 1863 01:28:30,000 --> 01:28:32,000 WONDL TOO. I AO WANTO THANK ANOTHER 1864 01:28:32,000 --> 01:28:36,000 AMING WOMAN, REBECCA JANE 1865 01:28:36,000 --> 01:28:37,000 IRWIN SPENCER,HO'S MY 1866 01:28:37,000 --> 01:28:39,000 ASSISTANT A HAS ACK WAY OF 1867 01:28:39,000 --> 01:28:40,000 REALLY LEVG MEHEN I GET 1868 01:28:40,000 --> 01:28:43,000 TOO INFUSED WIT MYSELF GOING 1869 01:28:43,000 --> 01:28:46,000 STAR. SHE'LLO, HEY MORK GUY. 1870 01:28:46,000 --> 01:28:47,000 OH, DID YOU HAVEO WALK TO THE 1871 01:28:47,000 --> 01:28:48,000 PRIVATE PLANE? 1872 01:28:48,000 --> 01:28:50,000 LIFE'S A B. 1873 01:28:50,000 --> 01:28:51,000 COMEN, LEGO. 1874 01:28:51,000 --> 01:28:53,000 SO,EBECCA JAN 1875 01:28:53,000 --> 01:28:56,000 I ALSO WANT TO THANK -- FREUD 1876 01:28:56,000 --> 01:28:58,000 ONCE SAID, IF IT'S NOT ONE THING 1877 01:28:58,000 --> 01:28:59,000 IT'SOUR MOTHER. 1878 01:28:59,000 --> 01:29:00,000 I THANK YOUMOM. 1879 01:29:00,000 --> 01:29:02,000 THANK YOU FOR GETTING ME HOOKED 1880 01:29:02,000 --> 01:29:03,000 IN THIS PROFES. 1881 01:29:03,000 --> 01:29:04,000 AND GOT METARTED 1882 01:29:04,000 --> 01:29:08,000 I ALSO WANT T THANK MY HEBRE 1883 01:29:08,000 --> 01:29:09,000 CREW. 1884 01:29:09,000 --> 01:29:11,000 YOU KNOW WHO I'MALKINGBOUT. 1885 01:29:11,000 --> 01:29:12,000 I'M SEN OUT M 1886 01:29:12,000 --> 01:29:15,000 REPRESENTATIVES, MATT L, 1887 01:29:15,000 --> 01:29:18,000 REPRESENT. 1888 01:29:18,000 --> 01:29:22,000 OUT T DAVID STEINBERG LARRY 1889 01:29:22,000 --> 01:29:24,000 NER,UDDY MORA, IS 1890 01:29:24,000 --> 01:29:25,000 AWAKE. 1891 01:29:25,000 --> 01:29:26,000 JACK ROLLINS, THE MOS ETHICAL 1892 01:29:26,000 --> 01:29:27,000 MAN INHOBUSINESS. 1893 01:29:27,000 --> 01:29:30,000 VERY, VERY SPEALERSON A A 1894 01:29:30,000 --> 01:29:32,000 TONIGHT. IEDICATEHIS AWARD TO A 1895 01:29:32,000 --> 01:29:35,000 MEMORYF FRIEND OF MINE, 1896 01:29:35,000 --> 01:29:36,000 CHRIS R 1897 01:29:36,000 --> 01:29:39,000 I MISS Y, AND I ALSOAY MY 1898 01:29:39,000 --> 01:29:42,000 FLIGS OF ANGELS SING THEE TO 1899 01:29:42,000 --> 01:29:44,000 THY REST SWEET PRIE. 1900 01:29:44,000 --> 01:29:48,000 [ APPLAUSE 1901 01:29:48,000 --> 01:29:50,000 >> Annouer: T PARADE OF 1902 01:29:50,000 --> 01:29:51,000 STARS CONTINUEITH THE AWARDS 1903 01:29:51,000 --> 01:29:53,000 R BEST ACTOR AND ACTRESS IN 1904 01:29:53,000 --> 01:29:58,000 GOLDEN GLOBES.gqO?.LANDO . 1905 01:29:59,000 --> 01:30:03,000 AUSE ] 1906 01:30:03,000 --> 01:30:05,000 VIE PRODUCER, BIIRE 1907 01:30:05,000 --> 01:30:06,000 INDUSTRIALIST,ND, BEFORE 1908 01:30:06,000 --> 01:30:07,000 TERMS WERE EVEN INVENTED, 1909 01:30:07,000 --> 01:30:08,000 A WOMANIZEAND VICTIM 1910 01:30:08,000 --> 01:30:09,000 OF OBSESSIVEOMPULS 1911 01:30:09,000 --> 01:30:11,000 ER. 1912 01:30:11,000 --> 01:30:13,000 THAT'S LOT TO CAURE INNE 1913 01:30:13,000 --> 01:30:16,000 MOVIE, BUT MARTIN SCORSE, 1914 01:30:16,000 --> 01:30:19,000 AS ALWAYS, DOES. 1915 01:30:19,000 --> 01:30:21,000 [ APPLAUSE ] 1916 01:30:21,000 --> 01:30:23,000 WIOMINATED PERFORMANCE 1917 01:30:23,000 --> 01:30:26,000 BY NOMINEES LE DiCAPRIO 1918 01:30:26,000 --> 01:30:27,000 AND CATE BLANCHETT, THIS IS A FILM MADE THE WAY 1919 01:30:27,000 --> 01:30:29,000 HOWARD HHES WOULD HAVE MAD 1920 01:30:29,000 --> 01:30:31,000 IT -- WITH AE ON GREATNESS, 1921 01:30:31,000 --> 01:30:35,000 NOMINATED FOR SIX GLOBES 1922 01:30:35,000 --> 01:30:39,000 TONIGHT, HERIS "THE AVIATOR." " 1923 01:30:39,000 --> 01:30:44,000 " ♪ 1924 01:31:09,000 --> 01:31:13,000 >> IS THAT IN THE FUTURE? 1925 01:31:13,000 --> 01:31:14,000 >> Announcer: LAES AND GENTLEMEN, LAST YEAR'S BEST 1926 01:31:14,000 --> 01:31:15,000 ACTRESS IN A MOTION PICTURE, 1927 01:31:15,000 --> 01:31:18,000 DRAM FMO" 1928 01:31:18,000 --> 01:31:21,000 ME 1929 01:31:21,000 --> 01:31:26,000 [ APPLAUSE ] 1930 01:31:29,000 --> 01:31:31,000 >> GOOEVENING. 1931 01:31:31,000 --> 01:31:32,000 HE ARE THE NOMINS 1932 01:31:32,000 --> 01:31:33,000 FOR BEST ACTORMOON PICTURE 1933 01:31:33,000 --> 01:31:36,000 DRA. 1934 01:31:36,000 --> 01:31:38,000 >> JAVIER BARDEM, "T SEA INSIDE." 1935 01:31:38,000 --> 01:31:43,000 [ APPLAUSE ] 1936 01:31:43,000 --> 01:31:45,000 >> DON CADLE, "HOTEL RA." 1937 01:31:45,000 --> 01:31:49,000 [ PLAUSE ] 1938 01:31:49,000 --> 01:31:50,000 >> JOHNNY DE "FINDING NEVERLAND." 1939 01:31:50,000 --> 01:31:54,000 [ PLAUSE ] 1940 01:31:54,000 --> 01:31:55,000 >> LEONAO DiCAPRIO, 1941 01:31:55,000 --> 01:31:56,000 "THE AVI." 1942 01:31:56,000 --> 01:32:00,000 [ APPLAUSE ] 1943 01:32:00,000 --> 01:32:02,000 >> LIAM NEESON"KINSEY." 1944 01:32:02,000 --> 01:32:05,000 [ APPLAUSE ] 1945 01:32:05,000 --> 01:32:10,000 >> AND THEOLDEN ES --O' 1946 01:32:12,000 --> 01:32:14,000 LEONARDOAPRIO, "THE 1947 01:32:14,000 --> 01:32:16,000 IATOR." 1948 01:32:16,000 --> 01:32:21,000 [ APPLAUSE 1949 01:32:37,000 --> 01:32:38,000 THIS IS INCREDIBLE. 1950 01:32:38,000 --> 01:32:39,000 I'M INCREDIBLY HONOR. 1951 01:32:39,000 --> 01:32:41,000 I WANT T TNK THEOLLYOD 1952 01:32:41,000 --> 01:32:42,000 REIGN PRS AND THE INCREDIBLE 1953 01:32:42,000 --> 01:32:43,000 ST AND CREW OFHIS AMAZING 1954 01:32:43,000 --> 01:32:45,000 FI. 1955 01:32:45,000 --> 01:32:47,000 D ALSOIKE TO THANK, OF 1956 01:32:47,000 --> 01:32:50,000 SE, M MN ANDOHN 1957 01:32:50,000 --> 01:32:53,000 LOGA FOR THEIRCATE 1958 01:32:53,000 --> 01:32:54,000 INVOLVED SIP 1959 01:32:54,000 --> 01:32:55,000 I'DLSO LIKE TO THANK, OF 1960 01:32:55,000 --> 01:33:00,000 SE, RICK YORN, STEVE WARRE, 1961 01:33:00,000 --> 01:33:04,000 SUNSHE, HARVEY AND BOB 1962 01:33:04,000 --> 01:33:06,000 WEINSTEIN EVERYONE AT MIRAMAXC 1963 01:33:06,000 --> 01:33:08,000 AND RNER BROTHERS, AND 1964 01:33:08,000 --> 01:33:09,000 ESPECIALLY GRAHAM KG FOR 1965 01:33:09,000 --> 01:33:11,000 FINANCING THI PROJECT. 1966 01:33:11,000 --> 01:33:14,000 BUT GROWING UP INHIS BINESS 1967 01:33:14,000 --> 01:33:16,000 AND TRULY WAN TO BE A PART OF 1968 01:33:16,000 --> 01:33:19,000 THE D OF FILM,'M ALY 1969 01:33:19,000 --> 01:33:20,000 IVILEGED PERSON STANDING HERE TOY. 1970 01:33:20,000 --> 01:33:25,000 BUT I MUST SAY THE PINCLE OF 1971 01:33:25,000 --> 01:33:26,000 L TT HAS BEEN TO WORK 1972 01:33:26,000 --> 01:33:28,000 ALONGSIDE ONE OF THEREATEST 1973 01:33:28,000 --> 01:33:29,000 CONTRIBUTORS T THE WORLD O 1974 01:33:29,000 --> 01:33:30,000 CINEMA OF OUR TIME,ND THAT IS 1975 01:33:30,000 --> 01:33:32,000 THE GREAT MARTIN SCORSESE. 1976 01:33:32,000 --> 01:33:37,000 [ APPLAUSE ] 1977 01:33:42,000 --> 01:33:44,000 AND I COULD NOT ACCEPT THIS 1978 01:33:44,000 --> 01:33:45,000 AWONIGHT WITHO SHARING IT 1979 01:33:45,000 --> 01:33:48,000 WITH MY AMAZINGLY SUPPORTIVEND 1980 01:33:48,000 --> 01:33:50,000 LOVING PAR. THK YOU VERY MUCH. 1981 01:33:50,000 --> 01:33:52,000 AND IANT TO USE THIS 1982 01:33:52,000 --> 01:33:54,000 OPPORTUNITY TO ALSO URG PEOPLE 1983 01:33:54,000 --> 01:33:56,000 TO KP CONTRIBUTING TO THE 1984 01:33:56,000 --> 01:33:57,000 RENT TSUNAMI DISASTER. 1985 01:33:57,000 --> 01:33:58,000 THANK YOU. 1986 01:33:58,000 --> 01:33:59,000 THANK YOU VERY, VERY MUCH. 1987 01:33:59,000 --> 01:34:04,000 [ APPLAUSE ]  it 1988 01:34:19,000 --> 01:34:23,000 >> "DESPERATE USES."Q 1989 01:34:23,000 --> 01:34:28,000 >> "ENTOURAGE." 1990 01:34:30,000 --> 01:34:35,000 >> "SEX AND THEY." 1991 01:34:36,000 --> 01:34:41,000 >> "WILLD 1992 01:34:41,000 --> 01:34:43,000 >> ANDHE GOLDEN GLOBE GOES 1993 01:34:43,000 --> 01:34:46,000 -- 1994 01:34:46,000 --> 01:34:47,000 >> "DEERATE HOUSEWIVES." 1995 01:34:47,000 --> 01:34:52,000 [ APPLAUSE ] 1996 01:34:59,000 --> 01:35:00,000 >> Aouncer: COMING 1997 01:35:00,000 --> 01:35:02,000 TO THE STAGE- EXECUTIVE PRODUCERS, MICHAELLSTEIN 1998 01:35:02,000 --> 01:35:03,000 D TOM SPEZIALY, AND ACCEPTING 1999 01:35:03,000 --> 01:35:04,000 THE GOLDEN GLOBEEXECUTIVE 2000 01:35:04,000 --> 01:35:09,000 PRODER, MARC CHERRY. 2001 01:35:14,000 --> 01:35:19,000 ht 2002 01:35:32,000 --> 01:35:33,000 >> WHERE HAVE YOU BEEN? 2003 01:35:33,000 --> 01:35:35,000 >> KISSI TERI HATCHER 2004 01:35:35,000 --> 01:35:37,000 IT'S MY JOB. 2005 01:35:37,000 --> 01:35:42,000 >> OKAY. THANK YOU. 2006 01:35:42,000 --> 01:35:44,000 THANK YOU VERYUC, HOLLYWOOD 2007 01:35:44,000 --> 01:35:45,000 FOREIGN PRESS. 2008 01:35:45,000 --> 01:35:46,000 I'M MARC CHERRY, THE CREATOR OF 2009 01:35:46,000 --> 01:35:48,000 "DESPERATE HOUSEWIVES." 2010 01:35:48,000 --> 01:35:52,000 [ CHEERS AND APPUSE ] 2011 01:35:52,000 --> 01:35:56,000 THANYOU. ON BEHALF OF MICHAEL EDELSTEIN, 2012 01:35:56,000 --> 01:36:01,000 TOM SPEIZALY AND MY OER 2013 01:36:03,000 --> 01:36:05,000 EXECUTIV PRODUCERS, WE WANT T 2014 01:36:05,000 --> 01:36:06,000 THANK EVERYO FOR VOTING FOR 2015 01:36:06,000 --> 01:36:07,000 US. THIS IS AMAZING 2016 01:36:07,000 --> 01:36:08,000 EVERYONE I THIS ROOM HAVE HAD 2017 01:36:08,000 --> 01:36:13,000 VERY FEWE B AS DOWN AS IEER. 2018 01:36:13,000 --> 01:36:14,000 WA TWO YEARS AGO. 2019 01:36:14,000 --> 01:36:18,000 WRER WT 2/2 YEARS WITHOUTY 2020 01:36:18,000 --> 01:36:20,000 GETTING AN INTERVIEW FOR A J. 2021 01:36:20,000 --> 01:36:22,000 D THEOST AMAZING THING 2022 01:36:22,000 --> 01:36:25,000 HAPPED -- MY AGENT WAS ARRESTED FOR EMBEZZLEMENTMENT. 2023 01:36:25,000 --> 01:36:26,000 I KNOW. 2024 01:36:26,000 --> 01:36:28,000 ITOUNDS LIKE A JOKE, BUT IT'S 2025 01:36:28,000 --> 01:36:31,000 NO D INDED UP AT PARADIGM, AND 2026 01:36:31,000 --> 01:36:33,000 DEBBIE KLEIN A ANDY PATTEN 2027 01:36:33,000 --> 01:36:34,000 READ THIS SCRIPT, AND I SAI I 2028 01:36:34,000 --> 01:36:36,000 THINK IT'S PRETTOOD BUT 2029 01:36:36,000 --> 01:36:37,000 NO O WANTS TO BUY IT. 2030 01:36:37,000 --> 01:36:39,000 IT'SEE TURNED DOWN BY EVERY 2031 01:36:39,000 --> 01:36:40,000 NETWORK. 2032 01:36:40,000 --> 01:36:41,000 AND THEY SAID, WHAT ARE YOU 2033 01:36:41,000 --> 01:36:43,000 DOING WRONG? AND IAID, WELL, I JUST TELL 2034 01:36:43,000 --> 01:36:46,000 TH, HEY, IT'S AIRE. 2035 01:36:46,000 --> 01:36:47,000 THAT'S YOUR PROBLEM. 2036 01:36:47,000 --> 01:36:49,000 NO ONE WTS TO D A SATIRE. 2037 01:36:49,000 --> 01:36:50,000 LL I SOAPPE. 2038 01:36:50,000 --> 01:36:54,000 AN DID ANDE GAVE IT T 2039 01:36:54,000 --> 01:36:56,000 STEVE McPHERSON OONDERFUL 2040 01:36:56,000 --> 01:36:57,000 DAY, AND H W T FIRST PERSON 2041 01:36:57,000 --> 01:37:00,000 IN THIS TOWN TO SAY, YES, I 2042 01:37:00,000 --> 01:37:01,000 BELIEVE IN THIS. 2043 01:37:01,000 --> 01:37:03,000 AND HE GAVE ITO TOM SHERMAN, 2044 01:37:03,000 --> 01:37:05,000 HEAD OF DRAMAEVELOPMENT, AND 2045 01:37:05,000 --> 01:37:06,000 TOHEAND YES. 2046 01:37:06,000 --> 01:37:07,000 THEY CHANGED MYIVES AND T 2047 01:37:07,000 --> 01:37:09,000 LIS OF EVERYONE ON ST AND 2048 01:37:09,000 --> 01:37:11,000 HE WANT TO THANKHEM. 2049 01:37:11,000 --> 01:37:13,000 FINALLY,AST BUT NOT LEAST, 2050 01:37:13,000 --> 01:37:15,000 DURING MY REALLYOUGH T MY 2051 01:37:15,000 --> 01:37:16,000 MOM GE ME FINANAL SUPRT. 2052 01:37:16,000 --> 01:37:18,000 SHE GE ME EMOTIONAL SUPPORT. 2053 01:37:18,000 --> 01:37:20,000 SHE D EVERYTHING A M IS 2054 01:37:20,000 --> 01:37:22,000 SUPPOSEDO DO, BUT SHE DID ONE 2055 01:37:22,000 --> 01:37:25,000 SHE GAVE M THE IDEA FOR A HIT 2056 01:37:25,000 --> 01:37:26,000 SW. 2057 01:37:26,000 --> 01:37:27,000 NOW THAT'S GOOD PARENTING. 2058 01:37:27,000 --> 01:37:28,000 THANK YOU, MAMA. 2059 01:37:28,000 --> 01:37:33,000 THIS IS FOR YOU. 2060 01:37:43,000 --> 01:37:45,000 >> AnnouncerO PRESENT OUR 2061 01:37:45,000 --> 01:37:47,000 WARD, PLEASE WELCOME THE 2062 01:37:47,000 --> 01:37:51,000 STAR OFSKELET KEY," KATE 2063 01:37:51,000 --> 01:37:54,000 HUDSON. 2064 01:37:54,000 --> 01:37:58,000 OFHE NIGHT WITH SNOMINATED FILM 2065 01:37:58,000 --> 01:38:01,000 NOMINATIONS, DIRECTOR ALEXANDER 2066 01:38:01,000 --> 01:38:03,000 PAYNO-WRIT AEENLAY 2067 01:38:03,000 --> 01:38:05,000 WITH JIM TAYLOR RKED WITH 2068 01:38:05,000 --> 01:38:08,000 STERLING CAST THAT INCLUDES PAU 2069 01:38:08,000 --> 01:38:10,000 AMTI,HOMAS HADENRCH, 2070 01:38:10,000 --> 01:38:13,000 RGINIA MADSEN, AND SANDRA OH. 2071 01:38:13,000 --> 01:38:15,000 THE SURFAT'S ABOUT T 2072 01:38:15,000 --> 01:38:17,000 ENCOUNTER WITH TWO SPECIAL WOMEN 2073 01:38:17,000 --> 01:38:19,000 IN THE WINE COUNY, BUT THE 2074 01:38:19,000 --> 01:38:24,000 BOTTLE OF WINE BE SAVORED, 2075 01:38:24,000 --> 01:38:27,000 ENJOYED, HELD UP AS A 2076 01:38:27,000 --> 01:38:28,000 STDARD F EVERYONEO COME. 2077 01:38:28,000 --> 01:38:29,000 IT WAS A VERY YR FOR 2078 01:38:29,000 --> 01:38:34,000 IDEWAYS." 2079 01:38:35,000 --> 01:38:37,000 >> WE' GOI TO GOE S 2080 01:38:37,000 --> 01:38:40,000 N, MILES. DO Y REMEMR FUN? 2081 01:38:40,000 --> 01:38:43,000 >> I'MOT A PUBLISHED AUTHOR 2082 01:38:43,000 --> 01:38:45,000 ANY INTT SHE HAS IS GOINGO 2083 01:38:45,000 --> 01:38:46,000 EVAPOR REAL QUICK. 2084 01:38:46,000 --> 01:38:48,000 >> WE VE T GETK FOR THE 2085 01:38:48,000 --> 01:38:49,000 RESAL DINNER. 2086 01:38:49,000 --> 01:38:54,000 REHEAAL DINNER? 2087 01:38:55,000 --> 01:38:56,000 >> YOU'RE GETTING MRIED ON 2088 01:38:56,000 --> 01:39:01,000 SATURDAY? 2089 01:39:02,000 --> 01:39:03,000 >> Announcer: LADIES 2090 01:39:03,000 --> 01:39:04,000 AND GENTLEN, A CECIL B. DeMILLE ARD HONOREE 2091 01:39:04,000 --> 01:39:05,000 RRENTLY SEEN IN "MEET 2092 01:39:05,000 --> 01:39:07,000 THE FOCKERS," DUSTIN HOFFMAN. 2093 01:39:07,000 --> 01:39:12,000 [ APPLAUSE ] 2094 01:39:17,000 --> 01:39:18,000 >> HARE THE NOMINE 2095 01:39:18,000 --> 01:39:23,000 PICT DRAMA -SS IA MOTION 2096 01:39:23,000 --> 01:39:24,000 >> SCARLETJOHANSSON, "A LOVE 2097 01:39:24,000 --> 01:39:26,000 SONG FOR BOBBY LONG." 2098 01:39:26,000 --> 01:39:31,000 AUSE ] 2099 01:39:31,000 --> 01:39:33,000 >> NICOLKIDMAN, "BIRTH." 2100 01:39:33,000 --> 01:39:38,000 [ APPLSE ] 2101 01:39:38,000 --> 01:39:39,000 >>LDSTAUNTON, 2102 01:39:39,000 --> 01:39:41,000 "VERA AKE." 2103 01:39:41,000 --> 01:39:46,000 [ APPLAU ] 2104 01:39:49,000 --> 01:39:50,000 >> HILARY SWK, 2105 01:39:50,000 --> 01:39:53,000 "MILLION DOLLABABY." 2106 01:39:53,000 --> 01:39:58,000 [ APPLAUSE ] 2107 01:39:58,000 --> 01:39:59,000 >> UMA THURMAN, 2108 01:39:59,000 --> 01:40:02,000 "KILL BILL: VOL.." 2109 01:40:02,000 --> 01:40:07,000 [ APPLAUSE ] 2110 01:40:07,000 --> 01:40:12,000 >> AND THE GDEGLOBGOES TO -- 2111 01:40:15,000 --> 01:40:16,000 HILARY SNK. 2112 01:40:16,000 --> 01:40:21,000 [ CHEERS ANDUSE ] 2113 01:40:43,000 --> 01:40:44,000 >> OKAY. 2114 01:40:44,000 --> 01:40:47,000 I CAN'T EVENELIEVE SITTING 2115 01:40:47,000 --> 01:40:48,000 AT A TABLE WITH CLINTD 2116 01:40:48,000 --> 01:40:50,000 ANDORN FEMAN, LETLONE IN 2117 01:40:50,000 --> 01:40:51,000 A MIE WITH THEM. 2118 01:40:51,000 --> 01:40:53,000 I WANTO THANK THE HOLLYWOOD 2119 01:40:53,000 --> 01:40:54,000 FOREIGN PRE ASSOCIATIOR 2120 01:40:54,000 --> 01:40:58,000 THISREAT HONOR. 2121 01:40:58,000 --> 01:41:02,000 THIS SCRIPT IS BROUGHT T YOU B 2122 01:41:02,000 --> 01:41:07,000 TO REN BERGND G LUCAI 2123 01:41:07,000 --> 01:41:08,000 FOR LAKES, AND THANK Y 2124 01:41:08,000 --> 01:41:10,000 FOR PICTURING ME INHIS MOVIE 2125 01:41:10,000 --> 01:41:11,000 ANDENNG IT TO ME. 2126 01:41:11,000 --> 01:41:13,000 I'M FOREVER INDEBTED. 2127 01:41:13,000 --> 01:41:16,000 OUR OTHER PRODUCERS, R, CNT, 2128 01:41:16,000 --> 01:41:18,000 PAUL HAGGIS, WHO ALSO ADAPTED 2129 01:41:18,000 --> 01:41:20,000 SUCH AN INCREDIBLY BEAUTIFUL 2130 01:41:20,000 --> 01:41:22,000 SCREEN PLAYHAT JUST PRAYED 2131 01:41:22,000 --> 01:41:25,000 T TO RUIN. 2132 01:41:25,000 --> 01:41:27,000 PHYLLIS HUFFM, OURMAZING 2133 01:41:27,000 --> 01:41:28,000 CASTING DIRECTOR. 2134 01:41:28,000 --> 01:41:30,000 MY TRAERS, HECTOR ROCA AND 2135 01:41:30,000 --> 01:41:33,000 GRANTOBERTS WHO EOURAGED ME 2136 01:41:33,000 --> 01:41:35,000 TO PUSH MYSELF BEYD ANY 2137 01:41:35,000 --> 01:41:38,000 AGINATION I EVER HADF 2138 01:41:38,000 --> 01:41:40,000 MYSELF. MY SRRING PARTNERS, WHO WERE 2139 01:41:40,000 --> 01:41:45,000 9 THE BN 2140 01:41:45,000 --> 01:41:47,000 BROOKLYN. ALL T WOMEN IN THE MOVIE WHO 2141 01:41:47,000 --> 01:41:49,000 TOOKSE AMAZINGCKOUTS 2142 01:41:49,000 --> 01:41:50,000 THAT ME ME LOOKçó LIKE SUCH A 2143 01:41:50,000 --> 01:41:55,000 CHAMP. THANK YOU. 2144 01:41:55,000 --> 01:41:57,000 LET'S 2145 01:41:57,000 --> 01:41:59,000 OUR C, MORGAN FREEMANU 2146 01:41:59,000 --> 01:42:03,000 xDxx 2147 01:42:03,000 --> 01:42:04,000 YOURE SESS. 2148 01:42:04,000 --> 01:42:06,000 AND IT WAS AN HONOR TO WORKITH 2149 01:42:06,000 --> 01:42:09,000 YOU.q8YtdM 2150 01:42:09,000 --> 01:42:14,000 [ APPLAUSE ] 2151 01:42:15,000 --> 01:42:19,000 AND C,NT EASTWOOD, WH 2152 01:42:19,000 --> 01:42:21,000 ANOMALY, AND I D'TANT 2153 01:42:21,000 --> 01:42:24,000 TO RN YOUR " AAD MAK 2154 01:42:24,000 --> 01:42:26,000 MY DAY" IMAGE,UTOU HAVE SUCH 2155 01:42:26,000 --> 01:42:31,000 A HE HEART, AND YOU JUST 2156 01:42:33,000 --> 01:42:34,000 ENVELOP ALL THE PEOE AD 2157 01:42:34,000 --> 01:42:35,000 U WITH IT 2158 01:42:35,000 --> 01:42:36,000 YOLIEVED IN M FROM T 2159 01:42:36,000 --> 01:42:37,000 SECOND YET ME, AND I FELT 2160 01:42:37,000 --> 01:42:39,000 THAT. MAD ME BELIEVE IN MYSEL 2161 01:42:39,000 --> 01:42:40,000 THANK YOU SO MH FOR TT. 2162 01:42:40,000 --> 01:42:42,000 YOERE AT THEELM OF THIS 2163 01:42:42,000 --> 01:42:45,000 VIE. YOU GUIDED US SO BNT, 2164 01:42:45,000 --> 01:42:47,000 ILE YOU ALSO, IN MBLE 2165 01:42:47,000 --> 01:42:48,000 OPION, GAVEHEERFORMANF 2166 01:42:48,000 --> 01:42:49,000 UR CEER. 2167 01:42:49,000 --> 01:42:54,000 YOU ALSO COMPOSED IND 2168 01:42:56,000 --> 01:42:59,000 PRODEDT. 2169 01:42:59,000 --> 01:43:03,000 UR TALEN ARE WITHOUT LIMITS. 2170 01:43:03,000 --> 01:43:06,000 N HORN JEFF ROBINOF AT 2171 01:43:06,000 --> 01:43:08,000 WARNER BROTHERS, THE MARKETING 2172 01:43:08,000 --> 01:43:10,000 AND PRESS PEOPLE,Y BRILLIANT 2173 01:43:10,000 --> 01:43:13,000 PUIST TRO NANKI 2174 01:43:13,000 --> 01:43:15,000 MY MOM AND DAD WHO LOVE ME 2175 01:43:15,000 --> 01:43:16,000 TTER WT. AGENTS. 2176 01:43:16,000 --> 01:43:17,000 LET'S SEE. 2177 01:43:17,000 --> 01:43:22,000 JOSH LIEBERMAN, TONY LIPP, 2178 01:43:27,000 --> 01:43:29,000 ERYONE AT CAA,Y MANER. 2179 01:43:29,000 --> 01:43:32,000 JASON WEINBERG M LAW 2180 01:43:32,000 --> 01:43:33,000 ERNSTEIN 2181 01:43:33,000 --> 01:43:34,000 IS THERE ANYONELSE? 2182 01:43:34,000 --> 01:43:37,000 JU KIDDING. 2183 01:43:37,000 --> 01:43:41,000 MY HUSBAND, CHALOWE. 2184 01:43:41,000 --> 01:43:43,000 YO MY 2185 01:43:43,000 --> 01:43:46,000 YOUR SUPPORT- IAN'T EVE 2186 01:43:46,000 --> 01:43:48,000 DERIBE IT. 2187 01:43:48,000 --> 01:43:50,000 RE MY EVERYTHING. THANK YOU. 2188 01:43:50,000 --> 01:43:54,000 THANK YOUERY MUCH. 2189 01:43:54,000 --> 01:43:56,000 [ APAUSE ] 2190 01:43:56,000 --> 01:44:01,000 AA A. ♪ IT'S A HAPPY, HAPPY WORLD 2191 01:44:23,000 --> 01:44:28,000 Girl: CAN WE DO IT AG 2192 01:44:31,000 --> 01:44:34,000 GENTLEMEN, PLEASE 2193 01:44:34,000 --> 01:44:36,000 SYLVESTER STALLONE. 2194 01:44:36,000 --> 01:44:41,000 [ APPLAU ] 2195 01:44:44,000 --> 01:44:45,000 >> OKAY. 2196 01:44:45,000 --> 01:44:49,000 LET'S TALKBOUT CLINT EASTWOOD. 2197 01:44:49,000 --> 01:44:50,000 HE DIRECTS THE MOVIE, PRUCES 2198 01:44:50,000 --> 01:44:51,000 , STARS IN IT AND WRITES 2199 01:44:51,000 --> 01:44:54,000 THE SIC SCOR 2200 01:44:54,000 --> 01:44:57,000 THAT H, CLINT. 2201 01:44:57,000 --> 01:44:58,000 IT HURTS. 2202 01:44:58,000 --> 01:45:02,000 AND, OTOP OF THAT, IT 2203 01:45:02,000 --> 01:45:03,000 OF COURSE,E BOXG 2204 01:45:03,000 --> 01:45:05,000 MOVIE. 2205 01:45:05,000 --> 01:45:06,000 THE WORDWERE WRITTEN BY PAUL GGISAND THE GREAT 2206 01:45:06,000 --> 01:45:07,000 SEMBLE OF CLINT, 2207 01:45:07,000 --> 01:45:08,000 RGAN FREEMAN, ANLARYWANK 2208 01:45:08,000 --> 01:45:09,000 GOT INSIDE EACH CHARS 2209 01:45:09,000 --> 01:45:11,000 SOUL. 2210 01:45:11,000 --> 01:45:12,000 'S ABOUT FINDINGOMETHING 2211 01:45:12,000 --> 01:45:13,000 WITHINOURSELF THAT YOU 2212 01:45:13,000 --> 01:45:15,000 KNEW YOU H. 2213 01:45:15,000 --> 01:45:20,000 THAT'S WHY IT MOVEUS. 2214 01:45:20,000 --> 01:45:21,000 LAES AND GENTLEMEN, 2215 01:45:21,000 --> 01:45:22,000 IN THIS RNER, UE CMPION, 2216 01:45:22,000 --> 01:45:27,000 "MILLION DOLLAR BY." 2217 01:45:27,000 --> 01:45:30,000 >> IWE YOU MONEY? >> NO, SIR. 2218 01:45:30,000 --> 01:45:31,000 I KNOW YOUR MAM 2219 01:45:31,000 --> 01:45:32,000 >> THOUGHT Y BINTERESTED 2220 01:45:32,000 --> 01:45:33,000 IN TRAINING ME. ON'T TRAIRLS. 2221 01:45:33,000 --> 01:45:34,000 EOPLE SEEN ME FIGHT SAI'M 2222 01:45:34,000 --> 01:45:37,000 PRTY TOUGH. 2223 01:45:37,000 --> 01:45:38,000 >> GLIE, TOUGH AINNOUGH. 2224 01:45:38,000 --> 01:45:40,000 YODON'T QUESTION ME. 2225 01:45:40,000 --> 01:45:42,000 AND I'M GONNA TRTO FORGE THE FAHAT YOU'RE A G 2226 01:45:42,000 --> 01:45:46,000 WHS THE RULE? 2227 01:45:46,000 --> 01:45:48,000 ROTECT MYSELF AT ALL TIMES >> GOO 2228 01:45:48,000 --> 01:45:51,000 >> YOU GONNA LVE M 2229 01:45:51,000 --> 01:45:56,000 >> 2230 01:45:57,000 --> 01:45:58,000 >> Announcer: LADIES AND GENTLEMEN, GOLDEN 2231 01:45:58,000 --> 01:46:00,000 WIERGOLDIE HAWN. 2232 01:46:00,000 --> 01:46:05,000 APPLAUSE ] 2233 01:46:07,000 --> 01:46:08,000 >> WE'VE SEETHE CLIP 2234 01:46:08,000 --> 01:46:10,000 THROHOUT THE ENG 2235 01:46:10,000 --> 01:46:11,000 HERE ARE TOMINEES FOR BE 2236 01:46:11,000 --> 01:46:12,000 MOTION PICTURESICAL 2237 01:46:12,000 --> 01:46:15,000 OR COMEDY. 2238 01:46:15,000 --> 01:46:16,000 "ETERNALINE 2239 01:46:16,000 --> 01:46:21,000 OF T SPOTLESS MIND." 2240 01:46:24,000 --> 01:46:26,000 "THE INCREDI." 2241 01:46:26,000 --> 01:46:31,000 "RAY PHANTF THE OPERA." 2242 01:46:33,000 --> 01:46:36,000 , I HAVE THE ANSWER. 2243 01:46:36,000 --> 01:46:39,000 AND THE GDEN GLOBE GOETO -- 2244 01:46:39,000 --> 01:46:40,000 "SIDAY" 2245 01:46:40,000 --> 01:46:45,000 [ CHEERS APPLAUSE ] 2246 01:46:49,000 --> 01:46:51,000 >>nnouncer: CEPTING THE GOLDEN GLOBE FOR "SIDEWA" 2247 01:46:51,000 --> 01:46:56,000 IS PRODUCER, MICHAEL LONDON. 2248 01:47:22,000 --> 01:47:23,000 >> I WANT TO THANK THE HOLWOOD 2249 01:47:23,000 --> 01:47:25,000 FOREIGN PRESSOR THIS WONDERFUL 2250 01:47:25,000 --> 01:47:27,000 WONDERFUL SURPRISING GIFT. 2251 01:47:27,000 --> 01:47:29,000 THIS IS COMEDY AWARD. 2252 01:47:29,000 --> 01:47:31,000 I'M N HNG IT ANYMORE. 2253 01:47:31,000 --> 01:47:32,000 MR. PAYNE IS. 2254 01:47:32,000 --> 01:47:34,000 ITOMEDY AWARD, B IT'S A 2255 01:47:34,000 --> 01:47:35,000 MOVIE TALL ABO FIN 2256 01:47:35,000 --> 01:47:37,000 AND AREO, SOHRILLED TO B 2257 01:47:37,000 --> 01:47:38,000 NDING OURSELVES HERE THIS 2258 01:47:38,000 --> 01:47:39,000 EVENING. IPOLOGIZE FORHIS. 2259 01:47:39,000 --> 01:47:42,000 IT WILL BE MUCH LESS PAINFUL 2260 01:47:42,000 --> 01:47:44,000 THIS WAY, THOUGH. 2261 01:47:44,000 --> 01:47:49,000 I WANT TO THANK FST OF ALL, 2262 01:47:49,000 --> 01:47:50,000 PICKE,OR TRUING 2263 01:47:50,000 --> 01:47:52,000 WITH WONDERFUL NEL. 2264 01:47:52,000 --> 01:47:54,000 JIM AND ALEXANDER, WHO DID SUCH 2265 01:47:54,000 --> 01:47:57,000 A WONRFUL APTATION. 2266 01:47:57,000 --> 01:47:59,000 O PEOPLE'VE EVER GOTTEN 2267 01:47:59,000 --> 01:48:00,000 TOK WITH. 2268 01:48:00,000 --> 01:48:05,000 >> WE'VE SHOWN YOU SCESR 2269 01:48:05,000 --> 01:48:08,000 FROMHE FILMS NOMINAT 2270 01:48:08,000 --> 01:48:11,000 FOR BESTION PICTE,MA. 2271 01:48:11,000 --> 01:48:14,000 W, ONCE AGAIN,ERE ARE THE NOMINEES. 2272 01:48:14,000 --> 01:48:18,000 >> "THAVIATOR." 2273 01:48:18,000 --> 01:48:21,000 "CLOSER." 2274 01:48:21,000 --> 01:48:24,000 "FINDING NEVERLAND." 2275 01:48:24,000 --> 01:48:29,000 "HELNDA." 2276 01:48:30,000 --> 01:48:33,000 INSEY." 2277 01:48:33,000 --> 01:48:38,000 "MILLIONOLLAR BABY." 2278 01:48:38,000 --> 01:48:40,000 ANDOLDEN GLOBE GOE TO -- 2279 01:48:40,000 --> 01:48:42,000 "THE AVIATOR." 2280 01:48:42,000 --> 01:48:47,000 [ APPLAUSE ] >> THIS ISERRIFIC. 2281 01:49:22,000 --> 01:49:24,000 I WAN TO THANK THE HOLLYWOOD 2282 01:49:24,000 --> 01:49:25,000 FOREIGN PRESS A LOT. 2283 01:49:25,000 --> 01:49:26,000 AND PARTICULARLY, I WOULD LIKE 2284 01:49:26,000 --> 01:49:28,000 TOHANK LEONARDO, INITIATED 2285 01:49:28,000 --> 01:49:32,000 THIS. 2286 01:49:32,000 --> 01:49:34,000 AND FOR HIS VIBRANT INCARNATION 2287 01:49:34,000 --> 01:49:35,000 OF HOWARD HS. 2288 01:49:35,000 --> 01:49:37,000 AND MARTY, WHO MADE THIS TOTALLY 2289 01:49:37,000 --> 01:49:42,000 [ APPLAUSE ] 2290 01:49:45,000 --> 01:49:47,000 AND FILLED IT WITH AN ABSOLUTELY 2291 01:49:47,000 --> 01:49:48,000 RAANT SPL 2292 01:49:48,000 --> 01:49:51,000 JOHN LOG FORIS BRILLIANT 2293 01:49:51,000 --> 01:49:54,000 ORIGAL SCRIPT, SCREENPLAY. 2294 01:49:54,000 --> 01:49:58,000 SANDY KLEIMANWHO WAS 2295 01:49:58,000 --> 01:50:00,000 INDEFATIGUEABLE IN MAKING THIS 2296 01:50:00,000 --> 01:50:02,000 PP. AND GRAHAM K WHOORKED 2297 01:50:02,000 --> 01:50:05,000 ABSOLUTELYVE DAY AND EVE WAY. 2298 01:50:05,000 --> 01:50:08,000 BE THERE FOR MARTY, MYSELF, 2299 01:50:08,000 --> 01:50:09,000 FOR LEO AND F THIS PICTURE. 2300 01:50:09,000 --> 01:50:12,000 AND HARVEY WEINSTEIN, ALL THE 2301 01:50:12,000 --> 01:50:15,000 FOLKS AT MIRAMAX. 2302 01:50:15,000 --> 01:50:16,000 AND HERE'SRAHAM. 2303 01:50:16,000 --> 01:50:19,000 >> THANK. THANK YOU, MICHAEL. 2304 01:50:19,000 --> 01:50:21,000 ONE OF T AMAZING CREW AND 2305 01:50:21,000 --> 01:50:22,000 CAST. 2306 01:50:22,000 --> 01:50:24,000 LEO,ARTY, YOU'RE JUST A 2307 01:50:24,000 --> 01:50:25,000 GENI. YOU ARE MY IDOL. 2308 01:50:25,000 --> 01:50:26,000 YOU AOLELY ARE. 2309 01:50:26,000 --> 01:50:29,000 BOB RICHARDSON. 2310 01:50:29,000 --> 01:50:30,000 ERYBODY WHO WKE ON THE 2311 01:50:30,000 --> 01:50:32,000 MOVIE, CHRIS BINGH, RICH 2312 01:50:32,000 --> 01:50:33,000 WALLS. 2313 01:50:33,000 --> 01:50:34,000 MY PARTNER COLIN 2314 01:50:34,000 --> 01:50:35,000 THEY'RE TELLINGE TO WRAP UP. 2315 01:50:35,000 --> 01:50:36,000 MY FAMILY. 2316 01:50:36,000 --> 01:50:38,000 CATE BLANCHETT, AMAZING 2317 01:50:38,000 --> 01:50:39,000 PERFORMANCE. 2318 01:50:39,000 --> 01:50:40,000 HARVEY, BOB. 2319 01:50:40,000 --> 01:50:43,000 EVERYONE AT MIRAMAX. 2320 01:50:43,000 --> 01:50:45,000 YOU'RE THE BEST. 2321 01:50:45,000 --> 01:50:47,000 ALAN, THANK YOU FOR YOUR SUPPO 2322 01:50:47,000 --> 01:50:48,000 SUPPORT. VIC SCHWARTZ. 2323 01:50:48,000 --> 01:50:52,000 MY FAMILY, VAL, HALEY HALEY, 2324 01:50:52,000 --> 01:50:53,000 SAMANTHA AT HOME. 2325 01:50:53,000 --> 01:50:54,000 ALL MY FAMILY WATCHING IN THE 2326 01:50:54,000 --> 01:50:55,000 UK. 2327 01:50:55,000 --> 01:50:56,000 I KNOW YOU STAYED UP FOR THIS. 2328 01:50:56,000 --> 01:50:57,000 MY MOTHER,VERYBODY. 2329 01:50:57,000 --> 01:50:58,000 THANK YOU SO MUCH. 2330 01:50:58,000 --> 01:51:01,000 THK YOU. 2331 01:51:01,000 --> 01:51:02,000 >> THANK YOU, EVERYONE, FOR 2332 01:51:02,000 --> 01:51:07,000 WATCHI TONIGHT. GOOD NIGHT. 2333 01:51:20,000 --> 01:51:21,000 >> Announcer: IF YOU MISSEANY 2334 01:51:21,000 --> 01:51:22,000 OF TONIGHT'S EVENT, DON'T WORRY. 2335 01:51:22,000 --> 01:51:23,000 GOLDEN GLOBE AWARDS" LATER THIS 2336 01:51:23,000 --> 01:51:28,000 WEEK OBRAVO. 2337 01:51:33,000 --> 01:51:36,000 THIS IS SHAWN PARR, INVITING YOU 2338 01:51:36,000 --> 01:51:41,000 TO JOIN US NEXT YEAR. $2óWR 2339 01:51:42,000 --> 01:51:45,000 ANSWERS HIS CRITICS. $2óWR