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Poster: | billbarstad | Date: | Apr 28, 2017 3:50am |
Forum: | feature_films | Subject: | Re: Serials In The Public Domain |
This post was modified by billbarstad on 2017-04-28 10:50:29
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Poster: | mfta | Date: | Nov 8, 2017 12:04pm |
Forum: | feature_films | Subject: | Re: Serials In The Public Domain |
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Poster: | Moongleam | Date: | Apr 28, 2017 4:38am |
Forum: | feature_films | Subject: | Re: Serials In The Public Domain |
An example was given of increasing the color intensity in the movie The Big Boss. The video transcoders that I use, ffmpeg and mencoder, can easily increase color saturation. Here's the video filter in ffmpeg that will do the trick:
hue=s=1.5
A value less than 1 would decrease the saturation.
It's also easy to adjust brightness and contrast, to convert a color video to black & white, and to add a sepia tint.
Those transcoders also have filters for reducing video noise (dirt and scratches). They definitely don't do a perfect job, but they help, and video denoising reduces the required bitrate. Here's the filter I used on the Stoney Burke episode that was just uploaded:
hqdn3d=3.0:2.25:5:3.75
mencoder even has a filter that will restore a non-rectangular picture back to its original rectangular shape. (An example of such a picture, I suppose, would be one produced by someone filming the screen at a theater.)
It would be great if Video Cellar would show up and give his opinion on copyrights on remastered films. A lot of what was described at that link seems to be "sweat of the brow", non-creative work.
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Poster: | billbarstad | Date: | Apr 28, 2017 5:53am |
Forum: | feature_films | Subject: | Re: Serials In The Public Domain |