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Brigham Young University
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Digitized by the Internet Archive
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I g •
SCIENCE AND ART DEPARTMENT
ON EDUCATION
THE FIRST PROOFS
OF THE
#
TJFIYERSAL CATALOGUE
BOOKS ON ART
COMPILED FOR THE USE OF THE NATIONAL ART
LIBRARY AND THE SCHOOLS OF ART IN
THE UNITED KINGDOM.
By Order of the Lords of the Committee of Council on Education .
Vol. I.— A to K.
LONDON : PUBLISHED BY CHAPMAN AND HALL, 193, PICCADILLY, W.,
AND AT THE OFFICE OF « NOTES AND QUERIES,”
43, WELLINGTON STREET, W.C.
1870.
The Proof Sheets of which this Volume consists are circulated for the
purpose of obtaining additional information and corrections .
0
UPB
BY THE RIGHT HONOURABLE THE LORDS OF THE
COMMITTEE OF HER MAJESTY S MOST HONOURABLE
PRIVY COUNCIL ON EDUCATION
At South Kensington, Toth day of January 1870.
PRESENT :
The Right Honourable The Earl I The Right Honourable W. E.
de Grey and Ripon, K.G. | Forster, M.P.
My Lords read the following Memorandum, prepared by Mr. Cole,
on the Proofs of the Universal Catalogue of Books on Art, which They
direct shall he inserted in the first volume of the Catalogue.
Memorandum.
1. On the 5th April 1864 I had the honour to submit the following Memo¬
randum to the Lord President of the Council (the Earl Granville, K.G.) and the
Vice-President of the Committee of Council on Education (the Right Hon. H.
A. Bruce, M.P.), who were pleased to approve of the proposal.
1. Instead of making the Catalogues for the Art Library and the educational and
other scientific divisions of the South Kensington Museum dependent upon the
accidental collection of works, I recommend that measures be taken for forming a
Catalogue of all those works in the languages of all countries, which ought if possible
to be found in the respective divisional libraries.
2. To do this, it would be necessary to search the Catalogues of the British
Museum, the Bodleian and other British libraries, as well as the libraries of conti¬
nental Europe and the United States.
3. The proposed Catalogues would therefore represent certain classes of literature
tolerably complete up to a given date.
4. Such Catalogues being once printed, would supersede the necessity for the
editions at present constantly recurring.
5. By indicating in the Catalogues the works as they are obtained, the deficiencies
of the collection, as well as its possessions, would always be patent.
6. Such Catalogues would be useful in all libraries, and to students in all parts of
the world, and would in the end prove more economical and much more useful than
the present system.
This recommendation is based on a suggestion of Mr. Dilke’s, made in the Atkenceum
before 1851. (Mr. Dilke died in 1864.)
(Signed) Henry Cole,
General Superintendent.
23820.
IV
At a subsequent Board meeting, 12th October 1865, the following minute was
1 . The South Kensington Museum has been furnished with an Art Library which
is always on the increase, and for this Library, as far as it has been practicable, every
important work has been collected, bearing on the history, literature, and illustration
of Fine Art, and Art applied to industry.
2. Several editions of the Catalogue of the Library have been printed and pub¬
lished from time to time ; but these, from the daily increase of the Library, have
become imperfect almost as soon as they have been issued.
3. With the object of providing against an imperfection of continual recurrence
such as the foregoing, and for other considerations, my Lords have ordered the
compilation of a Catalogue on a basis altogether new.
4. It is proposed that the New Catalogue shall include not only the books in the
Library, but all books printed and|published, at the date of the issue of the Catalogue,
that could be required to make the Library perfect ; that is, to compile a universal
record of printed Art books which are known to exist up to that period, wherever
they may happen to be at the time.
5. It is obvious that immediate perfection cannot be expected in such a work, and
that many deficiencies, errors, and imperfections must constantly be met with. It is
therefore proposed, by means of occasional supplements, to rectify them and to add
notices of any books not brought to light at the time of issue, as well as of such
further publications as continue to appear.
6. By reference to the proposed Catalogue, any reader in the Art Library of the
Museum would thus find a clue, not only to the works he was looking for in the
actual collections of the Library, but to other works bearing on his course of studies
which had not as yet been obtained, but which had been ascertained to form part of
other libraries, whether public or not, either in our own. or in any foreign country.
All rare books would have a reference given to the libraries in which they are to be
found. By this means also the deficiencies of the Art Library would be demonstrated,
and provision made for its ultimate completion.
7. Such a Catalogue, it is thought, would prove a valuable acquisition to Art litera¬
ture throughout the world, and would have such an international interest as to justify
Her Majesty’s Government in inviting the co-operation of other Governments towards
its accomplishment.
8. The nature, however, of such an undertaking entails difficulties partly inherent,
as having reference to the proper limits of the special subject-matter of the Catalogue
itself, and partly from the scattered position of libraries and collections, many of them
unfurnished with any trustworthy and attainable account, either printed or manu¬
script, of their own contents, from which the Catalogue, so far as it refers to books
not in the South Kensington Library, must of necessity be compiled.
2. Accordingly the materials for the titles of the books have been obtained,
with the uniformly courteous assistance of the Librarians, from the Catalogues of
the Libraries of the British Museum, the Bodleian Library Oxford, Trinity College
Dublin, Royal Society London, London Institution, Royal Institute of British
Architects, London Library, the Athenaeum, Soane Museum, the Cicognara Collec¬
tion, and numerous Foreign Libraries, together with those in the National Art
Library at the South Kensington Museum. These materials have been enriched
by notices which have been furnished from time to time, and received from the
commencement of the Catalogue to the close of 1869, from upwards of 400 corre¬
spondents (see note, page vi.) in different parts of the world. The following
V
return will show the various languages in which titles of books have been
received towards the completion of the Catalogue : —
Danish
-
-
-
7
Dutch
-
-
96
English
-
-
-
2,575
French
-
-
-
7,935
German
-
-
-
1,348
Italian
-
-
-
1,786
Japanese
-
-
-
2
Latin
-
-
-
721
Polish
-
-
-
179
Spanish
-
-
-
60
Swedish
Total
85
14,794
3. Instead of waiting for years before printing the titles in course of being
collected, it was decided to publish portions of the Catalogue in “Notes and
Queries,” as proofs. This work must therefore only be judged as one subject to
future revision, condensation, and additions. There is no doubt that a mass
of information has been obtained through this mode of publication which would
have been impossible except by some such process.
4. After preparation of the rough titles so collected they have been revised by
Mr. John Hungerford Pollen, M.A., late Fellow of Merton College, Oxford, who
was appointed the editor of the Catalogue. It is right to mention that in the
official preparation of the work assistance has been given by Mr. Philip Cunliffe
Owen, an assistant director of the Museum, by Dr. Appell, an Assistant Keeper,
and by the following provisional assistants, Mr. H. Yernon, Mr. A. Masson,
Mr. Kesson, and Mr. Macaulife.
5. It is estimated that these proofs will furnish about sixty-seven thousand
notices of printed works relating to Art interpreted in a wide sense, but many
additional titles of works printed before 1870 will be hereafter obtained. The
collection of them will be a work of considerable time. In the preparation of the
first proofs it was necessary to adopt the usual principle of arranging ,the titles
under the authors’ names, as far as possible. It is intended to complete the
Catalogue by sub-classifications, 1st under subjects, 2nd according to chronology,
3rd according to the country where the work was printed ; and I recommend
that this be proceeded with through the ordinary staff of the Art Library.
6. I am happy to be able to report that the cost of this work will be within
the original estimate.* Its use, I feel confident, will be great in the Schools of
Art in the United Kingdom and all other similar institutions, as well as to
students of Art in all countries.
Henky Cole,
22nd January 1870. Director of the South Kensington Museum.
* See Parliamentary Paper, “ Universal Art Catalogue,” ordered to be printed, 13th June 1867.
NOTE
Alphabetical List of Correspondents and Contributors to the Universal
Catalogue of Books on Art.
Abram, W. A., “ Times ” Office, Blackburn.
Acland, Dr., Broad Street, Oxford.
Agnew, W., Exchange Street, Manchester.
Alvin, L. J., Conservateur en chef de la Biblioth&que
Royale, Brussels.
Angus, W. L.
Armitage, G. J., F.S.A., Kirklees Park, Brighouse.
Aspland, A., Dukinfield, Ashton-under-Lyne.
Asselineau, C., 43, Faubourg St. Germain, Paris.
Axon, "Wm. E. A., F.R.S.L., 5, Joynson St., Strangeways.
Azeglio, The Marquis d’, Paris.
Bacon, J. P., School of A rt, Stoke.
Baier, Rudolf, Bibliothekar der Stadt-Bibliothek zu
Stralsund, Prussia.
Baker, L., School of Art, Stirling.
Barbier, O., Biblioth6que Imp^riale, Paris.
Barrett, Edwin, 48, Handford Road, Ipswich.
Bartsch, F., Hauptzollamts Gebaude, Vienna.
Bates, A. H., 25, Noel Road, Edgbaston.
Bates, W., B.A., 19, The Crescent, Birmingham.
Beck, Rev. J., The Cottage, Storrington, Sussex.
Bell, J. H., “Mercury” Office, Hartlepool.
Bell, G., York Street, W.C. „
Bellier de la Chavignerie (Emile), 152, Rue de Rennes,
Paris.
Bennett, T. J. W., Campbell Cottage, John Street,
Hampstead; N.W.
Bernays, Jacob, University Library, Bonn.
Betineau, C. A., 43, Rue du Faubourg St. Germain, Paris.
Black, Messrs. A. and C., 6, North Bridge, Edinburgh.
Blacker, Rev. B. H.. Rokeby, Blackrock, Dublin.
Blades, W., 11, Abchurch Lane, E.C.
Bloomfield, H., 177, Grange Road, Southwark.
Boase, G. C., 33, Surrey Street, Strand, W.C.
Bonomi, J., Sir J. Soane’s Museum, 13, Lincoln’s Inn
Fields, W.C.
Bordeaux, M. R., Evreux, Normandy.
Borlase, W., St. Ives, Cornwall.
Boye, E. G., 20, Regent Street, W.
Bradbury and Evans, 11, Bouverie Street, Fleet Street,
E.C.
Brockhaus, F., Leipzig.
Brogden, J. E. H., Addlestliorpe House, Burgh.
Bruce, J., Public Record Office, W.C.
Brunet, G., 137, Rue Ste. Catherine, Bordeaux.
Bullen, G., British Museum, W.C.
Burbure, L6on De, 17, Rue des Neuns, Antwerp.
Burges, W., 15, Buckingham Street, W.C.
Burgess, J. T., Leamington.
Burton, J., 38, Wenham Lane, Preston.
Cahill, W. J., 46, Augustus Street, Chorlton Road
Manchester.
Carthew, G. A., Milfield, East Dereliam.
Cautley, Rev. G. S., Nettleden Parsonage, Hemel
Hempsted.
Chaffers, W., F.S.A., 19, Fitzroy Square, W.
Chance, T. H., “ Hertfordshire Express” Office, Hitchin.
Chesneau, Ernest, Paris.
Cholmondeley, Reginald, Condover Hall, near Shrewsbury,
Cittadella, II Cav. L.N., Ferrara, Italy.
Clarke, W. H., York.
1 Cleghom, J., York.
Clement de Ris, Le Comte, Paris.
I Clerget, C. E., 15, Place Royale, Paris.
Clibborn, E„ Royal Irish Academy, Dublin.
Cocheris, H., Bibliothfeque Mazarine, Paris.
Corkran, P. F., Medal Room, British Museum, W.C.
Cole, J., Northampton.
Cooper, W. R., Sir J. Soane’s Museum, 13, Lincoln’s Inn
Fields, W.C.
Cordeiro, L,, Lisbon.
Couch, J., 63, Fore Street, Bodmin.
Coxe, Rev. H. O., Bodleian Library, Oxford.
Creaser, W. A., Market Weighton, Yorkshire.
Creswell, Rev. S. F., M.A., Dartford, Kent.
Dardel, F. De, Surintendant des Beaux Arts a Stockholm.
Davidson, J., 14, St. George’s Place, Hyde Park Corner,
S.W.
Dayman, Rev. E. A., Shillingstone Rectory, Blandford,
Dorset.
Dean, E. B., 15, Ampthill Square, N.W.
Delaborde, Vicomte H., Biblioth6que Imp^riale, Paris.
Delepierre, M., Secretary to the Belgian Legation.
Del Valle, Senor Don, M. R. Z., Factor 10, Madrid.
Delvigne, Prof. A., Malines, Belgium.
Denis, F., Biblioth6que, Ste. Genevieve, Pai’is.
Dewick, Rev. E. S., Burnham Overy, Lynn.
Dexter, J. T., 150, Strand, W.C.
Dietz, Dr., Grand Ducal Hall of Trades, Carlsruhe.
Dinsdale, F., LL.D., F.S.A., London.
Dixon, W. H., 20, Wellington Street, Strand, W.C.
Dixon, J., 2, Portman Square, W.
Dodgson, Rev. E. L„ Oxford.
Dogn6e, EugOne M. O., Brussels.
Doll, — , Grand Ducal Library, Carlsruhe.
Donaldson, Prof., 21, Upper Bedford Place, London.
D’Orange, A., 88, Rue Royale, Tours.
Doyle, James, 54, Clifton Gardens, W.
Duplessis, G., Manchester.
Duplessis, George, Biblioth6que Imp6riale, Paris.
Dyke, Rev. W., Cirencester.
Ellacombe, Rev. H., Rectory, Clyst St. George, Devon.
Elland, Rev. W. T., Rectory, St. George, Topsham.
Ellis, Colonel, Starcross, near Exeter.
Elwes, D. C., F.S.A., South Bersted, Bognor.
Eyton, — , Birmingham.
Fergusson, J., '20, Langham Place, W.
Ferrall, W., 27, Thurloe Place, S.W.
Ferrucci, 11 Cav. Prof., Bibliotecario della R. Universita
di Pisa.
Fiorelli, G., Director of the Museum, Naples.
Forster, Prof. Ernst, Munchen, Germany.
Fortamps, F., Avenue Toison d’Or, Brussels.
Foster, P. Le Neve, Society of Arts, London, W.C.
Fowler, J. T., Winterton, near Brigg.
Francis, J., “Athenaeum” Office, 20, Wellington Street,
Strand, W.C.
Frieder, Dr., Hamburg.
Fuentes, Vicomte De la. Real Academia de los tres nobles
Artes, Madrid.
Fynmore, R. C., Blunsdon Buildings, Sandgate, Kent.
Gaisford, T., Offington, Worthing.
Galichon, Emile, Bureau de la Gazette des Beaux Arts,
Paris.
Gariel, H., Conservateur de la BibliothSque & Grenoble,
France.
Gardiner, J., “Advertiser” Office, Wisbeach, Cambridge.
Gamier, E. A., French Consulate, London.
Gaspey, ¥m., Keswick, Cumberland.
Gayangos, Pascual De, London.
Gee, J., Denbigh.
Genard, R., Biblioth6que de la Ville, Antwerp.
Gilmore, J., Portadown, Ireland.
Guignardt, R., Bibliothecaire de la Ville de Dijon.
Godwin, G., 444, West Strand, W.C.
Goulden, E. B., 40, High Street, Canterbury.
Graham, J., 5, Abercromby Place, Stirling.
Grant, Sir F., P.R.A., 27, Sussex Place, Regent’s Park, N.W.
Green, G. M., 19, Victoria Road, Kentish Town, N.W.
Green, C. J., The Library and Institute, Andover.
Griffiths, Rev. J., M.A., Oxford.
Grimaldi, W., Bexhill.
Grimm, H., Berlin.
Grisdale, J., Church Missionary College, Islington, N.
Grist, T. R., 9, Grand Road, Guernsey.
Grove, G., Crystal Palace, Sydenham.
Gruner, L., Royal Museum, Dresden.
Gruyer, Anatole, Bureau de la Gazette des Beaux Arts,
Paris.
Gutekunst, H. G., Canzleistupe, Stuttgart.
Guthrie, A., Ardrossan.
Halkett, S., Advocates’ Library, Edinburgh.
Hall, H., F.R.G.S., Hampshire House, Landport, Ports¬
mouth.
Hallam, B.A., “ Midland Counties Herald ” Office, Bir¬
mingham.
Hamer, E., Abersychan, Monmouthshire.
Hamilton, G. A., Treasury, Downing Street, S.W.
Hanns,Dr., Prague.
Harrison, Robert, London Library, 12, St. James’s Square,
S.W.
Hatfield, C. W., Hall Cross Villa, Doncaster.
Havergal, Rev. F. J., M.A., The College, Hereford.
Head, Sir E. B., Bart., K.C.B., 29, Eaton Square, S.W.
Heard and Son, Truro.
Heatley, J., “Lister Gazette ” Office, Armagh, Ireland.
Heaton, Mrs. C , Lessness Heath, S.E.
Hendriks/F., 30, Palace Gardens Terrace, Kensington, W.
Hicklin, J.,“ Patriot ” Office, Carlisle.
Hirst, J., junr., Dobcross, Saddleworth.
His-Hensler, E., Basle.
Hoare, Capt. E., 134, West Kennington Road.
Holdenecker, A., 53, St. Petersgraben, Basle.
Hope, A. J. B. Beresford, M.P., 1, Connaught Place, Hyde
Park, W.
Hopkinson, Benjamin, College Street, Keighley.
Hoff, Prof. C., University Library, Konigsberg.
Hoskyns-Abrahall, Rev. J., M.A., Coombe, near Wood-
stock.
Hotten, John Camden, 74, Piccadilly, W.
Houghton, James, Lady-bank Cottage, Wallace Town, Ayr.
Hunt, William Holman, 15, Queensborough Terrace, Ken¬
sington Gardens, W.
Husenbeth, Very Rev. F. C., Cossey, near Norwich.
Huth, H., Prince’s Gate, W.
Irvine, Rev. A., Brookville, Bray.
Irving, G. V., 5, St. Mark’s Crescent, Regent’s Park, N.W.
Jenkins, J. S., Malvern.
Jerrold, Blanchard, Reform Club, S.W.
Jewitt, L., F.S.A., The Hall, Winster, Derbyshire.
Jones, G. W., Cirencester.
Jones, J. Winter, British Museum, W.C.
Kettley, Clifford, Librarian, Army and Navy Club, S.W.
Kindt, H., Neu Strelitz, Mecklenburg-Strelitz, North
Germany.
Lacaita, Sir James, Bart,, 27, Duke Street, St. James’s,
S.W.
Lasteyrie, Le Comte F. de, 11, Quai Voltaire, Paris.
Latimer, J., “ Mercury ” Office, Bristol.
Latimer, F., Plymouth.
Layard, Rt. Hon. A. H.
Leemans, Dr. C., Leyden.
Leighton, J., F.S.A., 12, Ormonde Terrace, N.W.
Leighton, F., A.R.A., Holland Park Road, W.
Lempertz, H., Cologne.
Lenihan, M., 104, George Street, Limerick.
Lewis, Thos., 34, Mount Street, W.
Linas, Charles de, Arras.
Lock, G., 26, Lyme Street, Camden Town, N.W.
Longman, T., 39, Paternoster Row, E.C.
Longmans & Co., 39, Paternoster Row, E.C.
Low, Sampson & Co., 188, Fleet Street, E.C.
MacCarthy, J. J., 183, Great Brunswick Street, Dublin.
McDonald, J. C., Printing House Square, E.C.
Maclean, Lt.-Col., Compton House, Torquay.
Macray, J. , Taylor Institution, Oxford.
Madrazo, Pedrode, Real Academia de los tres nobles Artes,
Madrid.
Malet, W., Guernsey.
Manceau, — , Conservateur de la Bibliothfeque du Mans,
France.
Martin, J.E., Librarian , Inner Temple, E.C.
Martin, J. N. and W., “Herald” Office, Warminster.
Marsh, 1\, 34, West Hill Road, Brighton.
Marsy, A. De, Secretaire de la Society des Chartes, &c.
& Compi&gne.
Maskell, W., Athenaeum Club, S.W.
Matthieu, A., 20, Rue de Spa, Bruxelles.
Mattocks, E., 180, Mile End Road, E.
Maul, W., Independent Club, Guernsey.
Mawbey, P., “ Times ” Office, Printing House Square, E.C.
Maxwell, Sir Wm. Stirling, Bart., M.P., Keir, N.B.
Maynard, F. W., Arundel Society.
Mealy, H. A., British Museum, W.C.
Meder, L., Heidelberg.
M6reaux, Alban, 56, Rue de Lille, Paris.
Merrifield, Mrs. M. P., 2, Dorset Gardens, Brighton.
Merim^e, F., 52, Rue de Lille, Paris.
Mills, A. Houghton, Free Library, Rochdale Road,
Manchester.
Molini & Green, Messrs., 27, King William Street, Strand,
W.C.
Morel, M. A., 13, Rue Bonaparte, Paris.
Morgan, Delmar, Kensington Park Square.
Morris, M., “ Times ” Office, Printing House Square, E.C.
Muller, Professor Max, All Souls College, Oxford.
Mullins, J. D., Central Free Library, Ratcliffe Place,
Birmingham.
Mundler, O., 8, Rue de Laval, Paris.
Napier, Rt. Hon. Lord, Government House, Madras.
Neville, E., Mechanics’ Institution, Darwen.
Nieuwerkerke, Comte de, Paiais du Louvre, Paris.
Norris, G. M., Birkbeck Institution, Southampton Build¬
ings, Chancery Lane, E.C.
Northcote, Very Rev. Dr., St. Mary’s, Oscott, Birmingham.
Nourse, Prof. J. E., Librarian, United States Naval
Observatory, Washington.
Nowlen, James, Chard.
Oldfield, E., 61, Pall Mall, S.W.
Oliver, W. D., 31, Plowden Buildings, Temple, E.C.
Olmstead, L. G., LL.D., Moreau Station, New York, U.S.
Overall, W. H., Guildhall Library, E.C.
Oxford, St. Mary’s College.
Panizzi, Sir Antonio, British Museum, W.C.
Palgrave, F. T., 5, York Gate, Regent’s Park, N.W.
Papworth, Wyatt A., 13, Hart Street, Bloomsbury, W.C.
Parish, Sir Woodbine, Quarry House, St. Leonard’s-on-
Sea.
Parke, W. H., York.
Parker, James, 337, Strand, W.
Parker, J., Broad Street, Oxford.
Paulo wski. Count, 56, Rue Jacob, Paris.
Penny, W. C., Frome.
Perkins, C. C., Boston, U.S.
Petzholdt, Dr. J., Bibliothecar S.M., des Konigs, Sachsen,
Dresden.
Piscicelli-Taeggi, II Padre O., Montecassino, Italy.
Plumbe, W. A., Mansfield, Notts.
Poole, Reginald Stuart, British Museum, W.C.
Power, J., F.R.G.S., College Tei’race, Cambridge Road,
Hammersmith.
Vlll
Pryce, John, “Telegraph ” Office, Llanidloes, Mont¬
gomeryshire.
Przezdziecki, Le Comte Alex., 38, Hue de Berri, Paris.
Quaritch, B., 15, Piccadilly, W.
“ Queen,” The Editor, 346, Strand, W.C.
Bawlinson, Major-Gen. Sir H. C„ K.C.B., 1, Hill Street,
Berkeley Square, W.
Read, James, 31, Cornhill, Ipswich.
Reader, W. O., The Parade, Epsom.
Redgrave, S., 17, Hyde Park Gate, South Kensington, W.
Redgrave, G„ 18, Hyde Park Gate, W.
Reussens, E., Prof. d’Archyologie it l’Universit6
Louvain, Belgium.
Ribbans, Dr., The Laurels, Windsor.
Rix, J., M.D., St. Neot’s, Huntingdon.
Robinson, J. B., Derby.
Robinson, J. C., 16, Pelham Crescent, Brompton, S.W.
Rock, Very Rev. Dr., 17, Essex Villas, Kensington, W.
Rosny, L6on De, 15, Rue LacepCde, Paris.
Rossetti, Wm. M., 56, Euston Square, N.W.
Roth, Prof. R., Oberbibliothekar der Universitat Tubin¬
gen, Wurtemberg.
Rothschild, Baron A. de, Paris.
Ruland, Dr., Bornheim, Prankfort-on-the-Maine.
Ruskin, J., Denmark Hill, S.
Rye, W. B., British Museum, W.C.
Saavedra, Eduardo, 10, Yalverde, Madrid.
Sarazin, J., 14, Rue Michel le Comte, Paris.
Satchell, T., H. M. Customs, Coxe’s Quay, E.C.
Schiefner, A., An die Kaiserliche Academie der Wissen-
schaften, St. Petersburg.
Schmit, — , Paris.
Schneider, Friedrich, Dompraebendat, Mainz, Germany.
Schoemann, C., Stadtbibliothek Trier, Prussia.
Scott, Rev. Dr., Master of Baliol, Oxford.
Scott, W. B., 33, Elgin Road, Notting Hill, W.
S6gur, Le Vicomte de, Consul de France, Antwerp.
Semper, Professor, Zurich.
Seton, Sir B. M., Privy Council Office.
Sewell, Rev. W. H., Yaxley, Eye, Suffolk.
Sharp, J., I. A., 15, Bowman’s Place, Holloway, E.C.
Sharpe, E., M.A., The Higher Greaves, Lancaster.
Shaw, S., Andover.
Shaw, H., Southampton Row, W.C.
Shearer, R. S.,24, King St., Stirling.
Simeon, Sir J., Bart., M.P., Swainston, Isle of Wight.
Simon, Heinrich, 11, Oberwasser Strasse, Berlin.
Simpson, Rev. W. Sparrow, The Rectory, Friday Street, E.C.
Siret, A., a St. Nicolas, Flandre Orientale, Belgium.
Smith, Capt. F. M., R.A., Waltham Abbey, Essex.
Smith, W. G., “Notes and Queries ” Office, 43, Wellington
Street, Strand, W.C.
Smith, J., Newton Street, Hyde.
Sommerard du Mus6e de Cluny, Paris.
Sourdeval, — De, President de la Society d’ Agriculture, &
Tours.
Soutar, Thos., St. Catherine’s Glebe, Crieff, N.B.
Spithover, J., Piazza d’Espagna, Rome.
Spence, W. B., Palazzo Giugni, Florence.
Staelin, H., Stuttgart.
Steele, Dr. W. E., Royal Dublin Society.
Steinbeis, Dr. Centralstelle fur Gewerbe und Handel,
Stuttgart.
Stephens, F. G., 10, Hammersmith Terrace, W.
Stevenson, T. G., 22, Frederick Street, Edinburgh.
Street, G. E., A.R.A., 51, Russell Square, W.C.
Sturgis, John H., Leatherhead.
Sutton, C. W., Campfleld, Manchester.
Swainson, Rev. C., Crick, Rugby.
Sweeting, Rev. W. D„ Minster Precincts, Peterborough.
Swifte, E. L., 24, Place d’ Alton, Boulogne.
Tait, W. J., Rugby.
Taylor & Son, 22, Gold Street, Northampton.
Tasker, James, School of Art, Shrewsbury.
Thibaudeau, A. W., Tilbrook, Kimboltou, Hunts.
Thiers, L. A., Paris.
Thoms, W. J. (“N. & Q.” Office), London.
Thomas, — , Bibliotheque de la Ville, Colmar.
Thomas, Win. Cave, 49, Torrington Square, W.C.
Tiedeman, H., Singel 456, Amsterdam.
Timmins, S., Elvetham Lodge, Birmingham.
Tite, Sir William, M.P., 42, Lowndes Square, S.W.
Todd, Rev. Dr., Trinity College, Dublin.
Travers, R., St.JPatrick’s Library, Dublin.
Trelat, Mons., Ecole Central d’ Architecture, 59, Rue d’En-
fer, Paris.
Trench, T., Trinity College, Dublin.
Turpin, G. M., British Museum, W.C.
Van Lerius, T., Longue Rue Neuve, Antwerp.
Van Westrheene, T., 11, Veenlaan, The Hague, Holland.
Vernon, W. F., 2, Square, Kelso, N.B.
Vincent, J. A. C., 136, Southampton Row, W.C.
Vischer, W., BibliothCque de T University, Basle.
Vivian, C. Ennis, 41, Eccleston Square, S.W.
Vosmaer, C., Deputy Recorder of the High Court of Jus¬
tice, The Hague, Holland.
Warne, C., 45, Brunswick Road, Brighton.
Warwick, J., 3, Holland Park, Notting Hill, W.
Watkinson, fi., “Lincoln Free Press,” Spalding.
Watts, T., British Museum, W.C.
Watson, T. J., Art Union of London.
Walesby, T., 19a, Golden Square, W.
Way, Albert, Wonliam Manor, Reigate.
Weale, W. H. J., Bruges.
Weld, C. R., Literary Institution, Bath.
Western, Colonel, 12, Park Square, Regent’s Park, N.W.
Westwood, Prof. J. O., Oxford.
Wilde, G. J. de, Northampton.
W ilkins, W. W., Hampshire Grove.
Wilkinson, Sir J. Gardner, Brynfield House, Gower,
Swansea.
Williams, Rev. G., King’s College, Cambridge.
Williams, T., Newport, Monmouthshire.
Wilson, C. Heath, 29, St. Vincent’s Place, Glasgow.
Wilson, W., “ Yorkshireman’s News ” Office, Market
Weighton.
Wilson, A., 90, High Street, Paisley.
Witte, Baron J. de, Paris.
Woltmann, Dr. A., Polytechnical School, Carlsruhe.
Woodward, B. B., Windsor Castle.
Woolfe, H. D., 109, Leadenhall Street, E.C.
Wornum, R. N., National Gallery, W.C.
Wride, J., Manchester.
Wright, W. A., Trinity College, Cambridge.
Wright, F., 144, High Street, Colchester.
Wuncke, — , Mus£e Royale, Bruxelles.
Wussin, J., University Library, Vienna.
Wyatt, Sir M. Digby, F.S.A., 37, Tavistock Place, W.C.
Wynne, Rev. J. H., Edinburgh.
Yapp, G. W., Paris.
IX
UNIVERSAL CATALOGUE OF BOOKS ON ART.
The Universal Catalogue of Books on Art contains titles of books on Painting, Sculp¬
ture, Architecture ; on Mosaics, Enamels; hand- wrought utensils in all materials which
show a decorative intention ; on tombs, monuments bearing sculpture, and on decoration
of all kinds. Books on Music are not included.
Books on Archaeology, as illustrating the ideas that underlie so many decorative forms
and artistic compositions of different periods, and Books on Coins, often the sole authority
for portraiture, and even illustrative of architectural monuments, are included. To these
have been added books on Anatomy, composed for the use of artists, and works on Natural
History full and exact enough to be of use to, or likely from their character to interest
Art Students.
The mass of Art Literature consists of treatises, lectures, and essays on Art treated
theoretically ; of biographies and notices of artists ; accounts and descriptions of monu¬
ments ; and of remarks and criticisms showing the merits and defects of paintings,
sculptures, utensils, buildings, or the like, and discussing the qualities and methods of
various masters.
Thus the theory, history, and criticism, and instruction in the practice of Art form
the subject-matter of Art Literature, and the catalogue includes books in which this
matter is to be found. Much of Such matter is in the form of monographs, scattered
papers, or notices, published in the printed Transactions or Journals of Artistic,
Antiquarian, Scientific, or Literary Societies, and even Popular Newspapers. These are
sometimes valuable in the inverse ratio of their length and publicity ; sometimes the
number and consent of independent contributions throw light from their multiform
character on disputed questions. Such contributions to the cause of Art, whether large
and elaborate, or short and casual, have been catalogued as far as they could be verified,
and references have been given where required.
To these have been added Voyages and Travels, or other books containing plates of
monuments and costume, either as the only records, or as independent records, of much
that interests the Art Student.
Care has been taken to collect the titles of works on localities of special interest, or
illustrating special monuments, costumes, etc. ; and to notice copies which have been
enlarged and supplemented by collectors with plates not forming part of the original
series, when known to be in public libraries.
It has not been found easy to draw limits to the representation of the Art that has
been used to illustrate Literature. The illustrated editions of the classic poets and
favourite writers of ancient and modern literature, such as AEsop, Boccaccio, Ovid, etc.,
will, it is hoped, be found to represent fairly a succession of the best Art of this kind in
all countries, from the time of the invention of block printing to the present day.
It has not been possible, hitherto, to verify the existence of illustrations in all the
books understood to have them, or to examine their quality.
(Signed) John Hungerford Pollen,
2nd February 1870. Editor.
23820.
b
Notes and Queries, Jan. 4, ’68.
UNIVERSAL CATALOGUE OF BOOKS ON ART:
COMPREHENDING
PAINTING, SCULPTURE, ARCHITECTURE, DECORATION,
COINS, ANTIQUITIES, &c.
INTRODUCTION.
fTHHE IMPORTANCE of a Catalogue to a Library of any extent cannot well be overstated.
A Dictionary is not more necessary to a language ; and while languages are living tradi¬
tions, and may be orally acquired by the educated and the ignorant, the contents of libraries,
if large in extent, are but partially mastered by the studies of a lifetime.
Living Librarians of competent learning would be, without doubt, the best guides to
large repositories of books. If such directors could be always on the spot, and at everybody’s
command, they would infinitely surpass the written information of a book. But the vastness
of the intellectual legacy, bequeathed by the ages as they pass, the shortness of life, and the
Testless activity of human curiosity and research, defy the possibility of satisfaction from such a
source as this.
One instrument alone can supply, not indeed all that is wanted — for we should ask to
Lave all the paths of human knowledge laid out with science and method — but all that is
possible, and that instrument is a well-arranged Catalogue. With such a work in our hands,
we know at once whether a book we want is in a Library. This is the great point to ascertain,
and it is the one kind of help which Libraries can afford to enquirers ; not to save readers the
labour of study, but to give access with the least trouble and delay, to the books that they
contain.
In speaking of Catalogues, this essential point must be kept in view. The arrangement
and object of such works have been often discussed, and the method of composing particular
Catalogues has been eagerly, if not acrimoniously, attacked and defended. Very different
objects are sometimes considered as primary for Book-Catalogues, and disappointment is felt if
these are not attained. Thus the division of a General Library into classes of books under
different heads is often looked for, as well as the history and peculiarities of each book. The
11
Introduction to the Universal {Nq^m Querns,
last is the proper 'province of Bibliography ; and the former is, on a large scale, difficult,
because the literary public will never be agreed as to the method of classification, the number
of classes, or the limitations of each. The attempt to divide the books in the British Museum
after this method would hide under one class books which many readers would look for under
another. Time would thus be lost by students, while the re-arrangement of the classes would
be an endless labour. On a limited scale such Catalogues have been composed. The admirable
Catalogue of Lord Spencer’s Library, by Dibdin, may be quoted as a specimen. Such works on
special kinds of books, or on books of particular dates or periods, will remain literary acquisitions
of great value. But they are possible only on a narrow field. In a large Public Library they
would oftener perplex than guide the student, and, for general use, prove costly failures.
The one simple and sufficient object, therefore, of a Catalogue of Books is to give, in the
smallest space, a faithful description or title of each book, accurately copied from its title-page ;
the full name or names of the writer ; the account, in its own words and spelling, that the book
gives of itself, even should the writer’s name be omitted. And as Public Libraries are insti¬
tutions for reference, not for education, and presuppose students looking for special books or
authors, no scheme has been devised so simple or so easy as an alphabetical arrangement of
books under the authors’ names or assumed names, or the catch-word by which an anonymous
book is known.
Most Public Libraries in Europe have adopted this arrangement more or less methodically ;
and our own British Museum, not without full examination and discussion, and patient hearing
of every learned dissident, has done the same, and its method and regulations have been adopted
by the Smithsonian Institution in New York. The British Museum Library, as the reader well
knows, is the largest and most complete in the kingdom, though numbers of works remain still
to be acquired for it. Costly bequests, such as the collection of King George III., the Grenville
and other collections, embracing books that were the Royal property of King Henry VII. and
his successors, having been made to the Museum, its numbers are to some extent swelled by
duplicate copies, and much has had to be done to fill up gaps and deficiencies so as to represent
all branches of literature evenly. But for many years this work has been carried on with care
and intelligence. Perhaps few national collections, at the present time, though larger in number
of volumes, would prove more generally complete.
The great collections in our national seats of learning, Oxford, Cambridge and Dublin, may
be expected to be more specially devoted to ancient learning*, theology, and mathematics.
Other institutions of great public utility have Libraries, more or less special in range,
open to general students, with various degrees of restriction. Of all it may be said that, without
a Catalogue well kept up as fresh books are acquired, they would become sources of incessant
disappointment, instead of help and consolation to the student.
At a more recent date, a National Library of Art Books has been placed in the South Ken¬
sington Museum. The class of books of which it is composed is, of course, special and limited,
but within this particular range every care has been taken to make it as complete as possible.
Of this Library the general public has the fullest use : but its first object is the education of
students in the National Schools of Art. As far as can be done without impairing the useful-
Notes and Queries,
Jan. 4, ’68.
Catalogue of Boohs on Art.
111
ness of tlie collection as a Library of Reference, tbe books are allowed to circulate to tbe
Schools.
If a Catalogue is so necessary to a Collector’s Library, and to a Public Institution, how
much more to persons who can come but seldom to London and have the privilege of sending
for books to their respective Schools, and must be able to know what they can send for.
And here we come to another step in the progress of Catalogues — that of printing and
publication. If the necessity of resorting to the Catalogue when using a Public Library is
acknowledged, the advantage of possessing a printed copy of the Catalogue will be obvious ; the
reader would know beforehand whether or not the books required were really to be found in the
collection.
A Printed Catalogue has been very peremptorily demanded of the British Museum. One
was produced in 1813, and another, carried to the end of the letter A, some years later. It was
left off for the very simple reason, that it could never be kept exact. Books are daily added to
the Library, having their places all down the range of each letter, and consequently, requiring
the incessant rectification of the alphabetical order. The Bodleian Library at Oxford has pub¬
lished a Catalogue, and continued it with supplements. These are, in other words, a series of
separate Catalogues, and each is always more or less incomplete. There is but one way of
meeting such a -difficulty. It is by making the Catalogue complete, and gradually bringing the
Library up to the range of the Catalogue. By this means all the books on a given subject up to
the date of publication would be included in the Catalogue. The works in the particular Library
would be noted, and references to accessible Libraries given, as far as possible, for other books.
Librarians might use it for all similar collections, noting their own possessions in the margin.
Were such a Catalogue made for Literature generally, it would form a common standard for the
world of letters throughout the globe. It would simplify literary research, and destroy many
barriers that now impede or neutralize the efforts of students and writers all the world over.
In days of International Exhibitions and Competition, when such enormous resources are
spent on great meetings doomed to immediate and perpetual separation, it may be worth con¬
sidering whether a common and enduring benefit would not result from the united action, in
this direction, of different countries at a cost very trifling, when compared with the expenditure
found necessary for our vast international gatherings.
Be this, however, as it may, the Lords of Committee of Council on Education have deter¬
mined to supply, as far as possible, the schools and students under their direction with such a
Catalogue. The circulation of books from the National Art Library makes the printing of the
Catalogue doubly necessary, and the interest felt and expressed, not only by men well versed in
Art-literature in our own country, but by distinguished professors, collectors, and amateurs of all
ranks all over the Continent, in the prosecution of such an undertaking, shows how popular it
promises to be.
Portions of letter A, already printed and published through the columns of the Times, have
been submitted to European representatives assembled at Paris ; and the approval of the project,
both by official judges and by the Presidents and Directors of the great Art Institutions of
Europe, has been universal.
IV
Introduction.
I Notes and Queries,
t Jan. 4, ’68.
As lias been already announced, tlie publication of tlie proof-slieets of tbis Catalogue,
complete to 1867, is to be carried on in the ‘ Notes and Queries.’ The sheet will be arranged
so that the whole may be bound in one volume. To obtain additions and corrections from the
public is the special object of the circulation of these proof-sheets in their necessarily imperfect
state. The work cannot be made complete without external aid.
With this general introduction of the subject, the work will be submitted by the Department
to the public, of whom it asks nothing so much as assistance in completing the Catalogue.
As to the special scope and limits of the work itself, which is devoted to the one subject of
Art books, these will form the subject of a future notice. The great importance of a Catalogue,
and the universal character of the one about to be laid before the public, are the two first con¬
siderations for the reader in perusing the dry and, apparently, uninviting columns of such a
production.
J. H. POLLEN,
Editok.
January 1, 1868.
( Under Revision.)
< Notes and Queries,
1 Jan. 4, ’08.
CATALOGUE.
S.K . South Kensington.
B.M . British Museum.
Bodl . Bodleian.
T.C.D . Trinity Coll., Dublin.
Roy. Soc. . .Royal Society, London.
Lond. Inst. .London Institution.
B. Arch . R. 'Institute of Brit. Arch¬
itects.
Lond. Libr. London Library.
Athen . Athenaeum.
Cicogn . Count Cicognara’s Collec¬
tion.
Names of Capitals ; State Libraries in
each. A. — Accademia ; B.A. — Beaux
Arts.
A
A. (F. F.). — Ueber Landschaftsmalerei.
Ein Handbuch fair Dilettanten und Anfanger in
dieser Kunst. Yon F. F. A. 8vo. Wien, 1842.
A. (H.). — Illuminated Capitals in the Style
of the Middle Ages. (By H. A.) 8vo. London
(1859). B.M.
A. (H. W.).— Prints for Cottage Walls. A
Paper read by request at the Book Hawkers’ Union,
in Oxford (by H .W. A ,,i. e. Henry Wentworth Ac-
land). 14 pp. 8vo. Oxford and London, 1862. B.M.
A. (J. Y.). — Tales of other Days, with illus¬
trations . 1830. See Crtjikshank (George).
A. (M.). — A History of Ford Abbey, Dorset¬
shire, late in the County of Devon. 1 plate. 8vo.
London, 1846. B.M.
A. (M. B. A.). — Histoire de la Peinture en
Italie. Par M. B. A. A. (i.e. L. A. C. Bombet).
2 vols. 8vo. Paris, 1817. B.M.
A * * * * (X.). — Des Avantages de l’Esprit
d’Observation dans les Sciences et les Arts, avec
quelques remarques relatives a la physionomie. (By
X. A * * * * ) 8vo. Paris, 1809. B.M.
AA (Cornelis van der). — Atlas van de
Zeehavens der Bataafsche Bepubliek, die van
Batavia en Onrust, mitsgaders de Af beeldingen van
de haringvischerij en de walvischvangst. In kunst-
plaaten naar het leven afgebeeld door D. de Jong
en M. Sallieth, en beschreven door C. van der A.
31 plates. Fol. Amsterdam, 1805. B.M.
AA (Pieter van der). — Principum et illus-
trium quorundam virorum qui in Europa alibi-
que terrarum celebres fuerunt verse Imagines.
(Edited by P. van der Aa.) 97 plates. Fol.
Lugduni Batavorum (1710?). B.M.
AA (P. yan der). — Fuudatoris, Curatorum
et Professorum celeberrimorum, aliorumque Illus-
trium Virorum, quorum gratia, favore, cura, doctri-
naque Academia Lugduno-Batava incepit, auctaque
et ornata est, Effigies, necnon urbis, Academise
ejusque horti, templorum notabiliorumque publi-
corum aedificiorum prospectus. (Edited by P. van
derAa.) 150 plates. Fol. (1720?) B.M.
AA (P. yan der). — Effigies Virorum ac
Fceminarum illustrium, quibus in Grsecis aut Latinis
Monumentis, aliqua pars datur; . ex antiquis
Marmoribus Numismatibus Gemmisque expressse.
9 parts. Fol. Lugduni Batavorum (1724?). A
collection of 300 plates, first published with Grono-
vius’ Thesaurus, and now republished by P. van
der Aa. B.M.
AA (P. yan der). — La Galerie agreable du
Monde, oil l’on voit en un grand nombre de cartes
tres exactes, et de belles tailles-douces, les princi-
paux empires, royaumes, republiques, provinces,
villes, etc., dans les quatre parties de l’univers;
divisee en LXYI tomes. Les estampes ayant ete
dessinees sur les lieux, et gravees par Luyken,
Mulder, Goeree, Baptist, Stopendaal. Le tout mis
en ordre et execute par P. van der Aa. About
2,400 plates. Fol. Leide (1730 ?). B.M.
AA (P. van der). — leones arborum, fruti-
cum et herbarum exoticarum . ut et animalium
peregrinorum rarissimorum, tarn volatilium quam
quadrupedum ac aquatilium, in extremis oris ac
desertis Indiarum et aliis locis repertorum. 2 leaves,
and 80 plates. Oblong 4to. Lugduni Batavorum,
n.d. B.M.
ABATI (Niccolo dell’). See Abbate.
ABATI, OLIVIERI-GIORDANI (Annibale
degli). — Marmora Pisaurensia notis illustrata.
Plates. Fol. Pisauri, 1738. B.M.
ABATI, O.-G. (A. degli). — Della Fonda-
zione di Pesaro, Dissertazione ; si aggiunge una
Lettera del medesimo a Barthelemy sopra le
Medaglie Greche di Pesaro, le piu antiche Romane,
ed altre d’ Italia. 56 pp. Plates. 4to. Pesaro,
1757. B.M.
ABATI, O.-G. (A. degli). — Esame del
Bronzo Lerpiriano pubblicato dallo Spon. 50 pp.,
and a vignette. 4to. Pesaro, 1771. B.M.
ABATI, O.-G. (A. degli). — Della Zecca di
Pesaro e delle Monete Pesaresi dei secoli bassi. 64
pp., 4 plates, and a vignette. 4to. Bologna, 1773.
B.M.
1
All Communications relating to this Catalogue to he addressed to the Editor , South Kensington Museum , w.
ABA
Universal Catalogue of
Notes and Queries,
Jan. 4, ’68.
ABATI, O.-G. (A. degli). — Memorie della
Chiesa di S. Maria di Monte Granaro fuor delle
mura della Citta di Pesaro. 40 pp., and a plate.
4to. Pesaro, 1777. B.M.
ABATI, O.-Gr. (A. degli). — Memorie per
la storia della Chiesa Pesarese nel secolo XIII.
1 plate, and vignettes. 4to. Pesaro, 1779. B.M.
ABATI, O.-G. (A. degli). — Delle Bigline
Pesaresi e di un larario puerile trovato in Pesaro.
22 pp., and 4 plates. 4to. Pesaro, 1780. B.M.
ABATI, O.-G. (A. degli). — Lettera sopra
un Medaglione, non ancor osservato, di Costanzo
Sforza, Signore di Pesaro. 10 pp., and a plate.
4 to. Pesaro, 1781. B.M.
ABATI, O.-G. (A. degli). — Di alcnne
Antichita Cristiane conservate in Pesaro, nel Museo
Olivieri. 37 pp., and 10 plates. 4to. Pesaro.
1781. B.M.
ABATI, O.-G. (A. degli). — Di alcnne altre
Antichita Cristiane conservate in Pesaro, nel Museo
Olivieri. 7 pp., and 3 illustrations. 4to. Pesaro,
1784. B.M.
ABBATE (Hiccolo dell’). — Mceolo dell’
Abbate. Etude par Frederic Beiset. Facsimile of
a drawing by N. dell’ A., engraved by Leon
G-aucherel, 2 other plates, and frontispiece. 8vo.
Paris, 1859.
ABBATE (FT. dell’) . — Les Travanx d’Ulysse,
desseignez par le Sieur de Sainct Martin, de la
facon qu’ils se voyent dans la maison Boyalle de
Pontaine-bleau. Peints par le Sieur Nicolas, et
gravez en cuivre par Theodore van Thulden. Avec
le sujet et 1’ explication morale de chaque figure.
58 plates, and 5 leaves without pagination. Oblong
4 to. Paris, 1640. S.K.
A former edition. Paris, 1633.
ABBATE (NT. dell’). — L’Eneide di Virgilio,
dipinta in Scandiano dal eelebre pittore N. A., dis.
dal Giuseppe Guizzardi, inc. dal Antonio Gajani.
18 plates, engraved in outline, and portrait of N.
dell’ A. Text by G. Venturini. Imper.fol.' Modena,
1821. S.K.
ABBATE (NT. dell’). — Fregio delle Sale del
gia Palazzo Leoni, ora Marcliesini, dipinto dal
eelebre N. dell’ A., posto in litografia da Achille
Frulli. 38 lithogr. plates, and portrait of N. dell’ A.
Pol. Bologna, 1847-52.
ABBATE (FT. dell’). See Zanotti (Giam-
pietro). Le Pitture di Pellegrino Tibaldi e di N. A.
esistenti nell’ Instituto di Bologna . Plates .
1756.
ABBATE (FT. dell’). See Galvani (C.).
Le Opere di G. Mazzoni e di A Begarelli . e le
pitture eseguite nelle Sale del Palazzo dell’ illustma.
Communita di Modena da N. A., &c . 1823, &c.
ABBATE (Vincenzo de, Count). — Pina-
coteca o sia descrizione storica e critica della
Galleria di Quadri del Conte Y. de A. Small 4to.
Alba, n. d. S.K.
ABBATT (Richard). — The Principles and
Practice of Linear Perspective, divested of all diffi¬
culty. 8vo. London, 1853. B.M.
ABBOT (Henry). — The Antiquities of Rome,
comprising 24 select views of its principal Bums,
and panoramic delineation of the new City, from
the designs taken on the spot, in 1818 (by II. Ab¬
bot). Pol. London, 1820.
A B C-Buch fur kleine und grosse Kinder,
gezeichnet von Dresdner Kunstlern (Ludw. Bichter,
E. Peschel, E. Bietschel, E. Oehme, O. Wagner,
A. Ehrhardt, E. Bendemann, J. Hiibner, B. Beinick,
T. von Oer) und in Holz geschnitten von Biirkner,
Plegel, &c. Mit Erzahlungen und Liedern von B.
Beinick, und Singweisen von P. Hiller. 27 wood-
cuts. 8vo. Leipzig, 1845. 3rd edition. Leipzig
(1864).
ABCOFiTRAFACTUR, warhafftige, und
Bildnis aller Grosshertzogen, Chur- und Piirsten,
welche von 842 bis auff 1586 das Land Sachssen .
regiret haben. 35 woodcut portraits of the Grand-
dukes, -&c. of Saxony. 4to. Dresden, 1586. The
author of the text is J. Agricola. On vellum, with
beautiful illuminated woodcuts, in the Dresden
Library.
ABECEDARIO, L’, Pittorico. See Orlandi
(Pellegrini Antonio).
ABECEDARIO de P. J. Mariette... 18 51-60.
See Mariette (Pierre- Jean).
ABEILLE, L’, Italienne. Traduction fran-
9aise de E. L. de Mery. Journal des Beaux- Arts
. Paris, 1841. See Periodical Publications.
ABEKENT (Hermann). — Das Aegyptische
Museum in Berlin. Ein Yortrag. 8vo. Berlin,
1856. B.M.
ABEKEFT (Wilhelm). — Gli antichi Tempj
di Gabii ed Aricia dichiarati dal Dott. Guglielmo
A. 14 pp., and 1 plate. 8vo. Boma, 1840. B.M.
Extract from the Annali dell’ Instituto di Corri-
spondenza Archeologica, vol. xii.
ABEKEFT (W.). — Mittelitalien vor den
Zeiten romischer Herrschaft; nadi seinen Denk-
malen dargestellt. 1 1 plates. 8vo. Stuttgart und
Tubingen, 1843. B.M.
ABEL (John) . — Memorials of Queen Eleanor,
illustrated by Photography. With a short account
of their history and present condition. Edited by
J. A. 8 photographs, and 15 pp. Pol. London,
1864. S.K.
ABELA (Gioyanni Francesco). — Malta illu-
strata. Della Descrittione di Malta, Isola nel Mare
Siciliano, con le sue Antichita, ed altre notitie Libri
Quattro. Illustrations in the text, besides a frontis¬
piece and plans. Pol. Malta, 1647. B.M.
Notes and Queries,
Jan. 4, ’68.
ACK
Books on Art ( under revision).
Descriptio Melitse atque adjacentium insularum.
Latin translation of Abela’s work, by Joa. Ant.
Seinerus, in yol. xv. of Grgevius’ and Burmann’s
Thesaurus Antiquitatum et Historiarum Italise, &c.
Pol. Lugduni Batavorum. B.M.
Malta Illustrata . corretta, accresciuta, e con-
tinovata dal Conte Griovannantonio Ciantar. 2 vols.
21 plates, besides 2 frontispieces, a map, and por¬
trait of the Grand Master Pinto. Pol. Malta,
1772-80. B.M.
ABEL de PUJOL. — Explication des Pein-
tures a fresque executees par A. de P. dans la
Chapelle de S. Poch, a S. Sulpice, precedee d’une
courte notice sur ce genre de peinture. 17 pp.,
and 4 plates. 8yo. Paris, 1822.
ABEBDEEB (George, Earl of). — An In¬
quiry into the Principles of Beauty in Grecian
Architecture, with an historical view of the rise and
progress of the art in Greece. 8vo. London,
1822. S.K.
ABEBLI ( Johannes) . — Leben des Job. Aberli
yon Winterthur, Medailleur, Stein- und Stempel-
schneider. Neujahrsblatt der Kiinstler-Gesell-
schaft in Zurich fur 1853. Pol. Zurich, 1853.
ABOUT (Edmond) c — Voyage a Leavers l’Ex-
position des Beaux- Arts (Peinture et Sculpture).
8vo. Paris, 1855. S.K.
ABOUT (E.). — Bos Artistes an Salon de
1857. 8vo. Paris, 1858. S.K.
ABOUT (E.). — Salon de 1864. 8yo. Paris,
1864. S.K.
ABOUT (E.). — Salon de 1866. 8yo. Paris,
1867. S.K.
ABB AH AMS (Bicolai Christian Levin). —
Description des Manuscnts frangais du Moyen-age
de la Bibliotheque Poyale de Copenhague, precedee
d’une notice historique sur cette bibliotheque.
3 plates. 4to. Copenhague, 1844. B.M.
ABBAMOVITCH (D.). — Opisanie drew-
nostii Srbski y swetoi gori. (Description of the Ser¬
vian Antiquities in the Convents of Mount Athos.)
13 lithogr. plates. 4to. Belgrad, 1847.
ABBEGE de la Vie des pins fameux
Peintres . Par M * * *. See Argenville
(A. J. Desallier d’).
ABBEGE de la Vie des Peintres, dont les
tableaux composent la Galerie de Dresde . (By
J. A. Lehninger). 1782. See Galleries — Dresden
Gallery.
ABBIABI (Giovanni de). — Dodici de’
migliori Ornati che si trovano sparsi nella E. Citta
di Venezia. Plates. Oblong fol. A. B. A., Milan.
ABBJCHT (Johann), Psend. (i. e. Jonathan
Birch). — Divine Emblems. Embellished with etch¬
ings on copper, after the fashion of Master Prancis
Quarles. Designed and written by J. A. 13 plates.
8vo. London, 1838. B.M.
ACADEMIES. See Societies.
ACABT. — Aquarelle gouache, peinture ori¬
ental, procede de M. Acart. 36 pp., and 1 plate.
8vo. Paris, n.d.
ACEBBI (Giuseppe, de Castelgoffredo).—
Quadro della Letteratura e delle Arti d’ Italia nell’
anno 1820 ; premesso in forma di proemio nel yol.
xxi. della Biblioteca Italiana. 8vo. Milano, 1821.
B.M.
ACCOLTI (Pietro). — Lo inganno degli
occhi, prospettiva pratica ; trattato in acconcio della
Pittura. Woodcuts. Pol. Pirenze, 1625. Bodl.
ACHILLES. — Cenni su di un vaso fittile
Greco-Agrigentino rappresentante Achille, vinei-
tore di Ettore . 1828. See Politi (E.).
ACKEBMABB (Gustav Adolph). — Ordens-
buch sammtlicher in Europa bliihender und erlo-
schener Orden und Ehrenzeichen. 44 lithogr. plates.
8vo. Annaberg, 1855. B.M.
ACKEBMABB (Budolph, Publisher). — The
Depository of Arts, Literature, Commerce, Manu¬
factures, Pashions, and Politics. Coloured plates of
English Costumes of the period, designs for furni¬
ture ,&c . 1809-28. See Periodical Publica¬
tions.
ACKEBMABB (B.). — Selection of Orna¬
ments for the use of Sculptors, Painters, Carvers,
Modellers, Chasers, Embossers, &c. 3 yols. 120
plates. Pol. London, 1817-19.
ACKEBMABB (B.).— Microcosm of Lon¬
don ; or, London in Miniature. 3 vols. 104 coloured
plates ; the Architecture by A. Pugin, the Manners
and Customs by Th. Eowlandson. 4to. London
(1811). S.K.
ACKEBMABB (B.). — The History of the
Abbey Church of St. Peter’s, Westminster, its
Antiquities and Monuments. 2 vols. 70 coloured
plates. 4to. London, 1812. S.K.
The text by William Coombe, author of Dr.
Syntax’s Tours.
ACKEBMABB (B.). — A History of the
University of Oxford, its Colleges, Halls, and Public
Buildings. 2 vols. 81 coloured plates. 4to. Lon¬
don, 1814. S.K.
ACKEBMABB (B.).— A History of the
University of Cambridge, its Colleges, Halls, and
Public Buildings. 2 vols. 127 coloured plates. 4to.
London, 1815. S.K.
ACKEBMABB (B.).— History of the Col¬
leges of Winchester, Eton, and Westminster; with
the Charterhouse and the Schools of St. Paul’s,
Merchant Taylors’, Harrow, Eugby, and Christ’s
Hospital. 48 coloured plates. 4to. London, 1816.
S.K.
3
ACK
Universal Catalogue of
Notes and Queries,
Jan. 4, ;68.
ACKERMANN (R.).— A Picturesque Tour
of the English Lakes, containing a description of
the most romantic scenery of Cumberland, West¬
moreland, and Lancashire, with accounts of ancient
and modern manners and customs, and elucidations
of the history and antiquities of that part of the
country. 48 coloured views, drawn by T. H. Field¬
ing and J. Walton. Imperial 4to. London, 1821.
b S.K.
ACKERMANS (R.). — Picturesque Tour of
the Seine from Paris to the Sea, with parti culars
historical and descriptive, by M. (J.-B. Balthas.)
Sauvan ; illustrated with 24 coloured engravings from
drawings by A. Pugin and J. Gendell. Atlas 4to.
London, 1821.
ACKERMANN (R.).— History of Madeira,
with a series of 27 coloured engravings, illustrative
of the customs, manners, and occupations of its in¬
habitants. Royal 8vo. London, 1821.
ACKERMANN (R.). —Picturesque Tour
through the Oberland, in the Canton of Berne,
Switzerland. 17 coloured plates. Royal 8vo. Lon¬
don, 1823.
ACKERMANN (R.). — Picturesque Tour of
the River Thames, from the source to its mouth ;
illustrated by 24 coloured views, a map, and vignettes,
from original drawings, taken on the spot, by West-
all and Owen. Large 4to. London, 1829.
ACKERMANS (R.).— See Vidal (E. E.) —
Picturesque Illustrations of Buenos Ayres and
Montevideo . 1820.
ACKERMANN (W. A.) .—Her Portraitmaler
Sir Godfrey Kniller (Knell er), im Verhaltniss zur
Kunstbildung seiner Zeit. 12 pp. 4to. Liibeck,
1845. B.M.
ACKLAND (William). — How to take
Stereoscopic Pictures, including a detailed account
of the necessary apparatus, and . description of a
modified Collodio-albumen process. 2nd edition.
8vo. London, 1857. B.M.
3rd edition. 8vo. London, 1859. B.M.
ACL AND (Henry W entworth) . — Tlie Plains
of Troy. Illustrated by a panoramic drawing and a
map. 8vo. and fol. Oxford, 1839. B.M.
ACLAND (H. W.) and RUSKIN (John).—
The Oxford Museum. 12mo. London, 1859. S.K.
ACLAND (H. W.).— The Oxford Museum.
Remarks addressed to a Meeting of Architectural
Societies, by H. W. A. With Letters from John
Ruskin and John Phillips. 2nd edition. Plans.
12mo. Oxford, 1860. S.K.
aminations for the title of £ Associate in Arts,’ and
Certificates, for the year 1858. Also Letters from
J. Hullah, W. Lyce, J. Ruskin, and G. Richmond,
on the connexion of the Arts with general Educa¬
tion ; and selected papers relating to the West of
England examination ; with Mr. Temple’s Report.
8vo. London, 1858. S.K.
ACLAND (Th. D.).— Two Letters to George
Richmond and John Hullah, on the Arts in con¬
nexion with General Education. 8vo. London,
1857.
ACQUA (Carlo dell’). — Memoria storico-
descrittiva dell’ insigne Basilica di S. Michele Mag-
giore di Pavia. 9 plates. 4to. Pavia, 1862. S.K.
ACQUIER (Hippolyte) and COMBES
(Fbederic).- — Les Cimetieres de Paris, ouvrage his-
torique, biographique et pittoresque. Part I. 5
plates. 8vo. Paris, 1852. No more published.
B.M.
ACTON (Richard). — Souvenirs de l’ancienne
Ville de Stabies, aujourd’hui Castellamare, par R. A.
20 chromolithogr. plates from drawings by R. A.,
litliogr. by Richter. 4to. Naples, 1857-58.
ACTON (William). — A new Journal of Italy,
containing what is most remarkable of the An¬
tiquities of Rome, Savoy, and Naples. 12mo.
London, 1691. B.M.
ACUNA (Hernando de). — El Cavallero
determinado, traduzido de lengua franeesca. 20
woodcuts. 1553, &c. See La Marche (Olivier de). -
ADALBERT (Prince of Prussia). — Aus
meinem Tagebuche, 1842-43. (Travels of the
Prince A. in Brazil, &c. Privately printed.) 4to.
With atlas of 45 plates, partly coloured, in fol.
Berlin, 1847. Akad. der Kiinste, Berlin. ;
ADAM (Albrecht). — Voyage pittoresque et
militaire de Willenberg en Prusse jusqu’a Moscou,
fait en 1812, pris sur le terrain, et lithographies par
A. A. 101 plates. Fol. Munic, 1827-33. B.M.
The artist belonged to the suite of Prince Eugene
Beauharnais during the Russian campaign. |
ADAM (A.). — Studien von Pferden ver-
schiedener Ra^-e und Abkunft, nach der Natur ‘
gezeichnet von A. A. und lithographirt von dessen |
Sohne (J. Adam). 2 parts. 8 lithogr. plates. Ob- |
long fol. Stuttgart, 1841. S.K. |
I
ADAM (H.). — Anleitung zum Landscliaft- i
Zeichnen in systematischer Stufenfolge nach zusam- \
mengestellten Studien und Gegenstanden der Natur.
25 lithogr. plates. Oblong fol. Stuttgart, 1841. I
Vaudois, in a series of Views, engraved by E. Finden,
from drawings by H. D. A. Accompanied with de¬
scriptions (by him). 4to. London, 1831. B.M.
ACLAND (Thomas Dyke). — Some Account
of the origin and objects of the new Oxford Ex-
4
ADAM (Lambert Sigisbert). — Recueil de ;
Sculptures Antiques, Grecques et Romaines. 62 j
plates. Small fol. Paris, 1754. B.M. j
The same work, with another title : Collection de j
Sculptures Antiques, Grecques et Romaines, trouvees j
a Rome, dans les Ruines du Palais de Neron et j
Marius. Paris, 1755. Cicogn. \
I
ACLAND (HughDyke). — Illustrations of tlie |
Books on Art [under revision).
ADD
Notes and Queries, )
Jan. 11, ’68. J
ADAM (Robert). — Ruins of tlie Palace of
the Eniperor Diocletian at Spalatro, in Dalmatia.
61 plates, engraved by F. Bartolozzi , P. Santini, and
' others, from drawings by R. Adam and Charles Louis
Clerisseau, and 33 pp. Fol. London, 1764. S.K.
ADAM (R. and James). — The Works in
Architecture of the late Robert and James A., con¬
taining Plans, Elevations^ Sections and Details of
the principal Buildings, public and private, erected
in G-reat Britain, in the reign of George III. With
designs of every kind, both for interior and exterior
decoration. 3 vols. 125 plates, engraved by Bar¬
tolozzi, Piranesi, Zucchi, Pastorini, Cunego, etc.
Fol. London, (177 3 — ) 1822. S.K.
ADAM (Victor). — Animaux, parV. A. 25
parts. 150 lithogr. drawing copies. Fol. This
forms part of the Cours elementaire et progressif
de dessin. Paris, 1840, &c.
G-erman edition. — Allgemeine Zeichenschule.
Thier-Zeichnen, vonV. A. 4to. Carlsruhe, 1848, &c.
ADAM (V.). — Les Auimaux Historiques.
Suivis des Lettres sur l’intelligence des animaux de
C. G-. Leroy . illustr^s . par Victor Adam. 20
lithogr. plates by V. A., and wood-engravings in
the text. Royal 8vo. Paris (1861). B.M.
ADAM (William). — Vitruvius Scoticus ;
being a Collection of Plans, Elevations and Sections
of public Buildings, Noblemen’s and. Gentlemen’s
Houses in Scotland : principally from the designs
of the late W. A. 160 plates, engraved by Richard
Cooper, and others. Fol. Edinburgh (1750). S.K.
AD AMI (J. A.). — Guide de l’Academie Imp.
et Roy. des Beaux -Arts de Venise. 8vo. Venise
(1847).
ADAMS (Edward). — The Polychromatic
Ornament of Italy. Part I. (A Series of Examples
of interior Decorations of the 16th century, drawn
from the originals.) 11 chromolithogr. plates, and
frontispiece. IV. and 16 pp. text. 4to. London
(1846). - S.K.
ADAMS (G. Louis). — Recueil de Sculptures
G-othiques, dessinees et gravees a l’eau-forte, d’apres
les plus beaux monuments construits en France
depuis le Xle jusqu’au XVe siecle. 2 vols. 192
plates. 4to. Paris, 1856-59. S.K.
ADAMS (G. L.). — Decorations interieures
et Meubles des epoques Louis XIII. et Louis XIV.,
reproduits d’apres les compositions de Crispin de
Passe, Paul Vredeman de Vries, Sebastien Serlius,
Berain, Jean Marot, de Brosse, etc. 100 plates,
engraved by Adams. Small fol. Paris, 1861,
etc. S.K.
ADAMS (G. L.). — Album du Marbrier.
Collection de Cheminees et d’Ornemens d’Eglises,
relev^s et dessines par G-. L. A. 2 parts. 48
lithogr. plates. Oblong 8vo. Paris (1861 ?). S.K.
ADAMS (G. L.) and LEVEIL (J. A.).—
Album des Monumens funebres, releves et dessines
dans les principaux Cimetieres de Paris. 30 lithogr.
plates. Oblong 8vo. Paris, 1860. S.K.
ADAMS (G. L.) and LEVEIL (J. A.).—
L’ Architecture moderne. Elevations, coupes, plans
d’ ensemble, details de maisons de ville et de cam-
pagne, executes au trait et au lavis. 18 plates.
Fol. Paris, 1862. S.K.
ADAMS (G. L.) and LEVEIL (J. A.).—
Le nouveau Pere la Chaise, ou Recueil des principaux
Monumens funeraires des Cimetieres de Paris; graves
...par M. Hibon. 43 plates. 4to. Paris, n.d. S.K,
ADAMS (Rudolph). — Theorie der Farben-
harmonie und Farbengebung. Ein Lehr- und Hand-
buch fur Maler und alle Diejenigen, welche sich
im Gebiete der Farben zu bewegen haben. Coloured
plates, and illustrations in the text. 8vo. Berlin,
1865, etc.
ADAMS (Thomas, of Warkworth). — The
Poetical Works of . 1811. See Bewick (Thomas).
ADAMS (W. H. Davenport).— The History,
Topography, and Antiquities of the Isle of Wight.
Illustrated and described. 25 steel engravings and
2 lithogr. plates, besides 2 maps and a geological
diagram. 4to. London, 1856. B.M.
ADDA (Gioachimo d’). — Raccolta delle
migliori fabbriehe, monumenti e antichita di Milano.
56 plates. 4to. Milano, 1820.
ADDA (G.d’). — La Metropolitana di Milano,
e dettagli rimarcabili di questo edifizio ; publicata
ed illustrata per curadel Cav. d’A. 35 plates. Fol.
Milano, 1824. B.M.
ADDINGTON (Rev. Henry). — Some Ac¬
count of the Abbey Church of St. Peter and St.
Paul, at Dorchester, Oxfordshire. Plates, and
illustrations in the text. 8vo. Oxford, 1845. S.K.
The same. Re-issue, with additional notes, and a
short account of the restoration of the north aisle,
by W. E. Macfarlane. 4to. Oxford and London,
1860. B.M.
ADDINGTON (Rev. H. ) . — Bedfordshire.
(By H. A.) In “The Ecclesiastical and Archi¬
tectural Topography of England.” . 1848, etc.
ADDISON (Charles Greenstreet) . — The
Temple Church. Plates. 8vo. London, 1843. S.K.
ADDISON (Joseph). — Dialogues upon the
Usefulness of Ancient Medals, especially in relation
to the Latin and Greek Poets. 12mo. London,
1726.
Italian translation. — Della utilita delle antiche
medaglie dialoghi novissimamente recati dall’
idioma Inglese. 8vo. Bologna, 1760. Bodl.
Spanish translation. — Dialogos sobre la utilidad
de las medallas antiguas ; traducida por Don Pedro
Alonso O’Crouley. A1 fin va la deseripeion del
Museo del traductor. 4to. Madrid, 1795. B.M.
Dialogues sur l’utilite des anciennes medailles;
avec des remarques par Edward Gibbon (traduites
de l’Anglois). In Traites sur l’Allegorie, Vol. II.
B.M.
c
5
ADD
Universal Catalogue of
Notes and Queries,
Jan. 11, ’68.
ADDISON (J.). — Essays on Taste, and tlie
Pleasures of the Imagination. From the Spectator.
8vo. London, 1834. S.K.
ADDISON (J.).— Sir Roger de Coverley.
By the Spectator (i.e. J. A., assisted by Sir R. Steele
and E. Budgell). The notes and 'illustrations by
W. H. Wills. 12 wood-engravings by John Thomp¬
son, from designs by Frederick Tayler. 8vo.
London, 1850. B.M. Also, London, 1854.
ADELUNG (Friedrich yon). — Die Kors-
sun’schen Thiiren in der Kathedralkirche zur
heiligen Sophia in Novgorod, beschrieben und
erlautert. 1 copper and 8 lithogr. plates. 4to.
Berlin, 1823. S.K.
ADHEMAR (Joseph Alphonse). — Traite de
Perspective a l’usage des artistes. 8vo., and Atlas
of plates, fol. Paris, 1836. B.M.
2nd edition. 8vo., and Atlas of 62 plates, fol.
Paris, 1848.
Traite de Perspective lineaire. 3rd edition. 8vo.,
and Atlas of 81 plates, fol. Paris, 1860.
ADHEMAR (J. A.)„ — Traite des Ombres.
8vo., and Atlas of plates, fol. Paris, 1840. B.M.
Ombres; theorie des teintes etdes points brilliants,
perspectives cavalieres et isometriques. 2nd edi¬
tion. 8vo., and Atlas of 40 plates, fol. Paris,
1852.
ADHEMAR (J. A.). — Beaux- Arts et Artistes.
12mo. Paris, 1861. B.M.
ADIMARI (Alessandro). — Esequie dell’
illustriss. et eccell. Principe D. Francesco Medici
celebrate dal Serenissimo Cosimo II., Gr. D. di
Toscana IV., descritte da A. A. 22 plates, besides
the portrait of Franc. Medici, and frontispiece.
4to. Firenze, 1614. Cicogn.
ADIMARI (Raffaelle). — SitoRiminese, ove
si tratta della Citta e sue parti, e in particolare di
tutte le chiese, anti chita, etc. 2 woodcuts. 4to.
Brescia, 1616. B.M.
ADLER (F.). . — Mittelalterliche Backstein-
Bauwerlce des Preussischen Staates, gesammelt und
herausgegeben von F. A. Parts 1-8. 80 plates, and
woodcut illustrations in the text. Fol. Berlin,
1860-65. (In progress.) S.K.
ADLER (F.). — DieBaugeschiclit 8 yon Berlin.
Vortrag, gehalten . 1861. 8vo. Berlin, 1861.
B.M.
ADLER (F.). — Andreas Scbliiter’s Leben
und Werke. Vortrag, gehalten . 1862. 8vo.
Berlin, 1862.
ADLER (Jacob Georg Christian). — Aus-
fiihrliche Beschreibung der Stadt Rom. Plates.
4 to. Altona, 1781. B.M.
ADOLPHUS (John). — Tiie British Cabinet,
containing Portraits of illustrious Personages, en¬
graved from original pictures ; with biographical
memoirs by J. A. 2 vols. 50 portraits, engraved
by Harding. 4to. London, 1799-1800. B.M.
6
ADORNI (Giuseppe). — Su la Pittura, versi
sciolti. 8vo. Parma, 1813. ' Cicogn.
ADORNI (Giuseppe). — Breve Trattato della
Vita di Rafaele Mota, regiano, pittore famosissimo.
Portrait. 8vo. Parma, 1850. A. B. A., Milan.
ADRIANI (Giovanni Battista). — Lettera a
Gr. Vasari nella quale^si racconta i nomi e 1’ opere
de’ piu eccellenti artefiei antichi. In Raccolta
artistica, vol. i., 1846. B.M.
ADRICHOMIUS (Cheistianus). — Urbis
Hierosolymm (Christi tempore) et suburbanorum
ejus descriptio. 8vo. Colonise Agrippinse, 1588.
Bodl.
Another edition. 8vo. Colonise Agrippinse, 1592.
B.M.
A briefe Description of Hierusalem, and of the
suburbs thereof, as it florished in the time of
Christ. Translated out of Latin into English by
Thomas Tymme. 4to. London, 1595. B.M.
A Description and Explanation- of 268 Places in
Jerusalem. Translated by T. T (ymrae). Reviewed,
and in many places rectified according to the Holy
Scriptures . by H. Jessey. 4to. London, 1654.
' B.M.
The same, translated into Italian by P.F.Toccolo.
Breve descrittione della Citta di Grierusalemme, &c.
Plates. 8vo. Verona, 1590. B.M.
Another edition. Aggiontovi di nuovo un trattato
de S. L. Arrivabene toecante le parti piu essentiali
di Terra Santa. 2 parts. Svo. Verona, 1592. B.M.
ADRICHOMIUS (Chr.).— Theatrnm Terra?
Sanctse et Biblicarum Historiarum. Plates. Fol.
Colonise Agrippinse, 1590. Bodl.
Other editions : 1593. — 1600. — 1613. — 1628. All
printed at Cologne, in fol., and all in the British
Museum.
ADUNANZA tennia dagli Arcadi in morte ;
dal Cav. Antonio Raffaele Mengs . 1780. See ;
Mbngs.
ADYIS FIDELLE. See Avis.
AEDO Y GALLART (Diego).— Yiaje del |
Infante Cardenal Don Fernando, de Austria, desde I
12. de Abril 1632, que salio de Madrid con su j
Magestad D. Felipe IV. su hermano para la<pudad f
de Barcelona, hasta 4. de Noviembre de 1634, que j
entro en la de Bruselas. 3 plates, besides an en- j
graved title-page from a design by Rubens. 4to. |
Amberes, 1635. B.M. j
French translation, by Jules Chiffiet. The same
plates. 4to. Anvers, 1635. B.M.
PEHRENLESE auf dem Felde der Kunst ;
eine ausfiihrliche Beschreibung von Originalhand-
zeichnungen und Nadelarbeiten der Maler, Kupfer-
stichen und in Holz geschnittenen AVerken. (By j
Johann August G-ottlob Weigel.) 3 parts. 2 j
lithogr. plates. Svo. Leipzig, 1836-45. B.M. ;
AESOP. — illustrated editions, printed ini
Italy, G-ermany, in the Netherlands, in France,!
Spain, and England : j
Notes and Queries, 7.
Jan. 11, ’68. )
Books on Art [under revision).
MB
ESOPUS MORALISATUS. A selection
from iEsop’s Tables, Latin, with Italian translation
by Accio Znchi, in two sonnets, a “ sonetto mate-
riale,” and a “ sonetto morale,” attached to each
fable. On the first leaf a woodcut of iEsop, on the
verso a sonnet, beginning,
“(S) Api chio son Esopo o tu lettore;”
followed by these two verses,
“ Da Giovanni aluise et da compagni sui
Con diligentia bene impresso fui.”
66 woodcuts, besides the frontispiece. 4to. Yeronae
(Giovanni Alvisi), 1479. B.M.
AESOP. — 41 Woodcuts to tlie AEsopus mo-
ralisatus, published at Yerona, in 1479. (With fac¬
simile of the frontispiece, and another of a cut at
the end of the book.) 4to. (Yerona, G. Alvisi,
1479.) B.M.
AESOP. — Begin (on the verso of page 2) Accii
Zuchi . in iEsopi Eabulas interpretatio per
rhytmos in libellum Zucharinum inscriptum con-
texta foeliciter incipit. In Italian. Without pa¬
gination. 99 leaves, and 67 woodcuts. 4to. Brixie
(i.e. Brescia) per Boninum de Boninis, 1487. The
title is preceded by an Italian poem (on page 1
verso) and a woodcut (page 2 recto). B.M.
AESOP. — AEsopus moralisatus. In Latin
and Italian. The Italian version, by Francisco del
Tuppo, in prose, with an allegorical, moral, and
historical comment (Tropologia, Allegoria, Exem-
plum). Without signatures, catchwords, and pa¬
gination ; beginning with an Italian letter, Francisco
del Tuppo Neapolitano alio Elustrissimo Honorato
de Aragonia Gaitano, Conte de Fundi. 89 wood-
cuts. Fol. Neapoli (Matteo Moravo), 1485. B.M.
AESOP. — Vita Esopi. In Latin and Italian,
translated by Francisco del Tuppo. 23 woodcuts,
and frontispiece. 4to. Yenetiis (per Manfredum
de Montefarato), 1493. B.M.
AESOP. — Yita di Esopo Frigio, prudente &
faceto favolatore. Tradotta dal S. Conte Giulio
Landi. Alla quale di nuovo sono aggiunte leFavole
del medesimo Esopo, con molte altre d’alcuni elevati
ingegni, &c. Woodcuts. 16mo. Yinegia, 1588. B.M.
A former edition, with woodcuts. 1 6mo. Y enetia,
1575.
Also, Yenetia, 1606. Bodl.
AESOP. — Le quattrocento Eavole di Esopo
. Illustrate con figure belle, & grandi, tratte dal
naturale. Nuovamente ristampate, &c. Wood-
cuts. 4to. Yenetia, 1607. B.M.
AESOP. — Yita Esopi fabulatoris clarissimi e
greco latina per Bimicium facta ad reverendissimu
patrem dominu Anthoniu tituli sancti Chrisogord
presbiterum Cardinalem. 129 leaves. Woodcuts.
Fol. n. p. n. d. (Augsburg.) B.M.
AESOP. — AEsopi vita et fabulse, cum fabulis
Aviani, ac Doligami, Aldefonsi, Poggii facetiis. In
Latin and German. At the end : Geendet saliglich
von Johanne Zeiner zu vim (before 1480). 27 5
leaves. Woodcuts. Small fol. Without signatures,
catchwords, and pagination. Wolfenbiittel Libr.
AESOP. — * Das leben des hocbberiihmten
fabeltiehters Esopi aus kriechischer zungen in latein
durch Bimicium gemacht . und mer etlich der
fabeln Aviani uh schimpfreden poggy und anderer.
Woodcuts. Fol. n.p.n.d. (Augsburg, A. Keller,
about 1483.)
AESOP. - — Esopus der hochberiim.pt fabel-
tichter mit etlichen zugelegten fabeln Bimicii und
Aviani, und der histori sigismunde der tochter des
fursten tancredi, etc. Woodcuts. Fol. Augspurg
(Anthon. Sorg.), 1483.
Other editions : 1485.— 1487.— 1491.— 1496.—
1498. — 1504. All printed at Augsburg, in folio,
and with woodcuts. The edition of 1498 in the
Dresden Library.
AESOP. — Esopus leben und Eabeln, mit
sampt den fabeln Aniani (sic), Adelfonsi, und et¬
lichen schimpffreden Pogii. Darzu ausszuge sehoner
fabeln und exempeln S. Brant. Woodcuts. 4to.
Friburg im Brissgaw, 1545. B.M.
AESOP. — Esopus Leben und Eabeln : mit
sampt den Fabeln Aniani: Adelfonsi und etlichen
schimpffreden Pogii. Darzu ussziige sehoner Fabeln
uh Exempeln Doctors S. Brant . Woodcuts. 4to.
Friburg im Brissgaw (Steph. Graff), 1555. B.M.
AESOP. — Der gantze Lebr- uh Sinreiche
Fabeldichter Esopus : Das ist, Das gantze Leben
unnd Fabeln Esopi: Samt einem Anhang der Fa¬
beln Aniani, Adelfonsi, uh etlicher Sehimpff-Beden
Pogii : Auch Aussziigen sehoner Fabeln und Ex¬
empeln . S. Brands. Alles mit schonen Figuren zu
besserer Einbildung in Druck gegeben. 8vo. Basel,
1676. B.M.
AESOP. — AEsopi Eabulae iconibus Jo. Ger-
mershemii (i.e., Johann Posthius von Germersheim)
illustratse, in deutsche Beime gebracht von Hartm.
Schopper. Woodcuts. 8vo. Franckfurt am Mayn,
1566.
AESOP. — 49 Eabeln, so mebrer tbeils auss
Esopo gezogen . in gute Bey men verfasset .
und mit schonen Figuren gezieret . durch Erasm.
Alberum. Woodcuts by Virgilius Solis. 8vo.
Franckfurt a. M. (Feyerabend), 1579.
Dresden Libr.
AESOP. — Erneuerter Esopus : Das ist : Das
gantze Leben und Fabeln Esopi, so ihme pflegen
zugeeignet werden (aus Latein von H. Steinhowel
geteutschet). Alles klarlich und nutzlich zusammen
getragen, und anjetzo an vielen Orten verbessert.
Zuvor niemals also gedruckt. 114 woodcuts by
Virg. Solis. 8vo. (Nuremberg, 1650 ?) B.M.
AESOP. — Eranc. Joseph! Desbillons Eabulee
JEsopise, curis posterioribus omnes fere emendatae ;
accesserunt plus quam CLXX. novae ; turn etiam
observationes, grammaticae praesertim, complures, et
index copiosus : nec desunt expressae ex aere inciso
hominum ac pecudum figurae elegantes. 2 vols.
Plates by Egid Yerhelst. 8vo. Mannhemii, 1768.
B.M.
5th edition. 12mo. Parisiis, 1769. B.M.
6th edition. 12mo. Parisiis, 1778. B.M.
7
ES
Universal Catalogue of
j Notes and Queries,
( Jan. 11, ’68.
ESOP. — Die bistorien ende fabulen van
Esopus die leerlic wonderlick eh seer ghenoechlick
syn. 100 leaves, without pagination or catchwords.
Numerous woodcut illustrations. Eol. Delft (Hen-
rick eckert van homberch), 1498. B.M.
ESOP. — Fabulge Esopi, graece et latine
. accedit Ranarum et Murium pugna. Wood- j
cuts by Christoph van Sichem, the younger. 8vo. j
Amstelodami (J. Jarisson), 1659.
ESOP. — Les Fables de Esope translatees
de latin en francoys . Par reverend docteur en
theologie frere Julien (Macho) des augustins de
Lyon. Woodcuts. Fol. Lyon sur le rosne (par
maistre Mathis hucz [sic] et maistre Jehan Scha-
beller), 1484. An imperfect copy in the Bibl. Im-
periale, Paris.
Also, Pol. Lyon surle rosne (par maistre Mathis
husz), 1486. Woodcuts.
ESOP. — Les subtilles fables de Esope. Ayec
celles de avie. de alfonce. et de poge florentin. (trans¬
late de latin en francois par reverend . docteur
en theologie frere julien [Macho] des augustins de
lyon). 107 woodcuts, besides the figure of AEsop
on the verso of the title-page. 4to. Pierre Ma-
reschal et Bernabe Chaussard. (Lyon, 1499?)
“ The title of this copy is in blade ink, and
although the volume seems perfect, it has neither
date nor place. The names of the printers occur in
their device on the title-page. Brunet describes an
edition by these printers of the same date, but
having the title in red ink and a colophon.” B.M.
-ESOP. — Les snbtilles fables de esope ayec
celles de aviani de alfonce et de poge florentin
(translateez de latin en fracois par . frere julien
[Macho] des augustins de lyon). 72 leaves. 116
woodcuts, besides the figure of iEsop on the recto
and verso of the title-page. Pol. n. p. n. d. B.M..
The woodcuts are the same as in the preceding
edition, although fewer in number.
ESOP. — Les Fables du tres ancien Esope
phrigien, premierement escriptes en grec, et depuis
mises en rithme franchise (by Gilles Corrozet).
Woodcuts. 8vo. (Paris) De l’imprimerie de Denys
Janot, 1544.
A former edition. 8vo. Paris (Janot), 1542.
Woodcuts.
ESOP. — Les Fables d’Esope, mises en rimes
fraiKjoises, avec la vie d’Esope, par Ant. du Moulin.
Woodcuts. 16mo. Lyon (Jean de Tournes),
1549.
Also, 16mo. Lyon, 1551. — 16mo. Paris, 1567. —
16mo. Rouen, 1578.-~.16mo. Lyon, 1570, and 1583.
Woodcuts.
ESOP. — Esbatement moral, des Animanx.
Plates by Philippe Halle. Small 4to. Anvers,
1578. SK
8
ESOP. — Fabulee Esopicse . Woodcuts.
16mo. Lugduni (apud Joan. Tornsesium), 1579.
B.M.
ESOP. — Esopi Phrygis Fabube, elegantis-
simis iconibus illustratse. Cum Latina versione,
Graeco textui adiuncta. Accesserunt . leones quae
in vita AEsopi desiderabantur. Woodcuts. 16mo.
Lugduni, 1609. B.M.
Another edition. The same cuts. 16mo. Lug¬
duni, 1614. B.M.
ESOP. — Les Fables et la Vie d’Esope, nou-
vellement enrichies de plusieurs figures. 16mo.
Anvers (Plan tin), 1593. B.M.
ESOP.— Fables diyerses, tirees d’Esope et
d’autres Auteurs, avec des explications, par R. D. F.
(Raphael du Fresne). 140 engravings by Gilles
Sadeler. 4to. Paris, 1659.
Other editions, with the same plates, but dif¬
ferently arranged: 4to. Paris, 1689. — Bodl. 4to.
Paris, 1743.
The plates by Gilles (Egidius) Sadeler appeared
previously in the “ Theatrum morum. Artliche ge-
sprach der Thier mit wahren historien den menschen
zur lehr.” 4to. Prag, 1608.
ESOP. — Les Fables d’Esope Pbrygien. Tra¬
duction nouvelle, illustree de Discours moraux, phi-
losophiques et politiques, par J. Baudoin. Avec les
figures en taille douce. 2 parts. 118 plates. 8vo.
Rouen, 1660. With a second title-page, engraved.
B.M.
Also, 8vo. Rouen, 1665. Bodl.
ESOP. — Fables d’Esope en Quatrains (trad.
par Jean Benserade) . Woodcuts (221 ?) by Pierre
le Sueur. 8vo. Paris, 1678.
ESOP. — Les Fables d’Esope Pbrygien, ayec
celles de Philelphe, Traduction nouvelle, enrichie
de Discours moraux et liistoriques . Par Mr. de
Bellegarde. 2 vols. Plates. 8vo. Utrecht, 1734.
B.M.
ESOP. — Esope en belle bumeur, ou la der-
niere traduction de ses fables, en prose et en vers
(par J. Brusle). 2 parts. Vignettes. Small 8vo.
Bruxelles, 1700. Dresden Libr.
ESOP. — Libro del Ysopo famoso fabulador
historiado en romace. Numerous woodcuts. Fol.
Burgos '(por Fabrique Aleman de Basilea), 1496.
Bibl. Imperiale, Paris.
Other editions :
Libro del sabio & clarissimo fabulador ysopo
hystoriado & annotado. Woodcuts. Fol. Sevilla
(Jacobo Cromberger, aleman), 1526. B.M.
Also, Fol. Sevilla (J. Cromberger), 1533. Wood-
cuts.
Libro del sabio y clarissimo fabulador Ysopo : hys¬
toriado y annotado. 71 leaves. Woodcuts. Fol.
Toledo (Juan de Ayala), 1547. B.M.
Also, Fol. Sevilla (Sebastian Trugillo), 1562.
Woodcuts. B.M.
4to. Sevilla, 1571. Woodcuts.
Notes and Queries
Jan. 18, ’68.
Boohs on Art ( under revision).
AFF
' ESOP. — The first English version of Esop’s
Fables, containing also the Fables of Avianus, Al-
defonsus, and Poggius. Woodcuts. Fol. West-
mynstre, 1484. ‘Here begynneth the book of the
subtyl historyes and Fables of Esope whiche were
translated out of Frensshe into Englisshe, by Wil¬
liam Caxton.’ . At the end, * Emprynted by me
William Caxton at Westmynstre in thabbey and
finisshed the xxvi daye of marche the yere of our
£ lorde, M.CCCC.LXXXIIII.’ 142 numbered leaves
with signatures. Leaf 1, a woodcut of AEsop. B.M.
AESOP. — Eabule Esopi cum eoinmento. (The
AEsopus moralisatus, with a prose commentary.) 4to.
London (Wynkyn de Worde), 1503. Sign. A.F.
but no pagination. On the title-page is a woodcut
of a schoolmaster and three scholars, on the last
page the device of Wynkyn de Worde. B.M.
ESOP. — The Fables of Esop paraphras’d
in verse, and adorn’d with sculpture. By John
Ogilby. Plates by Wenceslaus Hollar. 4to. Lon¬
don, 1651. B.M.
Other editions : Fol. London, 1665. The plates
mostly by Hollar. Bodl. — 2 parts. 148 plates. Fol.
London, 1668. B.M. — 2vols. 8vo. London, 1672-73.
Bodl.
ESOP. — Esop’s Fables, with his Life, in
English, French and Latin ; the English by Th.
Philipott; the French and Latin by Rob. Codring-
ton. Illustrated with 112 sculptures by Francis
Barlow. Fol. London, 1666. B.M.
Another edition. Fol. London, 1687- B.M.
To this edition are added 31 new figures represen¬
ting the life of AEsop, by F. Barlow.
Another edition. Fol. London, 1703. B.M.
AESOP. — AEsop’s Fables, in English and
Latin interlineary. (By John Locke.) With sculp¬
tures. 8vo. London, 1703. B.M.
ESOP. — Esop’s Fables . a new transla¬
tion, by Jos. Jackson, with cuts. 8vo. London,
1708. Bodl.
ESOP. — Fables of Esop and others, newly
done into English. With an application to each
Fable. (Edited by Samuel Croxall.) 196 wood-
cuts, and frontispiece. 8vo. London, 1722. B.M.
9th edition. The same cuts. 8vo. London,
1770. B.M.
ESOP. — The Fables of AEsop . with 112
engravings by Bromley, Landseer, &c. 2 vols.
Royal 8vo. London, 1793. B.M.
ESOP. — Esop’s Fables, embellished with
111 elegant engravings. (With Sam. Croxall’s pre¬
face.) 12mo. London (1797). B.M.
ESOP. — The Fables of Esop and others,
with designs on wood by Thomas Bewick. 8vo.
Newcastle, 1818. B.M.
Another edition. 8vo. Newcastle, 1823. Bodl.
ESOP.- — The Beauties of Esop and other
Fabulists ; being a selection of Fables selected from \
AEsop, Dodsley, Gay, &c. Adorned with cuts by
Th. Bewick . 3rd edition. 12mo. London, 1822.
B.M.
ESOP. — -Esop in rhyme, with some ori¬
ginals. By Jefferys Taylor. With an engraving
to each fable. 12mo. London, 1820. B.M.
ESOP.— Esop’s Fables. With upwards of 150
emblematical devices. London, 1821. B.M.
ESOP.— Fables of Esop and others*: trans¬
lated into English ; with instructive applications,
and a print before each fable. By S. Croxall .
24th edition. 12mo. London, 1836. B.M.
ESOP. — Esop’s Fables ; a new version,
chiefly from original sources. By the Rev. T. James.
With more than 100 illustrations, designed by John
Tenniel. 8vo. London, 1848. S.K.
Also: London, 1858. B.M.
ESOP.— The Fables of Esop and others
translated into Human Nature. Designed' and drawn
on the wood by C. H. Bennett, engraved by Swain.
4to. London, 1858. B.M.
ESOP. — Esop’s Fables. Croxall’s Trans¬
lation ; with Morals and Applications by the Rev.
G. F. Townsend. 110 wood engravings. 8vo.
London, 1866.
ESOP. — Esop’s Fables. A new edition.
Edited by Edward Garrett. 100 illustrations by
Wolf, Zwecker, and Dalziel. 16mo. London, 1867.
ESOP. — The Fables of Esop : with (60)
illustrations by Henry L. Stephens, lithographed by
Julius Bien. New York, 1867.
ESOP. — Ezopische Fabelen van Fedrus
. In Nederduitsch Dicht vertaelt . door D.
van Hoogstraten . 1704. See Phxedrus.
ESOPUS van EUROP A.— Satirical Fables,
in prose and verse, chiefly against Louis XIV. of
France, with 40 caricatures by Romain de Hooghe.
4to. Haag, 1701.
Reprinted in 1739, under the title, Ezopus in
Europa.
AETZ-KUNTST. — Kurzgefasste Abhand-
lung iiber die Aetz-Kunst . 1790. See Etching.
AFBEELDIN GEN der Fransche Dragien.
See Costumes.
AFBEELDINGEX der Graven en Gravin-
nen van Holland. See Holland.
AFFO (Ireneo). — Delle Zeeche e Monete di
tutti i Principe di Casa Gonzaga che fuori di Man-
toya signor eggiarono. Plates. Fol. Bologna, 1782.
AFFO (I.). — La Zecca e Moneta Parmigiana
illustrata ; opera di annotazioni accresciuta, ornata
colla intera serie delle medaglie de’ duchi e pfcincipi
di Parma, e data in luce da G. A. Zanetti. Fol.
Parma, 1788. B.M.
AFFO (I.). — Yita del graziosissimo Pittore
Francesco Mazzola, detto II Parmigianino. 4to.
Parma, 1784. S.K.
n
9
Universal Catalogue of
f Notes and Queries,
\ Jan. 18, ’68..
AFF
AFFO (I.). — II Parmigiano, servitor di
Piazza. Ovvero dialoghi di Frombola. 8vo. Parma,
1796. Cicogn.
AFFO (I.). — Ragionamento sopra nna stanza
dipinta da Correggio . in Parma. 1794. See
Correggio.
AGARD (Antoine, 1 Maistre Orfevre et An-
tiquaire de la yille d’ Arles en Provence’). — Discours
et Roole (rolle) des Medailles et autres antiquitez
tant en pierreries, gravures, qu’en relief . plu-
sieurs figures et statues de bronze antiques, avec
autres statues de terre cuites a l’Egyptienne, et plu-
sieurs rares sfntiquitez . dans le Cabinet d’A. A.
137 pp. 12mo. Paris, 1611. B.M. ;
AGINCOURT(Jean-Baptiste Louis Georges j
Seroux d’). — Histoire de l’Art par les Monumens, j
depuis sa decadence au I Ye siecle jusqu’a son re-
nouvellement au XYIe. 6 vols. 325 plates. Pol.
Paris, (1811— ) 1823. S.K. I
Italian translations. — 1. Storia dell’ Arte dimo-
strata co’ monumenti, etc. (By Stefano Ticozzi.) 6
vols. 8vo. Prato, 1826-30. Plates. 3 vols., folio.
2. Storia dell’ Arte col mezzo dei monumenti .
con aggiunte Italiane. 6 vols. Fol. Mantova,
1841. B.M.
German translation. — Sammlung von Denkma-
lern der Architectur, Sculptur und Malerei, etc. Re-
vidirt von A. F. von Quast. 3 vols. 4to. Berlin,
1840. 328 plates (3,335 subjects), folio. B.M.
Re-issue, with new title-page. Frankfurt am
Main, n.d.
English translation. — History of Art by its Mo¬
numents, &c. 3 vols. 328 plates. Fol. London,
1847. S.K.
AGHSTCOURT (J.-B. L. G. Seroux d’).—
Recueil de Fragmens de Sculpture antique en terre
cuite. 39 plates. 4to. Paris, 1814. S.K.
AGINCOURT (J.-B. L. G. Seroux d’).—
See Dumesnil (J.), Histoire des plus celebres Ama¬
teurs Fra^ais, etc. Vol. 3.
AGLIETTI (Francesco). — Elogio dei Bel¬
lini. In Orazioni reeitate nella distribuzione an¬
nuals cV premi nella Veneta Accademia di Belle
Arti in Venezia. (1808-10). Cicogn.
AGLIO (Augustine). — A Collection of Capi¬
tals and Friezes, Roses, Entablatures, &c., drawn
from the Antique. 4to. London, 1820.
AGLIO (A.). — Sketches of the interior and
temporary Decorations in Woolley Hall, Yorkshire ;
drawn, painted and etched by A. A. Fol. London,
1821. B.M.
AGLIO (A.). — Studies of various Trees and
Forest Scenery, drawn from nature. Hos. I-II. Fol.
London, 1831. B.M.
AGLIO (A.). — Antiquities of Mexico .
illustrated by upwards of one thousand plates, accu¬
rately copied from the originals, by A. A . 1830,
&c. See Kingsborough (Edward, Viscount).
AGLIO (Giuseppe). — Le pitture e le sculture
della citta di Cremona. 8vo. Cremona, 1794. I
10
AGLIONBY (William). — Painting illus¬
trated in Three Diallogues, containing some choice
Observations upon the Art ; together with the Lives
of the most eminent Painters, from Cimabue to the
time of Raphael and Michael Angelo. With an ex¬
planation of the difficult Terms. 4to. London,
1685. S.K.
The same with title, Choice Observations upon the
Art of Painting ; together with Vasari’s Lives of the
most eminent Painters. 4to. London, 1719. Bodl.
AGNELLI (Jacopo). — Galleria di Pitture
dell’ . Cardinale Tommaso Ruffo, Vescovo di
Palestrina, e di Ferrara, etc. Rime, e prose del
Dott. J. A. 8vo. Ferrara, 1734. S.K.
AGNETHLER (Michael Gottlieb).— Be-
schreibung des Schulzischen Miinzkabinets . mit
kurzen Anmerkungen begleitet. 4 parts. 4to.
Halle, 1750-52. Bodl.
AGNEW (H. C.). — A Letter from Alexan¬
dria on the evidence of the practical application of
the quadrature of the circle in the configuration of
the great Pyramids of Gizeh. 4to. London, 1838.
B.M.
AGOSTINI (Lionardo). — LeGemme antiche
figurate. 2 parts. 4to. Roma, 1657(-1669). With
annotations by G. P. Bellori. The plates designed
and engraved by Giovanni Battista Galestruzzi.
The 1st part contains 214 plates, besides a frontis¬
piece and portrait of the author ; the 2nd part, pub¬
lished in 1669, 53 plates. Bodl.
2nd edition. 2 parts. 4to. Roma, 1686. S.K.
Latin translation, by Jacob Gronovius.- — Gemmse
et Sculpturse Antiquee, etc. 2 parts. 265 plates,
engraved by Abraham Blooteling. 4to. Amstelo-
dami, 1685. B.M.
Another edition. 2 parts. 269 plates. 4to.
Franequerse, 1694. S.K.
AGOUB (Joseph). — Coup d’oeil sur l’Egypte
ancienne et moderne ; ou, analyse raisonnee du grand
ouvrage de la description de l’Egypte, publie par les
savans qui ont accompagne 1’ expedition Fran^aise
dans ce pays. 8vo. Paris, 1822. B.M.
AGRETTI (Giambattista) . — Testimonianze
e confronti sul Tempio di Marte in Todi. 1 plate.
4to. Perugia, 1818. B.M.
AGRICOLA (Filippo). — Alcune osserva-
zioni artistiche fatte in occasione di aver tolto via
l’ingombro della polvere che offuscava i famosi di-
pinti Raffaello nelle Camere Vaticane. 4to. Roma,
1839. A. B. A., Milan.
AGRICOLA (Georg). — Georgii Agricoke de
Re Mettallica Libri XII. Quibus officia, instrumenta,
machinse, ac omnia denique ad metallicam spectan-
tia, non modo luculentissime describuntur, sed et
per effigies, suis locis insertas, adjunctis Latinis.
Germanisque appellationibus itaob oculos ponuntur,
ut clarius tradi non possint. Ejusdem de Animan-
tibus subterraneis liber, ab Auctore recognitus.
Xumerous woodcuts by Hans Rudolph Manuel. Fol.
Basileee (Froben), 1561. S.K.
Notes and Queries, )
Jan. 18, ’68. J
Books on Art ( under revision).
AKE
Other editions: — 8vo. Basilese, 1530. B.M.
8yo. Parisiis, 1541. B.M. — Fol. Basilese, 1549.
Fol. Basilese, 1556. B.M. — Fol. Basilese, 1621.
Bodl. — Fol. Basilese, 1657. B.M.
German translation. — Bergwerksbuch oder vom
Bergwerk 12 Biiclier . verteutscht durch Ph.
Bechiusn. Fol. Basel, 1557. B.M. Other edi¬
tions: Frankfurt-a.-M., 1580.- — Basel, 1621. B.M.
Schweinfurt, 1687.
Italian translation. — Gi. Agricola, Dell’ Arte de’
Metalli . Tradotti in lingua Toscana da Michel¬
angelo Florio. Fol. Basilea, 1563. B.M.
AGRIPPA (Camillo). — Trattato di Scientia
d’Arme, con un Dialogo di Filosofia. 56 plates, and
portrait of the Author. 4to. Roma, 1553. B.M.
Other editions, printed at Venice, 1568 and 1604.
AGRIPPA (C.). — Trattato di C. A. di tras-
portare la Guglia sulla Piazza di S. Pietro. Plates.
4to. Roma, 1583. Cicogn.
AGUADO. — Galerie Aguado: Choix des
principaux Tableaux . par Ch. Gavard. Notices
sur les Peintres, par Louis Viardot. 13 parts. 35
plates, and 52 pp. Fol. Paris, 1839, etc. B.M.
AIGUEPERSE (Antoine Jean-Baptiste). —
Notice biographique sur Ambroise Cornarmond,
membre de l’Academie de Lyon, . lue dans la seance
de l’Academje du 24 mai 1 859, par M. d’Aigueperse.
8vo. Lyon, 1860.
AGUIRRE (Domingo de). — Topografia del
real sitio de Aranjuez ; por D. d. A. 15 plates,
engraved by Salvador y Corona, Barcelon, Selma,
Fabregat, Ballester, and others. (No text.) Fol.
Madrid, 1775. Dresden Libr.
AGUSTEST (Antonio, Archbishop of Tarra¬
gona). — Dialogos de Medallas, inscriciones y otras
antiguedades. Ex bibliotheca A. A. Plates. 4to.
Tarragona, 1587. B.M.
Another edition. 4to. Madrid, 1744.
Two Italian versions. — 1st, by an anonymous
translator. 4to. n. p. n. d. (Venice.) 72 plates.
Also, 4to: Firenze, 1803. — 2nd, by Dionigi Otta-
viano Sada. Fol. Roma, 1592. 72 plates. B.M.
Also: Roma, 1625. B.M.— Roma, 1650. Bodl. —
Roma, 1698. B.M. — Roma, 1736. Cicogn.
Latin translation, by And. Schott. Fol. Ant-
verpise, 1617. Also, Antverpise, 1653-54. 3 parts.
68 plates.
AHERON (John). — A General Treatise of
Architecture. In five Books. 152 plates. Fol.
Dublin, 1754. B.M.
AHLBURG. — - Die Klosterkirehe zn Rid-
dagshausen (near Brunswick). 3 plates. Fol. Ber¬
lin, 1857. S.K.
AIGREEEUILLE (Charles d’). — Histoire
de la Ville de Montpellier, depuis son origine jusqu’a
notre temps ; avec un abrege historique de tout ce
qui preceda son etablissement. 2 parts. 3 plans,
and 3 vignettes. Fol. Montpellier, 1737-39. B.M. j
AIKIN (Arthur). — An Address delivered
. 1817, at the annual distribution . of the re¬
wards adjudged by the Society for the Encourage¬
ment of Arts, &c.......by A. A., Secretary. 8vo.
London, 1817. B.M.
AIKIN (A.). — Illustrations of Arts and
Manufactures, being a selection from a series of
papers, read before the Society for the Encourage¬
ment of Arts, &c. 8vo. London, 1841. S.K.
AIKEN (Edmund).— Designs for Villas and
other rural Buildings. With an introductory Essay.
31 plates. 4to. London, 1808. B.M.
AIKIN (E.). — An Essay on the Doric Order
of Architecture. 7 plates. Imper. fol. London,
1810. B.M.
AIKIN (E.). — Plans, Elevation, Section, and
View of the Cathedral Church of St. Paul, London;
engraved by J. Le Keux from drawings by James
Elmes. With an historical and descriptive account
by E. A. 5 plates, an Essay of 18 pp., and preface
of 2 pp., signed J. B. (John Britton). Eleph. 4to.
London, 1813.
AIKIN (John). — A Description of the Coun¬
try from thirty to forty miles round Manchester.
73 plates, and a large map. 4to. London, 1795.
B.M.
AIKMAN (James). — An Account of the
Tournament at Eglinton, illustrated by representa¬
tions of the various scenes from sketches taken upon
the spot by W.- Gordon. With a biographical ac¬
count of the Eglinton family ; to which is prefixed
a sketch of chivalry, and of the most remarkable
Scottish tournaments. 4to. Edinburgh, 1839. B.M.
AINSLIE (Sir Robert). — Views in Egypt,
from drawings in the possession of Sir Robert
Ainslie, taken during his Embassy to Constantino¬
ple, by Luigi Mayer . 1801. — Views in Palestine,
etc. See Mayer (L.).
AITCHISON (G., the younger). — Color as
applied to Architecture. Sessional Paper, 14.
December, 1857. B. Arch.
AIT S INGE RUS (Michael).— See Eytzin-
GER.
AKEN (Henry). — The Beauties and Defects
in the Figure of the Horse comparatively delineated
. in a series of coloured plates. 8vo. Lon¬
don (1816). B.M.
AKERMAN (John Yonge). — A Numismatic
Manual ; or, Guide to the Study of Greek, Roman,
and English Coins. Plates. 8vo. London, 1832.
Also: 8vo. London, 1840. 17 plates. B.M.
AKERMAN (J. Y.). — A descriptive Cata¬
logue of rare and unedited Roman Coins, from the
earliest period of Roman coinage to the extinction
of the Empire under Constantinus PaleoJogos.
With numerous plates from the originals. 2 vols.
8vo. London, 1834. B.M.
11
AKE
Notes and Queries,
Jan. 18, ’G8.
Universal Catalogue oj
AKERMAN ( J. Y.). — Catalogue d’une partie
de la Collection de Medailles du Chevalier de Horta.
8vo. Londres, 1839. B.M.
AKERMAN (J. Y.).— Account of Trades¬
men’s Tokens, struck in London and its vicinity,
from the year 1648 to 1672 inclusive. Described
from the originals in the Collection of the British
Museum, &c. 4to. London, 1843. • B.M.
AKERMAIST (J. Y.). — Roman-Britisli Coins,
described and illustrated. Plates. 8vo. London,
1836. B.M.
2nd edition. — Coins of the Homans relating to
Britain, described and illustrated. Plates. 8vo.
London, 1844. B.M.
AKERMAIST (J. Y.). — Numismatic Illustra- j
tions of the narrative portions of the Yew Testa¬
ment. Woodcuts. 8vo. London, 1846. B.M. ]
AKERMAN (J. Y.). — Ancient Coins of!
Cities and Princes, geographically arranged and
described ; containing the Coins of Hispania, Gallia,
and Britannia, with plates of several hundred exam¬
ples. 8vo. London, 1846. B.M.
AKERMAN (J. Y.).— An Archaeological In¬
dex to Remains of Antiquity of the Celtic, Romano- 1
British, and Anglo-Saxon Periods. Numerous plates, j
8vo. London, 1847. B.M. j
AKERMAN (J. Y.). — An Introduction to
the Study of Ancient and Modern Coins. Woodcut I
illustrations in the text. 8vo. London, 1848. S.K. j
AKERMAIST (J. Y.). — Remains of Pagan I
Saxondom. 40 chromo-lithogr. plates, and woodcut j
illustrations in the text. 4to. London, 1855. S.K. i
AKERMAIST (J, Y.). — Numismatic Journal, j
Edited by J. Y. A . London, ] 836-38. Con- !
tinued under the following title : — The Numismatic i
Chronicle, and Journal of the Numismatic Society, j
Edited by J. Y. A. First series, 1838-60. Second
series, 1861-63, &c. See Societies.
ALBANI. — Indicazione antiquaria per la
Villa suburbana dell’ eccellentissima casa Albani.
4to. Roma, 1785. Bodl.
2nd edition, with an appendix. 8vo. Roma, 1803. !
B.M. i
ALBANI (Alessandro, Cardinal). — Disser- |
tazione sopra un singolar combattimento espresso in j
Basso-rilievo esistente nella Villa dell’ Em. Sig. I
Cardinale A. A. (By S. Raffei?) Plates. Fol.
(Rome, 1770?) B.M.
ALBANI (Annibale, Cardinal). — Memorie
concernenti la citta di Urbino. (Descrizione del
palazzo ducale d’ Urbino di Bernardino Baldi. Spie-
gazione delle scolture contenute nelle LXXII tavole
di marmo nel basamento esteriore del palazzo di
Urbino, da F. Bianchini.) Plates. Fol. Roma,
U24. B.M.
ALBANI (A., Cardinal). — Greek Calendar
of the Saints (G-reek and Latin text). Menologium
Graecorum, jussu Basilii imperatoris Greece olim
editum, munifLcentia et liberalitate sanctissimi do-
mini nostri Benedicti XIII. In tres partes divisum,
nunc primum Greece et Latine prodit, studio et opera
Annibalis tit. S. dementis, Presbyteri Card. Albani,
S. R. E. Camerarii, et Basilicee Vaticanee Archipres-
byteri. 3 vols. Numerous plates. Fol. Urbini,
1727. S.K.
ALBANI (Francesco). — Albani, Fr., et Sixti
Badalocci Picturee in eede Verospia, a Petro de Pe¬
tris delin., sculptee vero a Joan. Hier. Frezza. 16
plates, and portrait. Fol. Romee, 1704. B.M.
ALBANIS de BEAUMONT (Jean Fran¬
cois). — Vo}7age historique et pittoresque du Comte
de Nice. 12 coloured plates. Fol. Geneve, 1787.
B.M.
ALBANIS de BEAUMONT (J. F.).— Voy¬
age pittoresque aux Alpes Pennines . suivi de
quelques notes pour servir a’ explication aux des-
sins qui composent cet ouvrage. 1 2 coloured plates.
Fol. Geneve, 1787. B.M.
ALBANIS de BEAUMONT (J. F.).— Tra¬
vels through the Rhsetian Alps in the year 1786,
from Italy to Germany through Tyrol. 1 0 aquatinta
plates from designs by the Author. Fol. London,
1792. B.M.
Also: Fol. London, 1802.
ALBANIS de BEAUMONT (J. F.).— Select
Views of the Antiquities and Harbours in the South
of France ; with topographical and historical de¬
scriptions. 15 plates in Indian ink. Fol. London,
1794. B.M.
ALBANIS de BEAUMONT (J: F.).— Tra¬
vels through the Maritime Alps, from Italy to Lyons
across the Col de Tende. Plates in Indian ink.
Fol. London, 1795. B.M.
ALBANIS de BEAUMONT (J. F.).— Tra¬
vels from France to Italy, through the Lepontine
Alps ; or, an Itinerary of the road from Lyons
to Turin . across the Great St. Bernard, Sim¬
plon, and St. Gotthard. 27 plates in Indian ink,
and map. Fol. London, 1800. B.M.
ALBANIS DE BEAUMONT (J. F.).— De¬
scription des Alpes Grecques et Cottiennes, ou
Tableau historique et statistique de la Savoie. 2
vols. 4to., and Atlas of plates, fol. Paris, 1802-
1806. B.M.
ALBANS, ST. — Some Account ofthe Churcli
of St. Alban, illustrative of the Plans, Elevation,
and Sections of that building. Atlas fol. London,
1813.
Published by the Society of Antiquaries.
ALBENAS (Jean Poldo de). — Discours
historique de l’antique et illustre Cite de Nismes.
. Avec les portraits des plus antiques et insignes
bastiments d’icelle. Fol. 1560.
ALBERI (Eugenio).-— r Arte e FArtista.
Discorso. 4th edition. 8vo. Firenze, 1836. B.M.
ALBERI (Francesco). — Discorso sul Dise¬
gno. 8vo. Padova, 1810. B.M.
Another edition. 8vo. Napoli,. 1840. B.M.
Notes and Queries, )
Jan. 25, ’68. J
Books on Art ( under revision).
ALB
ALBERT (F.). — Teoria dell’ Arte Pittorica.
8vo. Bologna, 1833. B.M.
ALBERGATI CAPACELLI (Francesco,
Marchese). — Orazione per la distribuzione dei premj
di Belle Arti nell’ Istituto di Bologna l’a. 1772. 4to.
Cicogn.
ALBERGATI CAPACELLI (F., Marchese).
Della Pittura. Orazione, etc. 1784. 8vo. Cicogn.
ALBERT D’AILLY (Marie Joseph Louis d’,
Duke of Chaulnes). — Memoire sur la veritable entree
du monument egyptien, qui se trouve a quatre
lieues de Caire, aupr&s de Saccara. 4to. Paris,
1783. B.M.
ALBERT (H.R.H. the Prince). — A Letter
to the Earl of Derby on the proposed Memorial to
the Prince Consort; by Omega. 8vo. London,
1862. S.K.
ALBERTI (A.). — Vita di A. A., pittore.
8vo. Venezia, 1844.
ALBERTI (Agostino). — Idea generate delle
Cattedrali dell’ Europa. 4to. Torino, 1718. B.M.
ALBERTI (Andreas). — See Albertus.
ALBERTI (C. E. R.). — Raphael nnd Mo¬
zart. Eine Parallele. Vortrag, zur Feier des 100-
jahrigen Greburtstages Mozart’s gehalten. 8vo.
Stettin, 1856. B.M.
ALBERTI (CheruBino) and SANTIS
(Okazio de, called Aquilano). — Antiquarum sta-
tuarum urbis Bomse, quae in publicis privatisque
locis visuntur, leones. 74 plates. 4to. Komse,
1584.
ALBERTI (G-iuseppe Antonio). — Trattato
delle misure delle Fabbriche. 33 plates, besides a
frontispiece and portrait. 8vo. Venezia, 1757.
Cicogn.
Another edition. Perugia, 1790.
3rd edition. Firenze, 1822. B.M.
ALBERTI (Leon Battista).— De Re ^Edifi-
catoria (Libri X). Fol. Florentiae (Nicol. Laurent.
Alamannus), 1485. The first edition. B.M.
Other editions : —
Alb. Florentini Viri Clarissimi Libri de Be iEdi-
licatoria decern, opus integrum et absolutum, &c.
Edited by Gr. Torinus. 4to. Parrhisiis, 1512. B.M.
Edited by Eberh. Tappius. 4to. Argentorati,
1541. Bodl.
Italian translations. — I dieci Libri de l’Architet-
tura di L. B. degli A. Novamente de la Latina
ne la volgar lingua tradotti (by Pietro Lauro).
8 vo. Vinegia, 1546. B.M.
L’Architettura di L. B. A. Tradotta in lingua
Fiorentina da Cosimo Bartoli ; con la aggiunta de’
disegni. Woodcuts, and portrait of A. Fol.
Firenze, 1550. B.M.
Tradotta da Cos. Bartoli. Woodcuts. 4to. Venetia,
1565. S.K.
Also. 4to. Boma, 1784. Plates.
2 vols. 8vo. Perugia, 1804. Plates. Bodl.
Con note apologetiche di S. Ticozzi. 30 plates.
8vo. Milano, 1833. B.M.
French translation. — L’ Architecture et Art de
bien bastir, trad, de Latin . par Jean Martin.
Woodcuts. Fol. Paris, 1553. Bodl.
Spanish translation, by Fr. Lozano. — Los diez
libros de Architectura traduzidos de Latin en Ro¬
mance. 4to. (Madrid) 1582. Cicogn.
Also, Fol. Madrid, 1640.
ALBERTI (L. B.). — De Pictura praestan-
tissimse artis et nunquam satis laudatae, libri tres
. Jam primum in lucem editi. 8vo. Basileae,
1540. B.M.
Reprinted, together with Vitruvius. Fol. Amstel-
odami (Elzevir), 1649. S.K.
Italian translation, by Lodovico Domenichi. 8vo.
Vinegia, 1547. B.M.
Spanish translation, by Diego Antonio Rejon de
Silva, together with the “ Trattato de lapinturapor
Leon, da Vinci.” 4to. Madrid, 1784.
Also, 4to. Madrid, 1829.
ALBERTI (L. B.). — Della ArcRitetturaj
della Pittura, e della Statua . Traduzione di Cosi¬
mo Bartoli. 69 plates, engraved by Pio Panfilii.
Fol. Bologna, 1782. B.M.
The Architecture of L. B. Alberti, in ten books ; of
Painting, in three books ; and of Statuary, in one
book. Translated into Italian by Cos. Bartoli,
and now first into English by James Leoni. To
which are added several designs of his own, for
buildings, both public and private. In Italian
and English. The plates chiefly engraved by
Bernard Pi cart. 3 vols. Fol. 1726. S.K.
Another edition. Fol. London, 1755. B.M.
ALBERTI (L. B.). — Della Pittura e della
Statua. Plates, and portrait of A. 8vo. Milano,
1804. _ S.K.
Alberti’s “tre libri della Pittura” and “Trattato
della Statua,” in Cos. Bartoli’ s translation, were also
edited by Raphael Trichet du Fresne, together
with Lionardo da Vinci’s “ Trattato della Pittura ”
(Fol. Paris, 1651).
ALBERTI (L. B.). — Elogio di Leon Batista
Alberti, composto da Griov. Bat. Niccolini. 8vo.
Firenze, 1819. S.K.
ALBERTI (Romano). — Trattato della No-
bilta della Pittura. Composto ad instantia della
venerabil’ Compagnia di S. Luca, et nobil’ Academia
delli Pittori di Roma. 54 pp. Small 4to. Roma,
1585. B.M.
ALBERTI (R.). — Origine, etprogresso dell’
Academia del Dissegno, de Pittori, Scultori, &
Architetti di Roma, &c. Frontispiece. 4to. Pavia,
1604. (The 2nd edition, enlarged and corrected, of
the “ Trattato della nobilta,” etc.) B.M.
ALBERTINO (Francesco). — Memoriale di
molte Statue ed Pitture che sono nell’ inclita Cipta
di Florentia per mano di Sculptori ed Pittori excel-
lenti moderni ed antiqui, tratto dalla propria copia
di Messer F. A., Prete Fiorentino. 4to. Firenze,
1510.
ALBERTOLLI (Ferdinando) . — Porte di
citta e fortezze, depositi sepolcrali, ed altre princi-
e 13
ALB
Notes and Queries,
Jan. 25, ’68.
Universal Catalogue of
pali fabbriche pubbliche e private di Michele Sam- j
micheli ; misurate, disegnate e brevemente illus¬
trate da F. A. 30 aquatinta plates. Fol. Milano,
1815. BM;
ALBERTOLLI (F.).— Eregi trovati negli j
scavi del Foro Trajano, con altri esistenti m Roma i
ed in diverse altre citta ; disegnati e misurati sul
luogo da F. A. 28 plates. Fol. Milano, 1838. S.K.
ALBERTOLLI (Giocondo) . — Ornamenti
diversi. — Alcune decorazioni di nobili sale ed altri
ornamenti —Miscellanea per i giovani studiosi del
disegno. 3 parts. 67 plates. Fol. Milano, 1782-96.
S.K.
ALBERTOLLI (G.).— Corso elementare di
Ornamenti Architettonici. 28 plates. Fol. Mi¬
lano, 1805. ■ S-K-
ALBERTOLLI (G.).— Cenni storici sovra |
nna Capella antica ricostruita in Oratorio a Montuc- j
cio neila provincia di Milano dal Cav. Gr. A., &c. j
Plates. 8vo. Milano, 1833. B.M.
ALBERTUS (Andreas). — Duo libri, prior j
de Perspectiva, posterior de umbra, et ejus proprie- «
tatibus. 16 plates, besides a frontispiece. Fol. j
Noribergge, 1661. Cicogn. j
Another edition. Fol. Koribergie, 1671. B.M. j
ALBINUS (Bernhard Siegfried). — Tabula; j
sceleti et musculorum corporis humani. 40 plates
by Jan Wandelaar. Imper. fol. Lugduni Batavo- |
rum, 1747. Akad. der Kiinste, Berlin, j
Another edition. The plates engraved by Charles 1
Grignon, Louis Gerard Scotin, and others. Imper.
fol. Londini, 1749. _ j
“ The . following should accompany this much-
esteemed work : — 1. Three whole-length anatomical
tables, representing a man, and a woman. 2. A com¬
plete system of the blood-vessels, on four sheets,
with tables of explanation on seven sheets. 3. A
complete system of the nerves, on four sheets, with
tables of explanation.” S.K.
Another edition. Fol. 1777. With explanations
in 4to.
ALBIT^S (Ac. C.). — Notice surlavie et les
ouvrages de Kessels, sculpteur. . . . 1837. See Kes-
sels (Mathieu).
ALBRECHT-GALLERIE. Auswahl der
vorziiglichsten Handzeichnungen aus der Privat-
Sammlung des Erzherzogs Albrecht, photographirt
. 1863, &c. See Jagermeyer (Gustav).
ALBRIZZI (Carlo). — See Cicognara (Leo-
poldo, Count).
ALBRIZZI (Giovanni Battista). — Fores-
tiere illuminato intorno le cose piu rare e curiose,
antiche e moderne della Citta di Venezia e dell’ Isole
circonvicine. Plates. 8vo. Venezia, 1740. Bodl.
Another edition. 8vo. Venezia, 1765. Plates.
B.M.
ALBRIZZI (Isabella Teotochi, Countess).
Ritratti scritti da J. T. A. Terza edizione, arric-
cliita di cinque ritratti, &c. 21 plates. Svo. Vene¬
zia, 1816. S.K.
14
ALBRIZZI (I. Teotochi, Countess). — Opere
di Scultura e di Plastica di Antonio Canova .
1809, &c. See Canova.
ALBRIZZI (I. Teotochi, Countess) .—La
Testa d’Elena scolpita in marmo dall’ imparreggiabil
Canova . 1812. See Canova.
ALBUM du Salon . ou Collection desprin-
cipaux ouvrages exposes au Louvre . Lithogr.
plates . . . 1839, &c. See Challamel.
ALBUM van Hollandscke en Belgisclie
Kunst Schilders te’ s’Gravenhage. Lithogr. plates
after modern Dutch and Belgian Artists, with text
in Dutch and French. Fol. (Amsterdam, 1846, &c.)
ALBUM illustre du Salon de 1848, publie
par une Societe d’ Artistes et de Gens de Lettres.
20 etchings, lithographs, &c. 4to. Bruxelles, 1848.
ALBUM de la. Fete artistique du 5. Janvier
1850. 24 etchings by L. Gallait, J. Achard, J.
Stevens, E. J. Verboeckhoven, G. v. d. Hecht, E.
Tschaggeny, J. Tavernier, Mad. F. O’Connell, M.
A. Kuytenbrouwer, L. Robbe, P. Lauters, H. Har-
pignies, J. v. d. Sypen, A. Francia, J. Portaels, W.
Vertommen, J. Lies, and F. Fourmois. Oblong fol.
(Bruxelles, 1850.)
ALBUM des Expositions de la Societe
Royale des Beaux-Arts et de Litterature de Gand.
10 plates. 8 vo. Gand, 1852.
ALBUM uitgegeven door bet Kunstlievend
Gezelschap der Gentsche Akademie. Vor 1856.
(Published by Ed. van denBerghe.) Lithogr. plates,
I &c. Royal 4to. Gent.
I ALBUM der Scboone Kunsten. Roman-
tiesch, kritiescli en historiesch Tijdschrift voor Hol-
landsche en Vlaamsche Letterkunde en Kunst .
! 1850, &c. See Periodical Publications.
| ALBUM Deutscbef Kunstler in Original-
Radirungen ......1839, &c. See Buddeus (F. A.
Julius).
ALBUM, Miincliener. Lithographirte Original-
zeichnungen hier lebender Kunstler . 1839, &e.
See Kohler (H.).
ALBUM offert par des Artistes Allemands a
sa Maj. le Roi Louis I. de Baviere... . Reproduit
en estampes, gravures en acier et taille-douce, litho¬
graphies, &c . 1851-59. See Piloty and Lcehle. j
ALBUM des jlingeren Kunstler- Yereins zu
Berlin. Lithogr. plates, and etchings. Fol. Berlin, j
| 1852, &c.
| ALBUM Berliner Kunstler. Chromo-lithogr. j
plates, and biographical notices in German, French, j
and English. (1855, &c.) See Storch and Kramer, j
j ALBUM der Niederlandisclren Genremaler.
See Blomberg (Hugo, Baron),
! ALBUM, Pbotograpbiscbes, nacb Original-
i Handzeichnungen alterer Meister aus der Samm-
• ! lung des S.Ael’schen Kunst-Instituts zu Frank¬
furt -a.-M . 1854, &c. See Schafer (J.).
Notes and Queries, )
Jan. 25, ’68. /
Books on Art ( under revision).
ALC
ALBUM von Handzeiclmiingen im Besitze
der Frau Sophie Schlosser zu Stift Neuburg bei
Heidelberg. 18 photographs, by J. Keller, from
drawings by Overbeck, Cornelius, E. Steinle, J.
Fiihrich, Jos. Koch, and others. Fol. Heidelberg,
1860.
ALBUM des Boiseries sculptees du Choeur
de Notre-Dame de Paris, connues sous le nom de
Voeu de Louis XIII. 35 lithogr. plates. Fol.
Paris, 1855.
ALBUM gothischer Altare des Mittelalters
in Altbaiern. See Sieghabt (J.).
ALBUM mittelalterlicher Kunstwerke aus
Tirol. Den deutschen Kunstvereinen gewidmet
vom Christlichen Kunstvereine in Bozen. Lithogr.
and chromo-lithogr. plates. Fol. (1865, &c.).
ALBUM Photographique des Objets d’Art
et d’Antiquite, exposes par les soins de la Society
Imp6riale et Roy. des Sciences a Cracovie en 1858
et 59. Fol. Varsovie (1859 ?). B.M.
ALBUM fur Indiistrielle und Gewerbtrei-
bende. Muster und Vorlagen zur praktischen,
Ausfuhrung geeignet fur Fabrikanten, Baukiinstler,
Holzarbeiter, G-ewerbtreibende, etc. 12 chromo-
lithogr. plates. Fol. Wien, 1858.
ALBUM der neuesten und elegantesten
Titelblatter aus der Konigl. Sachsischen Hofbuch-
druckerei und Steindruckerei von C. C. Meinhold
und Sohne in Dresden. 3 parts. 55 lithogr. plates.
4to. Dresden, 1855-56. B.M.
ALBUM, Malerisch-historiscbes, von Mahren
und Schlesien . 1856-58. See Holzel (E.).
ALBUM-BLiETTER im mittelalterliehen
Style. Parts I.-III. 12 coloured and illuminated
plates. 4 to. Leipzig, 1854.
ALCHIMEDOR, d. i. Teutschlands fur-
trefflicher und hochberiihmter Yirtuosen oder Kiinst-
ler und Kiinstlerinnen in der nunmehr aufs hochste
gebrachte Sculptur-, Kupferstecher-, und Etz-Kunst
aufgefuhrter Ruhm und Ehren-Preiss durch die vor
alle tapfere Kunst-Gemiither unermiidete Feder
Eines solcher herrlichen Wissenschaften unablas-
sigen Liebhabers. (By Magister Justus C. Siberus
of Dresden.) 8vo. Dresden, 1684.
A quaint Eulogy on the German Engravers of
that period, chiefly in verse.
ALCIATUS (Andreas). — Viri clarissimi D.
Andrese Alciati Jurisconsultis Mediola . Em-
blematum liber. 86 pp., frontispiece and 100 wood-
cuts (by H. Stayner and Hans Schaufflein ?). 8vo.
Augustse Vindelicorum (per Heynricum Steynerum),
1531. B.M.
Other editions : —
ALCIATUS (A.). — Yiri clarissimi D. A. A.
. Emblematum liber, iam denuo emendatus et
recognitus. Woodcuts. 8vo. Augustse Yindeli¬
corum (H. Steyner), 1534. Bodl.
ALCIATUS (A.).— A. A. Emblematum
libellus. 119 pp., and 115 woodcuts. 8vo. Parisiis
(Christian Wechel), 1534. B.M.
ALCIATUS (A.). — Livret des Emblemes de
maistre A. A. Mis en rime Fram^oyse (by Jehan Le
Fevre). In Latin and French. 115 woodcuts. 8vo.
Paris (Chr. Wechel), 1536. B.M.
Also, 8vo. Paris, 1540. B.M.
ALCIATUS (A.). — A. A. Emblematum
libellus. 8vo. Lugduni, 1544. B.M.
ALCIATUS (A.).— Clarissimi Yiri A. A.
Emblematum' libellus . In Latin and German.
The German version by Wolfgang Hunger. 115
woodcuts. 8vo. Parisiis (Wechel), 1542. B.M.
ALCIATUS (A.). — Emblematum libellus,
nuper in lucem editus. 84 woodcuts. 8vo. Venetiis
(apud Aldi filios), 1546. B.M.
ALCIATUS (A.).— Clarissimi viri A. A.
Emblematum libri duo. 143 pp. 16mo. Lugduni.
1547. B.M.
ALCIATUS (A.).— Emblemes d’Alciat de
nouveau translatez en Fran^-ois vers pour vers .
avec briefves expositions et figures nouvelles appro-
priees aux derniers emblemes (by Barthelemy
Aneau). In Latin and French. 267 pp. 8vo.
Lyon, 1549. B.M.
ALCIATUS (A.). — Diverse imprese ac¬
comodate a diverse moralitu con versi che i loro
significati dichiarano tratte dagli Emblemi dell’
Alciato (by Giovanni Marquale). 141 pp. 8vo.
Lione, 1549. B.M.
ALCIATUS (A.).— Los Emblemas de Al¬
ciato, traducidos en rhimas Espanolas. Ahadiaas
de figuras y de nueuos emblemas en la tercera parte
dela obra, por Bernardino Daza Pinciano. 8vo.
Lyon, 1549. B.M.
ALCIATUS (A.). — Emblemata D. A. A.,
denuo ab ipso Autore recognita, ac, quae desidera-
bantur, imaginibus locupletata. Access erunt noua
aliquot ab Autore Emblemata suis quoq. eiconibus
insignita. 226 pp., with 220 emblems, and orna¬
mental margins. 8vo. Lugduni (apud Guliel.
Rouillium),. 1551. S.K.
The margins were designed expressly for the use
of designers for manufactures, house decorators,
painters on glass, &c. ; and a copyright for six years
was granted by the King of France, dating from the
9th of August 1548.
ALCIATUS (A.). — Clarissimi Yiri A. A.
Emblematum Lib. II. Nuper adiectis Seb. Stock -
hameri Germ, in primum librum succinctis commen-
tariolis. 212 pp., and 113 woodcuts (ascribed to
Bernard Salomon, called le petit Bernard). 16mo.
Lugduni (apud J. Tornsesium), 1556. B.M.
ALCIATUS (A.).— Emblemata A. A .
postremo ac ultimo ab ipso authore recognita imagi-
nibusque vivis ac lepidis denuo artificiosissime illus-
trata . 194 woodcuts by Yirgilius Solis. 8vo.
Francofurti ad Moenum, 1567.
15
ALC
Universal Catalogue of
Notes and Queries,
Jan. 25, ’68.
ALCIATUS (A.) . — Omnia A. A. Emblemata.
8vo. Antverpiae (Plantin), 1574.
ALCIATUS (A.). — Liber Emblematum D.
A. A. — Kunst-Buch Andree Alciati von Mayland .
alien Liebhabern cler freyen Kunst, auch Malern,
Goldschmieden, Seidenstickern und Bildhauern, jetz-
und zu sondern nutz und gebrauch verteutscht und
an tag geben durch Jeremiam Held yon Nord-
lingen, mit sehonen, lieblichen, neuwen, kunst-
reichen Figuren geziert und gebessert. Woodcuts by
Virgilius Solis. 8vo. Franckfurt am Mayn, 1580.
ALCIATUS (A.). — Emblemata A. A., cum
facili explicatione per Claudium Minoeum . 16mo.
Antverpise, 1584. B.M.
ALCIATUS (A.). — Emblemata A. A., cum
facili explicatione per C. Minoem . 16mo. Lug-
duni Batavorum, 1591. B.M.
ALCIATUS (A.). — Emblemata A. A. Wood-
cuts by the Engraver with the monogram A. 8vo.
Lugduni Batavorum (Plantin), 1599.
ALCIATUS (A.). — A. A. Emblemata.
Cum C. Minois commentariis auctis et recognitis.
8vo. (Leyden.) 1608. B.M.
ALCIATUS (A.). — A. A. Emblemata, elu-
cidata C. Minois commentariis quibus additse sunt
eiusdem auctoris notse posteriores. 8vo. Lugduni,
1614. B.M.
ALCIATUS (A.). — Declaracion magistral
sobre los Emblemas de A. A. con todas las historias,
antiguedades, moralisad, y doctrina tocante a las
buenas costumbres, por I). Lopez. (With the Em¬
blems, engraved, and the Latin verses upon them
by A. A.) 4to. Najera, 1615. B.M.
ALCIATUS (A.). — A. A. Emblemata: nunc
recens adjecta sunt epimythia quibus emblematum
amplitudo et obscura illustrantur. 16mo. Lugduni,
1616. Cicogn.
ALCIATUS (A.). — Omnia A. A. Emblem¬
ata, cum commentariis . per C. Minoem. Acces-
serunt F. Morelli corollaria et monita. 8vo. Parisiis,
1618. B.M.
ALCIATUS (A.). — A. A. Emblemata cum
commentariis Claudii Minois, Francisci Sanctii Bro-
censis, et notis Laurentii Pignorii . Opera et
vigiliis Joannis Thuilii. LXXX and 1,003 pp.
212 Italian woodcuts, and frontispiece. 4to.
Patavii, 1621. B.M.
ALCIATUS (A.). — Emblemata A. A., cum
facili et compendiosa explicatione . per C. Minoem.
Woodcuts by the Engraver with the monogram A.
16mo. Antverpise (Plantin), 1622. B.M.
ALCIATUS (A.). — Emblemi di A. A .
dal Latino nel vulgare Italiano ridotti. In Latin
and Italian. 8vo. Padoua, 1626. B.M.
ALCIATUS (A.). — Emblemata . Editio
novissima. 8vo. Matriti, 1781. B.M.
ALCOCER (Pedro de). — Hystoria, 6 de¬
scription de la Imperial cibdad de Toledo... adonde
se tocan, y refieren muchas antiguedades, y cosas
notables de la hystoria general de Espana. Fol.
Toledo, 1554. B.M.
ALDEGREVER (Heinrich).— H. A., Gold-
schmied, Maler, Kupferstecher und Pragschneider ;
biographisch und kunsthistorisch dargestellt von
Dr. F. J. Gehrken. 8vo. Munster, 1841.
Reprinted from the “Zeitschrift fur vaterland-
ische Geschichte und Alterthumskunde,” Munster.
ALDEGUIER (Auguste d’). — Impressions
sur les transformations recentes de Paris et sur les
tendances de 1’ Architecture moderne. 31 pp. 4to.
Toulouse, 1866.
ALDENHO VEN (Ferdinand) . — Itineraire
descriptif de l’Attique et du Peloponese. Maps and
plans. 8vo. Athenes, 1841. B.M.
ALDER (W.). — A Child’s Instruction Book
in the Art of Colouring Prints, Drawings and Pho¬
tographs. With an introduction by A. H. Wall.
16mo. London, 1864. S.K.
ALDINI ( Gioseff- Antonio) . — Instituzioni
glittografiche, osia della maniera di conoscere la
qualita e natura delle gemme incise, etc. 8vo.
Cesena, 1785. Bodl.
ALDINI (Pier Vittorio). — Gli antichi mar-
mi Comensi figurati e letterati, raccolti e dati in
luce da P. Y. A. 2 plates. 8vo. Pavia, 1834. B.M.
ALDOVRANDI (Caklo). — Lettera intorno
alia Pittura al Conte Carlo Verri. Bologna, 1815.
Cicogn.
ALDRICH (Henry) .—The Elements of Civil
Architecture, according to Vitruvius and other An¬
cients, and the practice of modern authors, especially
Palladio. In Latin and English. 55 plates, and
portrait of A. after Kneller. 8vo. Oxford, 1789.
S.K.
Another edition. The same plates. 8vo. Oxford,
1818. B.M.
ALE ANDRO ( Girolamo, the younger) . — An¬
tique Tabulae Marmoreae solis effigie, symbolisque
exculptae accurata explicatio. 2 plates, and wood-
cuts in the text. 4to. Itomae, 1616. B.M.
Another edition. The same plates. 4to. Lutetiae
Parisiorum, 1617. B.M.
ALEAUME (Jacques) .-*-La Perspective
speculative et pratique. 38 plates. 4to. Paris,
1643. B.M.
Another edition. 4to. Paris, 1663. B.M.
ALEXANDER (G.).— Classification of
Egyptian Architecture. Sessional Paper, 27. April
1846. B. Arch.
ALEXANDER (William).— Sketches from
Nature, made in China. Eoyal 8vo. London, 1797.
W. A. was draughtsman to the Embassy to China.
ALEXANDER (W.).— The Costume of
China, illustrated in 48 coloured engravings. 4to.
London, 1805. B.M.
Notes and Queries,
Feb. 1, ’68.
ALK
Books on Art ( under revision).
ALEXANDER (W.).— Picturesque Repre¬
sentations of the Dress and Manners of the Chinese ;
illustrated in 50 coloured engravings, with descrip¬
tions. 4 to. London, 1814. S.K.
ALEXANDER (W.).— Picturesque Repre¬
sentations of the Dress and Manners of the Aus¬
trians; illustrated in 50 coloured engravings, with
descriptions. 4to. London, 1814. b.K.
ALEXANDER (W.).— Egyptian Monu¬
ments from the Collection formed by the National
Institute under the direction of Bonaparte . now
deposited jn the British Museum. 21 plates, en¬
graved by T. Medland after the drawings by W. A.
Pol. London, 1805-7- (No more published.) B.M.
ALEXANDER (W.). — Observations on the
construction and fitting-up of Meeting Houses, &c.,
for Public Worship ; illustrated by plans, sections,
&c. 4 to. York, 1820. B.M.
ALEXANDRE (N.).— Abrege de la vie des
Peintres des Ecoles Allemande, Plamande, Holland -
aise, Fra^aise, Bomaine, &c., mis en ordre alpha-
betique, avec une explication de leur maniere et genre
de peindre. 8vo. Bruxelles, 1807-
ALEIERI (Benedetto, Count). — II nuovo
Begio Teatro di Torino apertosi nell’ Anno MDCCXL.
Disegno del Conte B. A. 11 plans. Pol. Torino,
1761. S.K.
ALEIERI (Francesco Eerdinando). — La
Bandiera di F. P. A., maestro d’arme. 28 plates.
Oblong 4to. Padova, 1628.
ALGAROTTI (France SCO, Count). — Saggio
sopra le Belle Arti. 12 mo. Pisa, 1753.
ALGAROTTI (E., Count). — Saggio sopra
la Pittura. 16mo. Livorno, 1763. S.K.
English translation. — An Essay on Painting. 1 6mo.
London, 1764. S.K.
French translation. — Essai sur la Peinture, et sur
l’Academie de Prance, etablie a Borne ; traduit par
M. Pingeron. 12mo. Paris, 1769. S.K.
ALGAROTTI (E., Count). — Saggio sopra
l’Accademia di Francia, che e in Boma. 8vo. Livorno,
1763. B.M.
ALGAROTTI (F., Count). — Opere del Conte
A. 8 vols. 8vo. Livorno, 1764-65.
Opere. 10 vols. 8vo. Cremona, 1778-84. B.M.
Opere. Edizione novissima. 17 vols. Vignettes,
engraved by Baffaello Morghen and Francesco No-
velli. 8vo. Venezia, 1791-94. B.M.
Algarotti’s Saggi sull’ Architettura e sulla Pittura
have also been reprinted in “ Scrittori di Belle Arti ”
(Biblioteca Enciclopedica Italiana). 8vo. Milano,
1831.
G-erman translation. — Versuche liber die Architec-
tur, Mahlerey und musikalische Opern . ubersetzt
von A. E. Baspe. 8vo. Cassel, 1769,
ALGERIA. — Exploration scientifique de
l’Algerie, pendant les annees 1840-45, publie par
ordre du Gouvernement et avec le concours d’une
Commission Academique. Paris, 1844, etc. — Arche-
ologie de l’Algerie . 1 850. See Delaware (Ad. H.
Al.). Beaux-Arts, Architecture et Sculpture .
1846, etc. See Bavoisie (Amable).
ALGERIE historique, pittoresque et monu-
mentale, ou Becueil de vues, monuments . 1843-
45. See Berbrugger (Adrien).
ALHAMBRA. — Plans, Elevations, Sections,
and Details of the Alhambra . 1842-45. See
Jones (Owen).
ALI BEY, EL ABASSI, Pseud, (i. e. Do¬
mingo Badia y Leyblich). — Voyages d’Ali Bey en
Afrique et en Asie, pendant les annees 1803-7.
(Edited by J. B. Boniface de Boquefort.) 3 vols.
8vo., and Atlas of 83 plates, besides 5 maps, in ob¬
long 4to. Paris, 1814. B.M.
English translation. — Travels of Ali Bey in Morocco,
Tripoli, Cyprus, Egypt, Arabia, Syria and Turkey
. written by himself. 2 vols. Plates and maps.
4to. London, 1816. B.M.
ALIGNY (Theodore). — Vues des Sites les
plus cef&bres de la Grece antique, dessinees sur
nature et gravees a l’eau-forte, par Th. A. 10 plates.
Fol. Paris, 1845-46. B.M.
ALINARI. — Photographs of Drawings by
Baphael and other Masters . Photographed by the
Brothers Alinari . 1857-59. See Bardi (L.).
ALISON (Archibald). — Essays on the Na¬
ture and Principles of Taste. 4to. Edinburgh,
1790. B.M.
4th edition. 8vo. Edinburgh, 1815. B.M.
5th edition. 2 vols. 8vo. Edinburgh, 1817- S.K.
German translation. — Ueber den Geschmack.
Verdeutscht und mit Anmerkungen und Abhandlun-
gen begleitet von K. H. Heydenreich. 2 vols. 8vo.
Leipzig, 1792.
ALIZERI (Eederigo). — Guida artistica per
la Citta di Genova. 2 vols. Plates. 12mo. Gen ova;
1846-47. B.M,
ALIZERI (F.). — Notizie dei Professor! del
Disegno in Liguria dalla fondazione dell’ Acca-
demia. Opera del Cav. Avv. P. A. 2 vols. 8vo.
Genova, 1864-67. S.K.
ALKEMADE (Cornelis van). — De Goude
en Zilvere gangbaare Penningen der Graaven en
Gravinnen van Holland. 64 plates, besides the
frontispiece. Pol. Delft, 1700. B.M,
ALKEMADE (C. van). — Inleidinge tot liet
Ceremonieel en de Plegtigheden der Begraavenissen
en der Wapen-Kunde. . 4plates. 8vo. Delft, 1713.
B.M.
ALKEN (Henry) . — National Sports of Great
Britain, comprised in 50 coloured plates; with de¬
scriptions in English and French. Fol. London 1821.
Another edition. 8vo. London, 1825.
ALKEN (H.). — Sporting Scrap-book.
Coloured plates. Oblong 4to. London, 1824.
ALKEN (H.). — Sporting Sketches, consist¬
ing of subjects relating to the Sports of the field,
as horses, dogs, live and dead game, wild fowl, &e.,
the whole illustrative of landscape scenery. 4to.
London, 1827,.
F
17
ALK
Universal Catalogue of
Notes and Queries
Feb. 1. ’68.
ALKEN (H.). — Illustrations to Popular
Songs. 80 humourous coloured sketches. Oblong
4to. London, 1831.
ALKEN (H.).— The Art and Practice of
Etching ; with directions for other methods of light
and entertaining engraving. 8vo. London, 1849.
fe.lv.
ALLAN (W.). — Engravings from Designs by
W. A. See Lockhakt (J. G-.).
ALLARD (Carel).— Orbis habitabilis oppi-
da et vestitus, centenaria numero complexa . Des
bewoonden waerelds steden en dragten, in een hon-
derd-getal begreepen. In Latin and Dutch. Fol.
Amsterdam (1690 ?). B.M.
ALLASON (Thomas). — Picturesque Views
of the Antiquities of Pola, in Istria. 67 pp. 10
plates and 4 vignettes, engraved by George and W.
B. Cooke, Henry Moses, and Cosmo Armstrong, after
drawings by Turner and Allason. Fol. London,
1819. SK-
ALLASON (Th.). — Columns of the Athenian
Temples. 8vo. London, 1820. B* Arch.
ALLDRIDGE (W. J.).— The Goldsmith’s
Repository : containing a concise elementary treatise
on the art of assaying metals ; also an appendix, in
which are contained abstracts of all the Acts of
Parliament relating to gold and silver. 2 vols. 8vo.
London, 1789. b.M.
ALLEAUME. — SeeLiMOSiN (Leonard). Les
Douze Apotres . Gravures par M. A . 1865.
ALLEGORIES. — A Letter to Count - ,
on Poetry, Painting and Sculpture, in which the
question, whether Allegories ought to be admitted
in Painting andSculpture, is considered. 2nd edition.
12mo. London, 1771. S.K.
ALLEGORY. — De V Allegorie ; ou traites
sur cette matiere par Winckelmann, Addison, Sul-
zer, &c. (Translated and edited by H. J. Jansen.)
2 vols. 8vo. Paris, An YII (1799). B.M.
Another edition. 8vo. Paris, 1802. Bodl.
ALLEGRANZA (Giuseppe). — Spiegazioni e
riflessioni del P. G. A. sopra alcuni sacri monumenti
antichi di Milano. Plates. 4to. Milano, 1757.
B.M.
ALLEGRANZA (G.). — Dell’ antico Eonte
Battesimale di Cliiavenna, dissertazione. In Nuova
Raccolta d’Opuscoli, &c., per A. Calogiera, vol. XIY.
B.M.
ALLEGRI (Antonio). — See Correggio.
ALLEGRINI (Francesco, Florentine Engra¬
ver). — Chronologica series simulacrorum regise
familise Medicese centum expressa toreumis. 100
plates. Fol. Florentise (apud Josephum Allegrini),
1761. B.M.
ALLEGRINI (Giuseppe). — Serie diRitratti
d’uomini illustri Toscani, con gli elogj istorici dei
medesimi (G. A. editore). 3 vols.
1766-70.
18
Firenze,
B.M.
ALLEN (C.). — The Young Mechanic’s In¬
structor ; or, Workman’s Guide to the various Arts
connected with the Building trades ; showing how
to strike out all kinds of arches and Gothic points,
to set out and construct skew bridges. With nume¬
rous illustrations of foundations, sections, elevations
. receipts, rules and instructions in the art of
casting, modelling, carving, &c. 8vo. London
(1863). SK-
ALLEN (C. Bruce). — Formation of a School
of Art for Artist Workmen and Establishment of a
Museum of Mediaeval Art. Sessional Paper, 1 Dec.
1851. B- Arcb*
ALLEN (C. B.). — Cottage Building; or,
Hints for improving the Dwellings of the Labouring
Classes. Plates. 12mo. London, 1849-50. S.K.
Rudimentary Treatise on Cottage Building . 2nd
edition, with... ...designs also for a higher class.
12mo. London, 1854. B.M.
ALLEN (George).— Plans and Designs for
the future approaches to the new London Bridge.
8vo. London, 1828. B-M-
ALLEN (John, the younger, of Hereford) . —
Bibliotheca Herefordiensis ; or, a descriptive cata¬
logue of books, pamphlets, maps, prints, etc., relating
to the County of Hereford. 8vo. Hereford, 1^21 .
ALLEN (Thomas).— The History and An¬
tiquities of London, Westminster, Southwark, and
parts adjacent. 4 vols. Plates. 8vo. London,
1827-29. . B-?L
Another edition. — The History and Antiquities
of London . By Thomas Allen. Continued to
the present time by Thomas Wright. Plates. 4 vols.
8vo. London, 1839. S.K.
ALLEN (Th.).— The History and Antiqui¬
ties of the Parish of Lambeth, and the Archiepi-
scopal Palace ; including biographical sketches .
Illustrated by numerous engravings. 4to. London,
1827. B’M*
ALLEN (Th.).— History of the Counties of
Surrey and Sussex ; illustrated by a series of views
. by N. Whittock. 2 vols. 8vo. London,
1829-30. B-M-
ALLEN (Th.).— History of the County of
Lincoln . Illustrated by a series of views. 4to.
Leeds, 1830. B-M-
ALLEN (Th.).— A new and complete His¬
tory of the County of York, by Th. A. Illustrated
by a series of views, engraved on steel from original
drawings by Nathaniel Whittock. 3 vols. 148
plates. 4to. London, 1828-31. S.K.
ALLEN (William, Lieut. R.N.).— Pictur-'
esque Views in the Island of Ascension. Fol. Lon¬
don, 1835. B-M’
ALLIER ( Achille) .— L’ancien Bourbon-
nais (Histoire, Monuments, Moeurs, Statisqiie), par
A. A. (continue par A. Michel. et L. Batissier) ;
grave et lithographie sous la direction de Aime
Chenavard, d’apres les dessins et documents de M.
Notes and Queries, )
Feb. 1, ’68. j
ALM
Books on Art ( under revision).
Dufour, par une society d’ artistes. 2 vols., and
Atlas of 135 lithogr. plates, besides 2 maps. Fol.
Moulins et Paris, 1833-38. B.M.
ALLIES de HAUTEROCHE (Louis).—
Essai sur 1’ explication d’une tessere antique portant
deux dates ; et conjectures sur l’ere de la ville de
Beryte en Phenicie ; suivies de la description d’une
medaille grecque . offrant les portraits de Deme¬
trius, ler roi de Syrie, et de Laodice, sa femme. 4to.
Paris, 1820. B.M.
ALLIES (Jabez). — On the Ancient British,
Roman, and Saxon Antiquities of Worcestershire.
8vo. London, 1840. B.M.
2nd edition. — The British, Roman, and Saxon
Antiquities and Folk-lore of Worcestershire. 2
parts. Plates. 8vo. London, 1852( — 53). S.K.
ALLIOLI (Franz Joseph yon). — Die
Bronze-Thiire des Domes zu Augsburg, ihre Deu-
tung und ihre Geschichte. 3 lithogr. plates. 4to.
Augsburg, 1853. S.K.
ALLOM (Thomas). — Character and Costume
of Turkey and Italy, designed and drawn from
nature. 21 lithogr. plates, with descriptions by
Emma Reeve. Fol. London, n.d.
ALLOM (Th.). — 46 Views of Tyrolese
Scenery, engraved on steel. With historical and
characteristic descriptions. 4to. London, n.d.
ALLOM (Th.). — The British Switzerland ;
or, picturesque Rambles in the English Lake Dis¬
trict; comprising a Series of Views of the Lake
and Mountain Scenery in Westmoreland, Cumber¬
land, Lancashire, Durham, and Northumberland.
From drawings taken on the spot by Th. A. With
descriptive letterpress by Thomas Rose. 2 vols.
Steel-engravings. 4to. London (1858, &c.). B.M.
ALLOM (Th.). — The Chinese Empire illus¬
trated : being a Series of Views from original
sketches, displaying the Scenery, Architecture, Social
Habits, &c., of that ancient and exclusive nation,
by Th. A. With historical and descriptive letter-
press by the Rev. G. N. Wright. 2 vols. Steel-
engravings. 4to. London (1858-59). B.M.
ALLOM (Th.). — See China, historisch, ro-
mantisch, malerisch . Aus dem Englischen, mit
(36) Stahlstichen nach Th. A . Carlsruhe, 1843.
ALLOM (Th.). — See Farina (Giuseppe La).
La China . illustrata da una serie di finissime
incisioni in acciaio (from drawings by Th. A.) .
Firenze, 1843-47.
ALLOM (Th.). — See Beattie (William).
Scotland, illustrated in a Series of Views by Th.
A., &c . 1838.
ALLOM (Th.). — See Britton (J.) and Bray-
eey (E. W.). Devonshire and Cornwall, illustrated
from drawings by Th. A., &c . 1832.
ALLOM (Th.). — See Carne (John). Syria
and the Holy Land illustrated.
ALLORI (Alessandro). — Dialogo sopra
l’arte del disegnare le figure, principiando da’ mus-
coli, ossa, nervi, vene, membra, notomia e figura
perfetta. 8vo. Firenze, 1590.
ALLOU (Charles Nicolas). — Description
des Monumens des differens ages observes dans le
Departement de la Haute-Vienne, avec un precis des
annales de ce pays. 4to. Paris, 1821. B.M.
ALLOU (Ch. N.). — Description de FEglise
de l’ancien Prieure de Solesme (Departement de
la Sarthe) et particulierement des monuments de
Sculpture qu’elle renferme. 8vo.
Extract from the “ Memoires de la Societe Royale
des Antiquaires de la France,” vol. xii.
ALLSTON (Washington). — Outlines and
Sketches by W.A., engraved by J. and S. W. Cheney.
18 plates, and medallion portrait of A. on the title-
page. Oblong fol. Boston (U.S.), 1850. S.K.
ALMANACS. — Almanach des Beaux-
Arts, contenant les noms et les ouvrages des gens
de lettres, des Savants et des Artistes celebres qui
vivent actuellement en France. 16mo. Paris, 1753.
ALMANACS. — Almanach historique et rai-
sonne des architectes, peintres et sculpteurs, gra-
veurs et ciseleurs ; contenant des notices sur les
cabinets des curieux du royaume. Annee 1776.
12mo. Paris.
The same for 1777.
ALMANACS. — Almanach parisien, en fa¬
vour des Etrangers et des Voyageurs; indiquant
par ordre alphabetique : 1°. tous les monuments des
Beaux- Arts repandus dans la ville de Paris .
nouvelle Edition ornee de jolies gravures, pour
l’annee 1791. 24mo. Paris.
ALMANACS. — Almanach des Beaux- Arts
(Peinture, Sculpture, Architecture, Gravure) pour
1 an XII. et l’an XIII. de la Republique Fran9aise.
2 vols. 16mo. Paris (1803-4). Cicogn.
ALMANACS. — Almanacco Pittorico, che
contiene i ritratti dei Pittori della Galleria di Firenze
coi loro elogj, ed altri monumenti, e memorie di
belle arti. 7 vols. 84 portraits, besides other
plates. Small 8vo. Firenze, 1792-98. Cicogn.
ALMANACS. — Almanach aus Rom fur
Kiinstler und Freunde der bildenden Kunst .
Plates. Leipzig, 1810-11. See Sickler (F.) and
Reinhart (C.).
ALMANACS. — Almanach artistique de la
Belgique. I. Annee, pour 1849. Small 8vo. Brux¬
elles.
ALMANACS. — Almanach des Arts et de la
Litterature en Belgique. 1860. 8vo. Bruxelles,
1860.
ALMANACS.— The Illustrated London Al¬
manack for 1857, &c. 8vo. S.K.
ALMANACS. — The Art-Union of London
Almanack, 1864. S.K.
ALMANACS. — Jubel-Kalender zur Erin-
nerung an die Volkerschlacht bei Leipzig vom 16.
— 19. October, a.d. 1813. Woodcut-illustrations
from drawings by August Beck, Otto Fikentscher,
19
ALM
Notes and Queries,
Feb. 1, ’68.
Universal Catalogue of
i
E. Kirchhoff, and C. Scheuren, a plan of Leipsic, and
map of the surrounding country. 5th edition. 8vo.
Leipzig, 1863. S.K.
ALNWICK, Town of. — A descriptive and
historical view of Alnwick and Alnwick Castle .
2nd edition. Plates. 8vo. Alnwick, 1822. B.M.
ALOE (Stanislas). — Tesoro lapidario Na-
poletano, raccolto e compilato da St. A. Vol. I. 4 to.
Napoli, 1835. B.M.
ALOE (St.). — Guide pour la Galerie des
Tableaux du Musee Bourbon. — Guide pour la pre-
cieuse Collection des Tableaux de S. A. R. le Prince
de Salerne placee dans deux Salles superieures du
Musee Royal Bourbon. Par St. A., Secretaire du
Musee, &c. 8vo. Naples, 1842.
ALOE (St.). — Les Peintures de Giotto de
l’Eglise de l’lncoronata a Naples (Frescoes, repre¬
senting Religion and the Seven Sacraments), pub¬
lics et expliquees pour la premiere fois, par St. A.
8 plates. 4to. Berlin, 1843. S.K.
ALOE (St.). — Le Pitture dello Zingaro
(Antonio Solario) nel chiostro di S. Severino in Na¬
poli dinotanti i fatti della vita di S. Benedetto,
pubblicate per la prima volta e dilucidate da St. A.
17 plates, and portrait of Zingaro. 4to. Napoli,
1846. S.K.
ALOE (St.). — Naples, ses monumens et
ses curiosites. Avec une description de Pompei,
Herculanum, Stabise, Psestum, Pouzzole, Cumes,
Capoue et des autres endroits c^Rbres des environs.
12mo. Naples, 1847. B.M.
ALOE (St.). — -Les Ruines de Pompei.
With a plan. 12mo. Naples, 1851. B.M.
ALOE (St.). — Les Ruines de Pompei jus-
qu’en 1858. Suivi d’une excursion au Vesuve, a
Herculanum, a Stabise, et a Psestum. With a plan
of Pompei. 12mo. Naples, 1858. S.K.
German translation, by E. von Lossow. 8vo.
Berlin, n. d.
ALOPHE, Pseud, (i. e. Adolphe Menut). —
Le passe, le present et l’avenir de la Photographie ;
Manuel pratique de photographie. 8vo. Paris, 1861.
2nd edition. Paris, 1864.
ALPHABETS. — Ancient and Ornamental
Alphabets, collected from the best authorities. 4to.
London (1852). B.M.
ALPHABETS. — The Book of Ornamental
Alphabets, Ancient and Mediaeval . 1863. See
Delamotte (F. G.).
ALPHABETS. — Mediaeval Alphabets and
Initials for Illuminators. See Delamotte (F. G.).
ALPHABETS. — Examples of Modern Al¬
phabets . 1859. See Delamotte (F. G.).
ALPHABETS. — Ornamental and other Al¬
phabets. Fol. (1632?) B.M.
ALPHABETS. — Polygraphia curiosa: the
Book of Initial Letters and Ancient Alphabets for
ornamental purposes. 8vo. London, 1844. B.M.
20
{
ALPHABETS. — XV Alphabete, besonders
fur Maler und Anstreicher. 4to. Wesel (1850 ?).
B.M.
ALPHABETS. — Alphabete nnd Schriftmus-
ter aus Manuscript en und Druckwerken verschiede-
ner Lander vom 12. — 19. Jahrhundert . 1857.
See Brandt (J. G.).
ALPHABETS. — Alphabete orientalischer
und occidentalischer Sprachen . 1856. See Ball-
horn (Friedrich).
ALPHABETS. — Alphabete nenester Schrift-
arten fiir Bildhauer und Steinmetzen zum Gebrauch
auf Grabsteinen, Monumenten, &c. Parts I — II.
12 lithogr. plates. 4to. Uttweil (1859-61). B.M.
ALPHABETS. — Alphabete im reinsten Styl
mit den entsprechenden Ziffern als Yorlagen fiir
Stickerinnen, Calligraphen, Kupferstecher, &c., und
zum Gebrauche fiir Schulen. 14th edition. 10
lithogr. plates. Oblong 8vo. Erfurt (1864).
ALPHABETS. — Alphabete nnd Zierschrif-
ten. 28 lithogr. plates, partly chromo-lithogr. Ob¬
long 8vo. Erfurt (1864).
ALPHABETS. — Altdentsches Holzschnitt-
Alphabet . Initialen Deutscher Kiinstler .
1856. See Weigel (Rudolf).
ALPHABETS. — An Alphabet of Capital
Letters, selected from the Illuminations of Italian
Choral Books of the 15th and 16th centuries. Pub¬
lished by the Arundel Society. Fol. London, 1862.
S.K.
ALPHABETS. — An Alphabet of Quadru¬
peds, partly selected from the Works of Old Masters,
and partly drawn from Nature. Edited by Felix
Summerly (i.e. Henry Cole). 16mo. London
(1843). B.M.
ALPHABETS. — A’Dilettantidelle Bell’ Arti.
(G. F. fee., G. B. Betti inc.) 24 plates. Oblong 4to.
Firenze, 1775. S.K.
ALPHABETS. — Initial Letters composed of
Amorini. Italian design. Oblong 4to. n.d. S.K.
ALPHABET of DEATH.— See Dance of
Death.
ALPHAND and DAVIOUD.— Le Bois de
Boulogne architectural, recueil des embellissements
executes dans son enceinte et a ses abords. 32 plates.
Small fol. Paris, 1860.
ALQUDG (Francois Savinien d’). — Les Deli-
ces de la France ; avec une description des Provinces
et des Villes du Royaume. Enrichis des plans des
principales villes. 43 plates. 12mo. Amsterdam,
1670. B.M.
ALSACE. — Antiquites de V Alsace, ou
Chateaux, Eglises et autres monuments . Lithogr.
plates . 1 828. See Golbery and Schweighjetjser.
ALSACE. — Das Elsass . Plates . 1825-
26. See Alfschlager (Johann Friedrich).
N otes and Queries,
Feb. 8, *68.
ALY
Books on Art {under revision).
ALSACE. — Bulletin de la Societe pour la i
Conservation des Monuments liistoriques d’ Alsace. |
8vo. Paris, 1857, &c. S.K. |
ALSATIANS. — Les Alsaciens illustres. Por- j
traits en photographie, avec notices biographiques... |
Photographies par C. Winter. 8vo. Strasbourg, !
1864, &c. B.M. I
ALT (Heinrich). — Hie Heiligenbilder; oder |
die bildende Kunst und die theologische Wissen- i
schaft in ihrem gegenseitigen Verhaltniss historisch |
dargestellt. Mit drei Beilagen. 8vo. Berlin, 1845. !
B.M.
ALT (Jacob). — Bilder aus den Alpen der CEs- |
terreichischen Monarchie, besonders jener von Stei- I
ermark, CEsterreich, Salzburg, Karnthen, Tirol und i
der Lombardei. Nacli der Natur gezeichnet und i
lithographirt von J. A. 66 lithogr. and coloured j
plates. 4to. Wien, n. d.
ALT (J.). — • Malerisclie Donaureise vom
Ursprunge der Donau bis Belgrad. Nach der Natur
aufgenommen und auf Stein gezeichnet von J. A.
Mit erlauterndem Text. 4 parts. 71 lithogr. plates. J
4to. Wien, n.d.
ALT (Rudolph). — Wiens Platze und Umge- j
bungen, nach der Natur gezeichnet von XL A. 12 j
lithogr. and coloured plates. 4to.
ALTANI (Federigo, Count of Salvarolo) j
Del vario stato della pittura in Friuli. In Calo- j
giera, Nuova Baccolta d’Opuscoli, vol. xxiii. B.M. j
ALTAR-PIECE.— Die goldene Altartafel
Kaiser Heinrichs II. Mit einem lithographirten j
Umrisse, die beruhmte kaiserliche Votivtafel darstel-
lend. 10 pp., and a plate. 4to. Basel, 1836. S.K. |
Description of the G-olden Altar-Piece of the Em- |
peror of Germany Henry II. (and other objects j
of the Cathedral of Basle). 5 chromo-lithogr. j
plates, and frontispiece. 4to. Paris, 1842. S.K. |
See Way (Albert). Description of the Tabula of j
Gold . 1843.
See also Wa ckernage l (Wilhelm). Die goldene !
Altartafel von Basel . 1857. In “ Mittheilungen j
der Gesellschaft fiir vaterlandisehe Alterthiimer !
in Basel.”
ALTARS. — See Autels.
ALTEN (E. yon). — Cornells Ploos van Am-
stel, Kunstliebhaber und Kupferstecher. Eine Stu-
die. 8vo. Leipzig, 1864. S.K.
ALTEN (F. von). — Der Maler Asmus Jacob
Carstens . 1865. See Carstens.
ALTEN (F. von). — Yersuch eines Verzeicli- |
nisses der Werke und Entwiirfe von A. J. Carstens j
. 1866. See Carstens.
ALTER. — Manuel modern© des arts liberaux,
a l’usage des peintres, doreurs, architectes, &c.
8vo. Draguignan, 1844.
ALTHANN (Michael Franciscos Ferdinan- |
dus, Count). — Imago Principum Bohemias LXL, elo- j
giis Ducum, Begum, Interregum adumbrata, &c. j
61 portraits of the Dukes and Kings of Bohemia, !
from Czech to Leopold I., engraved by G. de Groos
after C. Screta, besides a frontispiece. 4to. Pragse,
1673. B.M.
ALTICCHIERO. Par Made. J. W. C. D. R.
(Description of a Villa in the village of Alticchi-
ero, near Padua ; by Justine Wynne, Comtesse des
IJrsins et de Bosemberg.) 29 plates, representing
antique monuments, &c. 4to. Padoue, 1787-
S K
ALTMEYER (Jean Jacques). — Micbel van
Coxie ; par J. J. A. 8vo. n. p. n. d.
Extract from the “ Album biographique.”
ALUISETTI (Giulio). — Opere dei grandi
eoncorsi premiate dall’ I. B. Accademia di Belle
Arti in Milano, disegnate ed incise per cura dell’
architette G. A. 67 plates. Fol. Milano, 1847.
ALVAREZ de COLMENAR (Juan).— Les
Delices de l’Espagne et du Portugal, ou l’on voit
une description exacte des Antiquitez, des Provinces,
des Montagnes, des Villes . 5vols. Plates. 12mo.
Leide, 1707. B.M.
Another edition. 6 vols. Plates. 12mo. Leide,
1715. B.M.
ALVAREZ de QUINDOS yBAENA (Juan
Antonio). — Descripcion historica del Beal Bosque y
Casa de Aranjuez. 4to. Madrid, 1804. B.M.
ALVIN (Louis Joseph). — Compte-rendu du
Salon d’Exposition de Bruxelles, avec gravures et
lithographies des meilleurs Tableaux des peintres
beiges et etrangers. 8vo. Bruxelles, 1836. B.M.
ALVIN (L. J.). — Les Commencements de
la Gravure aux Pays-Bas. Bapport fait a la Classe
des Beaux- Arts de l’Academie Boyale de Belgique,
sur le eoncours de 1857. 6 facsimiles. 8vo. Brux¬
elles, 1857.
Extract from the “ Bulletins de 1’ Academic Boy.
de Belgique,” 2e Serie, vol. iii.
ALVIN (L. J.). — Les Nielles de la Biblio-
theque Boyale de Belgique. Notice lue a la Classe
des Beaux- Arts de l’Academie Boyale de Belgique,
Seance du 13. Mai, 1857. 21 photographic fac-similes.
8 vo. Bruxelles, 1857. B.M.
Extract from the “ Bulletins de l’Academie Boy.
de Belgique,” vol. xxiv.
ALVIN (L. J.). — Les grandes Armoiries du
Due - Charles de Bourgogne, gravees vers 1467.
Plates. 8 vo. Bruxelles, 1859.
ALVIN (L. J.). — L’Enfance de Jesus, ta¬
bleaux flamands, poeme tire des compositions de
Jerome Wierix, par L. A., avec 14 planches (photogr.
by E. Fierlants) et une notice biographique sur les
trois freres Wierix, graveurs du 16e siecle. 8vo.
Lyon et Paris, 1860. B.M.
ALVIN (L. J.).- — Catalogue raisonne de
l’CEuvre des trois Freres Jean, Jerome et Antoine
Wierix. 2- photographs. 8vo. Bruxelles, 1866.
S.K.
ALVIN (L. J.).— L’ Alliance de l’Art et de
1’ Industrie dans ses rapports avec l'cnseignement du
Dessin en Belgique. 8vo. Bruxelles, 1863. S.K.
o 21
AL *1
Universal Catalogue of
\ Notes and Queries,
t Feb. 8, ’68.
ALVIN (L. J.). — Les anciens Patrons de
Broderies, de Dentelle et de Guipure. 4to. Brux¬
elles, 1863. ' S.K.
ALVIN (L. J.). — Sur le Mannscrit intitule:
Spirituale Pomerium (a MS. of 1440, in the Royal
Library at Brussels, in which ancient woodcuts are
intercalated). 18 pp., and a photo-lithograph. 8vo.
Bruxelles, 1864. S.K.
ALVIN (L. J.). — Les Academies et les
autres Ecoles de Dessin de la Belgique en 1864.
8 vo. Bruxelles, 1866. S.K.
ALVIN (L. J.) and BOCK (C. P.).— %lise
Abbatiale de Nivelles. Sculptures du Xle si&cle. I
1 lithogr. plate. 8vo. Bruxelles et Leipzig, 1850.
Extract from the “ Bulletins de l’Acad^mie Koy.
de Belgique.”
ALVIN (L. J.) and CHAUVIN (Au¬
guste). — Expositions des Travaux graphiques et
plastiques, executes dans les ecoles de Bavi&re, de
France et du royaume de Wurtemberg. Rapports
adresse a M. Alph. Vandenpeereboom, Ministre de
l’lnterieur. 63 pp. 8vo. Bruxelles, 1863. S.K.
ALVIN (L. J.) and GAILLARD. — En-
tretiens sur les methodes d’enseignement du dessin.
8vo. Bruxelles, 1866.
ALVIN (L. J.) and others. — Documents
iconographiques et typographiques de la Biblio-
th&que Royale de Belgique. Fac-similes photo- J
lithographiques, avec texte historique et descriptif.
. le Serie : Les Bois, le et 2e livraison: Spiri¬
tuale Pomerium ; par L. A. Imper. fol. Bruxelles,
1864. In progress. S.K.
ALVINO (Errico). — Memoria illustrativa
del progetto per la facciata della Cattedrale di ;
Firenze, ideato dall’ Architetto E. A. 28 pp., a
vignette on the title-page. 4to. Firenze, 1864.
S.K.
ALVINO (Francesco). — Anfiteatro campano
ristaurato ed illustrato. 16 plates. Atlas fol.
Napoli, 1833.
Terza edizione col paragone di tutti gli anfiteatri
d’ Italia, ed un cenno sugli antichi monumenti di
Capua. Fol. Napoli, 1842. B.M.
AMADUZZI ( Giovanni Cristofano). —
Pitture antiche ritrovate nello scavo aperto [
. in una vigna accanto il V. Ospedale di S. j
Giovanni Laterano, l’anno 1780, incise e pubbli- j
cate da G. M. Cassini. (Illustrazione di alcune
antiche dipin ture trovate al Laterno dell’ Abate
G. C. A.) Fol. Roma, 1783. B.M.
AMADUZZI (G\ C.). — Raccolta d Antichita
Argentine, alle quali si uniscono i disegni del
Tempio di Teseo in Atene, e di quello di Pesto. 53
plates, with brief explanations by A. Fol. Roma,
1798. Cicogn.
AMADUZZI (G-. C.). — Vetera Monumenta
quae in hortis Cselimontanis et in aedibus Matthse-
iorum adservantur . annotationibus illustrata a
R. Venuti et J. C. Amadutio . 1776-79. See
Venuti.
22
AMALTEO (Marc Antonio). — Elegia La¬
tina per la morte del Pittor Pordenone, ora pri-
mieramente data in luce e volgarizzata dall’ Abate
A Dalmistro. In Latin and Italian. 8vo. Vene¬
zia, 1819. B.M.
AMALTEO (Pomponio). — Mantoani (Ja¬
copo). Elogio di Pomponio Amalteo. Portrait.
8vo. San Vito, 1838.
AMANTON. — Notices sur M. Couturier et
sur M. le Baron Denon. 8vo. Dijon, 1825.
AMANTON. — Notice sur Andre Colomban,
architecte. 8vo. Bourg, 1840.
AMATEUR. — Twelve Etchings of Views in
Edinburgh. By an Amateur. 2 parts. 4to. Edin¬
burgh, 1816. B.M.
AMATEUR. — A concise History and Analy¬
sis of all the principal Styles of Architecture .
To which is added a sketch of the Architecture of
England. By an Amateur. 8vo. London, 1829. B.M.
AMATEUR. — Remarks on Ancient and
Modern Art, in a series of essays. By an Amateur.
12mo. Edinburgh and London, 1837- B.M.
AMATEUR. — An Enquiry into the differ¬
ence of Style observable in Ancient Glass painting.
By an Amateur . 1847. See Winston (C.).
AMATEUR. — The Companion to a Walk
through the Art Treasures Exhibition . By an
Amateur. See Exhibitions, Manchester, 1857.
AMATEUR. — Le Cabinet de F Amateur et
de l’Antiquaire . dirige par Eugene Piot.......
1842, &c. See Periodical Publications.
AMATEURS. — Journal des Amateurs d’Ob-
jets d’Art et de Curiosite . par Le Hir . 1854,
&c. See Periodical Publications.
AMATI (Carlo). — Antichita di Milano.
25 plates. Fol. Milano, 1821. B.M.
AMATI (C.). — Antichita di Milano esistenti
presso S. Lorenzo. 15 pp., and 4 plates. Fol.
Milano, 1821. B.M.
AMATI (C.). — Apologia di Vitruvio Pol-
lione. 8 vo. Milano, 1821. A.B.A., Milan.
AMATI (C.). — Osservazioni sulk uso di col-
locare modiglioni o dentelli ne’ frontispizii. 4to.
Milano, 1825. B.M.
AMATI (C.). — Divertimento arcliitettonico
sulla convenienza di adottare o di escludere i modig¬
lioni o dentelli nei frontispizii. 4to. Milano, 1837.
B. Arch.
AMATI (C.). — Memoria sullo stato dell’
Architettura Civile nel Medio Evo. Estratto dalle
notizie lette dal Cons. De Wiebeking all’ Istituto
R. di Francia. Traduzione libera con aggiunte. 8vo.
Milano, 1825. A.B.A., Milan.
AMATI (C.). — Succinte Memorie intorno le
sedici antiche colonne presso S. Lorenzo esposte
nella circostanza della ricostruziono e riordinamento
del corso di Porta Ticinese. Plates. 4to. Milano,
1831. B. Arch.
Notes and Queries, i
Feb. 8, ’68. j
Books on Art ( under revision).
AME
AMATI (C.). — Succinta Descrizione della
Corsia de’ Servi in Milano, e del progettato Tempio
di San Carlo Borromeo, prccednto dalla piazza.
Plates. 4to. Milano, 1834. B. Arch. j
AMATI (C.). — Regole del Chiaroscuro in
Architettura. 13 plates. Eol. Milano, 1802. Cicogn. !
2nd edition, corrected and enlarged. Eol. Milano, !
1840. A.BA., Milan. I
AMATI (C.). — Neerologia onori funebri e ]
monumento pel Cav. Carlo Amati, Professore di
Architettura. 8vo. Milano, 1852. A.B.A., Milan.
AMATI (C.). — Gli ordini di Architettura
del Barozzi da Vignola . 1805. See Vignola.
AMATI (Girolamo) .-^-Osservazioni sopra
un’ antica statuetta di bronzo posseduta dal Signor
P. Giorgi di Mondavio. 8vo. Roma (1822). B.M.
AMATI (G.). — Intorno ad alcuni Yasi
Etruschi o Italogreci recentemente scoperti osser-
vazioni. 8vo. Roma, 1829.
AMATI (G.). — Sui Yasi Etruschi illustrati
da S. E. il Sig. Principe di Canino. Osservazioni
di G-. A. (in reply to Raoul-Rochette). 2 parts.
24 pp., and 13 pp. 8vo. Roma, 1830. B.M.
AMATO (Paolo). — La nuova Pratica di
Prospettiva nella quale si spiegano alcune nuove
opinioni. 35 plates. Eol. Palermo, 1736. Cicogn.
AMBOISE (Adrien d’). — Les Devises
Royales par A. d’Amboise an Roi. 13 plates. 8vo.
Paris, 1621. B.M.
AMBOISE (Francois d’). — Discours ou
traicte des Devises. Ou est mise la raison et diffe¬
rence des Emblemes, enigmes, sentences et autres.
Pris et compile des cahiers de feu E. A., par Adrien
d’Amboise, son fils. 8vo. Paris, 1620. B.M.
AMBOISE (F. d’). — Devises heroiques et
Emblemes de M. Claude Paradin, revues et aug-
mentees de moitie, par Eranqois d’Amboise. Plates
. 1622. See Paradin.
AMBRA (Raffaele d’). — Pornpei : abusi,
disordini e danni. 8vo. (Naples? 1850 ?) B.M.
A speech, inculpating the conduct of the excava¬
tions.
AMBROS (August Wilhelm). — Der Dom
zuPrag. Illustrations. 16mo. Prag, 1858. B.M.
AMBROSCH (Julius Athanasius). — De
Charonte Etrusco : accedunt vasorum fictilium quse
in Museo Regio Berolinensi asservantur picturae
adhuc ineditse tres lapidibus inseriptae. 4to. Vratis-
iaviae, 1837. B.M.
AMBROSIUS (Marcus). — Arma seu In¬
signia Regni Poloniae. 8vo. n.p.n. d. Bodl.
AME (Emile). — Monographic de l’Eglise de
Saint-Eydroine, pres Joigny. 3 plates. 8vo. 1846.
AME (E.). — Serrurerie du XHIe siecle.
Peintures des portes de la Sacristie et du Tresor de
la Cathedrale de Sens. 2 plates, and 4 pp. 4to.
Paris, 1851.
AME (E.). — Serrurerie du XYe siecle.
Batons de Procession de l’Eglise de Cravan (Yonne).
4 chromo-lithogr. plates, and 4 pp. 4to. Paris,
1854. B.M.
AME (E.). — Monogramme d’un Peintre-
Verrier du XVe siecle, et description du Vitrail de la
Sainte Vierge de l’Eglise de Cravan (Yonne). 6 pp.,
and a coloured plate. 4to. Paris, 1854. S.K.
AME (E.). — Recherches sur les anciens
vitraux incolores du Departement de 1’ Yonne. 6
plates. 4to. Bar-sur-Aube (1854). B.M.
AME (E.). — Chapelle de l’Archeveche de
Reims. Monographic. 6 plates. 4to. Paris, 1855.
AME (E.). — Xote sur une Statuette en
bronze du Xlle si&cle. 2 plates. 4to. Paris, 1857.
AME (E.). — Les Carrelages emailles du
Moyen-age et de la Renaissance, precedes de
l’histoire Aes anciens pavages: mosai'que, labyrin-
thes, dalles incrustees. 90 chromo-lithographs, and
60 woodcut illustrations in the text. 4to. Paris,
1859. S.K.
AMERICA. — Costumes of America. i2mo.
Philadelphia, 1852. B.M.
AMERICA, NORTH. — Nord-Amerika in
Bildern, oder eine Auswahl von Ansichten der inter-
essantesten Gegenden, hauptsachlich am Missouri,
Abbildungen der dort lebenden Volkerstamme, ihrer
Hauptlinge, Spiele, Waffen, &c. (By Cli. Bodmer.)
Nebst kurzem erklarenden Texte. Parts I. — XII.
Aquatinta plates from designs by Bodmer. 4to. and
fol. Neuwied, 1846, &c. B.M.
AMERICANS. — The National Portrait Gal¬
lery of distinguished Americans. Conducted by J.
Herring and J. B. Longacre. 2 vols. 4to. New
York, 1834-35. B.M.
AMERICAN INDIANS.— The American
Indians. Illustrations of their Costumes and Man¬
ners. With anecdotes. Reprinted from the Ameri¬
can edition. 12mo. London, 1834. B.M.
AMERIGHI (Michelangelo, da Caravaggio).
See Caravaggio.
AMES (Joseph). — A Catalogue of English
Heads; or, an Account of two thousand Prints,
describing what is peculiar on each ; as name of the
person, age, or time when done ; name of the painter,
graver, scraper, &c. ; and some remarkable particu¬
lars relating to their lives. 8vo. London, 1748. B.M.
AMES (J.). — Typographical Antiquities;
being an historical account of Printing in England;
with some memoirs of our ancient printers, and a
register of the books printed by them, from the
year 1471 to the year 1600 ; with an appendix, con¬
cerning printing in Scotland and Ireland to the same
time. Plates. 4to. London, 1749. B.M.
| AMES (J.) and HERBERT (William). —
Typographical Antiquities ; or, an historical account
of the origin and progress of Printing in Great
Britain and Ireland, considerably augmented by
W. H. 3 vols. Plates. 4to. London, 1785-90. B.M.
23
AME
Universal Catalogue of
Notes and Queries.
Feb. 8, ’68.
AMES (J.), HERBERT (W.) and DIBDIN
(Rev. Thomas Frognall).— Typographical Anti¬
quities; or, the History of Printing in England,
Scotland and Ireland ; containing memoirs of our
ancient printers, and a register of the books printed
by them ; begun by J. A., considerably augmented
by W. H. ; and now greatly enlarged . and illus¬
trated with appropriate engravings ; comprehending
the history of English Literature, and a view of the
progress of the Art of Engraving, in Great Britain ;
by the Rev. Th. F. D. Vols. I. -IV. Plates. 4to.
London, 1810-19. (No more published.) S.K.
AMIC (Jules). — Jacques Callot. See Callot.
AMICHEVOLI (Costanzo) Pseud, (i.e. P.
Francesco Eschinardi). — Architettura Civile, ridotta
a metodo facile e breve. Woodcuts. 4to. Terni,
1675. B.M.
AMICI (Gr.). — Descrizione de’ Quadri (e
Disegni) del Ducale Appartamento di Modena. (By
G.A.). 4to. Modena, 1784.
AMICO (Bernardino) . — Trattato delle Piante
et Immagini dei Sacri Edificii di Terra Santa, diseg-
nate in Gierusalemme secondo le regole della pro-
spettiva, e vera misura della lor grandezza. Plates
by Antonio Tempesta. Fob Roma, 1609. B.M.
Another edition . aggiuntovi la strada dolorosa
e altre figure. 47 engravings by Callot. Small fol.
Firenze, 1620. B.M.
AMICO (Giovanni) . — L’Architetto Pratico
in cui con facilita si danno le regole per apprendere
l’architettura civile. 3 vols. 143 plates. Fol. Paler¬
mo, 1726-50. Cicogn.
AMIENS. — Notice des Tableaux qui decorent
les Salles de la Mairie a Amiens. 8vo. Amiens,
• 1820. S.K.
. Durch den weitberiimpten Hans Sachsen Gantz
fleissigbeschrieben und in Teutsche Reimen gefasset,
Sehr nutzbarlich und lustig zu lesen, und auch mit
kunstreichen Figuren deren gleichen zuvor niemals
gesehen, alien Standen so in diesem Buch begrifFen
zu ehren und wolgefallen, Allen Kiinstlern aber, als
Malern, Goldschmieden &c. zu sonderlichem Diensfc
in Druck verfertigt. 114 woodcuts. 8vo. Franck-
furt am Mayn (Feyerabend), 1568. B.M.
Amman himself is represented as the Engraver.
Another edition, with explanations in Latin.—
nANOriAIA, omnium illiberalium mechanicarum
aut sedentiarum artium genera continens . carmi-
num liber. Accesserunt etiam venustissimse imagines,
omnes omnium arteficium negotationes ad vivum
lectori reprsesentantes antehac nec visae, necunquam
edit® : per Hartman Schopperum . 132 woodcuts.
Small 8vo. Francofurti ad Mcenum, 1568. B.M.
Other editions : —
Eygentliche Beschreibung aller StandeaufF Erden
. 100 woodcuts. Small 4to. Franckfurt a. M.,
1574.
De omnibus illiberalibus sive mechanicis artibus
. Auetore Hartmanno Schoppero. 8vo. Franco¬
furti ad Mcenum, 1574. Bodl.
AMMAN (J.). — EinneuwThierbuch. Eigent-
liche und auch griindliche Beschreibung allerley vier
und zweyfiissigen Thieren, vom grossen bis zum
kleinsten, sampt deren Art, Wesen, Natur und
Eigenseliafft. Erstlich durch den weitberhiimpten
Hansen Bocksperger den jiingern zu Saltzburg in
visirung gestellt, Folgends gerissen durch Joss Am¬
man von Zurich, &c. 104 woodcuts. Small 4to.
Franckfurt a. M (Ilier. Feyerabend), 1569. B.M.
Another edition. 108 woodcuts. Small 4to.
Franckfurt, 1579. Dresden Libr.
Another edition. 101 woodcuts. Small 4to.
Franckfurt, 1592.
AMIENS. — Le Musee Napoleon a Amiens
. 1864. See Corblet (Jules, Abbe).
Guide del’Etranger au Musee Napoleon . 1865.
See Corblet (J., Abbe).
Exposition retrospective de 1866 au Musee Napo- j
Eon d’ Amiens . See Corblet (J., Abbe)-
AMMAN (Jost). — Thnrnier Bncb. Von An- j
fang, Ursachen, ursprung, und herkommen der i
Thurnier im heyligen Romischen Reich Teutscher j
Nation, Wie viel offentlicher Landthurnier, von
Keyser Heinrich dem ersten dieses Namens an biss j
auf den jetztregierenden Keyser Maximilian den I
andern . und in welchen stetten die alle gehalten, j
Auch durcli welche Fiirsten, Graffen, Herrn, Ritter |
und vom Adel dieselben jederzeit besucht worden.
Alles jetzmider von neuwem zusammengetragen, mit i
schonen neuwen Figuren, sonderlich auch der Adel i
Wappen, aufs schonest zugericht, &c. The author J
is Georg Riixner. Woodcuts by J. Amman. Fob I
Franckfurt am Mayn (Feyerabend), 1566. S.K. j
AMMAN (J.). — Illustrations of the various |
Arts and Trades. — Eygentliche Beschreibung Aller
Stancle auff Erden, Hoker und Nidriger, Geistlicher I
und Weltlicher, Aller Kiinsten, Handwerken und j
Handlen, &c. Vom grossten bis zum kleinesten. i
24 1
AMMAN (J.). — Neuwe Biblische Figuren :
Kunstlich und artig gerissen, durcli den sinn- und
kunstreichen auch weitberiihmten Joss Amman von
Ziirych, mit schonen Teutschen Reimen, welche den
gantzen innhalt einer jeden Figurund Capitel kurtz
begreifFen . 102 woodcuts. 8vo. Franckfurt a.
M. (S. Feyerabend), 1571. B.M.
Another edition. The same cuts, with text in
Latin. — Bibliorum utriusque Testam. icones . 8vo.
Francof. ad M. (H. Feyerabend), 1571-
AMMAN (J.).— Icones Novi Testamenti arte
etindustria singulari exprimentes, turn Evangeli or um
Dominicalium argumenta : turn alia quamplurima,
in Evangelistarum et Apostolorum scriptis eximia.
Quee, ne muta essent, sua quoq. tarn Latina, quam
Germanica carmina, singulis Iconibus adjuncta, ha-
bent. Cum brevi quadam artis pictorise, in Epistola
dedicatoria, Apologia. 93 woodcuts. Oblong 4to.
Francofurti ad Mcenum, 1571. B.M.
AMMAN ( J.) . — Klinstliclie und wolgerissene
figuren, der flirnembsten Evangelien, durchs gantze
Jar, sampt den Passion und zwolfF Aposteln, der-
gleichen vor nie in druck auszgangen. Allen und
jeden der Kunstliebhabenden zue besonderm nutz
und wolgefallen: Durch Jost Amman, Burgern zu
Notes and Queries,
Feb. 15, ’68.
Books on Art ( under revision).
AMM
Niirenberg. 81 woodcuts. Small 4to. Franckfurt
am Mayn (Feyerabend), 1579. S.K.
Another edition. 4to. Franckfurt am Mayn, 1587.
B.M.
The same cuts ; but the coat-of-arms of Erhard
Behem yon Behemstein, citizen of Nuremberg, and
a cut, representing the Prophet Elias, are wanting.
AMMAN” ( J.) . — leones Livianee : preecipnas
Bomanorum Historias magno artificio ad vivum
expressas oculis reprsesentantes, succinctis Versibus
illustratse : per Philippum Lonicerum. 103 num¬
bered woodcuts, besides the frontispiece and a por¬
trait of Sigmund Feyerabend. Oblong 4to. Franco-
furti ad Moenum, 1572. (At the end, 1573.) S.K.
The same cuts are to be found in the Latin and
G-erman editions of Livy, published by Feyerabend
in 1568, 1571, and 1588.
Other editions, with text in German : —
Neuwe Livische Figuren, darinnen die gantze
Bomische Historien kiinstlich begriffen und ange-
zeigt. Geordnet und gestellt durch . Johan
Bocksperger von Saltzburg den jiingern, und mit
sondern tieiss nachgerissen durch . J. Amman
von Zurych, &c. 108 woodcuts. Oblong 4to.
Franckfurt am Mayn, 1573. Dresden *Libr.
Kiinstliche und zierlich gerrissene Livische Fi¬
guren, &c. Ill woodcuts. Oblong 4to. Strassburg,
1631.
AMMAN (J.). — Reynard tlie Fox, in Latin,
with 51 woodcuts, by J. A. — Speculum vitse aulicse.
De admirabili fallacia et astutia vulpeculse Beinikes
libri quatuor, nunc primum ex idiomate Germanico
latinitate donati, adiectis elegantissimis iconibus,
veras omnium apologorum animaliumque species
ad vivum adumbrantibus. Auctore Hartmanno
Schoppero. 12mo. Francof. ad Moenum (Sigismund
Feyerabend), 1574. (At the end, 1575.) S.K.
Other editions, with Amman’s cuts : —
Speculum vitse aulicse, &c. 12mo. Francof. ad
M., 1579. Dresden Libr.
Speculum vitse aulicse, &c. 12mo. Francof. ad
M., 1584. _ _ Bodl.
Technse aulicse. Ex apologo astutissimse vulpe-
culse, latino et germanico carmine breviter delineatse,
&c. Weltlauff unnd Hofleben. 8vo. Franckf.,
1588.
This edition contains only the woodcuts, with
short explanations in Latin and German verse.
Speculum vitse aulicse, &c. 12mo. Francof. ad
M., 1595. Bodl.
AMMAN (J.). — Effigies regum Francorum
omnium ad vivum, quantum fieri potuit expressse;
cselatoribus Virgilio Solis. Noriberg. et Justo Amman
Tigurino. 63 copper engravings. Small 4to. Nori-
bergse, 1576. S.K.
Another edition, with text in German. — Icono-
graphia Begum Francorum, Dass is, Ein Eigent-
liche Abconterfeyung aller Konige in Franckreich,
&c. 63 plates. 4to. Colin, 1587.
Another edition. — Iconographia regum Franc.,
das ist: Abconterfeitung aller Konige in Franck¬
reich bis Heinrich IV. 63 plates. 4to. Colin,
1598. B.M.
AMMAN ( J.) . — Habitus preecipuorum popu-
lorum, tarn virorum quam foeminarum Singulari arte
depicti. Trachtenbuch : Darin fast allerley und
der fiirnembsten Nationen, die heutigs tags bekandt
sein, Kleidungen, beyde wie es bey Manns und
Weibspersonen gebreuchlich, mit' allem vleiss ab-
gerissen sein, sehr lustig und kurtzweilig zu sehen.
Frontispiece, and 220 woodcuts, engraved from
Amman’s designs by Hans Weigel. Fol. Niirm-
berg (“bey Hans Weigel, Formschneider ”), 1577.
B.M.
This work is known as “Weigel’s Book of Cos¬
tume.”
AMMAN (J.). — Kunst und Lebrbucblein
fur die anfahenden Jungen Daraus reissen und
Malen zu lernen Darjnnen allerley Art lustige und
artliche furreissung von Manns und Weibsbildern
Desgleichen von Kindlein Thierlein und andern
stiicklein. Allen liebhabenden Jungen dieser Kunst
zum besten an tag geben. Durch Jos Aman von
Zurych / 102 woodcuts. 4to. Franckfurt am Mayn
(Feyerabend), 1578. Dresden Libr.
Other editions: —
Enchiridion Artis pingendi, fingendi et sculpendi :
In quod Thesaurus novus et ingens, variarum
figurarum, virorum, mulierum, infantum et anima-
lium, in usum adolescentiae cupidse adeoq. omnium
artis hujus amantium est congestus, Auth. J. Am-
manno. The same cuts as in the “ Kunst- und
Lehrbiichlein ” of 1578. 4to. Francofurti ad
Moenum, 1578. Bodl.
Kunst und Lehrbiichlein fiir die anfahenden
Jungen daraus reissen und Malen zu lernen, &c.
93 woodcuts. 4to. Franckfurt am Mayn, 1580.
B.M.
Der Ander Theil dess neuwen Kunstbuchs, in
welchem Beissen unnd Mahlen zu lehrnen . an
Tag geben durch . Jost Amman und Tobias Stim-
mer. 63 woodcuts. 4to. Franckfurt am Mayn,
1580. B.M.
Kunstbiichlin, Darinnen neben Fiirbildung vieler,
Geistlicher unnd Weltlicher, Hohes und Niderstands
Personen, so dann auch der Tiirckischen Kaiser,
unnd derselben Obersten, allerhandt Kunstreiche
Stuck unnd Figuren: Auch die sieben Planeten,
zehen Alter, Bittmeister und Befelchshaber, Beu-
terey, und Contrafactur der Pferde, allerley Thur-
nier, Fechten, und dann etliche Helm, und Helrn-
decken begriffen. Alles auff das zierlichst und
kunstlichst gerissen durch weylandt . Jost Am¬
man von Niirnberg. 293 woodcuts, besides the
frontispiece. 4to. Frankfurt am Mayn, 1599. B.M.
The most complete edition.
AMMAN (J.). — Insignia saerse cassareas Ma-
jestatis, principum electorum, ac aliquot illustrissi-
marum, illustrium, nobilium, et aliarum familiarum,
formis artificiosissimis expressa : Addito cuiq.
peculiari Symbolo et Carmine octasticho, quibus
cum ipsum Insigne, turn Symbolum, ingeniose sine
ulla arrogantia vel mordicitate liberaliter explican-
tur. His adjecta sunt totidem vacua (uti appellant)
Scuta, ut alii quoq. quib. hoc institutum placebit,
suse etiam gentis Imagines penicillo adjicere possint.
Omnia in gratiam Studiosorum, magno labore et
h 25
AMM
f Notes and Queries,
1 Feb. 15, ’68.
Universal Catalogue of
sumptu non exiguo, collecta atque edita. 144 un¬
numbered leaves, and 270 woodcuts. 4to. Franco-
furti ad Mcenum (Sigism. Feyerabend), 1579.
Other editions : —
Stam und Wapenbuch hochs und niders Standts.
Darinnen der Romischen Keys. Mt. dess heili-
gen Rom. Reychss Churfiirsten, Fiirsten, Grafen,
Freyen, und Herrn, Auch deren vom Adel und
anderer vom guten G-eschlecht herkommenden Per-
sonen, Wapen, mit jren Schilt und Helmen, auch
hinzugesetzten Symbolis, und Reymen, in welchen
zum theyl der Wapen eygenschafiten und bedeut-
nussen guthertziger wolmeynung begriffen werden,
eygentlich und auffs fleyssigst zugericht. Mit
angehengten vilen ledigen Schildten und Helmen,
denen, welche der frembden Nationen, oder anderer
Wapen mehr, auch hiereyn zu bringen lust hetten,
. Woodcuts. 4to. Franckfurt am Mayn, 1579.
Wapen-Buch, darinnen allerley lere Schillt und
Helm gantz kiinstlich gerissen sind, &c. Woodcuts.
Fol. Franckfurt am Mayn, 1579. Bodl.
AMMAN (J.). — Anthologia Gnomica. Illus-
tres veterum grsecse comcedige scriptorum sententise, [
prius ab Henrico Stephano, qui et singulas Latine I
eonvertit, editee; nunc duplici insuper interpreta-
tione metriea singulse auctse, inq. gratiam stuclio-
sorum, quibus et varise scutorum natalitiorum ima¬
gines libello passim insertse usui erunt, in hoc
Enchiridion, V. CL. D. Joh. Posthii . auspiciis
collectse a Christiano Egenolpho. 167 woodcuts.
8vo. Franeofurti ad Moenum (Sigismund Feyer-
abend), 1579. S.K.
Another edition. — Stam oder Gesellenbuch.
Mit vilen schonen Spriichen, auch allerley offnen
und Biirgerlichen Schildten und Helmen. Allen
Studenten, und sonst guten Gesellen, so entweder
jre Wapen, Reimen oder Spriich, zur gedachtnuss
einander verlassen wollen, zu dienst und gefallen
zusammen getragen Durch einen Studiosum zu
Franckfurt am Mayn. 196 woodcuts. 8vo. Franck¬
furt am Mayn (Sigm. Feyerabend), 1579.
Dresden Libr. j
AMMAN (J.). — Neuw Jag und Weydwerck j
Buch, Das ist eine griindliche Beschreibung Vom |
Anfang der Jagten, Auch vom Jager, seinem Horn j
und Stimm, Hunden, Item von der Hirsch, Schweins,
Hasen, wilden Kiillen &c. Jagt, Item vom Acl-
lichen Weydwerck der Falkeney, Beyssen und
Feeler spiel, desgleichen vom Fisch, Krebs, Otter
und Biber Fang, &c. 116 woodcuts. Fol. Franck¬
furt am Mayn (Feyerabend), 1582.
Other editions : —
Kiinstliche wolgerissene New Figuren von allerlei
Jag und Weidtwerck, durch den Kunstreichen Jost
Amman, Wonhaft zu Niirnberg an Tag gebracht.
Allen Liebhabern, Als Malern, Goldschmidt, Bild-
hauwern und welche Lust zur Kunst haben, zu
Ehren : Auch durch auss mit Lateinischen und
Teutschen Reymen, dergleichen vor nicht ausgangen.
40 woodcuts, taken from those in the “Jag und
Weydwerck Buch.” 4to. (Feyerabend.) 1582.
Dresden Libr.
. VenaGis et Aucupium Iconibus artificiosissimis ad
vivum expressa et succinctis versibus illustrata a
F. Ad. Lonicero. 79 leaves, and 40 woodcuts. 4to.
Franeofurti (Feyerabend), 1582. Bodl.
Kunstliche (sic), Wolgerissene New Figuren, von
allerlai Jagt und Weiclwerck, Allen Liebhabern der
Maler Kunst, auch Goldschmieden, Bildhauern,
&c. zu Ehren und Wolgefallen zugericht . durch
den Kunstreichen und Weitberhiimbten Jost Am¬
mon. 40 woodcuts. 4to. Franckfurt am Mayn
(Feyerabend), 1592. B.M.
AMMAN (J.). — Ritterliche Reutterkunst,
Darinnen Ordentlich begriffen Wie man zuvorderst
die Ritterliche und adeliche Uebung der Reutterey,
bevorab in Teutschland, mit musterhafftigem Ge-
schmuck, Ritterspiel, Mumerey, Kleidung, und allem
andern, so dero beides in schimpff und ernst anhan-
gig, gebrauchen und unterscheiden moge . Allen
Rittermassigen und Adlichen Personen zu Ehren
jetzt auffs neuw an Tag geben und mit schonen
Figuren gezieret . Durch den edlen gestrengen
Herrn L. V. C. gewesener Keyserlicher Majestat
Stallmeister. Woodcuts. Fol. Franckfurt am
Mayn (Sigm. Feyerabend), 1584. *
Another edition. — Artliche und kunstreiche Figu¬
ren zu der Reutterey, sampt jrem musterhaften
Geschmuck, dergleichen nie aussgangen. Jetzt erst
durch den Kunstreichen Jost Ammon, wohnhafft zu
Nornberg, gerissen. 92 woodcuts. 4to. Franck¬
furt am Mayn (Sigm. Feyerabend), 1584.
AMMAN (J.). — Cleri totius Romance Ec-
clesise subjecti seu Pontificiorum ordinum omnium
omnino utriusque sexus habitus, artificiosissimis
figuris, quibus Francisci Modii singula octosticha
adjecta sunt; nunc primum a Jodoco Ammano ex¬
press i neque unquam antehac similiter editi : addito
libello singulari ejusdem Fr. Modii in quo cujusque
ordinis ecclesiastici origo, progressus et vestitus
ratio breviter ex variis historicis delineatur. 102
woodcuts. Small 4to. Francoforti (Sigism. Feyer¬
abend), 1585. S.K.
Another edition. The same cuts, with text in
German. — Stand und Orden der heil. Romischen
Catholischen Kirchen darinn aller Geistlichen Per¬
sonen . Herkommen, Regeln, Habit und Kleidung
beneben schonen und kunstlichen Figuren fleissig
beschrieben . durch Joh. Ad. Lonicerum. Small
4to. Franckfurt am Mayn (Feyerabend), 1585.
Dresden Libr.
Another edition. With text in Latin and Ger¬
man. — Jodoci Ammani clerus totius Rom. Ecclesise,
&c. Small 4to. Franckfurt a. M. (in Verlegung
F. V. Ammons und V. Serlius), 1661.
This edition has the same cuts, with exception of
seven, the blocks of which were lost, and which
were replaced by etched plates.
AMMAN (J.). — Im Frauwenzimmer Wirt
vermeldt von allerley schonen Kleidungen und
Trachten der Weiber, hohes und niders Stands, wie
man fast an alien Orten geschmiickt und gezieret
ist, Als Teutsche, Welsche, Frantzosische, Engel-
landisehe, Niderlandische, Boheimsche, Ungerische,
und alle anstossende Lander. Durchaus mit neuwen
Figuren gezieret, dergleichen nie ist aussgangen.
Jetzund erst durch den weitber. J. Amman wohn-
Notes and Queries,
Feb. 15, ’68.
AMS
Books on Art ( under revision).
hafft zu Niirnberg gerissen. Sampt einer kurtzen
Beschreibung . 121 woodcuts, Female Costumes
of Germany, Italy, France, England, &c., besides a
frontispiece with the portrait of Princess Gertrude
of Saxony. Small 4to. Franckfurt (Feyerabend),
1586. B.M.
Another edition. 121 woodcuts, with explana¬
tions in Latin verse. — Gynseceum, sive Theatrum
mulierum, in quo prsecipuarum omnium per Europam
inprimis nationum, gentium, &c., foemineos habitus
videre est, artificiosissimis figuris expressos a
Jodoco Ammano. Small 4to. Francofurti (Feyer¬
abend), 1586. Bodl.
AMMAN (J.). — Jodoci Ammanni, Civis
Noribergensis, Charta Lusoria, Tetrastichis illus-
trata, per Janum Heinricum Scroterum . Kunst-
liche un wolgerissene Figuren, in ein new Karten-
spiel, durch den Kunstreichen und weitberiimten
Jost Amman, Burger in Niirnberg, &c. Allen und
jeden der Kunstliebhabenden, zu besonderm nutz,
lust und wolgefallen, jetz und erst new an tag
geben. Und mit kurzen lateinischen und teutschen
Verszlein illustrirt durch Janum Heinricum Schro-
terum von Giistrow, Key serlichen Coronirten Poeten.
55 woodcuts. 4to. Numb erg, 1588. B.M.
This is the rarest of Amman’s works.
AMMAN (J.). — Kunstlich. und wolgeris-
sene Fecliters-Figuren und Stellungen, Geordnet
durch . J. Amman. Oblong 4to. Ulm, n. d.
This work is wrongly ascribed to Amman. — See
Becker, J. Amman, p. 234.
AMMAN (J.). — J. Amman, Zeichner und
Formschneider, Kupferatzer und Stecher; von C(arl)
Becker. Nebst Zusatzen von R. Weigel. 17 wood-
cuts. Small 4to. Leipzig, 1854. S.K.
AMMEN-UHR. — Die Ammen-Uhr. Aus des
Knaben Wunderhorn. 12 woodcuts from drawings
by Dresden Artists. Leipzig, 1843. B.M.
AMORETTI (Carlo). — Memorie storiclie
su la vita, gli studj, e le opere di Lionardo da Yinci.
. 1804. See Yinci.
AMORETTI (C.). — Viaggio di Milano ai
tre Laghi Maggiore di Lugano e di Como e ne’
monte che li circondano. 8vo. Milano, 1817. B.M.
AMORETTI (C.). — Yiaggio da Milano ai
tre Laghi Maggiore, di Lugano e di Como . Sesta
edizione, corretta e corredata di antichi monumenti
e della vita dell’ autore dal Dottor Giov. Labus.
8vo. Milano, 1824. B.M.
AMORETTI (C.). — Opuscoli scelti sulle
Scienze e sulle Arti, tratti degli Atti delle Accademie
e dalle altre collezioni filosofiche e letterarie, dalle
opere piu recenti inglesi, tedesche, francesi, &c.
22 vols. 4 to. Milano, 1778-1806. Bodl.
AMORETTI (C.). — Nuova scelta d’opuscoli |
interessanti sulle Scienze e sulle Arti, &c. 4to. Mi¬
lano, 1804 (-1808). B.M.
AMORINI ( Antonio Bolognini, Mar-
chese). — Discorso letto nella grand’ Aula della
Pontificia Accademia di Belle Arti in Bologna l’anno
1816. 8vo. Cicogn,
AMORINI (A. Bolognini, Marcliese). — Elo-
gio di Sebastiano Serlio, Arcliitetto Bolognese. Fol.
Bologna, 1823. B.M.
AMORINI (A. Bolognini, Marcliese).— Elo-
gio di Angelo Yenturoli, Arcliitetto Bolognese. Li-
thogr. portrait of Y. 8vo. Bologna, 1827. S.K.
AMORINI (A. Bolognini, Marcliese). — Me¬
morie della Vita del Pittore Dionysio Calvert. 8vo.
Bologna, 1832. Bodl.
AMORINI (A. Bolognini, Marcliese). — Le
Yite di Girolamo Curti, detto il Dentone, e di Agos-
tino Mitelli, nuovamente date alle stampe dal mar¬
ches e A. B. A. Portrait. 8vo. Bologna, 1833.
AMORINI (A. Bolognini, Marcliese). — Me-
moria della Yita di Pio Panfilj. 15 pp., and por¬
trait of P. 8vo. Bologna, 1835. S.K.
AMORINI (A. Bolognini, Marcliese). — Vita
del celebre Pittore Francesco Albani. 8vo. Bo¬
logna, 1837. B.M.
AMORINI (A. Bolognini, Marcliese). — Yita.
del celebre Pittore Francesco Primaticcio. Lithogr.
portrait of P. 8vo. Bologna, 1838.
AMORINI (A. Bolognini, Marcliese). — Yita
del celebre Pittore Domenico Zampieri detto Do-
menichino. 38 pp. 8vo. Bologna, 1839. B.M.
AMORINI (A. Bolognini, Marcliese). — Yita
di F. Barbieri detto II Guercino. 8vo. Bologna,
1839. B.M.
AMORINI (A. Bolognini, Marcliese). — Yita
del celebre Pittore Guido Beni. 8vo. Bologna,
1839. B.M.
AMORINI (A. Bolognini, Marcliese). — Yite
dei Pittori ed Artefici Bolognesi. 5 parts in 2 vols.
Portraits. 8vo. Bologna, 1841-43. S.K.
AMORINI (A. Bolognini, Marcliese). — Me¬
morie della Yita e delle Opere di Francesco Rosa-
spina, Incisor Bolognese. 24 pp., and portrait of R.
8 vo. Bologna, 1842. S.K.
AMPHITHEATRES. — Degli Anfiteatri e
singolarmente del Veronese. (By S. Maffei.) 8vo.
Verona,' 1728. Bodl.
AMSINCK (Paul).— Tunbridge Wells, and
its neighbourhood, illustrated by a series of (43)
etchings and historical descriptions : the etchings
executed by Letitia Byrne. 4to. London, 1810. B.M.
AMSLER (Samuel). — Leben und Werke
von Samuel Amsler, Kupfersteelier. Neujahrsblatt
der Kiinstler-Gesellschaft in Zurich fur 1850. Por¬
trait of A. 4to. Zurich, 1850.
AMSTEL (Cornelis Ploos van). — See
Peoos.
AMSTERDAM. — Filip’s von Zesen Be¬
schreibung der Stadt Amsterdam . 75 copper¬
plates . 1664, &c. See Zesen (Philipp von).
AMSTERDAM. — Alle de voornaamste ge-
bouwen der wijtvermaarde koopstad Amsterdam
cierlijk in t’ koper afgebeelt, en kortbonclig beschre-
ven . Tous les principaux batimens de la ville
27
AMS
Notes and Queries,
Fe’o. 15, ’68.
Universal Catalogue of
cl’ Amsterdam represents en de tres-belles tailles
douces et decrits en abrege. In Dutch and French.
4to. Amsterdam (1675 ?). B.M.
AMSTERDAM. — Eighty-nine Engravings
of Public Buildings, &c., at Amsterdam, by several
Artists. Oblong fol. Amsterdam, 1612-31. B.M.
AMSTERDAM. — Nieuwe Atlas van de voor-
naamste Gebouwen en Gezichten der Stad Amster¬
dam, met derzelver beknopte beschryvingen. 2 vols.
102 plates, besides a plan. Fol. Amsterdam, 1783.
S.K.
AMSTERDAM. — Vues choisies d’Amster-
dam et ses environs, dessinees d’apres nature par C.
de Kruyf et autres artistes. 45 plates, without let¬
terpress. 4to. Amsterdam, 1825. B.M.
AMSTERDAM. — Le Guide d’ Amsterdam.
Enrichy de figures. 23 plates, and a plan. 8vo.
Amsterdam, 1701. B.M.
Le Guide, ou nouvelle description de la Ville
d’ Amsterdam. Plates, 8vo. Amsterdam, 1720.
Cieogn.
Another edition. 8vo. Amsterdam, 1734. B.M.
Le Guide d’ Amsterdam avec la description de ce
qui il y a de plus interessant. Plates. 8vo. Amster¬
dam, 1793. Cieogn.
AMSTERDAM. — Wegwyzer door Amster¬
dam, zynde eene beknopte verhandeling van desselfs
eerste opkomst, vergrootingen, en tegenwoordigen
staat . Yerrykt metafbeeldingen der voornaamste
gestichten, alle op nieus naar’t leeven geteeknet.
Beneevens eene Beschryvinge van het heerlyk stad-
huis ; een verklaaring van het onlangs gemaakte
Schilderwerk, op de Burgerzaal. 27 plates. Small
8vo. Amsterdam, 1713.
AMSTERDAM. — Platte Grond der Stad
Amsterdam. (A plan of Amsterdam, with a series of
views of the streets, canals, gates, and principal build¬
ings of the town.) 103 plates, without letterpress.
Fol. (Amsterdam, 1786?) B.M.
AMSTERDAM, City House. — Architecture,
Peinture et Sculpture de la Maison de Yille d’ Am¬
sterdam, representees en 109 figures en taille-douce
. Avec une explication historique de chaque figure.
The plates chiefly by Hubertus Quellinus. Fol. Am¬
sterdam, 1719. S.K.
Description de lTlotel de Ville d’ Amsterdam.
8vo. (Amsterdam 1780 ?) B.M.
Another edition. 8vo. (Amsterdam, 1786?) B.M.
Description of the City House of Amsterdam.
8vo. Amsterdam, 1751. B.M.
Other editions. Amsterdam, 1766, and 1782.
B.M.
AMYOT (Thomas). — Some Account of the
Abbey Church of Tewkesbury; intended to illustrate
the plans, elevations, and sections of that building,
engraved at the expense of the Antiquarian Society
(in plates XXIII— XLYI., vol. V. of the “Vetusta
Monumenta”). Fol. London, 1826. B.M. |
ANACREON. — Anacreon. Sapho, Bion et !
Moschus, traduction nouvelle en prose, suivie de la j
* e]llce des fetes de Venus, ct d’un choix de pieces |
de diflferens auteurs. Par M. M * * * C * * (Jules
Jacques Moutonnet de Clairfons). Frontispiece,
and vignettes, engraved by Jean Massard from de¬
signs by Charles Eisen. 4to. Paphos, Paris, 1773.
B.M.
ANACREON. — Anacreontis Odaria, ad tex-
tus Barnesiani fidem emendata. Accedunt varise
lectiones cura Edvardi Forster. 20 vignettes, en¬
graved by F. Bartolozzi. 8vo. Londini, 1802. S.K.
ANACREON. — A Series of Designs to illus¬
trate Anacreon, by B(obert) Ker Porter. 25 plates,
and portrait, engraved by Giovanni Vendramini.
4to. London, 1805.
ANACREON. — Odes d’ Anacreon, traduites
en vers, sur le texte de Brunck, par J. B. (Bins) de
Saint-Victor. (With the Greek text.) 4 plates,
engraved by Abraham Girardet from designs by
Anne Louis Girodet and Pierre Bouillon. 8vo.
•Paris, 1810. B.M.
2nd edition. The same plates. 12mo. Paris,
1813.
3rd edition. The same plates, besides a vignette,
engraved from an ancient medal, on the title-page.
8vo. Paris, 1818. B.M.
ANACREON. — Anacreon, Recueil de Com¬
positions dessinees par (Anne Louis) Girodet et
gravees par M. (H. G.) Chatillon, son eleve, avec
la traduction en prose faite egalement par Girodet.
54 plates. 4to. Paris, 1826.
ANACREON. — Odes d’ Anacreon, etc. Greek
Text and French translation by Ambroise Firmin
Didot, with 54 photographic illustrations from the
compositions by Girodet. 24mo. Paris, 1864. S.K.
ANASTATIC PRINTING.— Sketches prin¬
ted at the second Hampstead Conversazione, Feb.
18, 1846, in illustration of the Anastatic Printing
Process. 4to. London, 1846. S.K. '
ANATOMY. — A compendious Treatise of i
Anatomy, adapted to the Arts of Designing, Paint- 1
ing, and Sculpture. 8 plates. Fol. London, 1762.
S.K. j
ANATOMY. — Key to an Anatomical Figure, \
displaying the superficial Muscles of the Human j
Body, intended for the use of Artists. 4 plates, <
and 4 pp. 8vo. London, n. d. S.K. f
ANCORA (Gaetano d’). — Guida ragionata J
per le Antichita e per le curiosita naturali di Poz- ,*
zuoli e de’ luoghi circonvicini. 51 plates. 8vo. i
Napoli, 1792. B.M. j
French translation. — Guide du Voyageur pour les ]
Antiquites de Pouzzole, et des environs. Traduit
de ITtalien par Manville. Plates. 8vo. Naples, jj
1792. Cieogn. j
ANCORA (G. d’). — Lezione pratiche circa |
l’imitazione dall’ antico nelle arti del disegno. 8vo. I
Napoli, 1804. B.M. i
ANDERSEN (Carl). — Rosenborg. Minde- ;
blade fra de Danske Kongers kronologiske Samling. '
Ved C. A., Inspekteur ved Samlingen. 91 pp., and
52 woodcut illustrations. Imper. 8vo. Rjobenhavn,
1867. S.K. I
Notes and Queries,
Feb. 22, ’68.
Books on Art (under revision).
AND
ANDERSEN (Hans Christian). — Gesam-
melte Marchen. 112 woodcut illustrations, from
drawings by V. Pedersen, engraved by E. Kretzsch-
mar. 8vo. Leipzig, 1849.
ANDERSEN (H. Ch.).— Gesammelte His-
torien. 75 woodcut illustrations, from drawings by
V. Pedersen, engraved by E. Kretzschmar. 8vo.
Leipzig, 1857- B.M.
ANDERSEN (H. Ch.).— Tales for Children.
Translated by A. Webnert. With illustrations by
E. H. Wehnert, W. Thomas, and others. 8vo. Lon¬
don, 1861. B.M.
ANDERSEN (H. Ch.).— The Ice Maiden.
Translated from the Danish by Mrs. Bushby ; with
drawings by Zwecker, engraved by Pearson. Small
4to. London, 1863. S.K.
ANDERSEN (H. Ch.).— Stories and Tales.
. Translated by H. W. Dulcken. 80 illustra¬
tions by A. W. Bayes, engraved by the Brothers
Dalziel. 8vo. London, 1864. B.M.
ANDERSEN (H. Ch.).— Out of the Heart.
Spoken to the little ones . Translated by H. W.
Dulcken. 70 engravings by the Brothers Dalziel.
16mo. London, 1867. B.M.
ANDERSEN (H. Ch.).— Life of Thorvald¬
sen. See Thorvaldsen.
ANDERSON (Charles). — Ancient Mo¬
dels : containing some remarks on Church-building,
addressed to the laity. 12mo. London, 1840. B.M.
Another edition, enlarged. 12mo. London, 1841.
B.M.
ANDERSON (Charles Frederick). — A.’s
American "Villa Architecture, &c. Oblong fol. New
York, 1853. B.M.
ANDERSON (Duncan) . — History of the
Abbey and Palace of Holyrood. With illustrations.
Edited by W. S. Daniel. 8vo. Edinburgh, 1852.
B.M.
ANDERSON (George, Major).— Plan and
Views of the Abbey Royal of St. Denys, engraved
on six plates . from drawings by Major A. With
an historical account. 4to. London, 1812. B.M.
ANDERSON (John). — Observations upon
Roman Antiquities, discovered between the Eorth
and Clyde. 8 pp., and 4 plates. 4to. Edinburgh,
1800. B.M.
ANDERSON (John Corbet). — Shropshire :
its Early History and Antiquities. Comprising a
description of the important . British and Roman
remains in that County ; its Saxon and Danish
reminiscences ; the Domesday Survey of Shropshire ;
and the history of its Forests, Towns, Manors, Ab¬
beys, Churches, Castles, and great Baronial Houses.
Illustrated by numerous drawings on wood. Royal
8vo. London, 1864. S.K.
ANDERSON (J. C.). — Antiquities of Croy¬
don Church, destroyed by fire, January 5th, 1867.
With numerous woodcuts, drawn from its fine mo¬
numents previously to their destruction. 84 pp.
Imper. 8vo. London, 1867. S.K.
ANDRADE (Domingo de). — Excelencias,
antiguedad, y nobleza de la Arquitectura. 4to.
Santiago, 1695.
ANDRASY (Mano, Count). — Utazas Kelet-
Indiakon, Ceylon, Java, Khina, Bengal. 16 ehro-
mo-lithogr. plates, and wood engravings in the text.
Imper. fol. Pesten (1853). B.M.
German edition. — Reise des Grafen Emanuel A.
in Ostindien, Ceylon, Java, China und Bengalen.
Aus dem Ungarischen iibersetzt. The same plates.
Imper. fol. Pest, 1859. B.M.
ANDRASY (M., Count). — Les Chassesetle
Sport en Hongrie, d’apres l’original hongrois de M.
le Comte E. Andrasy, &c., trad. par. J. B. Durringer
et F. A. Schwiedland. 25 coloured plates. Imper.
fol. Pest, n. d.
ANDRAUD. — Exposition universelle de
1855. Une derniere annexe au palais de l’lndustrie.
Sciences industrielles. Beaux -Arts. Philosophie.
8vo. Paris, 1855. B.M.
ANDRE (Edouard). — Les Plantes a feuil-
lage ornemental. Description, histoire, culture et
distribution des plantes a belles feuilles, nouvelle-
ment employees a la decoration des squares, pares qt
jardins. Par E. A. 37 wood-engravings, designed
by Riocreux, Yan d’ Argent, Andre, &c. 8vo. Paris,
1866.
ANDRE (Ives Marie). — Essai sur le Beau.
12mo. Paris, 1741.
This edition was published without the name of
the author.
Essai sur le Beau ; avec un discours preliminaire
et de reflexions sur le gout, par J. H. S. F. (i. e. J.
H. Samuel Formey). 8vo. Amsterdam, 1759.
Also, Paris, 1763. — Lyon, 1820.
German translation. Altenburg, 1757.
ANDREPE (Carl). — Die ungleichen Kinder
Eva. Comedia von Hans Sachs. Mit Original-
Zeichnungen von C. A., in Holzschnitt ausgefuhrt
von August Gaber. 5 woodcut illustrations, and
portrait of Hans Sachs. 8vo. Leipzig und Dresden
(I860). B.M.
ANDREEE (C.). — Darstellungen aus der
biblischen Geschichte des Alten und Neuen Testa¬
ments. Zeichnungen von C. A., in Holzschnitt aus¬
gefuhrt von August Gaber, herausgegeben mit er-
lauternden Textworten aus der heil. Schrift von J.
J. H. Schuhmacher. 90 woodcuts. 4to. Dresden
(1863).
ANDREW (C.), RICHTER (Ludwig),
and SCHNORR von CAROLSFELD (Julius).—
Christenfreude in Lied und Bild. Geistliche Lieder
. 50 woodcut illustrations from drawings by C.A.,
L. R., and J. Sch.von C. 3 parts. 8vo. Leipzig, 1855.
ANDREOLI (E.), and LAMBERT (B. S.).
Monographic de l’Eglise cathedrale Saint-Siffrein
de Carpentras, renfermant une description du cloitre
et de l’ancienne eglise, des details historiques, des
notes biographiques et de nombreux dessins graves.
8vo. Paris, 1862. B.M.
i
29
AND
Universal Catalogue of
Notes and Queries,
Feb. 22, ’68.
ANDREOSSY (Antoine Francois, Count), j
Constantinople et le Bosphore de Thrace pendant
les annees 1812, 1813, 1814, et pendant l’annee
1826. 8yo., and Atlas of 10 plates infol. Paris,
1828. B.M.
ANDRES (Juan). — Lettera al Sign. G.
Valenti Gonzaga, sopra una pretesa cagione del cor-
rompimento del gusto Italiano nel secolo XVII. 8vo.
Cremona, 1778. B.M.
Spanish translation. 8vo. Madrid, 1780. Bodl.
ANDRES de GUSSEME (Thomas).— Die- :
cionario numismatico general, para la perfecta inteli-
gencia de las Medallas Antiguas, sus signos, notas e !
inscripciones, e generalmente de todo lo que se con- j
tiene en ellas. 6 vols. 4to. Madrid, 1773-77- B.M.
ANDRE SEN (Andreas). — Johann Gotthard
von Muller und Joh. Friedrich Wilhelm Muller. Be-
schreihendes Verzeichniss ihrer Kupferstiche. 8vo.
Leipzig, 1885. S.K.
ANDRESEN (A.). — Die deutschen Maler-
Badirer (Peintres-Graveurs) des XIX. Jahrhunderts,
nach ihren Leben und Werken. 8yo. Leipzig,
1866, &c. S.K.
ANDRESEN ( A. ) . — Nicolaus Poussin . Y er-
zeichniss der nach seinen Gemalden gefertigten,
gleichzeitigen und spateren Kupferstiche . 1863.
See Poussin (Nicolas).
ANDRESEN (A.) . — Notice biographique snr
Hans Scheuflein. See Schaufflein.
ANDRESEN (A.) and WEIGEL (Rudolph).
Der deutsche Peintre-Graveur, oder die deutschen
Maler als Kupferstecher nach ihrem Leben und ihren
Werken, von dem letzten Drittel des 16. Jahrhun¬
derts bis zum Schluss des 18. Jahrhunderts, und in
Anschluss an Bartsch’s Peintre-Grraveur, &c. Von
A. A., unter Mitwirkung von B. W. 8vo. Leipzig,
1^864, &c. S.K.
ANDREW (John). — La Peinture an Pastel
mise a la portee de tout le monde par 1’ application de
quatre methodes nouvelles. 8vo. Paris, 1859. B.M.
ANDREWS (A. N.).— History of Painters
and Painting in Bussia. (In Bussian.) 8vo. St.
Petersburg, 1857.
ANDREWS (G. T.).— See Jackson and An¬
drews. Illustrations of Bishop West’s Chapel in
Putney Church . 1825.
ANDREWS (Henry C.). — The Botanist’s
Bepository, for new and rare Plants, containing
coloured Figures of such Plants as have not hitherto
appeared in any similar publication ; with de¬
scriptions in English and Latin. 10 vols. 664 I
plates. 4to. London, 1797-1815. B.M.
ANDREWS (H. C.).— ColouredEngravings I
of Heaths. The drawings taken from living plants I
only. With the appropriate specific character, full
description, native place of growth, and time of |
flowering of each; in Latin and English. Each
figure accompanied by accurate dissections of the
30
several parts, upon which the specific distinction has
been founded, according to the Linnsean system. 4
vols. 288 plates. Fol. London, 1802-(30 ?). B.M.
ANDREWS (H. C.). — Heathery ; or, a
monograph of the Genus Erica, containing coloured
engravings, with the descriptions in Latin and Eng¬
lish. 6 vols. 300 plates. Boyal 8vo. London,
1804-12.
ANDREWS (H. C.). — Geraniums ; or, a mo¬
nograph of the Genus Geranium, containing coloured
figures of all the known species, &c. 2 vols. 124
plates. 4to. London, 1805. B.M.
ANDREWS (H. C.). — Roses; or, a mono¬
graph of the Genus Bosa, containing coloured figures
of all the known species, &c. 2 vols. 129 plates.
4 to. London, 1805-28. B.M.
ANDREWS (James). — The Art of Flower
Painting, in easy lessons ; with directions for pre¬
paring the tints, and examples of each subject in
various stages, drawn and coloured from nature. 24
plates. Oblong 8vo. London, n. d. S.K.
ANDREWS (J.). — Progressive Drawing
Book of Flowers, for Beginners. With directions
for colouring. London, n.d.
ANDREWS (J.)- — The Parterre; or, the
Beauties of Flora. 12 large drawings of Flowers j
by J. A., elaborately coloured after nature. With I
poetical illustrations (by Louisa Anne Twamley). I
Fol. London, 1842. B.M. 5
| ANDREWS (J.). — Botanical Illustrations, j
See Moore and Dombrain. The Floral Magazine. ,1
ANDREWS (Mottram). — A Series of Views |
in Turkey and the Crimea, from the Embarcation
at Gallipoli to the Fall of Sebastopol. Fol. Lon- j
don, 1856. B.M. j
ANDREWS (W. S.). — Illustrations of the j
West Indies. (With descriptive letterpress.) 2 l
vols. Oblong 4to. London, 1860. B.M. 't
ANDROUET DU CERCEAU (Jacques).—
Exemplaria templorum antiquo more constructorum
. Fol. Aurelise, 1549.
ANDROUET DU CERCEAU (J.).— . j
Quinque et viginti exempla arcuum partim ab 1
Androvet du Cerceau inventa, partim ex veterum j
sumpta monumentis. 25 plates. Small fol. Aurelise, \
1549.
ANDROUET DU CERCEAU (J.).— Liber j
de eo picturse genere quod Grottesche vocant Itali. f
36 plates. Small fol. Aurelise, 1550.
Another edition, under the title, “ Livre de Gro- j
tesques.” 2 leaves text, and 35 plates. Fol. Paris j
(Wechel), 1566.
Another edition. 41 plates, engraved after Du
Cerceau by Hans Sibmacher. Small 4to. Noribergre >
(1594). (Weigel’s Kunst- Catalog, No. 16,381.) j
ANDROUET DU CERCEAU (J.).— Vetus-
tissimee optices quam perspectivam nominant, XX
figurse accuratissime excusse atque expressse a Jacobo I
Androvetio du Cerceau. 20 plates. Small fol. j
Aurelise, 1551. |
Notes and Queries,
Feb. 22, ’68.
Books on Art {under revision).
AND
ANDROUET DU CERCEAU (J.).— Livre
d’ Architecture, contenanfi les plans et dessaings de
cinquante bastiments tous differens : pour instruire
ceux qui desirent bastir, soient de petit moyen, ou
grand estat. 16 leaves, and ’50 plates. Eol. Paris,
1559.
Also with Latin text. — De Architectura, Jacobi
Androvetii du Cerceau, Opus ; quo descriptse sunt
aedificiorum quinquaginta plane dissimilium ichno-
graphise, etc. 50 plates. Pol. Lutetise Parisiorum,
1559. B.M.
Another edition. — Livre d’architecture, &c. 16
leaves, and 69 plates. Fol. Paris, 1611. Bodl.
Second livre d’architecture, contenant plusieurs
et diverses ordonances de cheminees, lucarnes,
portes, fonteines, puis, et pavilions, pour enrichir
tant le dedans que le dehors de tous edifices. 68
plates, and 2 leaves. Pol. Paris, 1561.
Also, with Latin title : — De architectura opus
alteram. 66 plates. Pol. Parisiis, 1561.
ANDROUET DU CERCEAU (J.).— Livre
d’architecture de J. A. d. C., auquel sont contenues
diverses ordonances de plants et elevations de basti¬
ments pour seigneurs, gentilshommes et austres qui
voudront bastir aux champs ; mesme en aucuns
d’iceux sont desseignez les basses-courts, avec leurs
commoditez parti culieres, aussi les jardinages et
vergiers. Pol. Paris, 1582.
This is a continuation of the two former Livres
d’ Architecture.
ANDROUET DU CERCEAU (J.).— Le
Premier (et le second) Yolume des plus excellents
Bastiments de France. Auquel sont designez les
plans de quinze (30) Bastiments, et de leur contenu :
ensemble les elevations et singularitez d’un chascun.
2 parts. Pol. Paris, 1576-79. B.M.
Part I., 8 leaves, and 67 plates, viz. : — Ancy-le-
Franc, 3 plates. — Boulogne, called Madrid, 9. —
Chambord, 3. — Creil, 1. — Coussy, 4. — Follembray,
called the Pavilion, 2. — Graillon, 7. — The Louvre,
9. — Monne, 2. — Montargis, 4. — Muette, 2. — Saint- |
Grermain, 4. — Valery, 5. — Verneuil, 10. — Vin¬
cennes, 2.
^ Part II., 8 leaves, and 63 plates, viz. : — Amboise,
3. — Anet, 7. — Blois, 5. — Beauregard, 3. — Bury, 3.
— Challuau, 2. — Chantilly, 7. — Chari eval, *~5. —
Chenonceaux, 3. — Dampierre, 4. — Ecouen, 5. — Fon¬
tainebleau, 7. — Saint-Maur, 3. — The Tuileries, 3. —
Yillers-Cotterets, 3. The designs of the palace of j
Charleval are by Batiste Androuet, the son of j
Jacques.
Other editions : —
2 parts. Fol. Paris, 1607. S.K. ;
2 parts. Fol. Paris, 1648. Part II. of this
edition contains seven additional designs of the
Luxembourg, which are, however, not by Du Cer¬
ceau.
Les plus excellents Bastiments de France, par
J acques Androuet Du Cerceau, Architecte, avec des
Notes et sous la direction de M. H. Destailleur,
graves en fac-simile par M. Faure Dujarric. Nou-
velle edition, augmentee de planches inedites de
Du Cerceau, telle que la Grrande Salle du Palais de !
Justice de Paris, le Pont Saint-Michel, la Bastille,
la Fontaine des Innocents, &c. Fol. Paris, 1865,
&c. (In progress.) S.K.
ANDROUET DU CERCEAU (J.).— Le^ns
de Perspective Positive. 11 leaves, and 60 plates.
Fol. Paris, 1576. S.K.
ANDROUET DU CERCEAU (J.).— Petit
traite des cinq ordres de colonnes. 12 plates. Small
fol. Paris, 1583.
ANDROUET DU CERCEAU (J.).— Livre
des Edifices antiques Domains, contentant les ordo¬
nances et desseings des plus signalez et principaux
bastiments qui se trouvoient a Kome du temps
qu’elle estoit en sa plus grande fieur : partie des-
quels bastiments se void encor a present, le Teste
aiant este ou du tout ou en partie ruine. 2 leaves,
and 49 plates. Fol. n. p. 1584. S.K.
ANDROUET DU CERCEAU (Paul).—
Livre de diverses Frises, inventees et gravees par
A. D. 12 engravings, without letterpress. Fol.
Chez F. Poilly, Paris, 1680. B.M.
Le second (et troisieme) Livre de Frises, invent, et
grav. par A. D. Fol. F. Poilly, Paris (1680 ?).
Liv. ii. consists of 6, andLiv. iii. of 10 engravings,
without letterpress, and without numeration. B.M.
ANDROUET DU CERCEAU (P.).— (Frises
par D.) Fol. Poilly. (Paris, 1680?) 8 en¬
gravings, without letterpress, title, or numeration.
The above -title is taken from a MS. table of con¬
tents prefixed. B.M.
ANDROUET DU CERCEAU (P.).— Frises
propres pour les orfevres, sculpteurs, marqueteurs,
&c, . Inventees et gravees par A. du C. 6
engravings, without letterpress. Fol. ChezN.Lan-
glois, Paris (1680). B.M.
Another edition. — Frises propres pour les peintres,
sculpteurs, orfevres, &c . inventees et gravees
par P. A. du C. 6 engravings, without letter-
press. Fol. N. Visscher (Amsterdam, 1680 ?).
B.M.
ANDROUET DU CERCEAU (P.).— (Frises
ou Montans par D.) Fol. Chez N. Langlois, Paris
(1680 ?). 6 engravings, without title and without
letterpress. This title is taken from a MS. table of
contents prefixed. B.M.
ANDROUET DU CERCEAU (P.).— 2me
Livre de Montan. 8 engravings, 2 without numer¬
ation, without letterpress. Fol. F. Poilly (Paris,
1680?). B.M.
ANDROUET DU CERCEAU (P.).— (Dif¬
ferens Ornemens pour des frises, corniches et archi¬
traves par D.) Fol. Chez N. Langlois, Paris
(1680?). B.M.
ANDROUET DU CERCEAU (P.).— Le
ler (et second) Livre de divers Ornemens de
feuillages en forme de Panneaux a l’usage de ceux
qui exercent le dessein, inventez et gravez rar A. D.
12 engravings, withoui letterpress. Fol. F. Poilly,
Paris (1680?). B.M.
31
A ED
Universal Catalogue of
( Notes and Queries,
\ Feb. 22, ’68.
\ANDROUET DU CERCEAU (P.).— Pan-
j neau d’Ornement servant aux peintres, sculpteurs,
et autres, dessigne et grave p. A. D. 6 engravings,
without letterpress, and without numeration. Fol.
(Paris, 1680 ?) B.M.
ANDROUET DU CERCEAU (P.).— Livre
d’Ornemens de feuillage, grave par A. du C. 6
engravings, without letterpress. Fol. Poilly, Rue
St. Jacques (Paris, 1680 ?). B.M.
ANDROUET DU CERCEAU (P.).— Nou-
veaux Feuillages et Ornements de panneaux, desseigne
/ et gravee par A. du C. 6 engravings, without letter-
/ press. Fol. P. Mariette, Paris (1680 ?). B.M.
j ANDROUET DU CERCEAU (P.).— Feu¬
illages et fleurs propres aux peintres, brodeurs et
ouvriers en soye. Par du C. Fol. N. Langlois,
^ Paris (1680). 6 engravings, without letterpress.
The above title is taken from a MS. table of con-
* tents prefixed to the volume. B.M.
pANDROUET DU CERCEAU (P.)._Orne-
\ mens d’Orfevrerie propres pour flanquer et emailler.
\ 6 engravings, without letterpress. Fol. N. Lan¬
glois, Paris (1680 ?). B.M.
ANDROUET DU CERCEAU (P.).— Non-
veau Livre d’Ornemens d’Orfevrerie, fait par D.
6 engravings, without letterpress. Fol. N. Lan¬
glois, Paris (1680 ?). B.M.
j ANDROUET DU CERCEAU (P.).— Mor-
/ ceaux de Broderie pour Manteaux et Habits d’Hom-
I mes. Fol. Chez 1ST. Langlois, Paris (1680). Four
J series of engravings, without letterpress : each series
containing 6 engravings. B.M.
Vi ANDROUET DU CERCEAU (P.).— Non-
1 veau Livre d’Ornemens pour les brodeurs . fait
par du C. 6 engravings, without letterpress. Fol.
I Chez N. Langlois, Paris (1680). B.M.
ANDROUET DU CERCEAU (P.).— Orne-
mens a la mode, invente (sic) et grave (sic) par du
\ C. 8 engravings, in two series, without letterpress
l Fol. Chez 1ST. Langlois, Paris (1680 ?). B.M.
ANDROUET DU CERCEAU (P.).— Orne-
mens a la mode invente (sic) et grave (sic) par Du C.
10 engravings, without letterpress. Fol. N. Visscher
! (Amsterdam, 1680). B.M.
ANDROUET DU CERCEAU (P.).-See
Charmeton (G.). Livre d’ornement invente par
Charmeton et grave par Ducerceau. Fol. (1670?)
ANDROUET DU CERCEAU.— Les An-
drouet du Cerceau et leur maison du Pre au Clercs ;
par Adolphe Berty. 8vo. Paris, 1857.
ANECDOTES des Beaux Arts . chez tons
les Peoples du monde . Par M * * * ...1776-80.
See Nougaret (B. J. B.).
ANGAS (George French). — A Ramble in
Malta and Sicily. 8vo. London, 1842. B.M.
ANGAS (G. F.). — Savage Life and Scenes
in Australia and New .Zealand ; being an Artist’s
impressions of countries and people at the Anti¬
podes. 2 vols. 8 vo. London, 1847. B.M.
32
ANGAS (G. F.).— Tbe New Zealanders
illustrated. 61 chromo-lithogr. plates. Fol. Lon¬
don, 1847. B.M.
ANGAS (G. F.). — South. Australia illus¬
trated. 61 chromo-lithogr. plates. Fol. London,
1847. B.M.
ANGAS (G. F.).— The Kafirs illustrated in
a Series of Drawings taken among the Amazulu,
Amaponda and Amakosa tribes ; also, portraits of
the Hottentot, Malay, Fingo, and other races .
together with sketches of landscape scenery.
Chromo-lithographs. Fol. London, 1849. B.M.
ANGELI (Luigi). — Memorie biograficlie di
que’ uomini illustri Imolesi, le cui imagini sono
locate in nostra Iconoteca, che si distinsero in ogni
ramo di scienze e nelle belle arti. 8vo. Imola,
1828. B.M.
ANGELI (Paolo degli). — Basilicas Sanctse
Mari® Majoris de Urbe, a Liberio Papa I. usque
ad Paulum V. Pont. Max., descriptio et delineatio.
Libri XII. 39 plates, besides the frontispiece.
Fol. Rom®, 1621. B.M.
ANGELI (P. degli). — Basilicae veteris Vati¬
can® descriptio, ex auctore Romano ejusdem Basi¬
lic® canonico, cum notis P. de Angelis, quibus
accedit descriptio brevis novi templi Vaticani, nec
non utriusque iconographia. Plates. Fol. Rom®,
1646. Cicogn.
ANGELICO, Fra. — The Life of Fra Giovanni
Angelico da Fiesole. Translated from the Italian
of Vasari, by Gr. A. Bezzi. With notes and illustra¬
tions (20 plates, and 2 vignettes). Published by the
Arundel Society. 4to. London, 1850.
Besides this publication of the Arundel Society
appeared another one in 1851, one part in folio,
containing four plates, engraved and lithographed
from Fra Angelico by E. E. Schaffer, Vernon, L.
Gruner, and Linnell. S.K.
ANGELICO, Fra. — Leben und Werke des
Fra Giovanni Angelico da Fiesole ; eine Monographic
von Dr. Ernst Forster. 11 pp., and 22 plates,
engraved from drawings by Dr. E. Forster, E.
Fischer and C. Schraudolph. Imper. fol. Regens-,
burg, 1859. S.K.
Another edition, containing only the portrait of
Fra Angelico when dead, engraved by R. Petzsch
from a drawing by Dr. E. Forster. 8vo. Regens¬
burg, 1859. .
ANGELICO, Fra. — Vie de Fra Angelico de
Fiesole, de l’ordre des Freres precheurs ; par
Etienne Cartier. 8vo. Paris, 1857. B.M.
English translation. — Life of Beato Angelico
da Fiesole, of the Order of Friar-Preachers.
Translated by a Member of the same Order from
the French of E. Cartier. With introduction on
the Principles of Christian Art, by the same Author,
and commendatory Letter of Cardinal Wiseman.
1 plate. 8vo. London, 1865. S.K.
ANGELICO, Fra.— Tbe Life of Fra Angelico
da Fiesole, by the Rev. Thomas G. Goodwin. 8vo.
London, 1861. B.M. '
Notes and Queries,
Feb. 29, ’68.
Books on Art (under revision).
ANK
ANGELICO, Era.— Le Pittnre della Cap-
pella di Nicolo Y. Opere del Beato Giovanni
Angelico da Fiesole, esistenti nel Yaticano, disegnate
ed incise a contorni da Francesco Giangiacomi.
16 plates. Fol. Roma, 1810. S.K.
ANGELICO, Era. — Marias Kronung nnd
die Wnnder des heiligen Dominicus yon Johann yon
Fiesole (painted for the Church of S. Domenico
at Fiesole, now in the Louvre) . gezeichnet
von Wilhelm Ternite. Nebst einer Nachricht vom
Leben des Mahlers und Erklarung des Gemahldes,
von August Wilhelm von Schlegel. 15 plates,
besides medallion portrait of Fra Angelico on the
title-page, and 30 pp. Fol. Paris, 1817. S.K.
ANGELICO, Era. — La Vita di Gesii Cristo,
dipinta da Fra Giovanni da Fiesole, detto il Beato
Angelico ; lucidata dagli originali che si conservano
nella Galleria Fiorentina delle Belle Arti, disegnata
ed incisa da G. B. Nocchi. 36 plates, and 4 pp.
Fol. Firenze, 1843. S.K.
ANGELICO, Era. — Lucidi di Testi da Era
Giov. Angelico da Fiesole, inc. da G. B. Nocchi.
12 plates. Fol. Firenze (1850).
ANGELICO, Fra. — Eresques du Convent de
Saint-Marc a Florence. 2 chromo-lithogr. plates
by Engelmann and Graff, and 2 pp. text. 4to.
(Paris, 1845.) (No more published ?) S.K.
ANGELICO, Era. — San Marco, Convento
dei Padri Predicatori in Firenze, illustrato e inciso
principalmente nei dipinti del B. Giov. Angelico,
con la vita dello stesso pittore, e un sunto storico
del convento medesimo del P. Vincenzo Marchese,
Domenicano. 40 plates. Fol. Firenze, 1853. S.K.
ANGELICO, Era. — II Tabernacolo del Beato
Angelico nella Sagrestia di Santa Maria Novella di
Firenze. 5 plates. (Without letterpress.) Fol.
Firenze, 1854. B.M.
ANGELINI (Annibale). — Trattato teorico
pratico di Prospettiva del Cavaliere A. A. 3 parts,
4to., and Atlas of 54 plates, oblong fol. Roma,
1861. B.M.
Another edition. 54 plates. Fol. Venezia, 1865.
ANGELINI (Luigi). — Le migliori Pittnre
della Certosa (di San Martino) di Napoli ; disegnate
e pubblicate dal pittore L. A., illustrate da Raffaello
Liberatore. 18 plates. Fol. Napoli, 1840. B.M.
ANGELIS (Luigi de). — Osservazioni cri-
tiche sopra una croce di rame intagliata a bulino
nel 1129, che si conserva nelle stanze della biblio-
teca di Siena. 8vo. Siena, 1814. B.M.
ANGELIS (L. de). — Sopra i trepastorali di
Avorio trovati a Siena. 4to. Siena, 1814. Bodl.
ANGELIS (L. de).' — Illnstrazione di nn
antica pittura rappresentante el Salvator crocefisso,
che si venera nella chiesa della ven. compagnia di SL
Caterina in Fontebranda. 8vo. Siena, 1816. Bodl.
ANGELIS (L. de). — Notizie istorico-criticbe
di Fra Giacomo da Torrita, primo ristoratore dell’
arte musivaria in Italia. 8vo. Siena, 1821. B.M.
ANGELIS (L. de). — Elogio storico di Gia¬
como Pacchiarotti, Pittor Sanese, del secolo decimo
sesto. 8vo. Siena, 1821. S.K.
ANGELIS (Paulusde). — See Angeli (Paolo
degli).
ANGELL (Samuel) and EVANS (Thomas).
Sculptured Metopes, discovered amongst the ruins
of the Temples of the ancient city of Selinus, in
Sicily, by William Harris and Samuel Angeli, in the
year 1823; described by S. A. and T. E. 9 plates,
and 56 pages. Fol. London, 1826. S.K.
ANGELUCCI (Angelo). — Della Oreficeria
Perugina dal XIII. alta prima meta del XVI. secolo.
Discorso. 8vo. Perugia (1853). B.M.
ANGELUCCI (A.).— II Tempietto della
SS. Vergine della Misericordia di Campolungo, in-
ventato, disegnato e descritto da A. A. Ancona
1857. ' A.B.A., Milan.
ANGELUCCI (A.). — -Monumento onorario
al Re Vittorio Emanuele II. per la nuova Barriera
in Parma. Progetto e descrizione. 2 photographs.
A.B.A., Milan.
ANGER (Carl Theodor). — Analytische Dar-
stellung der Basrelief-Perspective. 1 plate. 4to.
Danzig, 1834. B.M.
ANGER (C. Th.). — Beitrage znr analyti-
schen Basrelief-Perspective. 1 plate. 4to. Danzig,
1836. B.M.
ANGERSTEIN COLLECTION. — Cata¬
logue de la Collection de M. J. J. Angerstein (con-
tenant une gravure de chaque tableau) . par J.
Young. See Catalogues.
ANGLICAN ARCHITECTURE.— A Chart
of Anglican and Church Architecture. Fol. Lon¬
don, 1843. B.M.
ANGRISANI (G.). — Di alcune Opere scol-
pite da Sua Altezza Reale il Conte di Siracusa.
Photographs of the sculptures. 4to. Napoli, 1859.
B.M.
ANGUS (William). — The principal Seats of
the Nobility and Gentry in Great Britain and Wales,
in a collection of select views engraved by W. A.
With descriptions of each view. Vol. I. Oblong
4to. (London) 1787. B.M.
ANGUS, County of. — The Ancient sculp¬
tured Monuments of the County of Angus .
1848. See Chalmers (Patrick, of Auldbar).
ANIMALIA. — Animalium qnadrupednm,
avium, fiorum, fructum . verse delineationes in sees
(sic) incisse (by Simon de Passe). A booke of Beast,
Birds, Flowers, &c. 4to. Ar to be sould . in
Brittaynes Burse. (London) 1630. B.M.
ANIMALIA. — Animalinm quadrnpedum
venatus in usum pictorum aurifabrorumque • editse.
9 plates. 4to. Amsterdam, 1631. B.M.
ANKERSHOEEN (G. von). — Karnten’s
alteste kirchliche Denkmalbauten. 4to. Wien, 1859.
k S3
A ML
Universal Catalogue of
f Note? and Queries,
t Feb. 29, ’68.
Eeprinted from the “ Mittheilungen der k. k.
Central-Commission zur Erforschung und Erhal-
tung der Bandenkmale.”
ANLEITUNG zur Erlernung der Oelmale-
kunst . Herausgegeben von einem akademischen
Maler . 1858. See Painting in Oil.
ANLEITUNG zur Eiguren-Zeiclinung in
Handzeichnungs-Manier . 1861. See Drawing.
ANNE DE BRETAGNE. _ Le Livre d’
Heures de la Eeine Anne de Bretagne. See Litre
d’Heures.
ANSALDI (Innocehte). — Epistola de Tar-
sensi Hercnle in viridi jaspide insculpto. Plates.
4to. Brixise, 1749. Cieogn.
ANSALDI (I.). — II Pittore Originale, Poem-
etto Didasealico. (Pubblicato dal Canonico Moreni,
con alcune memorie riguardanti la vita dell’ Autore.)
8vo. Firenze, 1816. Cieogn.
ANSIAUX (Jean Joseph Eleonore An¬
toine). — Catalogue de tableaux, dessins, estampes
. garnissant l’atelier de M. J. J. A., peintre
d’histoire . 1840. See Catalogues, Sale.
ANSICHTEN iiber die bildenden Kunste
und Darstellung des Granges derselben in Toskana
. 1820. See Passavant (J. D.).
ANSTEY (Christopher). — The Comforts of
Bath . with versification by Ch. A. See Rowland-
son (Thomas).
ANTAMORI (Paolo Francesco, Cardinal).
Storia del Duomo di Orvieto . 1791. See Valle
(G. della).
This work is erroneously ascribed to Antamori
under whose auspices it appeared, the real author
being P. Griglielmo della Valle.
ANTHONIO. — Livre de Portes cocheres des
plus a la mode designee . par le Sr. A. Fol.
Paris, 1688.
Consisting of 7 engravings, without letterpress
and without numeration. B.M.
ANTIALMANACCO per l’Almanacco Pit-
torico di Cremona dell’ anno 1774, colie osserva-
zioni sulle Pitture di Cremona di Corinzio Vermagi.
8vo. Brescia, 1774. Cieogn.
ANTIQUAR. — Der Antiquar. Zeitsehrift
fur Bucher-, Kupferstich-, Autographen- und Ea-
ritaten- Handler . 1856, &c. See Periodical
Publications.
ANTIQUARIAN and Topographical Cabi¬
net ; containing 500 Views of the most interesting
Objects of Curiosity in Great Britain . 1806-12.
See Storer (James) and G-reig (J.).
ANTIQUARIAN Etching Club, The Publi¬
cations of. See Societies.
ANTIQUARIAN Itinerary. — The Antiqua¬
rian Itinerary, comprising Specimens of Architec¬
ture, monastic, castellated and domestic ; with
other vestiges of Antiquity in Great Britain ; ac¬
companied with descriptions. 7 vols. 8vo. London,
1815-18. BM
34
ANTIQUARIAN Repertory. — The Antiqua¬
rian Eepertory : a Miscellany intended to preserve
and illustrate several valuable remains of Old
Times; adorned with sculptures. (Chiefly composed
by, or under the direction of, Francis Grose, Thomas
Astle, and other eminent antiquaries.) 5 vOls. 4to.
London, 1775-84. Vol. V. consists of plates. B.M.
ANTIQUARIAN Repertory : a miscella¬
neous assemblage of Topography, History, Biogra¬
phy, Manners, Customs, &c., edited by Grose, Astle,
&c. Hew edition, with great additions. 4 vols.
238 plates. 4to. London, 1807-9. London Libr.
ANTIQUARIAN and Architectural Year
Book. See Periodical Publications.
ANTIQUARY. — A brief historical Account
of St. Saviour’s Church, Southwark. With a par¬
ticular description of the Lady Chapel at the East
End. By an Antiquary. 12mo. London (1832 ?).
B.M.
ANTIQUARY. — The principal historical and
allusive Arms borne by Families of the United
Kingdom of Great Britain and Ireland. Collected
by an Antiquary (Col. de la Motte ?). Plates. 4to.
London, 1803. B.M.
ANTIQUARY. — The Antiquary’s Magazine,
or Archaeological Library . 1807. See Periodical
Publications.
ANTIQUITIES. — Antiquitatis Reliquiae a
march. Jacobo Musellio collect® tabulis incisse,
et brevibus explicationibus illustratse. 183 plates,
mostly by Domenico Cunego, and 60 pp. of text, in
Latin and Italian. Fol. Veronse, 1756. Cieogn.
ANTIQUITIES, Arabian. — Antiguedades
Arabes de Granada y Cordoba. 29 plates, engraved
by Salvador Carmona. Atlas fol. (Madrid, 1780.)
B.M.
The first part of the “ Antiguedades Arabes de
Espana.” According to Brunet, the second part,
consisting of 30 plates and 14 leaves text, was pub¬
lished by D. Pablos Lozano in 1804.
ANTIQUITIES. — The unedited Antiquities
of Attica, comprising the Architectural Remains of
Eleusis, Rhamnus, Sunium, and Thoricus. By the
Society of Dilettanti. 78 plates. Fol. London,
1817. S.K.
ANTIQUITIES — Antiquites du Bosphore
Cimmerien, conservees au Musee Imperial de l’Er-
mitage (St. Petersburg). 2 vols. Text in French
and Russian ; Atlas of 94 plates, partly chromo-
lithogr., besides a frontispiece, and 2 maps. Fol.
St. Petersburg, 1854. S.K.
ANTIQUITES publiees par la Commission
archeologique provisoire de Kief. Vol. I. Text in
Russian and French. Chromo-lithogr. plates (An¬
tique objects, found in the neighbourhood of Kief).
Fol. Kief, 1846.
ANTIQUITIES. — Ecclesiastical, Imperial,
and other Antiquities of the Russian Empire. Pub¬
lished by command of the Emperor Nicholas, under
the direction of an Imperial Commission, by S.
Notes and Queries, )
Feb. 29, ’68. J
Books on Art ( under revision).
ANT
Stroganov, M. Zagoskin, J. Snegirev, and A. Th.
Veltman. 515 coloured plates. The text in Russian.
6 divisions in 7 vols., Imper. fol., and 1 vol. text, in
4to. Moscow and St. Petersburg, 1849-52. S.K.
Division I. Ecclesiastical Antiquities, 114 plates.
„ II. Imperial Insignia, Dresses, &c., 102
plates.
• „ III. Arms and Armour, 148 plates.
,, IY. Costume, Pictures, and Portraits, 38
plates.
,, Y. Eurniture, Utensils, Jewellery, &c.,
73 plates.
,, VI. Russian Architecture and Decoration,
40 plates.
ANTIQUITES dans la Collection de S. M.
le Roi de Prusse (Frederick II.) a Sanssouci. 2 parts.
24 plates, and frontispiece. Eol. Part I., Berlin,
1769. Part II., Danzig, 1772. Cicogn.
ANTIQUITES de la Ville de Lyon, on ex-
plication de ses plus anciens Monuments, par le
P. D. D. C. T. Numerous engravings in the text.
12mo. Lyon, 1738. Cicogn.
ANTIQUITES ROMAINES, expliquees
dans les Memoires du Comte de B . contenant ses
avantures, ses recherches, et ses decouvertes sur les
antiquites de la Ville de Rome et autres curiosites
de ITtalie, divisees en trois parties, et enrichies de
plus de 100 belles planches en taille-douce. 4to.
La Haye, 1750. Cicogn.
ANTIQUITES sacrees et profanes des Ro-
mains expliquees, ou Discours historiq., mytholog.
et philolog. sur divers monuments antiques par
M. A. V. N. ( i.e . A. van Nideck). 82 plates, besides
2 portraits (of J. Gruter and J. J. Scaliger) and
frontispiece. Eol. La Haye, 1726. Cicogn.
ANTIQUITIES, the, of Great Britain, en¬
graved . from drawings made by Thomas Hearne.
......1786-1807. See Hearne.
ANTIQUITIES. — Le Antichita di Ercolano
esposte . 9 vols. 1755-92. See Herculaneum.
ANTIQUITIES. — Antichita di Pozznoli :
Puteolanse antiquitates. In Italian and Latin .
1768. See Paoli (P. A.).
ANTOINE (Jacques Denis). — Notice his-
torique sur defunt J.-D. A., architecte ; par le
citoyen Lussault. 8vo. Paris, 1801.
ANTOINE (J. D.). — Notice des onvrages et
de la vie du citoyen Antoine, architecte, par le
citoyen Renou . lue a la seance du 9 nivose de
la Societe libre des sciences, lettres et arts. 8vo.
n. p. n. d. (1801 ?)
ANTOINE (J. D.). — Hommage rendu au
citoyen Antoine, architecte et membre de l’lnstitut
national, et de la Societe des sciences, lettres et
arts de Paris, mis au bas de son buste, qui doit
etre incessamment place dans le plus grand salon de
la Monnaie . par le citoyen Barjouville. 4to.
n. p. n. d.
ANTOINE (JEAN). — Traite d’ Architec¬
ture, ou proportions des trois ordres G-recs, sur un
module de douze parties. 2 vols. Woodcuts. 4to.
Treves, 1768. S.K.
ANTOLDI (Francesco). — Guida pel Fores-
tiere che brama di conoscere le opere piu pregevoli
di Belle Arti nella Citta di Mantova. 4th edition.
1 plate. 8vo. Mantova, 1835. S.K.
ANTOLINI (Giovanni, or Giannantonio). —
L’Ordine Dorico ; ossia, il Tempio d’Ercole nella
Citta di Cori. 4 plates. Eol. Roma, 1785. B.M.
ANTOLINI (G.).— II Tempio di Minerva in
Assisi confrontato colie tavole di A. Palladio. 10
plates. Eol. Milano, 1803. jB.M.
ANTOLINI (G.). — Descrizione del Foro Bo¬
naparte. 24 plates. Large fol. Parma, 1806. Cicogn.
ANTOLINI (G.). — Idee elementari d’Archi-
tettura civile, per le scuole del disegno. 24 plates.
Eol. Bologna, 1813. Cicogn.
Another edition. Eol. Milano, 1829.
ANTOLINI (G.). — Opera d’Architettura ;
ossia, progetto sul foro che doveva eseguirsi in
Milano. 24 plates. Fol. Milano, 1814. B.M.
ANTOLINI (G.). — Osservazioni ed aggi-
unte ai principii d’Architettura civile di Francesco
Milizia. 8vo. Milano, 1817. B.M.
ANTOLINI (G.).— Le Bovine di Yeleia,
misurate e disegnate da G. A. 2 parts. Plates.
Milano, 1819-22. B.M.
ANTOLOGIA dell’ Arte Pittorica, che con-
tiene un saggio sulla composizione della pittura (by
B. Orsini) ; il trattato della bellezza e del gusto, del
Cavaliere A. R. Mengs ; una lettera del medesimo
a Don Antonio Ponz sopra il merito de’ quadri del
Real palazzo di Madrid ; alcune regole della pittura,
di Gr. P. Lomazzo ; l’arte del dipingere a fresco, di
Andrea Pozzo ; lezioni pratiche sul colorito, di
Mengs. Con un appendice sul regolamento dell’
Accademia del Disegno. (Edited^by B. Orsini.)
Plates. 4to. Augusta, 1784. B.M.
The editor’s name is concealed in the initial
letters of the paragraphs of the preface.
ANTOLOGIA BOMANA. Giornale che
include tutto cio che ha relazione colle produzioni
delle Arti . 1774-1797. See Periodical Pub¬
lications.
ANTON CHI CHIAMA, Bidello dell’ Ac¬
cademia Veneziana: quattro Discorsi, che possono
servir di risposta a quanto scrisse, scrive, e scrivera
in biasimo della Scuola Yeneta, e degli artisti, il
Cavaliere Giosue Reynolds Presidente dell’ Acca¬
demia di Londra. (By Abate Antonio Martinelli.)
8vo. Venezia, 1783. Cicogn.
ANTONELLI (Giuseppe). — Collezione de’
migliori Ornamenti antichi, sparsi nella citta di
Venezia. Coll’ aggiunta di alcuni frammenti di
Gotica Architettura e di varie invenzioni di un
Giovane Alunno di questa I. R. Accademia. 120
plates. Oblong 4to. Venezia, 1831. S.K.
2nd edition. Eol. Venezia, 1843. B.M.
ANTONELLO DA MESSINA.— See Mes¬
sina.
35
ANT
Universal Catalogue of
Notes and Queries,
Feb. 29, ’68.
ANTONXNI (Annibale). — Memorial de
Paris et de ses environs, a l’usage des voyageurs.
Nouvelle edition. (Liste historique et chronologiqne
des peintres depuis le retablissement de la pein-
turejusqu’a present.) 2 parts. 12mo. Paris, 1734.
B.M.
Another edition. 12mo. Paris, 1744. B.M.
ANTONINI (Carlo). — Manuale di varj
Ornamenti, tratti dalle Pabbriche e Frammenti An-
tichi, per nso e commodo de’ pittori, seultori, archi-
tetti, scarpellini, stuccatori, &c. Opera raccolta,
disegnata ed incisa da C. A. 4 parts. 213 plates.
(Parts I. and II. Antique Eosettes, 100 plates.
Parts III. and IV. Candelabra, 95 plates, besides
Sun-dials, 18 plates.) Fol. Koma, 1781-90. Cicogn.
ANTONINI (C.).: — Manuale di varj Orna¬
menti, componenti la serie de’ Vasi Antichi si di
marmo che di bronzo esistenti in Boma e fuori.
Opera raccolta, disegnata ed incisa da C. A. 3 vols.
193 plates. Fol. Eoma, 1821. B.M.
ANTONINI (C.). — Antique Roses. Being
a series of one hundred examples from the most cele¬
brated remains of ancient Eome, selected by C. A.,
and drawn on stone by W. Doyle. 4to. London,
1832. B.M.
One part only published, consisting of four plates,
without any letterpress.
ANTONIOLI (Carlo). — Antica Gemma
Etrusca spiegata ed illustrata con due dissertazioni.
4to. Pisa, 1757. B.M.
ANTONIUS YON WORMS.— See Sotz-
mann, Ueber des A. von W. Abbildung der Stadt
Koln . 1819.
ANTROBUS (Edmund). — Sale Catalogue of
his Pictures . 1788. See Catalogues.
ANTROBUS (Edmund Edward). — Rise and
Progress of Painting. 2nd edition. 8vo. London,
1862. S.K.
ANTWERP. — Description des principaux
ouvrages de Peinture et Sculpture dans les eglises,
couvens et lieux publics de la ville d’ Anvers. 12mo.
Anvers, 1763. B.M.
Another edition. 12mo. Anvers, 1774. B.M.
5th edition. 12mo. Anvers (1775). B.M.
An accurate description of the principal beauties
in Painting and Sculpture belonging to the Churches,
&c., in and about Antwerp. 12mo. London, 1765.
B.M.
ANTWERP. — Guide dans la Ville d’ Anvers
et ses Environs. Description des Monuments,
Objets d’Art et Antiquites, precedee d’une notice
historique. Nouvelle edition augmentee. Woodcut
illustrations. 16mo. Anvers, n. d. S.K.
ANTWERP. — Notice des Tableaux dont se
compose le Musee d’ Anvers. 8vo. Anvers, 1820.
Bodl.
ANTWERP. — Notice des Tableaux exposes
au Musee d’Anvers, 1817. 8vo. n. p. n. d. Bodl.
ANTWERP. — Notice des Tableaux exposes
au Musee d’Anvers, 1829. 8vo. Anvers, 1829. S.K.
36
ANTWERP. — Societe des Arts. Explica¬
tions des Peintures, Desseins, Sculptures et Gravures,
exposes . par les Membres de la Societe. 5
parts. 8vo. Anvers, 1789-93. B.M.
ANTWERP. — Antwerpsclie Rederykkamer
“ de Olyftak.”— Bekroonde Stukken door de Ant-
werpsche Bederykkamer “ de Olyftak ” ter gelegen-
heid van de plegtige inhuldigung van het standbeeld
van P. P. Bubens den 15. Augustus 1840. 8vo.
Antwerpen, 1840. B.M.
APE, L’, Italiana delle Belle Arti, Giornale
dedicato ai loro cultori ed amatori . Eoma, 1835,
&c. See Periodical Publications.
APELL (Aloys). — Das Werk von Johann
Christoph Erhard, Maler und Eadirer . 1866.
See Erhard.
APIN (Sigmund Jacob). — Anleitung wie
man die Bildniisse beriihmter und gelehrter Manner
mit Nutzen sammeln und denen dagegen gemachten
Einwendungen grundlich begegnen soil, kiirzlich
entworffen von M. S. J. A. (Containing also a List of
Monograms.) 8vo. Nurnberg, 1728. B.M.
APPEL (Joseph). — Repertorium zur Miinz-
kunde des Mittelalters und der neueren Zeiten.
4 vols. in 9 parts. 43 plates, and portrait of the
Author. 8vo. Pesth und Wien, 1820-29. B.M.
APPEL (J.). — Skizze einer Sammlung
sammtlicher Medaillen, welche unter Franz I. von
Oesterreich gepragt worden sind. 8vo. Wien,
1822.
APPEL (Theodor). — Vorlegeblatter zum
architectonischen Zeichnen. 37 lithogr. plates.
Fol. Elberfeld, 1829.
APPELIUS (Karl Theodor). — Die Aufga-
ben der kirchlichen Baukunst in Deutschland. An-
sichten uber germanisch-christlichen Kirchenbau
und Kirchenpflege im Grossen und Kleinen. Fur
Baumeister, geistliche und weltliche Kirchenvor-
stande und evangelische Gemeinden, vom Pastor K. j
Th. A. 8vo. Leipzig, 1867. S.K.
APPELL (Johann Wilhelm). — Der Rhein j
und die Eheinlande, dargestellt in malerischen j
Original-Ansichten von Ludwig Lange, &c. Mit
historisch-topographischem Text von J. W. A. Erste j
Abtheilung: Von den Quellen des Eheins bis Mainz. I
48 parts. 144 steel engravings. Eoyal 8vo. Darm- !
stadt, 1847-53.
French translation. — Le Ehin et ses bords, depuis
les sources du Ehin jusqu’a Mayence. Collection
de vues pittoresques par L. Eohbock, Louis et Jules j
Lange . accompagnees d’un texte historique et
descriptif, par J. W. A., traduit de l’Allemand par
Le Belley-Hertzog. 148 steel engravings. Eoyal j
8vo. Darmstadt, Paris, 1858.
English translation. — The Upper Ehine. Illus- j
trating its finest cities, castles, ruins, and landscapes.
From drawings by Eohbock, Louis and Julius Lange j
. With an historical and topographical text, edited |
(translated) by Dr. Gaspey. 134 steel engravings.
Eoyal 8vo. London, Darmstadt, New York, n. d. |
Notes and Queries, ")
Mar. 7, ’68. )
ABC
Boohs on Art [under revision).
APPIANI (Andrea). — Descrizione dei dipin-
ti a buon fresco eseguiti dal Cay. A. Appiani, nella
Sala del Trono del Real Palazzo di Milano. In
Italian and French. 8vo. Milano, 1810. B.M.
APPIANI (A.). — Fastes de Napoleon, des-
sines par A. A. (No letterpress.) 4to. (1810?)
B.M.
APPIANI (A.). — Allocuzione di Giovanni
Berchet nei funerali del pittore A. A., celebrati nella
chiesa della Passione il giorno 10 di novembre 1817.
8vo. Milano, 1817. A.B.A., Milan.
APPIANI (A.).— Longhi (Giuseppe). Elo-
gio storico di A. A. Pol. Milano, 1826.
APPIANI (A.).— Beretta (Giuseppe). Le
Opere di A. A. With portrait. 8vo. Milano,
1848. A.B.A., Milan.
APPLETON. — Appleton’s Cycloptedia of
Drawing, designed as a Text-book for the Mechanic,
Architect, Engineer and Surveyor. Edited by W. E.
Worthen. Royal 8vo. New York, 1857. S.K.
APSLEY HOUSE, its Pictures and Statuary.
A description of the mansion of the late Duke of
Wellington. A handbook guide for visitors. 12mo.
London (1853). B.M.
APUZZO (Niccola d’). — Considerazioni ar-
chitettoniche. Pt. I. 8vo. Napoli, 1824. B.M.
APUZZO (N. d’). — Investigazioni prelimi-
nari per la scienza dell’ Architettura civile. 8vo.
Napoli, 1844. B.M.
AQUARONI (A.). — One Hundred and
Sixty-five Views in Rome. Drawn and engraved by
A. A. Oblong 4to. n. d. S.K.
AQUILA (Petrus). — Effigies Romanorum
Imperatorum ex antiquis numismatibus quae in the-
sauro Christianae regin ae adservantur delineatae, et
in seriem chronologicam dispositae . a Julio Caesare
ad Leopoldum Augustum. Delineavit et incidit
P. A. 56 portraits. Pol. Romae, 1681. B.M.
AQUILA (P.). — Imagines Farnesiani Cubi-
culi . See Caracci (Annibale).
See also Raphael, Imagines Veteris ac Novi Tes-
tamenti, &c.
AQUINO (Carlo d’).- — Sacra Exequialia in
Punere Jacobi II., Magnae Britanniae Regis. Exhi-
bita ab Eminentiss. et Reverendiss. Principe Carolo
Sanctae Romae Ecclesiae Cardinali Barberino in Tem-
plo sui tituli Sancti Laurentii in Lucina, descripta
a C. de A., Societatis Jesu. 43 pp., and 19 plates
from designs by the Architect Sebastiano Cipriani.
Fol. Romae, 1702. S.K.
AQUINO (C. d’). — V ocabularium Arcbitec-
turae aedificatoriae. 4to. Romae, 1734. B.M.
ARABIAN NIGHTS . Translated by the
Rev. Edward Porster. 5 vols. Plates, engraved
after Robert Smirke. 4to. London, 1802. B.M.
ARABIAN NIGHTS . 4 vols. Plates, en¬
graved after Richard We stall. 8vo. London, 1819.
B.M.
ARABIAN NIGHTS.— The Thousand and
One Nights, commonly called in England The Ara¬
bian Nights’ EntertainmentSi A new translation
from the Arabic, with copious notes. By E. W.
Lane. Illustrated by many hundred engravings on
wood, from original designs by W. Harvey. A new
edition, from a copy annotated by the translator ;
edited by his nephew, E. S. Poole. 3 vols. 8vo.
London, 1859. S.K.
ARABIAN NIGHTS.— Dalziel’s Illustrated
Arabian Nights’ Entertainments. The text revised
and emendated throughout by H. W. Dulcken. Il¬
lustrations by J. E. Millais, R.A., J. D. Watson, A.
B. Houghton, John Tenniel, Thomas Dalziel, G-. J.
Pinwel'l, engraved by the Brothers Dalziel. 2 vols.
4to. London, 1865. S.K.
ARBOIS DE JUBAINVILLE (Marie Henri
d’). — Essai sur les Sceaux des Comtes et des Com-
tesses de' Champagne. 6 chromo-lithogr. plates. 4to.
Paris, 1856. B.M.
ARBOIS DE JUBAINVILLE (M. H. d’).—
Eglise Saint-Christophe de Neufchateau. 2 plates.
8vo. Troyes, 1857.
Extract from the “ Bulletin de la Societe d’Ar-
ch£ologie Lorraine.”
ARBOIS DE JUBAINVILLE (M. H. d’).—
Documents relatifs a la Construction de la Cathi-
drale de Troyes. 68 pp. 8vo. Troyes, 1862.
ARCADIUS (F.). — Cours de Dessin lineaire
industriel. Divise en deux parties. La premiere
partie comprend le trace geometrique, avec divers
modules de carrelage, comme application, la raccor-
dement des lignes, et quelques planches d’ application,
1’ etude des projections, et celles des coupes. La
deuxieme partie se compose d’un choix de modeles
pratiques ; menuiserie, ebenisterie, charpenterie, et
serrurerie. Chaque figure est accompagnee d’un
texte explicatif. Dessine par F. A. et litliographie
par Carles. 3rd edition. Fol. Paris, 1851-56. S.K.
ARCADIUS (F.).— Choix de Modeles de
Dessin Lineaire lav6s a l’effet et imprimes en plu-
sieurs couleurs, destines aux ecoles industrielles.
Dessines et lithographies par F. A. 96 chromo-
lithogr. plates. Pol. Paris, n. d. S.K.
ARCHH30LOGIA ; or, Miscellaneous Tracts
relating to Antiquity. Published by the Society of
Antiquaries of London . 1770-1862. See Socie¬
ties.
ARCHAEOLOGICAL ALBUM; or, Museum
of National Antiquities. Edited by Thomas Wright
. Plates . 1845. See Wright.
archaeological association.—
The Journal of the British Archaeological Associa¬
tion, established 1843 for the Encouragement and
Prosecution of Researches into the Arts and Monu¬
ments of the Early and Middle Ages . 1845, &c.
Vaa SAr'TPTTUQ
ARCHAEOLOGICAL COLLECTIONS —
The Archaeological Collections in the Paris. Exhibi¬
tion. Article from the (Gentleman’s Magazine, July
and August, 1867. S.K.
L
37
AEC
Universal Catalogue of
Xoi.cs and Queries,
Mar. 7, ’68.
ARCHAEOLOGICAL INSTITUTE.— The
Archaeological Journal, published under the direction
of the Central Committee of the British Archaeologi¬
cal Institute for the Encouragement and Prosecution
of Researches into the Arts and Monuments of the
Early and Middle Ages . 1845, &c. See Socie¬
ties.
ARCHAEOLOGICAL INSTITUTE OE
ROME, PUBLICATIONS.— Annali dell’ Institute
di Corrispondenza Archeologica . 1829, &c.
Bulletino degli Annali dell’ Instituto di Corri¬
spondenza Archeologica . 1829, &c.
Monumenti inediti pubblicati dall’ Instituto di
Corrispondenza Archeologica . 1829, &c. See
Societies.
ARCHAEOLOGIST. — Stories by an Arche¬
ologist and his friends. 2 vols. 8vo. London, 1856.
S.K.
ARCHAEOLOGY. — Annales archeologi-
ques, publiees par M. Didron, avec la collaboration
des principaux Archeologues, Architectes, Dessina-
teurs . 1844, &c. See Periodical Publications.
ARCHAEOLOGY. — Melanges d’Archeolo-
gie . 1848-56. See Cahier and Martin.
ARCHAEOLOGY. — Revue archeologique,
ou Reeueil de Documents et de Memoires relatifs a
l’etude des monuments, a la numismatique, et a la
philologie de l’antiquite et du moyen age, publies
par les principaux Archeologues fran9ais et Gran¬
gers . Plates. See Periodical Publications.
ARCHAEOLOGY. — Revue d’Histoire et
d’Archtelogie . Bruxelles, 1859, &c. See Perio¬
dical Publications.
ARCHAEOLOGY. — Archgeologische Zei-
tung. Herausgegeben von Eduard Gerhard .
1843, &c. See Periodical Publications.
ARCHAEOLOGY. — Archeeologieund Kunst.
Im Verein mit mehreren Freunden des Alterthums
. herausgegeben von K. A. Bottiger . 1828.
See Bottiger.
ARCHAEOLOGY. — Album photographique
d’Archeologie religieuse . 1857. See Aymard.
ARCHAEOLOGY. — Atlas de 1’Archeologie
du Nord, representant des echantillons de l’Age de
Bronze, et de l’Age de Fer. Publie par la Societe
Royale des Antiquaires du Nord . Copenhague,
1857. See Societies.
ARCHAEOLOGY. — Archeologie de l’Empire
de Russie, publiee par ordre superieur . 515 plates.
{Text in Russian.) 1849-52. See Antiquities.
ARCHDALL (Mervyn). — Monasticon Hi-
bernicum ; or, an history of the Abbies, Priories,
and other religious houses in Ireland : with engrav¬
ings of the several religious and military habits, and
a map illustrating the history. 18 plates. 4to.
London, 1786. B.M.
ARCHER (Elizabeth Lawrence).— Porce¬
lain Painting. A practical Treatise for the use of
Amateurs. 30 pp. 16mo. London, 1860. S.K.
38
ARCHER (John Wykeham). — Vestiges of
Old London. A series of Etchings from original
drawings, illustrative of the Monuments and Archi¬
tecture of London, in the first, fourth, twelfth, and
six succeeding centuries. With descriptions and
historical notices. 37 plates. Large 4to. London,
1851. S.K
ARCHITECT. — An Essay on the qualifi¬
cations and duties of an Architect. 8vo. London,
1773. B.M.
ARCHITECT. — Architectural Precedents ;
with notes and observations. Edited by an Archi¬
tect. 8 vo. London, 1840. B.M.
L’ARCHITECTE. Notions sur l’art de
batir et de decorer les edifices. Yols. I-IY. 8vo.
Paris, 1832-33. B.M.
ARCHITECTS. — Association of Architects.
See Societies.
ARCHITECTS. — Designs for Churches and
Chapels in the Norman and Gothic styles ; by various
Architects. Fol. Oxford, 1844. B.M.
ARCHITECTS. — Details fur Architecten
und Bauhandwerker. Fol. Berlin (1856? &c.).
B.M.
ARCHITECTS. — Moniteur des Architectes ;
Reeueil de Maisons de Ville et de Campagne, Edi¬
fices publics . 1847, &c. See Periodical Publi¬
cations.
ARCHITECTS. — Royal Institute of British
Architects. Transactions, Sessional Papers, &c.
See Societies.
ARCHITECTURAL PHOTOGRAPHIC
ASSOCIATION.— Series of Photographs . 1862,
&c. See Societies.
ARCHITECTURAL PUBLICATION SO¬
CIETY. — Detached Essays and Illustrations .
1848, &c. See Societies.
ARCHITECTURAL SOCIETIES, Asso¬
ciated. — Reports and Papers. See Societies.
ARCHITECTURE. — Arte y uso de Arqui- j
tectura. 2 vols. Plates. Fol. Madrid, 1796.
ARCHITECTURE.— Essai sur 1’ArcMtec- 1
ture. 8 vo. Paris, 1753. Cicogn.
ARCHITECTURE. — Des principes de
l’Architecture, de la Sculpture, de la Peinture et |
des autres Arts qui en dependent. 4to. Paris, ]
1690. Akad. der Kiinste, Berlin.
ARCHITECTURE. — A concise History and
Analysis of all the principal Styles of Architecture ; |
to which is added a sketch of the Architecture of
England down to the present time. 8vo. London
(1828). Bodl.
2nd edition. 8vo. London, 1829. Bodl. I
ARCHITECTURE. — Character in Archi- |
tecture. Article from the “ North British Review,” 1
August 1851. S.K. j
ARCHITECTURE. — L’Art de dessiner pro-
prement les plans, profils, elevations gtemetrales,
ARC
No m^7, mri‘s’ } Books on Art ( under revision).
et perspectives, soit ^Architecture militaire, ou
civile. Plates. 12mo. Paris, 1697. Cicogn.
ARCHITECTURE. — Proportional Archi¬
tecture ; or, the five orders regulated by equal parts.
(By W. Robinson.) 8vo. London, 1733. B.M.
ARCHITECTURE. — The Dictionary of
Architecture, issued by the Architectural Publica-
cation Society. With illustrations. Small fol.
London (1852, &c.) S.K.
ARCHITECTURE. — Revue generate de
l’Architecture et des Travaux publics. Journal
des Architectes, des Ingenieurs, des Archeologues
. publie sous la direction de Cesar Daly .
1840, &c. See Periodical Publications.
ARCHITECTURE. — Encyclopedic d’Archi-
tecture. Journal mensuel. Par Victor Calliat et
Adolphe Lance . 1851, &c. See Periodical Pub¬
lications.
ARCHITECTURE. — The Architectural
Magazine, and Journal of improvement in Archi¬
tecture, Building and Furnishing . Conducted by
J. C. Loudon . 1834-38. See Periodical Publi¬
cations.
ARCHITECTURE. — L’Architecture a la
mode, ou sont les nouveaux dessins pour la deco¬
ration des batimens et jardins. (Plans . de
Jardinage du Sieur Le Bonteux, &c.) 3 vols.
(Without letterpress.) Fol. Paris (1680 ?). B.M.
ARCHITECTURE. — Architectura theo-
retico-practica, oder neu-inventirte Stadt-, Land-
und andere ceconomische Gebaude, bestehend in
adelichen Ritter-Sitzen . auch biirgerlichen Ge-
bauden und Wohnungen nach heutiger Art, an’s
Licht gegeben von einem Liebhaber guter Kiinste
und Wissenschaften. Fol. Leipzig, 1720. B.M.
ARCHITECTURE. — Architecten - Mappe.
Eine Sammlung von Entwiirfen, ausgefiihrten Bau-
lichkeiten, Ornamenten und Verzierungen fur die
verschiedensten Zweige der Architectur und Kunst-
Industrie. (Without letterpress.) 4to. Berlin,
1853, &c. B.M.
2nd edition. 12 parts. 4to. Berlin, 1860-63.
ARCHITECTURE. — Sammlung von Zeich-
nungen aus dem Gebiete der hoheren Baukunst,
nach den besten Darstellungen der Griechischen,
Romischen, Romanischen und Gothischen Monu-
mente, bearbeitet von den Schiilern der Polytech-
nischen Schule zu Hannover. 78 lithogr. plates,
and 12 pp. Fol. Hannover, 1853-54. S.K.
ARCHITECTURE. — Rudiments of Ancient
Architecture, with a Dictionary of Terms. The 2nd
edition, much enlarged. 1 1 plates, and portrait of
J ames Stuart on the title-page. Royal 8vo. Lon¬
don, 1794.
1st edition, 1789.
3rd edition, 1804. S.K.
Another edition, 1810.
ARCHITECTURE. — The Grecian Orders of
Architecture delineated and explained from the
Antiquities of Athens, also Parallels of the Orders of j
Palladio, Scamozzi and Vignola, to which are added
remarks concerning public and private edifices ;
with designs. Fol. London, 1768.
ARCHITECTURE. — Christian Architec¬
ture of Europe. Article from the “North British
Review,” May 1861. S.K.
ARCHITECTURE. — Essays on Gothic
Architecture, by the Rev. Th. Warton, Rev. J. Ben-
tham, Captain Grose, and the Rev. J. Milner, with a
letter to the publisher. 8vo. London, 1800. Bodl.
The 2nd edition, to which is added a List of the
Cathedrals of England, with their dimensions. 12
plates. 8vo. London, 1802. Lond. Libr.
Also, London, 1808.
ARCHITECTURE.— A Series of executed
Examples of Ecclesiastical and Domestic Structures,
from the designs of Modern Architects. 26 plates.
4to. London, 1858. S.K.
ARCHITECTURE. — Architecture moderne;
ou, l’art de bien batir pour toutes sortes de person-
nes, tant pour les maisons des particuliers que pour
les palais. (By C. E. Briseux.) 2 vols. 4to.
Paris, 1728-29. B.M.
ARCHITECTURE.— Modern Architecture.
(By H. C. Kendall?) Series I. and II. Fol. (Lon¬
don, 1846?) Without letterpress. B.M.
ARCHITECTURE.— The Palladian Archi¬
tecture of Italy. Article from the “ Quarterly Re¬
view,” vol. xxxii., No. 63, June 1825. S.K.
ARCHITECTURE. — Examples of London
and Provincial Street Architecture of the Victorian
Age. Accompanied with descriptive notices, and
also with original articles and designs, and with
occasional examples of modern buildings in the
streets of colonial and foreign cities and towns.
4to. London, 1861-62. S.K.
ARCHITECTURE.— London Street- Archi¬
tecture. Article from the “ National Review,” No.
9, $Tuly 1857. S.K.
ARCHITECTURE.— Characteristics of Old
Church Architecture, &c., in the Mainland and
Western Islands of Scotland. Woodcut illustra¬
tions, and 3 maps. 4to. Edinburgh, 1861. S.K.
ARCHIY fur Erankfurts Geschichte und
Kunst. Plates . 1839, &c. See Periodical
Publications.
ARCHIVES de l’Art fran^ais . par Ph.
de Chennevikres et A. de Montaiglon . 1851, &c.
See Periodical Publications.
ARCHIVES de la Commission des Monu¬
ments historiques, publiees par ordre de M. A.
Fould, ministre d’etat . 1855, &c. See Peri¬
odical Publications.
ARCLAIS DE MONT AMY (Didier d’).—
Traite des Couleurs pour la Peinture en Email et sur
laPorcelaine . Ouvrage posthume. 12mo. Paris,
1765. B.M.
German translation. — Abhandlung von den Far-
ben zum Porzellan- und Emaille- Malen . 8vo.
Leipzig, 1767. Akad. der Kiinste, Berlin.
39
ARC
Universal Catalogue of
f Notes and Queries,
l Mar. 7, ’68.
ARCO (Carlo d’). — Monumenti di Pittura
e Scultura trascelti in Mantova, o nel suo territorio.
24 plates. Small fol. Mantova, 1827. S.K.
ARCO (C. d’). — Di cinque valenti Incisori
Mantovani del secolo XVI. e delle stampe da loro
operate. Memoria di C d’A. 8vo. Mantova, 1840.
ARCO (C. d’). — Intorno al carattere na-
zionale ehe aver debbono le arti italiane aggiuntevi
alcune osservazioni praticbe sopra varie opere es-
poste in Milano dal 1837 al 1842 . Memoria I.
e II. 8 vo. Mantova, 1842-43.
ARCO (C. d’). — Delle Arti e degli Artifici
di Mantova, notizie raccolte ed illustrate con disegni
e con documenti. 2 vols. 59 lithogr. plates, and
2 plates with 18 fac-similes. 4to. Mantova, 1857-
58. S.K.
ARCO (C. d’). — Istoria della vita e delle
opere di Giulio Pippi Romano . 1838. See
Romano.
ARDANT (Maurice). — Emailleurs etEmail-
lerie de Limoges. Lithogr. plates. 12mo. Isle,
1855. S.K.
ARDANT (M.). — Les Emailleurs limousins.
Les P6nicaud. 32 pp. 8vo. Limoges, 1858.
ARDANT (M.). — Emailleurs limousins.
Les Gwibert, les Vergnaud. 8vo. Limoges, 1860.
ARDANT (M.). — Emailleurs limousins.
Les Limosin. 27 pp. 8vo. Limoges, 1860.
ARDANT (M.). — Emailleurs limousins.
Les Courteys, Court et de Court. 41 pp. 8vo.
Limoges, 1861.
ARDITI (Michele). — Illustrazione di un
antico Vaso trovato nelle ruine di Locri. (By M.
A.) 4to. Napoli, 1791. B.M.
ARENBERG (Auguste, Prince d’). — Litho¬
graphies d’apr&s les principaux Tableaux de la Col¬
lection de S. A. S. Monseigneur le Prince Auguste
d’Arenberg, avec le Catalogue descriptif. 52 litho¬
graphs. 4to. Bruxelles, 1829.
ARENBERG (A., Prince d’). — Catalogue
et description des Tableaux qui torment la Col¬
lection de S. A. S. Prince A. d’A . 1833. See
Catalogues.
AREND (Heinrich Conrad). — Das Gedacht-
niss der Ehren . Albrecht Diirer’s . 1728. See
Durer.
ARESTI (J.). — The Exposition of Sketches
of Ornament for all Artisans, Decorators, and Ma¬
nufacturers, being a selection of tasteful ornaments
from the best sources of mediaeval art, and original
modern designs . Lithogr. plates, without letter-
press. Royal 8vo. London, n. d. S.K.
ARETIN (Johann Christoph von, Baron).
Catalogue raisonne des Estampes du Cabinet de
feu M. le Baron d’Aretin . 1827. SeeBRULLiOT
(F.).
ARETIN (Carl Maria von, Baron). — Alter-
thiimer und Kunst-Denkmale des Bayerischen
Herrscherhauses ; herausgegeben auf Befehl Sr.
Maj. des Konigs Maximilian II. Parts I.— III. 17
plates, partly coloured, and woodcuts in the text.
Pol. Miinchen, 1854-57. B.M.
ARGENS (Jean Baptiste de Boyer, Mar¬
quis d’). — Examen critique des differentes Ecoles de
Peinture. 8vo. Berlin, 1768.
Another edition. — Reflexions critiques sur les
differentes ecoles de peinture, 12mo. 1772.
ARGENVILLE (Antoine Joseph Desallier
d’). — Abrege de la vie des plus fameux Peintres,
avec leurs portraits graves en taille-douce, les in¬
dications de leurs principaux ouvrages, quelques re¬
flexions sur leurs caracteres, et la manitre de con-
noitre les desseins des grands maitres. Par M.
* * * (A. J. Desallier d’Argenville). 2 vols. and
1 vol. supplement. 223 portraits, engraved by
Michel Aubert, and frontispiece. 4to. Paris, 1745-
52. S.K.
Another edition. — Abrege de la vie des plus
fameux Peintres . Par M * * *. Nouvelle edi¬
tion, revue, corrigee et augmentee de la vie de plu-
sieurs peintres. 4 vols. 238 portraits (254 lives),
frontispiece, and vignettes. 8vo. Paris, 1762. S.K.
German translation. — Nachrichten von dem Leben
der beriihmtesten Maler . Aus dem Franzosisclien
iibersetzt und mit Anmerkungen erlautert von Johann
Jacob Volkmann. 4 vols. 8vo. Leipzig, 1767-68.
ARGENVILLE (Antoine Nicolas Desallier
d’, the younger). — Voyage pittoresque de Paris, ou
indication de tout ce qu’il y a de plus beau dans
cette grande ville en Peinture, Sculpture, &c. Par
M. D * * *. 2e Edition, revue et augmentee.
Plates. 8vo. Paris, 1752.
1st edition. 8vo. Paris, 1749.
Another edition. 8vo. Paris, 1755.
6th edition. 8vo. Paris, 1778.
This work has been republished by plagiaries,
under various titles.
ARGENVILLE (A. N. Desallier d’, the
younger). — Voyage pittoresque des environs de Paris.
Par M. D * * *. 8vo. Paris, 1749.
3rd edition. 8vo. Paris, 1768.
ARGENVILLE (A. N. Desallier d’, the
younger). — Description sommaire des ouvrages de
peinture, sculpture et gravure, exposes dans les
salles de Y Academie. Par M. D. 12mo. Paris,
1781.
ARGENVILLE (A. N. Desallier d’, the
younger). — Vie des fameux Architectes et Sculpteurs,
depuis la Renaissance des Arts, avec la description
de leurs ouvrages. Par M. D * * *. 2 vols. fron¬
tispieces. 8vo. Paris, 1787. Cicogn.
ARGO. Album fur Kunst und Dichtung,
herausgegeben von F. Eggers, Th. Hosemann, Er.
Kugler. 27 tinted and chromo-lithogr. plates. 4to.
Breslau, 1857.
Zweiter Jahrgang, herausgegeben von E. Eggers,
Th. Hosemann, B. von Lepel. 25 tinted and
chromo-lithogr. plates. 4to. Breslau, 1858. B.M.
ARGUS, Pseud. — To Manufacturers, Deco¬
rators, Designers, &c. A mild remonstrance against
Notes and Queries, )
March 14, ’68. J
Books on Art (under revision).
AEI
the Taste-censorship at Marlborough House, in re¬
ference to manufacturing ornamentation and decora¬
tive design. By Argus. Parts I.-III. 8vo. London,
1853. B.M.
ARIF-PASHA, Mushir. — Les anciens Cos¬
tumes de l’Empire Ottoman, depuis l’origine de la
Monarchie jusqu’a la reforme du Sultan Mahmoud,
recueillies par S. Exc. le Muchir Arif-Pacha. Yol.
I. 74 chromo-lithogr. plates. Pol. Paris, 1864.
B.M.
ARIMGHI (Paolo). — Roma Subterranea
novissima, in qua post Antonium Bosium, Jo. Se-
veranum, et celebres alios seriptores antiqua Chris-
tianorum et prsecipue Martyrum Ccemeteria, tituli,
monimenta, epitaphia, inscriptiones, ac nobiliora
Sanctorum sepulchra, sex libris distincta illustrantur
et quamplurimse res ecclesiasticse iconibus graphice
describuntur, ac multiplici turn sacra, turn profana
eruditione declarantur. 2 vols. Plates and plans,
besides woodcuts in the text. Fol. Romse, 1651.
S.K.
Another edition. 2 vols. Eol. Colonise et Lutetise
Parisiorum (Amsterdam), 1659. B.M.
Roma subterranea novissima tribus libris dis¬
tincta ex absolutissimo opere Pauli Aringhi in hanc
portatilem formam concinnata. Plates. 12mo. Arn-
liemise, 1671. B.M.
German translation. — Abgebildetes unterirdisches
Rom . ins Hochteutsche ubersetzt durch Chr.
Baumann. 12mo. Arnheim, 1668. B.M.
ARIOSTO (Lodoyico). — Orlando Pnrioso.
4to. Yinegia (per Nicolo d’Aristotile di .Eerrara
detto Zoppino), 1530. B.M.
With small rude woodcuts, and portrait, rudely
drawn, and almost unlike any other we know of
Ariosto, on the title-page.
ARIOSTO (L.). — Orlando Furioso . di
nuovoristampato, & historiato. Small 4to. Yinegia
(per Nicolo d’Aristotile detto Zoppino), 1536. B.M.
The woodcuts are the same as in the foregoing
edition ; but there is a finer frontispiece, with an
excellent portrait of the poet.
AHIOSTO (L.). — Orlando Furioso . or-
nato di varie figure. Woodcuts. 4to. Venetia,
1542. B.M.
The same cuts occur in various other editions, as
the following : —
4to.
Yenetia, 1543.
B.M.
8 vo.
Yenetia, 1543.
B.M.
8vo.
Vinegia, 1548.
Yinegia, 1549.
B.M.
8vo.
B.M.
4to.
Yinegia, 1549.
B.M.
8vo.
Yinegia, 1550.
B.M.
4to.
Lione, 1556.
B.M.
AHIOSTO (L.). — Orlando Furioso .
tutto ricorretto, et di nuove figure adornato .
Woodcuts from the designs of Dosso Dossi, the Fer-
rarese painter. 4to. Yenetia (appresso Vicenzo
Valgrisi), 1556. B.M.
The same cuts are to be found in the following
edition : —
4to. Yenetia (appresso Vincenzo Valgrisio),
1558. B.M.
Also in other editions published either by Val¬
grisi, or ‘ gli Heredi di Y. Valgrisi.’
ARIOSTO (L.). — Orlando Furioso, nuova-
mente adornato di figure di rame da Girolamo Porro.
4 to. Yenetia, 1584. B.M.
AHIOSTO (L.). — Orlando Furioso. 4 vols.
Portrait of A., after Titian, and 46 plates, engraved
by F. Bartolozzi, Nicolas Delaunay, and others, from
designs by Giovanni Battista Cipriani, Charles Eisen,
Charles Nicolas Cochin the younger, Jean Michel
Moreau the younger, Charles Monnet, and Jean-
Baptiste Greuze. Royal 8vo. Birmingham (Bas-
kerville), 1773. B.M.
Also, 4to. Birmingham, 1773. The same plates.
B.M.
ARIOSTO (L.). — Orlando Furioso. 4 vols.
Portrait of A., after Titian, and 92 plates. 4to.
Parigi, 1795. B.M.
47 plates, including the portrait, are the same as in
Baskerville’s edition (with the exception of the
plate, designed by Eisen, to Canto V., which has
been replaced by a better one of Moreau the
younger). The other plates are engraved by Nico¬
las Ponce, &c., mostly from designs by Ch. N.
Cochin the younger.
AHIOSTO (L.) . — L’Orlando Furioso di
Messer L. A. Inventate, ed inciso all’ acquaforte .
da B(artolomeo) Pinelli. 100 plates, and frontis¬
piece. Fol. Roma, 1828(-29). B.M.
ARIOSTO (L.). — Orlando Furioso in Eng¬
lish Heroical Verse, by (Sir) John Harrington. Fol.
London, 1591. B.M.
The plates by Girolamo Porro are reproduced in
this first English translation ; and there is besides
a frontispiece with the translator’s portrait.
Other editions : —
Orlando Furioso . now secondly imprinted. The
same plates. Fol. London, 1607.
Orlando Furioso . now thirdly revised and
amended, with the addition of the Author’s (i.e.
Harrington’s) Epigrams. Fol. London, 1634. B.M.
The same plates ; the frontispiece, with Harring¬
ton’s portrait, by another engraver.
AHIOSTO (L.). — Le divin Arioste, ou Ro¬
land le Furieux, traduit nouvellement en fran^is
(in prose) par F(ran9ois) de Rosset. Frontispiece
and plates, engraved by Leonhard Gaiter (Gaultier).
4 to. Paris, 1615. B.M.
2nd edition. The same plates. 4to. Paris,
1625. B.M.
Another edition. 4to. Paris, 1644.
AHIOSTO (L.). — Roland furieux, poerne
hero'ique, traduit en frangais par d’Ussieux. 4 vols.
93 plates (including those of Baskerville’s edition,
as well as the additional plates, engraved from
Cochin’s designs). 4to. Paris, 1775-83.
AHIOSTO (L.). — Roland furieux. Tra¬
duction nouvelle et en prose, par V. Philipon de la
Madelaine, illustree par Tony Johannot, C. Nanteuil,
M 41
ARX
Notes and Queries,
March 14, ’68.
Universal Catalogue of
&c. 25 steel-engravings, and 300 vignettes. 8vo.
Paris, 1844.
Another edition. 8vo. Paris, 1864. B.M.
ARIOSTO (L.). — Seclis lithographirte Bil-
der aus Ariosto’s rasendem Roland, die Begeben-
heiten der schonen Angelika enthaltend, gezeichnet
von Julius Schnorr, mit Text von Dr. Schmidt.
Pol. Carlsruhe, 1833.
ARMAN" (Alexandre). — Notre - Dame
d’ Ajaccio, Archeologie, Histoire et Legendes. 8vo.
Paris, 1844. B.M.
ARM AND. — Reflexions sur Part de la
Peinture consideree comme peinture heroique.
12mo. Paris, 1818. Cicogn.
ARM AND (Tse., Prior). — Histoire de Saint
Remi, precedee d’une introduction et suivie d’un
apercpi historique sur la ville et l’eglise de Reims.
8vo., and Atlas of 11 plates, fol. Paris, 1846.
B.M.
ARMAND-CALLIAT. — L’Orfevrerie reli-
gieuse Lyonaise a l’Exposition de 1 867- Exposition
de M. Armand-Calliat. 32 pp. 8vo. Lyon, 1867.
S.K.
ARMENGAUD (Jean Germain Desire). —
Les G-aleries publiques de l’Europe. 3 vols. 1795
wood-engravings. Eol. Paris, 1856-65. (Vol. I.
Rome. Vol. II. Grenes, 'Turin, Milan, Parme, Venise,
Bologne. Vol. III. Florence, Naples, Pompei, &c.)
ARMENGAUD (J. G. D.).— Les Chefs-
d’oeuvre de l’Art chretien. 26 portraits, and 40 plates.
4 to. Paris, 1858. S.K.
ARMENGAUD (J. G. D.).— Les Tr6sorsde
l’Art. 50 steel engravings. Fol. Paris, 1859.
ARMENGAUD (J. G. D.).— Les Reines du
Monde, par nos premiers ecrivains. 150 portraits.
4to. Paris, 1864.
ARMENGAUD (Jacques Eugene, the
elder), ARMENGAUD (Charles, the younger)
and AMOUROUX (Jules). — Nouveau Cours rai-
sonne de Dessin industriel, applique principalement
a la mecanique et a l’architecture. 2 vols. text,
8vo.. and Atlas of 45 plates, fol. Paris, 1848-49.
S.K.
Another edition. Paris, 1860.
English translation. — The Practical Draughts¬
man’s Book of Industrial Design; forming a complete
course of mechanical, engineering and architectural
drawing. Translated from the French of M. A.
aine, and M.M. Armengaud jeune, and Amouroux.
Rewritten and arranged, with additional matter and
plates, &c., by W. Johnson. 4to. London, 1853.
B.M.
2nd edition. 4to. London, 1860(-61). B.M.
ARMENGAUD (J. E.), ARMENGAUD
(Ch.) and AMOUROUX (J.). — Etudes d’ Ombres
et . de lavis appliquees aux machines et a l’ar-
chitecture., Recueil methodique de planches tein-
tees et lavees a l’eflfet. Atlas of 12 plates, fol., with
text. Paris, 1849.
42
ARMENINI (Giovanni Battista). — De’ veri
Precetti della Pi ttura, Libri tre. (1st edition.) 4to.
Ravenna (Francesco Tebaldini), 1587. B.M.
Other editions : —
4to. Venetia, 1678. Edited by Francesco Sa-
lerni. B.M.
Con note de Stefa.no Ticozzi. 12mo. Milano,
1820. B.M.
8 vo. Pisa, 1823. S.K.
ARNAL (Juan Pedro). — Discurso sobra el
origen y principio de los Mosaycos . contraido a
los que nuevamente se descubrieron en las excava-
ciones de la villa de Rielves de orden de S. M. Fol.
(Madrid? 1788.) B.M.
ARNALD (George). — The river Meuse ;
being delineations of the scenery of that river from
Liege to Mezieres, etched (with explanatory remarks)
by G. A. Fol. London, 1828. B.M.
ARNALDI (Enea, Count). — Idea di un
Teatro nelle principali sue parti simile ai teatri an¬
tichi, all’ uso moderno; con due discorsi intorno ai
teatri in generale, e al teatro Olimpico di Vicenza,
e un’ appendice nel fine. 6 large plates. 4to.
Padova, 1733. Cicogn.
Another edition. 4to. Vicenza, 1762. B.M.
ARNALDI (E., Count). — Delle Basiliche
antiche e specialmente di quella di Vicenza del
celebre Andrea Palladio. Discorso. Con l’aggiunta
della descrizione d’una curia d’invenzione dell’ autore.
8 large plates. 4to. Vicenza, 1769. B.M.
ARNAUD (A. E.). — Voyage areheologique
et pittoresque dans le departement de l’Aube et dans
l’ancien diocese de .Troyes ; publie sous la direction
de A. F. A. 4to. Troyes, 1837- B.M.
ARNAUD (Ch.). — Vues et Costumes pitto-
resques du departement des Deux-Sevres, par Gelle,
avec texte, par Ch. A. 4to. Niort, 1844.
ARNAUD (C. P.). — Recueil de Tombeaux
des quatres Cimetieres de Paris avec leurs epitaphes
et leurs inscriptions. 2 vols. 8vo. Paris 1817-25.
B.M.
ARNAULDET (Thomas). — Les Artistes
bretons, angevins, poitevins au Salon de 1857.
Lettre adressee a M. Benj. Fillon. 56 pp. 8vo.
Nantes, 1857.
ARNAULDET (Th.). — Notes sur les
estampes satiriques, bouffonnes ou singulieres rela¬
tives a l’art ou aux artistes fram^ais pendant les
XVIIe et XVIIIe siecles. Plates. 8vo. Paris,
1859.
Reprinted from the “ Gazette des Beaux- Arts.”
ARNAULDET (Th.) and DUPLESSIS
(Georges). — Michel Lasne, de Caen, graveur en
taille-douce ; par Th. A. et G. D. 8vo. Caen, 1856.
ARND (Carl). — Beitrage zur Erforschung
der Baudenkmale der Germanen und Romer in der
unteren Maingegend. ii. and 71 pp., and a map
8vo. Hanau, 1858. Akad. der Kiinste, Berlin.
ARNETH (Joseph von). — Synopsis nu-
morum antiquorum qui in Museo Csesareo Vindo-
Notes and Queries, )
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AEN
Books on Art ( under revision).
bonensi adservantur. Pars I. Numi Grseci. Pars II.
Numi Romani. 4to. Vindobonse, 1837-42. B.M.
ARNETH (J. von). — Catalog der kaiserlicli-
koniglichen Medaillen - Stampel - Sammlung. 4to.
Wien, 1839. B.M.
ARNETH (J. von). — Das k. k. Miinz- und
Antiken-Cabinet ; beschrieben von J. A. 4 parts.
4 plates. 8vo. Wien, 1845-47. B.M.
ARNETH (J. von). — Besclireibung der
zum k. k. Miinz- und Antiken-Cabinette gehorigen
Statuen, Biisten, Beliefs, Inschriften, Mosaiken.
2nd edition. 8vo. Wien, 1846. B.M.
ARNETH (J. von).— Die antiken Cameen
des k. k. Miinz- und Antiken-Cabinettes in Wien ;
beschrieben yon J. A. 25 plates. Pol. Wien, 1849.
S.K.
ARNETH (J. von). — Die antiken Grold-
und Silber-Monumente des k. k. Miinz- und An¬
tiken-Cabinettes in Wien. 41 plates. Pol. Wien,
1850. S.K.
ARNETH (J. von). — Die Cinque- Cento-
Cameen und Arbeiten des Benvenuto Cellini und
seiner Zeitgenossen im k. k. Miinz- und Antiken-
Cabinette zu Wien. 23 plates. Pol. Wien, 1858.
S.K.
ARNETH (J. von). — Stndien liber Ben¬
venuto Cellini . 1859. See Cellini.
ARNETH (J. von). — Ueber das Tauben-
Orakel von Dodona. Zur Erklarung einer antiken
Erzmiinze der Epiroten in der Munzsammlung des
Stiftes St. Plorian. 1 vignette. 8vo. Wien, 1840.
B.M.
ARNETH (J. von). — Zw51f romiscbe Mili-
tar-Diplome ; beschrieben von J. A. ; auf Stein
gezeichnet von Albert Camesina. 25 chromo-lithogr.
plates. 4to. Wien, 1843. B.M.
ARNETH (J. von). — Das Niello- Anti-
pendium zu Kloster Neuburg in Oesterreich, verfer-
tigt im 12. Jahrhundert von Nicolaus aus Verdun.
In der Originalgrosse lithographirt und . heraus-
gegeben von Albert Camesina ; beschrieben und
erlautert von J. A. 31 chromo-lithogr. plates, large
fol. Text, 8vo. Wien, 1844. B.M.
ARNETH ( J. von) . — Reise-Bemerkungen,
grosstentheils archseologischen Inhalts, von Vindo-
bona (Vienna) iiber Tergesfe (Trieste) nach Salona
im Jahre 1846. 52 pp., and 4 plates. 4to. (Vienna,
1848.) S.K.
Extract from the “ Denkschriften der kaiser-
lichen Akademie der Wissensehaften.”
ARNETH (J. von). — Arcbseologische Ana-
lecten. 20 plates. Oblong fol. Wien, 1851. S.K.
ARNETH (J. von). — Bescbreibung der
Medaillen und Miinzen der Fiirsten und Grafen von
Dietrichstein. 15 pp. 8vo. Wien, 1851.
ARNETH (J. von). — Bescbreibung der
Thurm-Glocken zu St. Plorian. 16 pp., and 2
lithogr. plates. Royal 8vo. Wien, 1852.
ARNETH (J. von). — -Ueber einen in Ungern
gefundenen Schulterschmuck eines romischen
Kaisers zu Constantinopel. 3 plates. 8vo. Wien,
1854. S.K.
ARNETH (J. von). — Die neuesten arcbseo-
logischen Punde in Cilli (Styria). 3 plates. 8vo.
Wien, 1859. S.K.
ARNETH (J. von). — Ueber das rbmiscbe
G-rabmonument im Echernthale bei Hallstadt. 21
pp., and 1 lithogr. plate, besides woodcut-illustra¬
tions in the text. 8vo. Wien, 1862.
ARNETH (J. von). — Ueber das Evangeli-
arium Karl’s des G-rossen in der k. k. Schatzkammer
und iiber mehrere Gebetbiicher des 16. Jahrhunderts.
50 pp., and 5 chromo-lithogr. plates. 4to. Wien,
1864.
Extract from the “Denkschriften der kaiscrlichen
Akademie der Wissensehaften.”
ARNETT (John Andrews) Pseud, (i.e. John
Hannett). — Bibliopegia : or, the Art of Bookbinding
in all its branches. 9 plates. 12mo. London,
1835. B.M.
4th edition, with additions. 1 1 plates. London,
1848. S.K.
ARNETT (J. A.) Pseud, (i.e. J. Hannett).
The Bookbinder’s School of Design, as applied to
the combination of tools in the art of finishing. 8
plates. 4to. London, 1837. S.K.
ARNETT (J. A.) Pseud, (i.e. J. Hannett).
An Inquiry into the nature and form of the Books
of the Ancients ; with a history of the Art of Book¬
binding from the times of the Greeks and Romans
to the present day ; interspersed with bibliographical
references to men and books of all ages and coun¬
tries. 15 plates, and illustrations in the text. 12mo.
London, 1837. S.K.
ARNIM (F. von). — Villa von Arnim bei
Sanssouci (Potsdam). Von P. von A. 9 plates.
Pol. Berlin, 1865. S.K.
ARNOLD (Christian). — Praktisclie Anlei-
tung zur biirgerlichen Baukunst, in einer Reihe von
Planen fur Gebaude aller Art, nebst einer kurzen
Beschreibung und Erklarung derselben. 3 parts
110 lithogr. plates. Pol. Carlsruhe und Preiburg,
1822-34. B.M.
ARNOLD (Er.). — Ueber den Vorzug der
altgriechischen und romischen Baukunst vor der
gothischen. 8vo. Preyburg, 1814.
ARNOLD (Er.). — Projecte der bobern und
biirgerlichen Baukunst. 40 lithogr. plates. 4to.
Karlsruhe, 1831.
ARNOLD (Friedrich). — Der berzogliebe
Palast von Urbino, gemessen, gezeichnet und heraus-
gegeben von P. A. 50 lithogr. plates, partly chromo¬
lithographs, and 5 pp. text (in German and French).
Pol. Leipzig, 1856-57. B.M.
ARNOLD (E.). — Die Renaissance. Mus-
terbuch nach monumentalen Schopfungen fur Archi-
tekten und Kunstgewerke. Unter Mitwirkung nam-
43
ARH
Universal Catalogue of
Notes and Queries,
March 14, ’68.
hafter Architekten herausgegeben yon F. A . Mit
einer Einleitung von W. Lfibke. Lithogr. plates.
Fol. Leipzig, 1860, &c. B.M.
ARNOLD (F. H.). — Petworth : a sketch, of
its history and antiquities, with notices of objects
of archaeological interest in its vicinity. (With il¬
lustrations.) 8vo. London, 1864. B.M.
ARNOLD (Ignatz Ferdinand). — Anleitung
zur Beurtheilung der Kunstwerke der Malerey fur
Kunstliebhaber ; nebst einer skizzirten Geschichte
der beriihmtesten Schulen und ihrer vorzfiglichsten
Meister. (By I. F. A.) 8vo. Altenburg, 1806.
Another edition . Altenburg, 1811.
ARNOLD (M., Publisher).— Arnold’s Li¬
brary of the Fine Arts . 1831-32. Continued
under the title of Arnold’s Magazine of the Fine
Arts . 1833-34. See Periodical Publications.
ARNOLD (Xayer) and KNOLL (Eduard).
Sammlung von Initialen aus dem 12. bis 17.
Jahrhundert, entnommen der Koniglichen Hof-
und Staatsbibliothek zu Mfinchen, der Biblioteca
nacional und der Biblioteca de la Universidad
central zu Madrid. Eingefuhrt durch Professor
Dr. Messmer. Herausgegeben von X. A. und E. K.
Chromo-lithographs. 4to. Leipzig, 1867, &c. (In
progress.) S.K.
ARPHE Y VILLAFANE (Juan de) .— Varia
commensuracion para la Escultura y Arquitectura.
Numerous woodcuts, and medallion portrait of A.
4to. Madrid, 1675. S.K.
6th edition. 4to. Madrid, 1773. S.K.
ARROWSMITH (H.W.) andA. (A.).— The
House decorator and painter’s guide ; containing a
series of designs for decorating apartments. 4to.
London, 1840. Bodl.
ARSENNE (Louis Charles). — Manuel du
Peintre et du Sculpteur ; ouvrage dans lequel on
traite de la philosophie de l’Art et des rnoyens pra¬
tiques . Avec une notice sur les Manuscrits a
miniatures de 1’ Orient et du moyen-age (Bibliothfe-
ques de Paris), et sur les voyages a figures dans
leurs rapports avec la peinture moderne ; par Fer¬
dinand Denis. 2 vols. Plates. Small 8vo. Paris,
1833. B.M.
ARSENNE (L. Ch.) and DENIS (Ferdi¬
nand). — Nouveau Manuel du Peintre et du Sculp¬
teur, contenant l’esthetique, les prineipes generaux
et les applications pratiques sur l’Art, des notions
sur 1’ execution mecanique et les couleurs, des obser¬
vations sur les concours, et suivi d’un vocabulaire ;
par L. Ch. A. et F. D. Nouvelle edition, revue et
entierement refondue par M.M. Yasse, peintre
d’histoire, F. Malpeyre et E. R. 4 plates. Small
8vo. Paris, 1858.
ART. — L’Art et l’Archeologie en Province.
Plates. 13 vols. 4to. Moulins, 1840-49.
ART ALBUM, The. Sixteen Fac-similes of
Water-colour Drawings, by Cattermole, Cooper, and
-others. 4to. London, 1861. S.K.
44
ART ANNUAL. — -The Photographic Art
Annual . 1859. See Periodical Publications.
ART, CHRISTIAN. — Revue de l’Art chre-
tien. Pecueil mensuel d’Archeologie religieuse,
dirig£ par l’Abbe Jules Corblet . 1857, &c. See
Periodical Publications.
ART, CHRISTIAN. — Christian Art. Article
from the “ Quarterly Review,” No. 231, July 1864.
S.K.
ART, CHRISTIAN.— Early Christian Art.
Article from the ‘‘Edinburgh Review,” No. 249, July
1865. S.K.
ART, CHRISTIAN.— The History of Our
Lord in Art. Article from the “ Edinburgh Review,”
No. 245, July 1864. S.K.
ART, CHRISTIAN.— Symbolism in Chris¬
tian Art. Article from the “ North British Review,”
June 1865. S.K.
ART CIRCULAR, The : a Monthly Record
of Illustrated Literature and Art Manufactures .
1850, &c. See Periodical Publications.
ART, CONTEMPORARY.— L’Art contem-
porain. Annales illustrees de la production d’ elite
des Beaux-Arts et de l’lndustrie artiste. J. J.
Arnoux, redacteur en chef. . Paris, 1862. See
Periodical Publications.
ART CRITICISM. Article from the “ Cornhill
Magazine,” September 1863. S.K.
ART, DECORATIVE.— Principles of De¬
corative Art. Published by authority of the De¬
partment of Science and Art. 6 pp. 4to. London,
1853. S.K.
ART, DECORATIVE.— Decorative Art So¬
ciety. Abstracts of Papers and Transactions from
1844 to 1846. See Societies.
ART, DECORATIVE.— L’Art pour Tous,
Encyclopedic de l’Art industriel et decoratif .
Paris, 1861, &c. See Periodical Publications.
ART DICTIONARY. — KurzgefasstesHand-
worterbucli fiber die schonen Kfinste. Von einer
Gesellschaft von Gelehrten. 2 vols. 8vo. Leip¬
zig, 1795. Akad. der Kfinste, Berlin.
ART EDUCATION. Article from the “Sixpenny
Magazine,” June 1862. S.K.
ART. — French influence on English Art.
Article from the “Sixpenny Magazine,” July 1862.
S.K.
ART AND HISTORY. Article from “ Fraser’s
Magazine ” for October 1857. S.K.
ART JOURNAL, The. A Monthly Journal
of the Fine Arts . 1839, &c. See Periodical
Publications.
ART JOURNAL. — The Art Journal Illus¬
trated Catalogue of the Exhibition of the Industry
of all Nations, 1851. See Exhibitions, London.
The Art Journal Illustrated Catalogue of the In-
Notes and Queries,
March 21, ’68.
Boohs on Art {under revision).
AET
ternational Exhibition, 1862. See Exhibitions,
London.
ART JOURNAL. — The Art Journal Illus¬
trated Catalogue of the Exhibition of Art-Industry
in Dublin, 1853. See Exhibitions, Dublin.
ART IN LANGHAM PLACE. Article from
“London Society,” December 1862. S.K.
ART LIFE in the West of England .
1863, &c. See Periodical Publications.
ART MANUFACTURES. — Catalogue of
English Art Manufactures, selected for their beauty
of design. 4to. London, 1853. S.K.
ART AND ITS MINISTERS. Article from
the “Dublin University Magazine,” No. 415, July
1867. S.K.
ART. — Modern Art and living Artists.
16mo. Glasgow, 1839. B.M.
ART. — The Elementary Principles of Art.
Article from “Macmillan’s Magazine,” No. 91, May
1867. S.K.
ART. — Prospects of Art in England. Article
from “ Bentley’s Quarterly Review,” No. 1, March
1859. S.K.
ART. — The Relation of Art to Nature.
Article from the “ Cornhill Magazine,” July 1866.
S.K.
ART REVIEW, The . 1864, &c. See Peri¬
odical Publications.
ART STUDENT, The : a Monthly Journal
of the Fine and Industrial Arts . 1864, &c. See
Periodical Publications.
ART TREASURES EXHIBITION, MAN¬
CHESTER. See Exhibitions, Manchester.
ARTAMOV (Piotre) Pseud, (i. e. Count
Vladimir de la Fite de Pelleporc). — La Russie
historique, monumentale et pittoresque. Vol I.
230 wood-engravings. 4to. Paris, (1862 ?-)1864.
ARTARIA (Ferdinando). — 11 Duomo di.
Milano, ossia descrizione storico-critica di questo
insigne Tempio e degli oggetti d’arte che lo adornano.
63 plates. 8vo. Milano, 1831. S.K.
ARTAUD (Antoine Marie FRANgois). — De¬
scription d’une Mosaique representant des jeux du
cirque, decouverte a Lyon le 18. Fevrier 1806. 1
coloured plate. Fol. Lyon, 1806. B.M.
ARTAUD (A. M. F.).— Description de la
Mosaique de M. Macors. 2e edition. 8vo. Lyon,
1806. B.M.
ARTAUD (A. M. F.). — Societe des Amis
du Commerce et des Arts de Lyon. Discours sur
un projet de recherches des Monumens antiques
dans la ville de Lyon. 8vo. Lyon, 1808. B.M.
ARTAUD (A. M. F.). — Notice des Antiqui-
tes et des Tableaux du Musee deLyon. 8vo. Lyon,
1808. B.M.
ARTAUD (A. M. F.). — Cabinet des An- j
tiques du Musee de Lyon. 8vo. Lyon, 1816. B.M. I
ARTAUD (A. M. F.). — Notice des Tableaux
du Mus6e de Lyon. 8vo. Lyon, 1820. B.M.
Another edition. 8vo. Lyon, 1834. S.K.
ARTAUD (A. M. F.). — Memoire sur quel-
ques decouvertes d’Antiquites faites a Lyon pendant
l’ete de 1811. 8vo. Paris, 1811. B.M.
ARTAUD (A. M. F.). — -Memoire sur un
poignard de bronze antique trouve dans le rocher de
Crussol. 8vo. Paris, 1811. Bodl.
ARTAUD (A. M. F.). — Discours sur les
Medailles d’Auguste et de Tibere, au revers de
1’ Autel de Lyon ; suivi d’un memoire sur les recher¬
ches d’une statue equestre faites dans le mois de
Nov. 1809, vers l’emplacement de l’ancien temple
d’Auguste. Plates. 4to. Lyon, 1818. B.M.
ARTAUD (A. M. F.). — Mosaiques de Lyon
et des Departements meridionaux de la France, ac-
compagnees d’ explications. Coloured plates. Fol.
Paris, 1824.
ARTAUD (A. M. F.). — Histoire abregee de
la Peinture en Mosaique, suivie de la description
des Mosaiques de Lyon et du Midi de la France,
ainsi que d’un apertju relatif au deplacement de ces
paves. 4to. Lyon, 1835. S.K.
ARTAUD DE MONTOR (Alexis FRANgois),
Considerations sur l’etat de la Peinture en Italie,
dans les quatre siecles qui ont precede celui de
Raphael. Par un membre de l’Academie de Cortone
(A. de M.). Ouvrage servant de Catalogue raisonne
a une collection de (150) tableaux des 12. 13. 14. et
15. siecles. 8vo. Paris, 1808.
2nd edition. 8vo. Paris, 1811.
ARTAUD DE MONTOR (A. F.).— Peintres
primitifs : Collection de Tableaux rapportee d’ltalie
et publiee par M. le Chev. A. de M., reproduite
par nos premiers artistes sous la direction de M.
Challamel. (Prefixed is A. de M.’s “ Considera¬
tions sur l’etat de la Peinture en Italie.”) 60 lithogr.
plates, and 1 1 woodcuts in the text. 4to. Paris,
1841-43. S.K.
ARTAUD DE MONTOR (A. F.). — L’ltalie;
par A. de M. 96 plates. 8vo. Paris, 1835.
ARTEFEUIL. — Histoire heroique et uni-
verselle de la Noblesse de Provence. 2 vols. 8
large plates of armorial bearings. 4to. Avignon,
1776. B.M.
This is, according to Brunet, the 2nd edition ; .
and there are 3 vols. 4to. Avignon, 1776-86.
ARTHENAY (d’). — Memoire sur la ville
souterraine decouverte au pied du Mont Vesuve.
8 vo. Paris, 1748. B.M.
“ Attributed in the preface to M. Darthenay.
According to Barbier, Maussinot is the. author, and
Darthenay only the editor.”
ARTHUR, of Little Britain. — The history
of the valiant Knight Arthur, of Little Britain, a
romance of chivalry, originally translated from the
French, by J. Bourchier, Lord Berners. A new
edition (reprinted from that of Robert Redborne,
with a preface by the editor E. V. Utterson), with a
n 45
ART
Universal Catalogue of
( Notes and Queries
1 March 21, ’68.
series of plates, from illuminated drawings, con¬
tained in a valuable MS. of the original romance.
4to. London, 1814. B.M.
ARTIST. — Advice to proprietors on the care
of valuable pictures. With instructions for pre¬
serving, cleaning, and restoring them. By an Artist.
8vo. London, 1835. B.M.
ARTIST. — The Theory of Effect, embracing
the contrast of light and shade, of colour and
harmony. By an Artist. 15 illustrations by Hinck¬
ley. 8vo. Philadelphia, 1851. B.M.
ARTIST. — Lights in Art, a review of
ancient and modern Pictures. With additional
remarks on the present state, treatment, and preser¬
vation of oil paintings. By an Artist. 8vo.
Edinburgh, 1865. S.K.
ARTIST’S Rotes from Choice Pictures.
Article from “ London Society,” April 1862. S.K.
ARTIST’S Rotes from Choice Pictures.
Article from “ London Society,” May 1867- S.K.
ARTIST, The ; a collection of Essays rela¬
tive to Painting, Poetry, Sculpture, Architecture
. Edited by Prince Hoare . 1810. See Peri¬
odical Publications.
ARTIST, The. January to March 1855. See Peri¬
odical Publications.
ARTIST. — The Artist’s Assistant in Draw¬
ing, Perspective, Etching . 6th edition. 12mo.
Philadelphia, 1794. B.M.
Another edition. — The Artist’s Assistant in
Drawing, Perspective, Etching, Engraving, Mez-
zotinto-scraping, Painting on glass, in crayons,
water colours, and on silks and satins, &c. 12mo.
Gainsborough, 1814. B.M.
ARTIST. — The Artist’s Repository and
Drawing Magazine, exhibiting the principles of the
Polite Arts in their various branches. (By F.
Fitzgerald.) 4 vols. 8vo. London, 1787-90. S.K.
ARTIST. — The poor Artist ; or, Seven eye¬
sights and one object . 1850. See Horne (R. H.).
ARTIST. — On the Education of the Artist.
Article from the “New Monthly Review,” July 1861.
S K
ARTIST ARD CRAETSMAR. 8vo. Cam¬
bridge and London, 1860. B.M.
ARTIST -PHOTOGRAPHER.— The prin¬
ciples and practice of harmonious colouring in oil,
water, and photographic colours . By an Artist-
Photographer. 8vo. London, 1859. B.M.
ARTISTE, L’, Journal de la Litterature et
des Beaux- Arts . 1831, &c. See Periodical
Publications.
ARTISTS, t — The Young Artists . the
Sculptor, the Musician, the Engraver, the Painter.
From the French. With illustrations. 8vo. London,
1858. R.M.
ARTISTS. — The Declaration of the Artists
of the nineteenth century on the influence of cos-
46
tume and fashion upon high Art. With supple¬
mentary observations by some Amateurs. 8vo. Lon¬
don, 1862. B.M.
ARTISTS’ General Benevolent Institution,
London. See Societies.
ARTISTS. — Annuaire des Artistes et des
Amateurs, publie par Paul Lacroix (Bibliophile
Jacob) . 1860, &c. See Periodical Publica¬
tions.
ARTS. — Las Bellas Artes ilustradas. 4to.
Madrid, 1858. B.M.
This forms part of 6th series of the “Biblioteca
Universal publicada bajo la direccion de Don A.
Fernandez de los Rios.”
ARTS. — The Pine Arts and the public Taste
in 1853. Article from “Blackwood’s Magazine,”
July 1853. S.K.
ARTS. — Dell’ arte di vedere nelle Belle Arti
del Disegno, secondo i principii di Sulzer e diMengs.
. 1792. See Milizia (Fr.).
ARTS.: — Annals of the Pine Arts, 1816 to
1820 . See Periodical Publications.
ARTS. — Annales des Batiments et des Arts.
. Par une Societe d’ Artistes et de Gens de Lettres.
— Annales Fra^aises des Arts . faisant suite au£
Annales des Batiments . 1817-22. See Periodi¬
cal Publications.
ARTS. — Annuaire des Beaux- Arts, par E.
Filloneau . 1862, &c. See Periodical Publica¬
tions.
ARTS. — Annuaire des Lettres, des Arts et
des Theatres . 1845, &c. See Periodical Pub¬
lications.
ARTS. — Dictionarium Polygraphicum ; or,
the whole body of Arts regularly digested. 2 vols.
8vo. London, 1735. S.K.
ARTS. — Dictionnaire de l’Academie des
Beaux- Arts. Royal 8vo. Paris, 1858. S.K.
ARTS. — The Pictorial Gallery of Arts .
Numerous illustrations . (-1847). See Knight
(Charles).
ARTS. — Gazette des Beaux- Arts. Courier
Europeen de l’Art et de la Curiosite. Redacteur en
chef Charles Blanc . 1859, &c. See Periodical
Publications.
ARTS. — The Handmaid to the Arts. (By
Robert Dossie.) 2 vols. 8vo. London, 1758.
2nd edition, “ with considerable additions and
improvements.” 2 vols. 8vo. London, 1764. S.K.
Another edition. 2 vols. 12mo. London, 1796.
S.K.
ARTS. — Journal des Beaux-Arts et de la
Litterature . publie sous la direction de A. Siret
. 1859, &c. See Periodical Publications.
ARTS. — Placet et Memoires relatifs a la
question des Beaux-Arts appliques a l’lndustrie,
presentes le 25 Novembre 1852, a S.A.I. M. le
Prince Louis-Napoleon, President de la Republique
Fra^aise, par le Comite central des Artistes, au
Notes and Queries,
March 21, ’68.
Boohs on Art {under revision).
ASM
Dom de la Section des Artistes-Industriels. 4to.
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ARTS, — Reports of the Commissioners on
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Papers.) Small fol. London, 1842, &c. S.K,
ARTS. — Revue universelle des Arts, publiee
par Paul Lacroix (Bibliophile Jacob) . 1855, &c.
See Periodical Publications.
ARTS. — Society for the Encouragement of
Arts, Manufactures . See Societies.
ARUKDALE (E.).— The edifices of A. Pal-
ladio, forming a selection from his most admired
buildings, from drawings and measurements taken
at Vicenza . By P. A. (The life of A. Palladio,
translated from the Italian of Milizia.) Pol. Lon¬
don (1832). B.M.
ARUNDALE (E.). — Illustrations of Jeru¬
salem and Mount Sinai, including the most interest¬
ing sites between Grand Cairo and Beirout ; from
drawings by F. A. With a descriptive account of
his tour and residence in those remarkable countries.
4to. London, 1837. B.M.
ARUKDALE (E.). — Examples and Designs
of Verandahs . 24 plates. 4to. London, 1851.
B.M.
ARUKDEL SOCIETY, Publications. See
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ARUMDELL (Er. Y. J., Rev.).- A Visit to
the Seven Churches of Asia ; with an excursion into
Pisidia ; containing remarks on the Geography and
Antiquities of those countries, a map of the Author’s
routes, and numerous inscriptions. 8vo. London,
1828. S.K.
ARTJHDELL (Er. V. J.,Rev.). — Discoveries
in Asia Minor ; including a description of the ruins
of several ancient cities, and especially Antioch of
Pisidia. 9 lithogr. plates, and map. 2 vols. 8vo.
London, 1834. B.M.
ARYHSTE (A. K.). — The Cyclopedia of
Anecdotes of Literature and the Fine Arts . with
illustrations. 8vo. Boston, U.S., 1852. B.M.
ARZE (Luigi) . — Indicazione storico-artis-
tica delle cose spettanti alia Villa Legatizia di San
Michele in Bosco, gia monastero de’ BE. PP.
Olivetani. Monumento fra i piu celebri suburbani
di Bologna. (By L. A.) 8vo. Bologna, 1850. S.K.
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. dem Herrn P. W. von A. gehorigen Hand-
zeichnungen und Kupferstiche. See Catalogues.
ASBURGr (Emanuel). — A Catalogue of his
Collection of Coins and Medals . 1780. See
1 Catalogues.
I ASCARTI (Pellegrino). — Raccolta di Me-
J daglie antiche Imperiali. 2 parts. Plates. 12mo.
| Modena, 1677. Cicogn.
I ASCOLI (Eurialo d’). — Stanze . sopra
I le Statue de Laocoonte, di Venere, e d’ Apollo, &c.
8vo. Koma, 1539. B.M.
AS C OVA (Antonio). — Manuale dell’ Archi-
tetto, dell’ ingegnere e del capo-maestro. 8vo. Mi¬
lano, 1830. Bodl.
ASCOSO, Accademico Gelato, Pseud, (i. e.
Count Carlo Cesare Malvasia). — Le Pitture di
Bologna . See Malvasia.
ASHBOURH, in Derbyshire. — The History
and Topography of Ashbourn, the valley of the
Dove, and the adjacent villages. 22 plates. 8vo.
Ashbourn, 1839. B.M.
ASHIK (Anton). — De la decouverte de deux
statues antiques a Kertch. 8vo. Odessa, 1851. B.M.
ASHLEY (Alfred). — The Art of Etching
on copper. 14 plates, and frontispiece. Oblong 4to.
London (1849). S.K.
ASHLEY (John). — The Art of painting on
and annealing in glass; with the true receipts of
the colours, the ordering of the furnace, and the
secrets thereunto belonging, as practised about the
year 1500. 4to. London, 1801. B.M.
ASHMOLE (Elias) . — The Institution,
Laws, and Ceremonies of the most noble Order of
the Garter. (With an appendix.) 30 plates, mostly
engraved by Hollar, and a portrait of King Charles
II., by William Sherwin. Pol. London, 1672. B.M.
There are copies with a reprinted title of the date
of 1693.
ASHPITEL (Arthur). — Different theories
respecting the Forum at Borne, particularly those of
the Commendatore Canina. Sessional Paper, 9.
March 1857 ; 18. May 1857. B. Arch.
ASHPITEL (A.). — Description and Key to
the View of ancient Eome, now in the Eoyal Aca¬
demy, shewing the authorities for various restora¬
tions. 8vo. London, 1858. B.M.
ASHPITEL (A.). — Crypts in Christian
Churches from the earliest periods. Sessional
Paper, 4. June 1860. B. Arch.
ASHPITEL (A.). — Italian Architectural
Drawings in the Eoyal Library at Windsor. Ses¬
sional Paper, 16. June 1862. B. Arch.
ASHPITEL (A.) . — Treatise on Architecture,
including the Arts of Construction, Building, Stone-
Masonry, Arch, Carpentry, Eoof, Joinery, and
Strength of Materials. Edited by A. A. 55 plates.
4to. Edinburgh, 1867. S.K.
Treatises by William Hosking, Thomas Tredgold,
Thomas Young, and John Eobinson, from the
“ Encyclopaedia Britannica.”
ASIATIC RESEARCHES ; or, Trans-
actions of the Society instituted in Bengal, for
inquiring into the History and Antiquities, the
Arts, Sciences and Literature of Asia. Plates .
1788-1839. See Societies.
ASIATIC SOCIETY.— The Journal of the
Eoyal Asiatic Society of Great Britain and Ireland.
Plates . 1834, &c. See Societies.
ASMUS (Heinrich). — Neue Ornamente.
Muster-Blatter fur Architekten, Pabrikanten, Bau-
47
ASP
Notes and Queries,
March 21, ’68.
Universal Catalogue of
handwerker und Kiinstler . — V orlege-Blatter fur
Kunst-, Bau- und Gewerbe-Schulen. 46 chromo-
lithogr. plates. Oblong fol. Berlin, 1844. S.K.
ASPEDEN CHURCH.— A Survey of the
present state of Aspeden Church, Herts, June
1793. 13 pp., and 4 plates. 4to. London, 1796.
B.M.
ASSALL (Friedrich Wilhelm). — Nach-
richten iiber die friihereii Einwohner von Nord-
Amerika und ihre Denkmaler . Herausgegeben
mit einem Vorberichte von E. J. Mone . 12
lithogr. plates. 8vo. Heidelberg, 1827. B.M.
ASS AS (Manuel de). — Album artistico de
Toledo. 50 plates. Eol. Madrid, 1848.
ASSAS (M. DE).— La Catedral de Toledo.
In Puerta Vizcaino (J. de la) and Becquer (G. A.),
Historia de los Templos de Espana. Vol. I. 1857.
B.M.
ASSELIJN (Thomas). — Broederschap der
Schilderkunst, ingewydt door Schilders, beeldt-
houwers en des zelfs begunstigers ; op den 21 van
Wynmaent 1654, op St. Joris Doelen, in Amsterdam.
(In verse.) 8vo. Aemsteldam, 1654. B.M.
AS SELIN (Alfred Felix) and DEHAI-
SNES (Abbe)- — Recherches sur l’Art a Douai aux
XlVe, XVe et XVIe siecles, et sur la vie et
l’ceuvre de Jean Bellegambe, auteur du Retable
d’Anchin. 22 pp. 8vo. Paris.
ASSELINEAU. — Armes et Armures, Meu-
bles et autres objets du moyen-age et de la renais¬
sance, dessinees d’apres nature et lithographiees
par A. 2 vols. 146 lithogr. plates. Eol. Paris,
1844. S.K.
ASSELINEAU. — Meubles religieux et civils
. 1863. See Ramee (Daniel).
ASSELINEAU. — Sculptures decoratives
. 1863. See Ramee (D.).
ASSELINEAU (Charles). — Andre Boulle,
Ebeniste de Louis XIV. 12mo. Alenin, 1854. B.M.
2nd edition. 12mo. Paris, 1855.
AS SELINE AU (Ch.). — Notice sur Lazare
Bruandet, peintre de l’ecole frai^aise (1753-1803).
8vo. P ris, 1855. B.M.
ASSIER (Alexandre). — Comptes de la fab-
rique de l’eglise Sainte-Madeleine de Troyes, suivis
de la construction du Jub6 et de plusieurs pieces
curieuses conservees aux archives de l’Aube. 8vo.
Troyes, 1854.
ASSIER (A.). — Compte de P oeuvre de
l’eglise de Troyes, avec notes et eclaircissements,
ou nouvelles recherches sur la construction des
eglises et sur les usages au moyen-age ; par l’auteur
des “ Archives curieuses de la Champagne et de la
Brie” (A. A.). 8vo. Troyes, 1855.
ASSIER (A.). — Construction d’une Notre-
Dame au Xllle siecle, suivie des comptes de
I oeuvre de l’eglise de Troyes au XlVe siecle. (By
A. A.) 12mo. Paris, 1858. B.M.
48
ASSMANN (Gr.).— Grundrisse fur stadtiscbe
Wohngebaude. Mit Rucksicht auf die foil* Berlin
geltende Bauordnung. 10 lithogr. plates. Fol.
Berlin, 1862.
ASTLE (Thomas). — An Account of tie Seals
of the Kings, Royal Boroughs, and Magnates of
Scotland. 44 pp., and 5 plates. Imper. fol. 1792.
This forms a portion of the 3rd volume of the
“ Vetusta Monumenta.” Several copies were printed
as a separate publication.
ASTLE (Th.). — The Origin and Progress
of Writing, as well hieroglyphic as elementary,
illustrated by engravings taken from marbles,
manuscripts, and charters, ancient and modern ; ■
also some account of the origin and progress of
Printing, 2nd edition, with additions. Eol. Lon¬
don, 1803. S.K.
ASTRUC (Zacharie). — Les Quatorze Sta¬
tions du Salon, 1859. Suivies d’un recit doulou¬
reux. (With a preface by G-eorge Sand.) 12mo.
Paris, 1859. B.M.
ASTRUC (Z.). — Beaux- Arts. Le Salon
intime ; exposition au Boulevard des Italiens.
Avec une preface extraordinaire, et une eau-forte
de Carolus Duran. 12mo. Paris, 1860. B.M.
ATHANASI (Giovanni d’).— A brief Ac¬
count of the researches and discoveries in Upper
Egypt made under the direction of Henry Salt,
Esq. To which is added a detailed Catalogue of
Mr. Salt’s collection of Egyptian Antiquities .
and an enumeration of those articles purchased for
the British Museum. 8vo. London, 1836. B.M.
ATHENAEUM, The. Journal of English
and Foreign Literature, Science, and the Fine Arts
. 1828, &c. See Periodical Publications.
ATKINSON" (George Francklin). — Pic¬
tures from the North in pen and pencil, sketched
during a summer ramble. 8vo. London, 1848.
B.M.
ATKINSON (G. F.). — The Campaign in
India, 1857-58. From drawings made during the
period of the great mutiny, by Gr. F. A. Illustrating
the military operations before Delhi and its neigh¬
bourhood. With descriptive letterpress. Fol. Lon¬
don, 1859. B.M.
ATKINSON (James).— A Letter to a Royal
Academician containing a review of the Fine Arts
in Greece. 8vo. Edinburgh, 1800. Bodl.
ATKINSON (John Augustus). — A pictur¬
esque Representation of the Naval, Military and
Miscellaneous Costumes of Great Britain . with a
descriptive essay on the subject of each plate, in
English and French. Vol. I. 50 coloured plates.
Fol. London, 1807. B.M.
ATKINSON (J. A.) and WALKER (James).
A picturesque Representation of the Manners,
Customs and Amusements of the Russians, in 100
coloured plates ; with an accurate explanation of
each plate, in English and French. 3 vols. 3 por-
Notes and Queries,
March. 28, ’68.
Books on Art {under revision).
AUB
traits, besides the coloured plates. Fol. London,
1812 (1803-4). _ B.M.
The date of the dedication is 1803. __
ATKINSON (J. Beavington). — On Fresco
Painting as a suitable mode of Mural Decoration.
By J. B. A. Article from the “ Journal of the So¬
ciety of Arts,” February 1864. S.K.
ATKINSON (J. B.).— Historic Portraits.
By J. B. A. Article from “ Blackwood’s Magazine,”
No. 613, November 1866. S.K.
ATKINSON (J. B.).— Art in the Paris
Exhibition. By J. B. A . Article from the “ Contem¬
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ATKINSON (Thomas). — A Conference
between a Painter and an Engraver: containing
useful hints and necessary instructions proper for
the young Artist. 12mo. London, 1736. B.M.
ATKINSON (T. W.).— Gothic Ornaments,
selected from the different Cathedrals and Churches
in England. Fol. London, 1829. B.M.
ATKINSON (Thomas Witlam). — Oriental
and Western Siberia; a narrative of seven years
explorations and adventures in Siberia, Mongolia,
the Kirghis Steppes, Chinese Tartary, and part of
Central Asia. Numerous illustrations, partly co¬
loured, and a map. 8vo. London, 1858. B.M.
ATKINSON (Th. W.). — Travels in the
Regions of the Upper and Lower Amoor and the
Russian acquisitions on the confines of India and
China. Numerous illustrations, and a map. 8vo.
London, 1860. B.M.
ATKINSON (Mrs. Thomas Witlam).— Re¬
collections of Tartar Steppes and their inhabitants.
With illustrations. 8vo. London, 1863. B.M.
ATKINSON (William). — Views of pictu¬
resque Cottages, with plans, selected from a collection
of drawings taken in different parts of England, &c.
4to. London, 1805. B.M.
ATKYNS (Richaed). — The Original and
Growth of Printing, collected out of History and
the Records of this Kingdome : wherein is also
demonstrated that Printing appertaineth to the
Prerogative Royal ; and is a Flower of the Crown of
England. Frontispiece. 4to. London, 1664. B.M.
ATKYNS (Sir Robeet). — The ancient and
present state of Gtostershire. 74 plates, including
the Author’s portrait. Fol. London, 1712. B.M.
2nd edition. 73 plates. Fol. London, 1768. B.M. j
ATTARDI (Bonaventuea). — Storia dell’
integra . citta di S. Filippo d’Aggira ; col rapporto
d’inediti monument! e delle sue antiche medaglie.
4to. Palermo, 1742. B.M.
ATTI (Gaetano). — Intorno alia Vita e alle
Opere di Gianfranccsco Barbieri, detto II Guercino.
. 1861. See Guebcino.
ATTIRET (Jean Denis). — A particular
account of the Emperor of China’s Gardens near
Pekin : in a letter from F, A., a French missionary
. to his friend at Paris. Translated from the
French by Sir H. Beaumont (pseud., i. e. J. Spence).
8vo. London, 1752. B.M.
ATTRIBUTE, die, der Heiligen, alphabe-
tisch geordnet. Ein Schliissel zur Erlcennung der
Heiligen nach deren Attributen, in Rucksicht auf
Kunst, Geschichte und Cultus. Nebst einem An-
hange fiber die Kleidung der katholischen Welt-
und Ordensgeistlichen und einem Namenregister
der vorkommenden Heiligen. 8vo. Hannover,
1843.
ATWOOD (Geoege). — A Dissertation on
the construction and properties of Arches. 4to.
Loudon, 1801.
Part II. A supplement to a tract entitled : A
treatise on the construction and properties of
Arches. 4to. London, 1804. B.M.
AUBER .(Chaeles Auguste, Abbe). — Bio-
graphie de Girouard, sculpteur poitevin. 8vo.
Poitiers, 1841.
AUBER (Ch. A., Abbe). — Notice snr un
poignard du XVIe siecle et sur la famille de
Blacwood. 1 plate. 8vo. Poitiers, 1843.
AUBER (Ch. A., Abbe). — Table generale
analytique et raisonnee du Bulletin monumental.
2 vols. 8vo. Paris, 1846-51.
AUBER (Ch. A., Abbe). — Histoire de la
Cathedrale de Poitiers, contenant la description de-
toutes les parties de l’edifice, les diverses periodes
de sa construction, la theorie de ses vitraux peints,
le symbolisme de ses sculptures, et des considera¬
tions generales sur l’Art au moyen-age ; avec les
faits historiques qui s’y rattachent depuis son
origine, au Ille siecle, jusqu’a nos jours. 30
lithogr. plates. 2 vols. 8vo. Poitiers et Paris,
1849. S.K.
AUBER (Ch. A., Abbe). — Instruction de la
Commission archeologique diocesaine, etablie- a
Poitiers, sur la construction, les restaurations, l’en-
tretien et la decoration des eglises. 8vo. Poitiers,
1851. B. Arch.
AUBER (Ch. A., Abbe). — Considerations
generales sur l’histoire du Symbolisme chretien, ses
causes, ses developpements et sa decadence. 8vo.
Paris, 1857.
Extract from the “Bulletin monumental.”
AUBER (Ch. A., Abbe).— Notice sur un
reliquaire de l’epoque romaine. Plates. 8vo.
Poitiers, 1845.
Also, Amiens, 1860.
AUBER (Ch. A., Abbe).— De l’An Mille et
cle son influence pretendue sur l’Architecture reli-
gieuse. 8vo. Paris, 1861. B.M.
AUBER (Ch. A., Abbe). — Les Catacombes,
considerees comme types primitifs des Eglises chre-
tiennes. 8vo. Arras, 1862.
AUBERT. — Ameublement Parisien. (De¬
signs for Furniture.) 54 coloured plates. 4to.
Paris, 1840-50. S.K.
o
49
AUB
Notes and Queries,
March 28, ’68.
Universal Catalogue of
AUBERT (Albert). — Notice sur la vie et
les ouvrages do Rodolphe Toppfer. See Toppfer
(R.). Reflexions et menu-propos d’un peintre gene-
yois, &c.
AUBERT (Edouard). — Les Mosaiiques cle
la Cathedrale d’Aoste. 2 plates. 4to. Paris, 1857.
Extract from the “ Annales archeologiques.”
AUBERT (E.).— La Yallee d’Aoste. 175
plates. 4to. Paris, 1860. B.M.
AUBERT DU PETIT-THOUARS (L. M.
A.). — Histoire particuliere des plantes Orchidees,
recueillies sur les trois terres australes d’Afrique, de
nie-de-France, de Bourbon et de Madagascar. 110
plates. 8vo. Paris, 1822. B.M.
AUBERT (Maurice). — Souvenir du Salon
de 1859, contenant une appreciation de la plupart
des oeuvres admises a cette exposition des beaux-
arts, et resume sommaire des critiques contradic-
toires, extraites des journaux et revues. 12mo.
Paris, 1859. B.M.
AUBREE (Charles). — Traite pratique de
Photographic sur papier, sur verre et sur plaques
metalliques. 8vo. Paris, 1851.
AUBREE (Ch.) and DUBREUIL (Alfred).
Opuscule photographique sur le Collodion, son ap¬
plication sur les plaques de verre ; instantaneite ob-
tenue par un nouveau procede. 8vo. Paris, 1852.
B.M.
AUBREY (C. E.). — Engravings from De¬
signs by C. E. A. See Lockhart (J. G.).
AUBREY (John). — The Natural History
and Antiquities of the County of Surrey. 5 vols.
10 plates, a map, and portrait of the author. 8vo.
London, 1718-19. B.M.
AUBREY (J.).— Wiltshire. The Topogra¬
phical Collections of John Aubrey, F.R.S., a.d.
1659-70, with illustrations. Corrected and en¬
larged by John Edward Jackson. Published by the
Wiltshire Archgeological and Natural History So¬
ciety. Plates. 4to. Devizes, 1862. S.K.
AUBRY (Eelix). — Rapport sur les Den-
telles, les blondes, les tulles et les broderies, fait
a la Commission Franfjaise du Jury International
de l’Exposition Universelle de Londres, par M.
E. A. 8vo. Paris, 1854. S.K.
AUDEBERT (Jean-Baptiste). — Histoire
naturelle des Singes et des Makis. 61 coloured and
2 uncoloured plates, drawn and engraved by A.
Royal folio. Paris, An VIII (1800). B.M.
AUDEBERT (J.-B.) and VIEILLOT (L.
P.). — Histoire naturelle et generale des colibris,
oiseaux-mouches, jacamars et promerops (des grim-
pereaux et des oiseaux de paradis). 2 vols. 189
coloured plates. Royal fol. Paris, An XI = 1802.
B.M.
The half-title is “ Oiseaux dores, ou a reflets me¬
talliques.”
AUDIAT (Louis). — Bernard Palissy. Etude
sur sa vie et ses travaux. 8vo. Paris, 1868. S.K.
50
AUDIERNE (Abbe) . — Le Perigord illustre.
Guide monumental, statistique, pittoresque et histo-
rique de la Dordogne. Illustrations in the text.
8vo. Perigueux, 1851. B.M.
AUDIERNE (Abbe). — De 1’ Origine et de
l’enfance des arts en Perigord, ou de l’age de la
pierre dans cette province avant la decourerte des
! metaux. 53 pp. and 6 lithogr. plates. Royal 8ro.
Perigueux, 1863. S.K.
AUDIGANNE (A.). — Paris dans sa splen-
deur, monuments, vues, scenes historiques. Dessins
et lithographies par MM. P. Benoist, J. Arnout,
Bachelier . Vignettes de F. Benoist et Catenacci
. Texte par MM. A., P. Bailly, E. Carissan,
&c. 3 vols. Fol. Paris, 1861. B.M.
AUDRAN (Benoist). — Catalogue des plan¬
ches gravees, tableaux, dessins . et autres objets
de curiosite de feu M. B. A., graveur . 1772. See
Catalogues, Sale.
AUDRAN (Gerard). — Les Proportions du
Corps humain, mesurees sur les plus belles Figures
de l’Antiquite. 30 plates. Fol. Paris (chez G.
Audran, graveur), 1683. B.M.
Reprinted. Fol. Paris, 1855.
German edition. — Des menschlichen Leibes Pro-
portionen, von denen vortrefflichsten und allerschon-
sten Antiken genommen, und mit Fleiss abgemessen,
durch Mr. Audran, Professeur der Konigl. Maler-
Academie zu Paris. Anitzo, den Kunstliebenden
zum Besten, ins Teutsche iibersetzet. 26 plates,
engraved by Johann Jacob von Sandrart. Fol.
Niirnberg (1686?). B.M.
AUDRAN (G.). — Catalogue des estampes
qui se vendent chez G. A., graveur ordinaire du Roi,
a Paris. See Catalogues, Sale.
AUDRAN (G.). — Catalogue des estampes
qui se vendent chez la veuve de M. feu G. A., &c.
See Catalogues, Sale.
AUDRAN (G.). — Catalogue des estampes
provenant des fonds de planches des sieurs G. A.
et Francis Chereau, graveurs ordinaires du roy
. 1742. See Catalogues.
AUDRAN (G.). — Notice sur G. A. ; par Vi-
vant Denon. 7 plates. Fol. n. p. n. d. S.K.
AUDRAN (G.).— Notice sur G. A. (By
Passeron.) 8vo. (Lyon, 1825.)
Extract from the “ Archives historiques et sta-
tistiques du Departement du Rhone.”
! AUDRAN (G.). — Considerations sur la
gravure en taille-douce et sur G. A. ; par M.
Gatteaux. 4to. (Paris), 1850.
This notice has been reprinted in the journal
“ L’Artiste,” January 1851.
AUDRAN (G.). — Notice sur la vie et les
travaux de G. A. ; par Georges Duplessis. 8vo.
Lyon, 1858. B.M.
Notes and Queries, )
March 28, ’68. J
Books on Art ( under revision).
AXJB
AUDRAIN' (Michel). — Catalogue de plan¬
ches gravees, dessins, estampes et tableaux, apres le
deces de M. A . 1771. See Catalogues, Sale.
AUDSLEY (W.) and (a.).— Guide to the
Art of Illuminating and Missal Painting. With
8 pp. of lithogr. illustrations. 2nd edition. 8vo.
London, 1861. S.K.
AUDSLEY (W.) and (G.).— Taste versus
fashionable colours, a manual for Ladies, on colour
in dress. 8vo. London (1863). S.K.
AUDSLEY (W.) and (G.).— Handbook of
^ Christian Symbolism. 7 chromo-lithogr. plates,
and woodcut illustrations. Small 4to. London
(1865). S.K.
AUDSLEY (W.) and (G.). — The Sermon
on the Mount, illuminated by W. and Gr. A., illus¬
trated by Charles Rolt, chromo-lithographed by W.
R. Tymms. 27 chromo-lithographs. Pol. London,
n. d. S.K.
AUDUBON (John James). — The Birds of
America, from original drawings by J. J. A. 4
vols. 435 coloured plates. Atlas fol. London,
1827-30. B.M.
Another edition. — The Birds of America, from
drawings made in the United States and their terri¬
tories. (With descriptive letter-press.) 7 vols. 500
coloured plates. Royal 8vo. New York, 1840-44.
B.M.
Also, 7 vols. Royal Svo. New York, 1856.
B.M.
AUDUBON (J. J.) and Bachmann (Rev.
John). — The Quadrupeds of North America. 3 vols.
150 coloured plates. Atlas fol. Boston, 1843, &c.
Another edition. 3 vols. 155 coloured plates.
Royal 8vo. New York, 1854. B.M.
AUER (Alois). — Der polygraphische Ap-
parat, oder die verschiedenen Kunstfacher der k. k.
Hof- und Staatsdruckerei zu Wien. 8vo., and Atlas
of 25 plates, 4to. Wien, 1853. S.K.
AUER (A.). — The discovery of the Natural
Printing-process, &c. 8vo., and Atlas of 12 plates,
4to. Vienna, 1853. S.K.
AUERSWALD (Fabian von). — Ringer-
kunst: fiinff und achtzig stiicke . Durch F. von
A. zugericht. Woodcuts by Lucas Cranach .
1539. See Cranach.
AUFAUYRE (Am^dee) and FICHOT
(Charles). — Album pittoresque et monumental
du depart ementde l’Aube, dessine d’ apres nature et
lithographie . par Ch. F. ; accompagne de notices
historiques, archeologiques et descriptives par A. A.
60 tinted lithographs. Fol. Troyes, 1852. S.K.
AUFAUVRE (A.) and FICHOT (Ch.).—
Les Monuments de Seine-et-Marne. Description
historique et archeologique, et reproduction des
edifices religieux, militaires et civils du departe-
ment. 108 lithogr. plates. Fol. Troyes et Paris,
(1854-)1858.
AUFSCHLAGER (Johann Friedrich). —
Das Elsass. Neue historisch-topographische Be-
schreibung der beiden Rhein-Departemente. 2
vols. Plates, and maps. Svo. Strassburg, 1825-26.
French translation. — L’ Alsace. Nouvelle descrip¬
tion historique et topographique des deux Departe-
ments du Rhin. 2 vols. Plates, and maps. Svo.
Strasbourg, 1826. B.M.
AUGOYAT (Antoine Marie, Colonel). — -
Notice sur les Chastillon, sur Claude Chastillon,
topographe du roi, et sur I oeuvre de cet artiste ; par
le Colonel A. 8vo. Paris, 1856.
Extract from the “ Spectateur militairo.”
AUGSBURG. — Curia Augustanae reipub-
licee, das ist : Aussfuhrliche Beschreib- und Auss-
legung aller Kunstreichen Gremahl, Stuck und Tafien,
welche in dem anno 1620 Neuerbauten Rath-
Hauss der Stadt Augspurg zu sehen. Auss beweer-
thenAuthorn zusammengetragen. 4th edition. 4to.
Augspurg, 1683. B.M.
AUGSBURG. — Geschlechter Buch . der
loblichen Kayserlichen Reichs Statt Augspurg ;
sampt eines jeden Greschleclits Wapen Zeichen,
Schilt und Helm, &c. Fol. Frankfurt am Mayn,
1661. B.M.
AUGSBURG. — Kunst-, Gewerbs- und
Handwerks-G-eschichte der Reichsstadt Augsburg
. 1779-88. See Stetten (Paul von).
AUGSBURG. — Nachricht von den noch
jetzt lebenden Kiinstlern in Augsburg . 1768.
See Stetten (P. von).
AUGUSTE. — Catalogue d’une collection
d’objets d’art et de curiosites composant le cabinet de
feu M.A . 1850. See Catalogues, Sale.
AUGUSTI (Johann Christian Wilhelm). —
Beitrage zur christlichen Kunstgeschiehte und Li-
turgik. 2 vols. Svo. Leipzig, 1844-46. B.M.
The 2nd is a posthumous vol., edited and accom¬
panied with a preface by Carl Immanuel Nitzsch.
AUGUSTIN (Jean - Baptiste Jacques). —
Catalogue de tableaux anciens et modernes . de
miniatures et emaux peints, par M. A. ; le tout pro-
venant de son cabinet . 1839. See Catalogues,
Sale.
AUGUSTINUS (Antonius, Archbishop of
Tarragona). — See Agustin.
AUGUSTINUS (Leonardus).— Gemmse et
sculpturse antiquee. See Agostini.
AUNGIER (George James). — The History
and Antiquities of Syon Monastery; the Parish of
Isleworth ; and the Chapelry of Hounslow. 1 7 plates.
Svo. London, 1840. B.M.
AURE3S (Auguste). — Etude des dimensions
de la Maison carree de Nimes, au triple point de vue
de l’archeologie, de l’architecture et de la metro-
logie. Ire partie : Dimensions du plan. 44 pp.,
and 2 plates. 4to. Nimes, 1844.
51
AUK
Universal Catalogue of
Notes and Queries,
March 28, ’68.
Extract from the “ Memoires de l’Academie du
Gard.”
AURES (A.). — Nouvelle theorie du module,
deduite du texte meme de Vitruve, et application de
cette theorie a quelques monuments de 1’ anti quite
grecque et romaine. 55 pp. 4to. Nimes, 1862.
AURLS (A.).— Etudes des mines de Meta-
ponte, au double point de vue de l’architecture et
de la metrologie. 14 pp. 4to. Paris, 1865.
Extract from the “ Gazette des Architectes et du
Batiment.”
AURES (A.). — Etude des dimensions du
Parthenon, au triple point de vue de l’architecture,
des anciennes theories sur la valeur des nombres et
de la metrologie. Part I. 60 pp., and plates. 8vo.
Nimes, 1867.
Extract from the “Memoires de l’Acadenhe du
Gard.”
AURIAC (F. Combes d’). — Armorial de la
noblesse de France, publie par une societe de genea-
logistes paleographes, sous la direction de M. d’A.
Vols. I.-VIII. Plates. 4to. Paris, 1855-61.
AUS’M WEERTH (Ernst).— Kunstdenk-
maler des christlichen Mittelalters in den Rhein-
landen. Text 4to. Atlas of 40 plates, partly
chromo-lithographs, in fol. Leipzig, 1857-60. S.K.
AUS’M WEERTH (E.).— Die Bronce-
Statue von Xanten, gefunden am 16. Eebruar 1858.
16 pp., and 1 lithogr. plate. 4to. Berlin, 1860.
AUS’M WEERTH (E.).— Das Siegeskreuz
der byzantinischen Kaiser Constantinus VII., Por-
phyrogenitus und Romanus II. und der Hirtenstab
des Apostels Petrus. Zwei Kunstdenkmaler des
10. Jahrhunderts in der Domkirche zu Limburg.
4 chromo-lithogr. plates, and woodcuts in the text.
Imper. fol. Bonn, 1866.
AUS’M WEERTH (E.). — Zwei romische
Glasgefasse der Sammlung des Herrn Carl Disch
zu Coin. 4 pp., and 2 chromo-lithogr. plates.
Extract from the “Jahrbucli des Vereins von
Alterthums-Freunden im Rheinland, ” Part XLI.
AUSTIN (Henry). — Thoughts on the abuses
of the present system of competition in Architecture.
In a Letter to Earl de Grey. 8vo. London, 1841.
B.M.
AUSTIN (S.). — Lancashire illustrated in a
series of views from drawings, by S. A., &c .
1831. See Pyne (W. H.).
AUSTIN (W.).— The Beauties of Hampton
Court, historical and descriptive. 8vo, New
Hampton, 1845. Bodl.
AUSTRIA. — Kleidertrachten der kaiserl.
konigl. Staaten. — Habillemens des etats de S. M.
l’Empereur Poi. 54 coloured plates, without
letterpress. 4to. Vienne (1820 ?). B.M.
AUSTRIA. — Das pittoreske Oesterreich,
oder Album der oesterreichischen Monarchie. Mit
52
Karten, Ansichten der Stadte, Gegenden, Denk-
maler und Trachten . und Beschreibung der
Provinzen nach ihren Kreisen, &c. Von einer
Gesellschaft Gelehrter und Kunstler. Chromo-
lithogr. plates. 4to. Wien, 1840-46. B.M.
AUSTRIA AND HUNGARY.— Quellen und
Eorschungen zur vaterliindischen Geschichte, Litera-
tur und Kunst. 7 plates. 4to. Wien, 1849. B.M.
AUTELS. — Divers Autels. (A collection
of 32 engravings of Altars in Paris and the neigh¬
bourhood, by Le Blond, G. Jollain, &c.) Eol.
(Paris, 1680?) B.M.
The title in French is taken from a MS. table of
contents, prefixed to the volume.
AUTOGRAPHE. — L’Autographe au Salon
de 1864 et dans les Ateliers. 200 croquis de Bailly,
Paul Baize, Barreaux, &c. Oblong fol. (Paris,
1864.) S.K.
L’Autographe au Salon de 1865. 104 pages de
croquis originaux. Texte par Pigalle. Oblong fol.
(Paris, 1865.) S.K.
AUYRAY (Louis). — Ecole Imperiale des
Beaux-Arts. Concours des grands prix et envois
de Rome en 1858. 12mo. Paris, 1858.
AUYRAY (L.). — Projet de Tombeau pour
l’empereur Napoleon I. ; precede de l’historique du
concours national ouvert en 1841. Plates and pho¬
tographs. 4to. Paris, 1861.
AUYRAY (L.). — Exposition des Beaux-
Arts. Salon de 1865. 8vo. Paris, 1865.
L. Auvray has published similar accounts of the
French Exhibitions of 1834, 1835, 1837, 1839,
1845, 1852, 1853, 1855, 1857, 1859, 1861, 1863, and
1864.
AYAUX (Jean Francois F^libien des).
See Felibien.
AYED (Jacques Andre Joseph). — Catalogue
raisonne des tableaux d’ltalie, des Pays-Bas et de
France, figures de bronze, figures et bustes de mar-
bre, porcelaines . qui composent le cabinet de feu
M. A., peintre du Roi . 1766. See Catalogues,
Sale.
AYELLINO (Francesco Maria). — Italiaeve-
teris numismata. 4to. Neapoli, 1808. B.M.
AYELLINO (F. M.). — Descrizione di una
casa Pompejana, con capitelli figurati all’ ingresso
disotterata negli anni 1831-33, la terza alle Spalle
del Tempietto della Fortuna Augusta, letta all’
Accademia Ercolanese. 10 plates. 4to. Napoli,
1837. B.M.
AYELLINO (F. M.). — Ragguaglio de’ lavori
della Reale Accademia Ercolanese, per l’anno 1835.
8vo. Napoli, 1838. B.M.
AYELLINO (F. M.). — II Mito di Tolo.
Large fol. Napoli, 1847.
A description of ancient mosaics.
AYELLINO (F. M.). — Descrizione di una
casa disotterrata in Pompei negli anni 1832-1834
Notes and Queries,
April 4, ’68.
AYL
Books on Art ( under revision).
}
. eon una appendice su taluni dischi marmorei
figurati. 4to. Napoli, 1840. B.M.
AYELLLNO (F. M.). — Dilucidazione di un
antieo bassorilievo di marmor scoverto in Pompei
. e rappresentante Alessandro Domator di Buce-
falo, &c. (Memoria postuma.) 4to. Napoli, 1850.
B.M.
AYELLIUO (E. M.). — Giornale numis-
matico, opera periodica . del Cav. P. M. A .
1811. See Periodical Publications.
AYELLIYO (E. M.). — Bulletino archeo-
logico Napoletano ; pubblicate da E. M. A . 1843,
&c. See Periodical Publications.
AYELLOhTI (Giuseppe). — Visione inmorte
di Pietro Antonio Novelli celebre Pittore e Poeta.
8vo. Venezia, 1804. Cicogn.
AYENARIUS (Joannes Christianus). —
Dissertatio historica arcbitectonica de Artemisia et
Mansolo. 1 plate, besides a vignette. 4to. Lipsiae,
1714. Cicogn.
AYEROLDO (Giulio Antonio). — Le scelte
pitture di Brescia additate al forestiere. Plates.
4to. Brescia, 1700. B.M.
AYICE (Henri d’). — La pompeuse et mag-
nitlque ceremonie du sacre du roy Louis XIV. fait
a Rheims le 7. Juin 1654, representee au naturel.
3 large engravings by Jean Le Pau tre. Pol. Paris,
1655. B.M.
AYILER (Augustin Charles d’). — Cours
d’ Architecture . 2 vols. Plates. 4to. Paris,
1691.
The 1st edition. — Vol. II. is entitled : Explication
des Termes d’ Architecture . Suite du Cours d’ Ar¬
chitecture.
Other editions : —
Cours d’ Architecture, qui comprend les orders de
Vignole, avec des commentaires, les figures et de¬
scriptions de ses plus beaux batimens, et de ceux de
Michel-Ange . Avec une ample explication de
tous les termes. 2 vols. 4to. Paris, 1693-96. B.M.
Vol. II. is entitled “ Dictionnaire dArehitecture.”
Nouvelle edition augmentee par J. P. Mariette.
4to. Paris, 1738.
Nouvelle edition, avec les remarques de Mariette.
4 to. Paris, 1756. Cicogn.
Nouvelle edition, revue et augmentee de plusieurs
desseins, et d’un grand nombre de remarques, par J.
P. Mariette. (Vie de J. B. de Vignole. Vie de A. C.
d’Aviler.) 4to. Paris, 1760. B.M.
German translation, by Sturm. 4to. Augspurg,
1725.
AYIS. — Advis fidelle aux veritables Hollan-
dois. Touchant ce qui s’est passe dans les villages
de Bodegrave et Swammerdam, et les cruautes
inouies que les Pran^ois y ont exercees. Avec un
memoire de la derniere marche de l’armee du roy
de Prance en Brabant et en Plandre. (By de
Wicquefort.) 8 plates by Romain de Hooghe. 4to.
n. p. (Amsterdam) 1673. B.M.
AYISSE. — Catalogue d’une jolie collection
de tableaux des ecoles italiennes . dessins et
etudes . de M. A., peintre de Douai . 1847.
See Catalogues, Sale.
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Universal Catalogue of
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Universal Catalogue of
( Notes and Queries,
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Ostade, G-. Douw, and others. By Captain W. B.
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village de Bainville sur Maclon.
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(1852-63), Part VI. B.M.
BAIRD (H. M.). — Modern Greece, Narra¬
tive of a residence and travels in tbat country.
8vo. New York, 1856. Lond. Libr.
BAIZENT (Giovanni Battista). — Due Let-
tere sopra il Musaico di Pompei. 8vo. Bergamo,
1836. B.M.
BAIZINI (G. B.). — Osservazioni sopra un
articolo inserito nella Biblioteca Italiana nel quale
si parla di due lettere del Ab. Gr. B. B. sul
Musaico di Pompei. 8vo. Bergamo, 1837. B.M.
BAKER (Geoege). — History and Antiqui¬
ties of the County of Northampton. 2 vols. Plates.
Fol. London, 1822-30. S.K.
BAKER (G.). — Catalogue of his . Anti¬
quities, Coins . See Catalogues, Sale.
BAKER (J.). — Home Beauties, as com¬
municated to the Author of the Royal Atlas and
Imperial Guide, by some of the Royal Family,
the Nobility, Gentry, &c., for an illuminated ap¬
pendix to these works. 8vo. London, 1804. S.K.
BAKER (James). — A picturesque Guide
through Wales and the Marches. Vol. I. 4to.
Worcester, 1795. Bodl.
BAKER (W. L.). — Specification of his
patent for hanging clock-tower, turret, and other
like bells. 4to. London, 1854. B. Arch.
BAKER (W. L.). — The great Bell of West¬
minster : a letter to E. B. Denison. 8vo. London,
1857. B. Arch.
BAL (A.). — Vita e poesie del giovanetto A.
Bal, Torinese, alunno delle scuole pie in Carraro...
8vo. Torino, 1846.
58
BAL ASS A (Feanciscijs). — Casulse Sancti
Stephani Regis Hungliari® vera imago, et expositio.
1 plate. 4to. Vienn®, 1754. Cicogn.
BALDiEUS (Philippus) . — Naauwkeurige
beschryvinge van Malabar en Choromandel, der
zelver aangrenzende Ryken en het machtige Eyland
Ceylon, &c. Plates. Fol. Amsterdam, 1672.
In German. Same date.
In English. In Churchill’s Voyages, vol. iii. Bodl.
BALDANZI (C. E.) — Delle Pitture di Era
Filippo Lippi nel Coro della Cattedrale di Prato
e de’ loro restauri relazione compilata dal C. F.
B(aldanzi). 8vo. Prato, 1835. S.K.
BALDASSARI (Antonio). — La rosa d’oro,
chi se benedice nella quarta domenica di quaresima
dal sommo pontefice. 8vo. Venezia, 1709. Bodl.
BALDESCHI (Alessandeo). — Stato della
SS. Chiesa Papale Lateranense nell’ anno mjdccxxiii.
4to. Roma, 1723. B.M.
BALDI (Beenaedino, Abbate). — De gli
Automati overo Machine se moventi. 4to. Venezia,
1601. Lond. Inst.
BALDI (B., Abbate). — Scamilli Impares
Vitruviani, nova ratione explicati ; refutatis priorum
interpretum, Gulielmi Philandri, Danielis Barbari,
Baptist® Bertani, sententiis. Plates. 4to. August®
Vindelicorum, 1612. B.M.
BALDI (B.). — De Verborum Vitruvianorum
significatione : sive perpetuus in M. Vitruvium Pol-
lionem Commentarius. Accedit Vita Vitruvij. 4to.
August® Vindelicorum, 1612. S.K.
BALDI (B.). — Lexicon Vitruvianum, &c.
See Vitruvius, Amsterdam edition, 1649.
BALDI (B.). — Memorie concernenti la citta
di Urbino. Dedicate alia sacra real maesta di
Giacomo III., Re della Gran Brettagna, &c. 74
plates in Part I., 72 in Part II. Fol. Roma, 1724.
S.K.
BALDI (B.). — Opuscolo inedito, fatto
d’armi a Forli tra Guido da Montefeltro e Giovanni
d’Appia, Francese. 8vo. Pesaro, 1809. Bodl.
BALDI (Giuseppe). — Orazione in lode delle
tre Arti in occasione della distribuzione dei premj
nell’ Istituto di Bologna 1’ a. 1780. 8vo. Bologna,
1780. Cicogn.
BALDI (Lazzaeo). — Breve compendio della
vita e morte di S. Lazzaro Monaco ed insigne Pit-
tore, che sotto Teofilo Imperatore Iconomaco molti
torment! pati per la Pittura e culto delle sacre Ima-
gini. 16mo. Roma (per Jacomo Fei), 1681.
Breve compendio della vita e morte di S. Lazzaro
Monaco ed insigne Pittore. 16mo. Roma, 1715.
Reprint of 1st edition, “ dedicata all’ Accademico
Francesco Preziado.” Roma, 1788. Cicogn.
BALDLNT (Baccio). — Discorso sopra la
mascherata della genealogia degl’ Iddei de’ Gentili
mandata fuori dall’ Eccell., e Illustrissimo Duca di
Firenze, e di Siena, il giorno 22 Febbraio 1565. 8vo.
Firenze (Giunti), 1565. Cicogn.
Valuable descriptions of spectacle.
Kotes and Queries,
April 11, ’68.
BAL
Books on Art ( under revision).
BALDINI (B.).— Yita di Cosimo Medici,
primo Gran Duca di Toscano. Fol. Firenze, 1578.
B.M.
BALDINI (Gianfrancesco) . — Dissertazione
sopra vasefti di creta trovati in una camera sepol-
crale in Koma. In “ Saggi di dissertazioni del. Accad.
Etrusca di Cortona,” vol. ii.
Dissert, sopra un’ antica piastra di Bronze. The
same, vol. iii.
See Vaillant (Jo.), Numismata imperatorum
Romanorum . .Romse, 1743. T.C.D.
BALDLNTT CCI (Filippo) . — Cominciamento
e progresso dell’ arte di intagliare in rame, con le
vite de’ molti piu eccellenti maestri della stessa pro-
fessione. 4to. Firenze, 1686. B.M.
A new impression, with some few annotations by
Dm. Mar. Manni. 4to. Firenze, 1767.
Another edition. . Edizione seconda accres-
ciuta di annotazioni del Sig. D. M. Manni. 21 vols.
4to. Firenze, 1767. B.M.
Interrupted edition of the same work, by Gius.
Piacenza. 2 vols. 4to. Turin, 1768-70. 3rd
vol. 1814.
Another edition . con annotazioni del Sig. D.
M. Manni. See Coiaezione de’ Classici Itat.iani,
vols, 189-202. B.M.
BALDINUCCI (F.). — Opere (con annota¬
zioni del Sig. D. M. Manni). 14 vols. 8vo.
Milano, 1808-12. S.K.
Another edition. 11 vols. 8vo. Milano, 1811-
12. S.K.
BALDINUCCI (F.).— Notizie de’ professor!
del disegno da Cimabue in qua, per le quali si
dimostra come, e per chi le bell’ arti di pittura,
scultura e architettura lasciata la rozzezza delle
maniere Greca e Gottica, si siano in questi secoli
ridotte all’ antica loro perfezione. Opera distinta in
secoli, e decennali. 6 vols. 4to. Firenze, 1681-
1728. B.M.
1st part, published by Santi Franchi, 1681,
should have the “privilegio” of Charles II. of
Spain, with the arms. This forms the first Epoch.
Part II. (second Epoch), from 1300 to 1400, printed
by P. Marini, 1686. The third and fourth Epochs,
1400 to 1550, posthumous, printed by Tartini and
Franchi, 1728. With portrait of Baldinucci, by P.
Potari. The 2nd part of the fourth Epoch, 1550
to 1580, by P. Marini, 1688; 1580 to 1610, by
Giuseppe Manni, 1702. The fifth Epoch, 1610 to
1670, appeared in 1728.
Other editions : —
Notizie de’ Professori . Opera nuovamente data
alle stampe con varie dissertazioni, note, ed aggiunte
da Giuseppe Piacenza Architetto Turinese. 5 vols.
4to. Turino, 1768-1817. (Notes of this editor still
remain unpublished.)
Notizie dei Professori . Edizione accresciuta di
annotazioni da Domenico Maria Manni. 21 vols.
Small 4to. Firenze, 1767-1774. Cicogn.
Notizie dei professori . con nuove annotazioni
e supplement per cura di F. Ranalli. 5 vols.
Forms vols. 5-9 of the “ Biblioteca dell’ artista.”
8vo. Firenze, 1845-47. S.K.
8vo. Milano, 1808. S.K.
11 vols. 8vo. Milano, 1811-12. S.K.
BALDINUCCI (F.). — Vocabolario Toscano
dell’ arte del disegno . con la notizia de’ nomi e
qualita delle gioie, metalle, pietre dure, marmi, pietre
tenere, sassi, legnami, colori, strumenti ed ogn’ altra
materia, che servir possa, tanto alia costruzione di
edificj e loro ornato, quanto alia stessa pittura e
scultura. 4to. Firenze, 1681. B.M.
Another edition. In the Proceedings of the Acca-
demia della Crusca. — Vocabolario Toscano dell’ arte
del disegno, opera di F. B. 4to. 1806, &c. B.M.
Another edition. 2 vols. 8vo. Milano, 1809.
S K
BALDINUCCI (F.).— Lettera di F. B. nella
quale risponde ad aleuni quesiti in materie di pit¬
tura. 4to. Roma ed in Firenze, 1687. B.M.
BALDINUCCI (F.).— Lezione di F. B. nell’
Accademia della Crusca il Lustrato detta da lui
in eSsar accademia in due recite, ne’ giorni 29 di
Dicembre, e 5 di Gennaio 1691. 1st edition. 4to.
Firenze, 1692. B.M.
BALDINUCCI (F.).— Vita del Cavaliere
Gio. Lorenzo Bernino, Scultore, Architetto, e Pit-
tore. Small 4to. Firenze, 1682. S.K.
BALDINUCCI (F.).— La lettera di Mess.
Bartolommeo Ammannati scritta agli Accademici
del Disegno. 4to. Firenze, 1687.
In his Lettera al Mar. Capponi, &c. Firenze,
1797. Cicogn.
BALDINUCCI (F.).— La Yeglia, dialogo di
Sincero Veri. 4to. Firenze, 1690.
In his Lettera al Mar. Capponi, &c. 4to. Firenze,
1787. Cicogn.
BALDINUCCI (F.). — La Lezione letta nella
Accademia della Crusca nel gennaio 1691. 4to.
Firenze, 1692. Cicogn.
In Lettera al Mar. Capponi, &c. 4to. Firenze,
1787.
BALDINUCCI (F.).— See Lioni (O.), Ri-
tratti di aleuni celebri pittori del secolo XVII .
con le vite de’ medesimi tratte da varj autori (viz.
G. Baglione . F. B.) . 1731. B.M.
BALDINUCCI (F.).— Extracts from his
Works. See Scuuptura, Sculptura-Historico-Tech-
nica . Extracted from B., &c . 1747. B.M.
BALDINUCCI (F.). — Lettera sopra i Pit-
tori piu celebri del secolo XVI. See Gobi (A. F.),
Symbolse litterarise, vol. x. B.M.
BALDINUCCI (F.). — Raccolta di alcnni
Opuscoli sopra varie materie di Pittura, Scultura, e
Architettura . con ragionamento di F. Bocchi
sull’ eccellenza della Statua di S. Giorgio fatta da
Donatello, e posta nella facciata della Chiesa di
Orsan Michele di Firenze. 6 vols. 4to. Firenze,
1765. S.K.
BALDINUCCI (F.). — Lettera alMar. Cap¬
poni nella quale risponde ad aleuni quesiti in ma¬
teria di Pittura. 4to. Firenze, 1787.
59
BAL
Universal Catalogue of
Notes and Queries,
April 11, ’68.
With those noticed above, rarely found in the
original edition. Cicogn.
BALDINUCCI (F.).— Lettera ...... intorno
al modo di dar proporzione alle figure in pittura e
scultura, &c., ora per la prima volta pubblicata.
(Edited by G. Poggiali.) 8vo. Livorno, 1802. B.M.
BALDINUCCI (F.).— Yita di L. Lippi. See
Coixezione de’ Ciassici Itaxiani, vol. 165. B.M.
BALDINUCCI (F.).— Yita di F . Bru-
nellesco arcliitetto Fiorentino, scritta da F. B .
con altra piu antica . di anonimo contemporaneo
scritt.ore. Precede una memoria intorno al risor-
gimento delle belle arti in Toscana e ai restauratori
delle medesime dell’ editore . D. Moreni, &c.
8vo. Firenze, 1812. B.M.
BALDINUCCI (F.).— La vita di Salvator
Rosa. 8vo. Firenze, 1830. Bodl.
BALDO (Camillo). — In Physiognomica
Aristotelis Commentarii, Hieronymi Tamburini di-
ligentia et sumptibns nunc primum in lucem editi
ad Serenis. Princip. Ferdin. Gonzagam, Mantuse et
Montisferrati Ducem. Small fol. Bononise, 1621.
Cicogn.
BALDUINUS (Benedicts) et NIGRO-
NUS (Junius). — B. Balduinus de Calceo antiquo, et
Jul. Nigronus de Caliga veterum. Accesserunt ex
Q. Sept. FI. Tertulliani, Cl. Salmasi, et Alb. Ru-
beni scriptis plurima ejusdem argumenti. In his
Scriptores veteres quamplurimi explicantur, et emen-
dantur, nec non res ipsse adjectis aeneis figuris illus-
trantur. 24mo. Amstelodami, 1667. S.K.
8vo. Paris, 1615. Bodl.
. figuris aucti et illustr. observationibus Joh.
Frid. Nilant. 8vo. Lugduni Batavorum, 1711.
Bodl.
B ALDUS (Edouard). — Concours de Photo¬
graphic. Memoire . contenant les procedes a
l’aide desqnels les principaux monuments histo-
riques du Midi de la France ont ete reproduits par
ordre du ministre de l’interieur. 8vo. Paris, 1852.
B.M.
BALDWIN (Edward). — Fables ancient and
modern. Adapted for the use of Children from
: three to eight years of age. Adorned with 73 copper¬
plates. 2 vols. 12mo. London, 1805. S.K.
BALDWIN. — Collection of Gems. 5.4 plates
and descriptive text. Lithograph, n. p. o. d,
BALECHOU (J. J.). — Eloge de B .
(1776). See Montenoy (Palissot de).
BALES (Peter). — The writing schoole-
master : conteining three bookes in one ; the first
teaching Swift writing: the second, True writing:
the third, Faire writing. 4to. London (by Thomas
Orwin), 1590. Bodl.
BALETZ, representez devant le roy, a la
venue de Madame a Tours. 44 pp. 4to. Tours,
1593.
In this vol. are: — 1, the ballet de Madame ; 2, de
Madame de Rohan ; 3, the ballet des Chevaliers
frantjois etbearnois, represente a Pau, Aug. 23, 1592.
BALFOUR (Dr. J. H.).— Class Book of
Botany, with upwards of 1,800 illustrations. Royal
8vo. Edinburgh, 1854. S.K.
BALFOUR (Dr. J. H.)._A Manual of
Botany ; being an introduction to the Study of the
Structure, Physiology, and Classification of Plants.
3rd edition, revised and enlarged, by Joseph Wil¬
liams, M.D. Illustrated by numerous engravings.
8 vo. London, 1855. S.K.
BALK (Laurentius). — Museum Adolpho-
Fridericianum. 4to. Holm (1746). B.M.
BALKEMA (C. H.). — Biographie des pein-
tres flamands et hollandais, qui ont existe depuis
Jean et Hubert van Eyck iusqu’a nos iours, &c. 8vo.
Gand, 1844. S.K.
BALL (Dinah). — A Grammar of Drawing
for the use of beginners. 4to. London, 1824. B.M.
BALL (Edward). — Inventive Drawing; a
practical development of elementary design. 8vo.
London, 1864. B.M.
BALLADS. — A Book of favourite Modern
Ballads, illustrated with fifty engravings, from
drawings by the first Artists. Small 4to. London,
n. d. S.K.
BALLADS. — German Ballads, Songs, &c.,
comprising translations from Schiller, Uhland,
Burger, Goethe, Korner, Becker, Fouque, Chamisso,
&c. Illustrated by H. Warren, E.. Corbould, and
others. 12mo. London, n. d. S.K.
BALLADS. — The Book of German Ballads,
Rational Airs, Drinking Songs, &c., forming a
companion volume to the “ Lieder und Bilder,” —
“ Songs and Pictures.” Illustrated by A. Schroedter
and others. 4to. London, 1842. S.K.
BALLADS.— Old English Ballads. A col¬
lection of favourite Ballads of the olden time. With
50 illustrations by Birket Foster, Joseph Nash,
Frederick Tayler, George Thomas, John Absolon,
and John Franklin. 4to. London, 1864. S.K.
BALLAD ILLUSTRATIONS, German.
Deutsches Balladenbuch. Woodcuts from draw¬
ings by Dresden Artists,— Adolf Ehrhardt, Theo¬
bald von Oer, Hermann Pliiddemann, Ludwig Rich¬
ter, and Carl Schurig. 8vo. Leipzig, 1852. S.K.
BALLADS and METRICAL TALES, se¬
lected from Percy, Ritson, Evans, Jamieson, Scott,
&c. Illustrations. 12mo. London, 1845. S.K.
BALLANTI (Y.). — See Thou (C.) and
(B. V.), Palazzo dei Cesari . 1828‘.
BALLANTINE (James). — A Treatise on
painted Glass, shewing its applicability to every
style of Architecture. 8vo. London, 1845. S.K.
BALLANTINE (J.) — .Essay on Ornamental
Art as applicable to trade and manufactures. 36
pp., and 40 lithogr. plates, besides illustrations in
the text. 4to. London, 1847. S.K.
There is also a lithogr. title : The tradesman’s
book of ornamental designs.
Notes and Queries, >
April 18, ’68. |
Boohs on Art ( under revision).
BAL
BALLANTINE (J.).— The Life of David
Roberts, R.A. Compiled from his journals and
other sources, by J. B. With etchings and facsimiles
of pen-and-ink sketches by the Artist. 4to. Edin¬
burgh, 1866. S.K.
BALLANTYNE (John).— What is Pre-
Raphaelitism ? 8vo. Edinburgh, 1856. B.M.
BALLARD (George). — Memoirs of several
Ladies of Great Britain who have been celebrated
for their Writings or Skill in the learned Languages,
Arts, and Sciences. 4to. Oxford, 1752.
Also: 8vo. London, 1775. B.M.
BALLARHSTU S ( Simon) . — Animad versiones
in Museum Florentinum Ant. Fr. Gorii. 4to.
Carpentoracti, 1743. Lond. Inst.
BALLET (Fr., Abbe). — Histoire des tem¬
ples des Payens, des Juifs, et des Chretiens. 8vo.
Paris, 1760. Bodl.
BALLETS. — Receuil de plusieurs excellens
ballets de ce temps. 8vo. Paris, 1612.
BALLEYER (Lambert de). — Compiegne
historique et monumental. 2 vols. 8vo. Com-
pi&gne, 1844.
B ALLHORN (Friedrich). — Alphabete ori-
entalischer und occidentalischer Sprachen zum Ge-
brauch fur Schriftsetzer und Correctoren, zusam-
mengestellt von F. B. 6th edition. 8vo. Leipzig,
1853. S.K.
BALLINO (Giulio). — De’ disegni delle pin
illustri citta et fortezze del Mondo ; parte I, 4to.
Venezia, 1569. Bodl.
BALLO di Donne Turche insieme ai loro
Consorti di schiavi fatti liberi, danzato nel Palazzo
Pitti davanti la Serenissima Altezza di Toscana.
4to. Firenze (per i Giunti), 1614. Cicogn.
BALLONFFEATJX (M. de). — Reponse anx
observations de Mr. Galland sur les explications de
quelques medailles de Tetricus le pere et d’autres.
8vo. Luxembourg, 1702. Bodl.
BALLY. — Mons. B.’s Lectures on Casting,
Modelling, &c. 12mo. Nottingham (1859). B.M.
BALNEaE. — :De Balneis omnia qute extant
apud Grsecos, Latinos, et Arabos. Small fol. Vene-
tiis (apud Juntas), 1553. Cicogn.
BALTARD (Louis Pierre). — Paris et ses
Monumens, mesures, dessines, et graves. Avec des
descriptions historiques par le citoyen Amaury
Duval. Louvre, St. Cloud, Fontainebleau, Chateau
d’Ecoucn, &c. 2 vols. Large fol. Paris, 1803-5. S.K.
BALTARD (L. P.). — Lettres, ou voyages
pittoresques dans les Alpes . suivi d’un recueil
de 48 vues des monumens antiques de Rome, &c.
4to. Paris, 1806.
^Recueil de vues des monumens antiques et des
principales fabriques de Rome. The 48 plates re¬
touched by Piringer. Oblong 4to. Paris, 1822.
BALTARD (L. P.). — La Colonne de la place
Vendome, &c. Gravee par B. 145 plates. Imper.
fol. Paris, 1810.
BALTARD (L. P.). — Reunion du Palais J
Imperial des Tuileries et du Louvre, et plans de di-
verses dispositions pour l’achevement de la place du
Carrousel. Fol. Paris, 1811. B. Arch. v
BALTARD (L. P.). — Essai methodique sur
la decoration des edifices et des monumens, ou
collection et choix des plus beaux morceaux de
sculpture, de peinture ancienne et moderne, en 120
planches ou desseins lithographies, suivis d’un dis¬
cours. In 12 Nos. Fol. Paris, 1817.
BALTARD (L. P.). — Aper£u, ou Essai sur
le bon gout dans les ouvrages d’Art et d’ Architec¬
ture. 16 pp. 8vo. Paris, 1841.
BALTARD (L. P.). — Notice biographique
. 1846. See Gaximard (Auguste).
BALTARD (L. P.)— Eloge . de M. B.,
president de l’academie d’ Architecture . 1846.
See Dalgabio (J. M.).
BALTARD (L. P.). — Societe centrale des
architectes . Funerailles de M. Baltard pere. 8vo.
Paris, 1846.
BALTARD (L. P.) et PERCIER (C.).—
Galerie de la Reine dite de Diane a Fontainebleau,
peinte par Ambroise Dubois en MDC. sous le regne
de Henry IV. D’apres les dessins de L. P. B. et de
C. P. Fol. Paris, 1858. S.K.
BALTARD (Victor). — Villa Medicis a)
Rome, dessinee, mesuree . accompagnee d’un texte
historique et explicatif. 19 plates. Fol. Paris,
1847-48.
BALTARD (V.) and CALLET (F.).— Les
Halles Centrales de Paris, construites sous le regne
de Napoleon III., par V. B. & F. C., &c. 4 plates.
8vo. Paris, 1862. B.M.
With 35 plates. Imper. fol. Paris, 1863. S.K.
BALTHAZAR (F.). — Over de Nederlandslie
landmeters en Kaartgraveurs . (1846). See Bodel
Nycphuis (J. T.).
BALTIMORE (Frederick, Lord). — Tour to
the East in 1 763—4, with remarks on the City of
Constantinople. 8vo. London, 1767. Lond. Inst.
BALTZERS (Barthold). — Tractat. de nu-
mismatibus. 4to. Argentoratum, 1679. Bodl.
BALUZE (Etienne). — Histoire genealogi-
que de la Maison d’ Auvergne justifiee par chartes,
titres, histoires anciennes, et autres preuves authen-
tiques. Plates. 2 vols. Fol. Paris, 1708. S.K.
BALZAC (Honore de). — Les Contes dro-
latiques, colligez ez abbayes de Tourayne. 425
woodcut illustrations by Dore. 8vo. Paris, 1855.
S.K.
CEuvres completes. 20 vols. 140 illustrations.
8vo. Paris, 1853-55.
BALZE (Paul).- — P. Baize et la Peinture
d’Email. 8vo. Paris, 1864. S.K.
BALZE (P.) and (Raymond). — Notice sur
les fresques de Raphael et de Michel- Ange, dont les
copies (executees par MM. Paul et Raymond Baize)
sont exposes au Pantheon. 8vo. Paris, 1847.
r 61
BAM
Notes and Queries,
April 18, ’68.
Universal Catalogue of
BA MONTE (Giuseppe). — Le Antichita Pes-
tane. 8vo. Napoli, 1819. B.M.
BANCE. — Notice sur Bance aine, ancien
editeur, marchand d’estampes. With portrait. 8yo.
(Paris, 1847.)
BANCK (Laurentius). — Roma triumphans,
seu Actus Inauguration! s et Coronationis Innocentii
X. P. Max. brevis descriptio. 16 folding plates,
beside portrait, and frontispiece. 18mo. Franekerse,
1645.
Also: Franekerae, 1656. Cicogn.
BANCK (L.). — Taxa Cancellariae Romanae
in lucem emissa, et notis illustrata. Accedit index
Latino-Barbarus cum indice titulorum rerum, et
verborum. 12mo. Franekerae, 1651. Cicogn.
BANCROFT (Edward). — Experimental Re¬
searches concerning the Philosophy of permanent
Colours, and the best means of producing them, by
dyeing, calico printing, &c. 2nd edition. 2 vols.
8 vo. London, 1813. S.K.
Earlier edition. 8vo. London, 1794.
BANDINELLI (Baccio).— Life and Works.
See Landon (C. P.), Ties et CEuvres des Peintres.
BANDINI (Angelo Maria). — Dissertazione
sopra un’ antica tavoletta d’Avorio figurata. In
Calogiera (A.), Raceolta d’Opuscoli, &c., vol.
37. B.M.
BANDINI (A. M.). — In antiquam tabu-
lam eburneam sacra quaedam I. C. Misteria ex-
hibentem. 2 plates. 4to. Florentiae, 1746. Cicogn.
BANDINI (A. M.). — Comm, de Obelisco
Caes. Augusti e Campi Martii ruderib. nuper eruto.
Latin and Italian. 4 plates. Large fol. Bomae,
1750.
BANDURI (Anselm). — See Bandurius.
BANDURIUS (Anselmus). — Imperium
orientale; sive antiquitates Constantinopolitanae, in
quatuor partes distributee. 2 vols. Plates of coins
and monuments, and frontispiece. Fol. Paris,
1711. Bodl.
Another edition. Fol. Yenetiis, 1729.
Numismata imperatorum Bomanorum a Trajano
. Decio ad Palaeologos Augustos ; acc. bibliotheca
nummaria. Fol. Lutetiae Parisiorum, 1718. Bodl.
Siipplementum ad numismata impp. Bom. 12
plates. Fol. Bomae, 1719. Bodl.
Bibliotheca nummaria, sive auctorum qui de re
nummaria scripserunt, curante J. Alb. Fabricio.
4to. Hamb. 1719. B.M.
All three works very fully illustrated. The first
gives inscriptions on the Monuments of Constanti¬
nople.
BANG (Theodor). — Arabesques by Theo¬
dor Bang, engraved by J. C. Yisscher. 12 plates.
Oblong 4to. Neurenberge, 1617. S.K.
BANKES (H.). — Lithography; or, the art
of making drawings on stone, for the purpose of
being multiplied by printing. 8vo. Bath, 1813.
Bodl.
BANKS (Sir Joseph). — Account of a Ro¬
man Sepulture lately found in Lincolnshire. 1 plate.
In “ Archaeologia ; or, Miscellaneous Tracts relating
to Antiquity, published by the Society of Anti¬
quaries,” vol. xii. p. 96-98.
BANKS (Sir J.). — A description of a Roman
Vault, discovered in the suburbs of the city of York.
1 plate. The same, vol. xvi. p. 340.
BANKS (Sir J.). — Observations on an
Ancient Celt found near Boston, in Lincolnshire.
1 plate. The same, vol. xix. p. 102-104.
BANKS (T. C.). — The Dormant and Extinct
Baronage of England ; or, historical account of the
English Nobility, from the Conquest to 1806. 3
vols. 4to. London, 1807. B.M.
BANKS (T. C.). — Account of the Corona¬
tion Ceremony, and a disquisition upon the Kingly
Office and Bight of Succession ; with observations
and notes. 8vo. London, 1830. B.M.
BANKS (T.). — Address on the Death of.
See Flaxman (J.), Lectures on Sculpture.
BANIER (Abbe). — La Mythologie, et les
Fables exjliquees par l’Histoire. 3 vols. 4to.
Paris, 1738. Cicogn.
Another edition. 8 vols. 12mo. Paris, 1738-
80. Cicogn.
BANNISTER (J. T., LL.D.).-A survey of
the Holy Land, its geography, history, and destiny ;
with an introduction, by W. Marsh, D.D. 3rd
edition. 8vo. Bath, 1844. B.M.
BANNISTER (J.T.).— Pictorial Geography
of the Holy Land. 8vo. Bath, n.d. B.M.
BANVARD (John). — Description of his
Panorama of the Mississippi and Missouri Bivers.
8vo. London, 1848. B.M.
BANYILLE (Th.de). — See Boret (G. de),
Almanach de la Society des Aqua-fortistes. 1865.
BAQUOY (Pierre). — Catalogue .
Planches gravees . 1829. See Catalogues, Sale.
BAR ( — ). — Recueil de tous les costumes
des ordres religieux et militaires, avec un abrege
historique et chronologique, enrichi de notes, et de
planches colorizes. Containing in vol. i. 93, vol.
ii. 74, vol. iii. 106, vol. iv. 92, vol. v. 127, vol.
vi. 93 plates. 6 vols. Fol. Paris, 1778. Cicogn.
BARA (Hierosme de). — Le Blason des Ar-
moiries auquel est monstree la maniere que les
anciens et modernes ont use en ^eles. Fol. Paris,
1628.
Earlier editions: — Fol. Lyon, 1581, and 1591.
And fol. Paris, 1597. Fol. Lyon, 1604.
Revue, corrigeeet augmentee par B.R.D.E.L.R.
Paris, 1628. With it: Scoliier (Jean, Chanoine de
Berges), L’Etat. et comportement des armes. And
Moreau (Philippe), Le tableau des Armoiries de
France. Both fol. Paris, 1630.
BARAILON (J. Fr.). — Recherches surplu-
sieurs monumens Celtiques et Romains (du centre
de la France). 8vo. Paris, 1806. Bodl.
62
Notes and Queries,
April 18, ’68.
Books on Art ( under revision).
BAR
BARAILON (J. Fr.). — Memoire snr les
mines et les monumens d’une ancienne Ville appelee .
aujourd’hui Jouille, Depart, de la Creuse. In
“ Memoires de l’lnstitut National des Sciences et
Arts.” (Paris, 1854-58), vol. v.
BARANTE (Amable Guillaume Prosper
Brugieke, Baron de).— Histoire des dues de Bour¬
gogne de la maison de Valois. 8th edition. 8 yoIs.
with additional plates. 18mo. Paris, 1858.
Earlier editions less full of plates.
BARATTERI ( Giovanni Battista) . — Archi-
tettura d’Acque. 2 parts. Fol. Piacenza, 1656-63.
B.M.
Another edition. — Architettura d’Acque . con
le figure, &e. 2 parts. 4to. Piacenza, 1699. B.M.
BARBA (Alvarez Alonso). — Metallurgie ;
ou, l’art de tirer et de purifier les metaux : traduitede
f Espagnol (par Lenglet Dufresnoy, sous le pseudo-
nyme de M. Gosford) ; avec les dissertations sur les
mines, &c. 12mo. Paris, 1751. T.C.D.
In Spanish. — Arte de los Metales. 8vo. Madrid,
1639. Lond. Inst.
The first book of the art of mettals. Transl. from
the Spanish, by Edward (Montague) Earl of Sand¬
wich. 8vo. London, 1674. T.C.D.
BARBARACI (Gaetano) . — Dissertazione
sopra un vase di creta Grseco-Siculo rappresentante
le cistefore di Cerere. 4to. n. p. o. d. Bodl.
BARBARO (Daniello), Patriarch of Aqui-
leia. — La Pratica della Perspettiva. Eol. Venetia,
1568. B.M.
And (sometimes without woodcut front.) 4to.
Venetia (Cammillo Butilio Borgominieri), 1569.
S.K.
BARBARO (D.). — Commentaries upon
Vitruvius. See Vitruvius.
BARBARO (Marchese) .— -Degli avanzi di
alcuni antichissimi Edifici scoperti in Malta ; dis¬
sertazione storico-critica. Plates. 4to. Malta, 1794.
BARBARY (Jacopo de).-— See Galichon
(Emile).
BARBAT (Louis). — Histoire de la ville de
Chalons-sur-Marne et de ses monuments, depuis
son origine jusqu’a l’epoque aetuelle (1854). Edi¬
tion ornee de 100 planches et dessins lithographies
chez l’auteur. 4to. Chalons-sur-Marne, 1855. B.M.
BARBATIUS (Johannes) . — Barbee majes-
tas ; h. e. de barbis descriptio. 4to. Francofurti,
n. d. Bodl.
BARBAITLD (Anna L^titia). — Hymns in
Prose for children. By Mrs. Barbauld. Illustrated.
Post 4to. London, 1864. S.K.
BARB AULT (Jean). — Les plus beaux
Monumens de Borne ancienne en 128 planches, avec
leur explication. Large fol. Borne, 1761.
Also : Large fol. Borne, 1763. In German : Denk-
maler des alten Boms, a. d. Fr. (by B. H. Brucker).
60 plates by Kilian. Large fol. Augsburg, 1767.
New title. Fol. Leipzig (1803).
BARBAULT (J.). — Recueil de divers
Monumens anciens repandus en plusieurs endroits
de l’ltalie, dessines et graves en 166 planches, avec
leur explication historique. Pour servir de suite
aux Monumens de Borne ancienne. Large fol.
Borne, 1770. B.M.
BARBAULT (J.). — Yues des plus beaux
restes des Antiquites Bomaines, telles qu’elles sub¬
sisted encore a Borne et en divers endroits de
l’ltalie, Fol. Borne, 1775. S.K.
Dessinees par M. Barbault, et gravees par d’ha-
biles maitres en 120 planches. And fol. Borne, 1787.
BARBAULT (J.). — Monumens antiques ;
ou, Collection choisie d’anciens basreliefs, et frag-
mens Egyptiens, Grecs, Bomains, et Etrusques ; .
200 planches avec leur explication en abrege,
la plupart dessinees et gravees par M. B. (94 plates
in bistre). Fol. Borne, 1783. B.M.
BARBAULT (J.). — Costumes d’ltalie
d’apres les Peintures faites par Barbault a Borne en
1750, graves a l’eau-forte par L6on Gaucherel. 12
plates. Small fol. Paris, 1862. S.K.
BARBER (C.).- — Painting and its poetical
character. Liverpool Architectural and Archaeolo¬
gical Society, vol. i. part i. p. 77.
BARBER (Edmund). — The Painters, Grain-
ers, and Writers Assistant . Also a variety of re¬
ceipts and information for general work, writing,
&c., with receipts and instructions for making all
kinds of varnishes, &c. 12mo. London, 1852. S.K.
BARBER ( J. T.) . — A Tour throughout South
Wales and Monmouthshire. 8vo. London, 1803. Bodl.
BARBER (John Warner). — The history
and antiquities of New England, New York, and
New Jersey. 8vo. Worcester, 1841. Bodl.
BARBERIIS (Ph. de). — Opuscula. 82
leaves, with 29 woodcuts. 4to. Bomae ( J. Ph. do
Lignamine), 1481. (With the cuts coloured.)
Vatican.
BARBERINT. — Dichiaratione delle Pittvre
dellaSalade’ Signori Barberini. 8vo. Roma, 1570. B.M.
BARBERINTO (Fr.). — Documenti di amore.
Published by Federigo Ubaldini; divided into 12
parts, with portraits to each, as well as that of
Barberino, and a front., by Corn. Bloemart and
others. 4to. Roma (Mascardi), 1640. Cicogn.
BARBET (J.). — Livre d’Architecture d’au-
tels et de cheminees . de l’invention et dessein
de J. B . Grave . par J. 20 plates of chimneys,
26 of altars. 8vo. Paris, 1642. S.K.
BARBET (J.). — Pieces d’Architecture on
sont comprises plusieurs sortes de cheminees par
Pierre Collet. 18 plates. Bcdl.
Differents compartimens et capitaux. 28 plates
by Tavernier. Fol. Paris, 1619. Cicogn.
With it the following: Varie Architetture di Fran¬
cesco Fanelli Fiorentino scultore del Be della Gran
Brettagna. 20 plates of fountains, n. p. o. d.
Livre de differents desseins de Parterres. 22 plates
on copper. Fol. Paris, n.d. Cicogn.
63
BAR
Universal Catalogue of
Notes and Queries,
April 18, ’68.
BARBET DE JOUY (Henry).— Les Della
Robbia, sculpteurs en terre emaill6e. Etude sur
leurs travaux, suivie d’un catalogue de leur oeuvres,
fait en Italie, en 1853. 12mo. Paris, 1855. B.M.
'RABBET DE JOUY (H.). — Les Mosaiques
chretiennes des basiliques et des eglises de Rome,
decrites et expliquees. 8vo. Paris, 1857. B.M.
BARBIELLINI (Carlo). — Raccolta di let-
tere sulla pittura, scultura ed architettura, scritte
da’ piu celebri personaggi che in dette arti fiorino
dal secolo XV. al XVII. 6 vols. 4to. Roma, 1754.
Bodl.
4 vols. 4to. Roma, 1757-64. B.M.
BARBIER — . 1779. Tableaux. — See
Catalogues, Sale.
BARBIER (Alexandre Nicolas) and (Vic-
toire, Mademoiselle). — Nouveau traite tout pratique
de lavis et depeinture a l’aquarelle, avec des facsimile
d’apres les dessins originaux de MM. Charlet, A.
Delacroix, Hubert, Lepoitevin. Par A. B. et V. B.
4 to. Paris, 1860. B.M.
BARBIER (Jo. Francois). — Livre de Por-
traitvre. 4to. (1642.) B.M.
BARBIER (L. N.). — Esquisse bistorique sur
l’ivoirerie (Beaux- Arts et Industrie). Antiquite,
moyen-age, renaissance. Exposition de 1855. 83
pp. 18mo. Paris, 1857. B.M.
BARBIER (0. A.).— See Foissy (F. M.) and
Barbier (0. A.), Exposition de tableaux au Musee
Royal du Louvre, &c . 1837. B.M.
BARBIER DE MONTAULT (Xayier,
Abbe). — La Cathedrale d’Anagni. 4to. Paris,
1858. B.M.
BARBIER DE MONTAULT (X., Abbe).—
Peintures claustrales des Monasteres de Rome. 8vo.
Paris, 1860. S.K.
BARBIERI (Giovanni Francesco). — See
Guercino.
BARBIROLO (Alessandro). — Giuochi di
Carte bellissimi, di regola et memoria con secreti
belli ssimi per passar l’ozio e il tempo. 8vo. Bologna,
1604.
BARBOGLIO (Pietro). — Fastes de Napo¬
leon Ier., peints par A. Appiani, graves par J.
Longhi, M. Bisi, Benaglia, T. et F. Rosaspina, &c.
35 plates. Fol. Paris (1854?) B.M.
BARBOSA (Francisco Ferreira). — Eluci-
dario do Viajante no Porto. 8vo. Coimbra, 1864. S.K.
BARBOZA (Joze). — Elogios dos reis de
Portugal. Plates. 4to. Lisbon, 1726.
BARBOZA (J.). — Catalogo chronologico
historico genealogico e critico das rainhas de Portu¬
gal. Plates. 4to. Lisboa, 1726.
BARCA (Alessandro).- — Saggio sopra il
bello di proporzione in Architettura. 4 plates. 4to.
Bassano, 1806. Bodl.
BARCA (A.). — Della Geometria di Polifilo.
Memoria. Plates. Fol. Brescia, 1808. Cicogn.
64
BARCA (Pietro Antonio). — Avvertimenti,
e regole circa 1’ Architettura civile, Scultura; Pittura,
Prospettiva, et Architettura militare, per offesa
e difesa di Fortezze. Plates, 8 of architecture ; 7 of
sculpture and proportion ; 6 perspective ; 8 of for¬
tification ; with frontispiece. 46 pp. Oblong fol.
Milano, 1620. B.M.
BARCLAY (George). — B’s designs for
marking silver plate. 8vo. London (1860). S.K.
BARCLAY (G.). — Monograms by G. B.,
assisted by J. F., W. J. R., T. B., and others. 8vo.
London (1860). S.K.
BARD (Joseph). — Derniers Melanges de lit-
teratureetd’archeologiesacree. 4to. Lyon, 1847. B.M.
BARD (J.). — Rechercbes sur les premieres
representations du Crucifix etles premieres Peintures
hieratiques. In the “ Bulletin monumental,” vol. x.
BARD (J.). — Melanges d’Archeologie. 4
plates. The same, vol. xiii. S.K.
BARDET (de Villeneuve). — Traite d’ Ar¬
chitecture Civile a l’usage des Ingenieurs. 12 large
plates. 8vo. La Haye, 1740. Cicogn.
BARDI (Giovanni de’). — Memorie del Calcio
Fiorentino tratte da diverse scritture, &c. 2nd
edition. 2 plates. 4to. Firenze, 1688. Cicogn.
BARDI (G. de’). — Della Imp. Villa Adriana
di altre sontvosissime gia adjacenti alia Citta di
Tivoli descrizione. (Edited by D. Moreni.) 8vo.
Firenze, 1825. B.M.
BARDI (Girolamo). — Delle cose notabili
della Citta di Venezia, coll’ aggiunta della dichiara-
zione delle storie dipinte nel Palazzo Ducale. 8vo.
Venezia (Valgrisio), 1587. Cicogn.
BARDI (G.). — Dicbiarazione di tutte le
storie, che si contengono nei quadri posti nuova-
mente nelle sale dello Scrutinio, e del gran Consiglio
nel Palazzo Ducale di Venezia. 8vo. Venezia,
1606. Cicogn.
BARDI (Luigi). — L’lmperiale e Reale Gal¬
leria Pitti, illustrata per cura di L. B. 4 vols. 500
plates. Large fol. Firenze, 1837-42. B.M.
BARDI (L.). — Photographs of Drawings by
Raphael and other Masters in the Galleries of Flo¬
rence, Venice and Vienna. Photographed by the
Brothers Alinari. Published by L. B. 4 vols. Fol.
Florence, 1857-59. S.K.
BARDIN (G.). — Enseignement public. Mo-
deles destines a 1’enseignement de la Geometrie
descriptive et de ses applications : ombres, perspec¬
tive, stereotomie, topographie, fortification, &c.
(Exposition Universelle, 1855, France, No. 1989.)
4to. Paris, 1855. S.K.
BARDIN (G.). — Cours de Dessin industriel.
2 parts. Fol. Paris, 1861-63. B.M.
BARDON (A.). — Cours elementaire, theo-
rique et pratique, de Dessin lineaire, a l’usage des
arpenteurs, geometres du cadastre, agens voyers,
piqueurs et conducteurs des ponts-et-chaussees, et
des 6coles industrielles. 8vo. Paris, 1839. S.K.
Notes and Queries,
April 25, ’68.
Books on Art ( under revision).
BAE
BARDON (M. Fr. Dandre) . — Traite de Pein-
ture, suivi d’un Essai stir la Sculpture. Pour servir
d’Introduction a une Histoire Uuiverselle, relative a
ces Beaux Arts. 2 vols. 12mo. Paris, 1765. S.K.
Yol. ii. (p. 113-227) : Catalogue des plus fameux
peiutres, sculpteurs et graveurs de l’ecole fran9aise.
BARDOT (M. Fr. Dandre). — Histoire
universelle traitee relativement aux arts de peindre
et de sculpter ; ou tableau de l’histoire enrichi de
eonnaissances, &e. 3 vols. 12mo. Paris, 1769.
Cicogn.
BARDON (M. Fr. Dandre). — Costumes des
anciens peuples a l’usage des artistes. 364 plates. 3
vols. 4to. Paris, 1772.
4to. Paris, 1784.
In German, by W. Gf. Becker. 4to. Leipzig,
1776. 5 parts only.
BARD WELL (Thomas). — The practice of
painting and perspective made easy : in which is
contained the art of painting in oil, with the method
of colouring . and a new short and familiar account
of the art of perspective, illustrated with copper¬
plates. 4to. London, 1756. B.M.
4to. London, 1782. S.K.
BARD WELL (William) . — Temples, ancient
and modern ; or, notes on Church Architecture. 15
plates, and illustrations in the text. 8vo. London,
1837. S.K.
BARD WELL (W.). — Westminster Im¬
provements ; a brief account of Ancient and Modern
Westminster ; with observations on former plans
of improvement. 8vo. London, 1839. B.M.
BARELA (Gio. B.). — Honrras a la Catho-
lica magestad del Eey D. Philippe quarto celebradas
en Milan a’ 17 deciembre 1665, traducidas de Italiano
enEspannol (by Don Gabriel deUcedo). Eol. n.p. o. d.
Cicogn.
BARETTI (Giuseppe). — A Guide through
the Eoyal Academy. 4to. London (1780 ?). B.M.
BARETTI (G.). — Gl’ Italiani, o siarelazione
degli usi e costumi d’ Italia. 8vo. Milano, 1818.
Bodl.
BARETTI (P.). — Anew Book of Ornaments
on 16 leaves for the year 1762; very useful for
Cabinet-makers, Carvers, Painters, Engravers. 8vo.
(London, 1762.) B.M.
BARFOD (Poyl Frederik). — Thorvald-
sensk Album, samlet og udgivet af E. B. 2 parts.
8vo. Kjobenhavn (1845 ?). B.M.
BARGiEUS (Petrus Angelius). — Commen-
tarius de Obelisco. 4to. Eomse, 1586. Bodl.
BARGrEUS (P. A.).- — De privatorum, pub-
blicorumque sedificiorum urbis Eomse eversoribus.
Epistola ad Petrum Usimbardum. 4to. Elorentise,
1589. Cicogn.
BARGAGLI (Scipione). — Delle Imprese ;
alia 1. parte, la 2. e la 3. nuovamente aggiunte.
Plates. 4to. Venezia (presso il Eranceschi), 1594.
Cicogn.
BARGES (Jean Joseph Leandre, Abbe). —
Notice sur un autel chretien antique, orne de bas-
reliefs . deeouvert dans les environs de la ville
d’Auriol (Bouches-du-Ehone). 2 plates. 4to.
Paris, 1861. B.M.
BARHAM (Rev. Richard Harris). — The
Ingoldsby Legends ; or, mirth and marvels, by
Thomas Ingoldsby, Esq. With 60 illustrations by
George Cruikshank, John Leech, and John Tenniel.
4to. London, 1864. S.K.
BARING (Daniel Eberhard). — Clavis Di-
plomatica, tradens specimina veterum Scripturarum,
&c. 4to. Hanoverse, 1737. S.K.
On ancient writing, abbreviations, &c.
BARISIONI (Gio.).— II vero lume dell’ arte
dello Scrivere, col quale Gio. Barisioni privilegiato
dalla Ser. Eep. di Venezia insegna in una sola
lezione a formare il vero carattere cancelleresco ad
ogni persona, dedicato al Sig. Paolo Sarotti. 12
plates. ' Oblong 4to. Venezia, 1607. Cicogn.
BARJAUD (J. B.) and LANDON (0. P.).—
Description de Londres et de ses edifices, avec un
precis historique et des observations sur le caractere
de leur architecture et sur les principaux objets d’art
et de curiosite qu’ils renferment . Ouvrage faisant
suite a la description de Paris. Plates. 8vo. Paris,
1810. B.M.
BARKER (Alexander). — Letter on the pro¬
position about to be made in the House of Commons,
to give up the National Gallery in Trafalgar Square
to the Eoyal Academy. June 15, 1866. 8vo. S.K.
BARKER (Charles Fiott). — Memoir on
Syria; being the result of personal observations
made during a residence of seventeen years in the
Levant. 8vo. London (1845). B.M.
BARKER (Edward).- — Painters’, grainers’,
and writers’ assistant. 12mo. London, 1852.
B.M.
BARKER ( Thomas Herbert ) . — Photo¬
graphs of eminent Medical Men of all countries,
with brief analytical notices of their works. Edited
by T. H. B . The photographic portraits from
life, by E. Edwards, &c. 8vo. London (1865, &c.).
B.M.
BARE AND US (Hadrianus).: — Hollandii co-
mitum historia et icones, cum scholiis. Eol. Lug-
duni Batavorum, 1584.
BARLANDUS (H.).— Chroniques des dues
de Brabant, enrichies de leurs figures et pourtraits
par J. B. Vrient. Eol. Anvers, 1603. Bodl.
And, Eol. Anvers, 1612. B.M.
BARLOW (Henry Clark). — Symbolism in
reference to Art. 4to. (London, 1860.) B.M.
Pp. 97-110 of the Transactions of the Eoyal
Institute of British Architects.
And, 8vo. London, 1866. S.K.
BARLOW (J.). — On Silica and some of its
applications to the arts. 8vo. London, 1854. B.Arch.
s 65
BAR
Universal Catalogue of
Notes and Queries,
April 25, ’68.
BARLOW (P.) . — A Treatise on the strength,
of Timber, &c . With seven plates. A new edi¬
tion, revised and corrected by J. F. Heather ; to
which is added an Essay on the effects produced by
causing Weights to travel’ over Elastic Bars, by the
Rev. Robert Willis, with nine illustrations. 8vo.
London, 1851. S.K.
1st edition. 8vo. London, 1837.
BARLOW (P.). — Tables of squares, cubes,
&c. ; from plates of 1840 ; edited by A. de Morgan.
8vo. London, 1860. B. Arch.
BARLOW (P. W.). — Observations on the
Niagara Railway Suspension Bridge. 8vo. London,
1860.
Lambeth Bridge. Eol. London, 1860. B. Arch.
BARLOW (W. H.). — Descriptions to dia¬
grams. See Buck (G-. W.), On oblique bridges.
BARNARD (Benjamin). — Illustrations of
antient state and chivalry ; from MSS. in the Ash-
molean Museum. 4to. London (Roxburghe Club),
1840. B.M.
BARNARD (Frederick A. P.). — Art Cul¬
ture : its relation to national refinement and na¬
tional morality. An Oration pronounced before
the Alabama Alpha of the Society of the Phi Beta
Kappa . July 11th, 1854. 8vo. New York,
1864. B.M.
BARNARD (George). — Handbook of Foli¬
age and Foreground Drawing. Illustrated by nu¬
merous examples of trees, shrubs, &e. 8vo. London,
1853. S.K.
BARNARD (G.). — The Theory and Prac¬
tice of Landscape Painting in Water-Colours. Illus¬
trated by a series of . twenty -four designs, coloured
diagrams, and numerous woodcuts. 8vo. London,
1855. S.K.
. Illustrated by a series of thirty drawings
and diagrams in colours, and numerous woodcuts.
. New and enlarged edition. 4to. London, 1858.
And, 8 vo. London, 1861. B.M.
BARNARD (Gr.). — Drawings from Nature:
a Series of Progressive Instructions in Sketching
. to which are appended Lectures on Art, de¬
livered at Rugby School. Illustrated by eighteen
coloured and lithographic plates, and more than one
hundred woodcuts. Imper. 8vo. London, 1865.
S.K.
BARNARD (G.).— Second Series of Ele¬
mentary Studies of Trees. Oblong 4to. London,
1849. S.K.
BARNARD (G.). — The Rugby Drawing
Book, a series of progressive lessons. Oblong 4to.
Rugby, n. d. S.K.
BARNARD (G.). — A Selection of Studies
from the portfolios of various Artists. Eol. London,
1850. S.K.
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BARONETAGE of England, containing an
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BARTH (Wilhelm). — Kurzer Abriss der
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May 2, ’68.
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BARTHELEMY (E. M. de). — Etude sur les
^tablissements monastiques du Diocese d’Elne (Per¬
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BARTHfiLEMY (J. J.).— Lettre a Mes-
sieurs les Auteurs du Journal des S9avans, sur quel¬
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BARTHOLOMEW (Alfred).— Hints rela¬
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BARTHOLOMEW (A.). — Specifications for
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BARTLET (Benjamin). — The Episcopal
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BARTLETT (William A.). — The History
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BARTLETT (W. H.).— The Nile Boat; or,
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BARTLETT (W. H.). — Forty days in the
desert, on the track of the Israelites ; or, a journey
from Cairo, by Wady Feiran, to Mount Sinai and
Petra. 3rd edition. 8vo. London, n. d. B.M.
BARTLETT (W. H.). — Pictures from
Sicily. 8vo. London, 1853. B.M.
BARTLETT (W. H.). — Beattie’s Switzer¬
land, illustrated by W. H. B. 1836.
Beattie’s Scotland . 1838.
Beattie’s The Waldenses . Illustrated by .
1838.
Beattie’s The Danube . Illustrated. 1842. See
Beattie (Wm.).
BARTLETT (W. H.). — Biography of......
1855. See Britton (J.).
Notes and Queries,
May 2, ’68.
BAR
Books on Art ( under revision).
BARTOLI (Cosimo). — Del modo di misu-
rare le distanze, le superficie, i corpi, le piante, le
provincie, le prospettiye, &c. Plates. 4to. Venezia
(Franeeschi), 1564. B.M.
Del modo di misurare le distanze, le superficie,
i corpi, le piante, secondo le regole di Euclide. 2nd
edition. Plates. Small 4to. Venezia (per Francesco
Franeeschi), 1589. Cicogn.
BARTOLI (Francesco). — Notizia delle pit-
ture, sculture ed architetture, che ornano le chiese,
et gli altri luoghi pubblice di tutte le piu rinomate
citta d’ltalia, &c. 2 vols. 8vo. Venezia, 1776. B.M.
BARTOLI (F.). — Le Pitture, Sculture, ed
Architetture della Citta di Rovigo. View and plan
of the city. 8vo. Venezia, 1793. S.K.
BARTOLI (Giuseppe). — La Vittoria d’lme-
neo, festa rappresentata in Torino per le nozze di
Vittorio Amedeo Duca di Savoja, e Maria Antonia
Ferdinandadi Spagna. 3 plates. 4to. Turino, 1750.
Cicogn.
BARTOLI (G.). — L’ Antro Eleusino rappre-
sentato in un G-reco antico bassorilievo del Museo
Nani, e spiegato col paragone del 6. libro delle
Eneide di Virgilio. 1 plate. 4to. n. p. 1761. Cicogn.
BARTOLI (G.). — Due Dissertazioni, nella
prima delle quali si da notizia del pubblico Museo
d’lscrizioni eretto nuovamente in Verona, nella se-
conda si dimostra la bellezza d’una greca inedita Is-
crizione. 4to. Verona, 1745. Cicogn.
BARTOLI (G.). — II vero disegno delle
due tavolette d’avorio chiamate Dittico Quiriniano,
con tre ragionamenti che ne difendono l’antichita
contro il march. Maffei, ne confutano una falsa
spiegazione, e ne confermano una verisimile, &c.
Plates. 4to. Parma, 1757. Bodl.
BARTOLI (G.). — Saggio d’osservazioni
sopra un bassorilievo. 4to. Roma, 1758.
BARTOLI (Pietro Santi). — Columna An-
toniniana Marci Aurelii Antoni ni Augusti rebus
gestis insignis, Germanis simul, et Sarmatis, gemino
bello deyictis ex S. C. Romse in Antonini foro, ad
viam Flaminiam erecta, ac utriusque belli imaginibus
anaglyphice insculpta, nunc primum a Petro Sancti
Bartolo, juxta delineationes in Bibliotheca Barberina
asservatas, a se cum antiquis ipsius columnse signis
collatas, sere incisa, et in lucem edita, cum notis ex-
cerptis ex declarationibus J. P. Bellorii. 75 num¬
bered plates of basreliefs, and 2 unnumbered plates of
medals, besides frontispiece. Oblong fol. Romse
(1672). S.K.
Another edition, with 3 additional plates. — Co¬
lumna Co'chlis M. Aurelio Antonino Augusto dicata
ejus rebus gestis in Germanica atque Sarmatica ex-
peditione insignis . brevibus notis illustrata et a
P. S. B. sere incisa ; iterum in lucem prodit, &c.
Oblong fol. Romse, 1704. Cicogn.
Also with the date 1730.
BARTOLI (P. S.). — Colonna Trajan a, eretta
dal Senato e Popolo Romano all’ Imperatore Tra-
jano Augusto nel suo foro in Roma ; scolpita con
l’historie della guerra Dacica, &c. ; disegnata da
P. S. B. con l’espositione latina d’ Alfonso Ciaccone,
compendiata nella volgare lingua . accresciuta da
Gio. Pietro Bellori. 119 numbered plates, besides
5 unnumbered plates, and frontispiece. Oblong
fol. Roma, n. d. S.K.
BARTOLI (P. S.). — Sigismundi Augusti
Mantuam adeuntis profectio ac triumphus. Opus
ex archetypo Julii Romani a Francisco Primaticio
Mantuse in ducali palatio quod del T. nuncupatur
plastica atque anaglyphica sculptura mire elabora¬
te, atque a P. S. B. traductus et incisus, cum notis
J. P. Bellorii. 26 plates. Oblong fol. Romse
(1680). Cicogn.
BARTOLI (P. S.). — Le pitture antiche del
sepolcro de’ Nasonii nella via Flaminia, disegnate,
ed intagliate alia similitudme degli antichi originali
da P. S. B., descritte, & illustrate da Gio. Pietro
Bellori. 35 plates. Fol. Roma, 1680. S.K.
Also: Fol. Roma, 1702. B.M.
Le pitture antiche delle grotte di Roma, e del se¬
polcro de’ Nasoni, disegnate, & intagliate alia simi-
litudine degli antichi originali da Pietro Santi
Bartoli e Francesco Bartoli, suo figliuolo, descritte
ed illustrate da Gio. Pietro Bellori e Michelangelo
Causei de la Chausse. 75 plates. Fol. Roma, 1706.
B.M.
Also: 1711, and 1719.
Another edition, with Latin text. — Picturse antiquse
cryptarum Romanorum, et sepulcri Nasonum, deli-
neatse et expressse ad archetypa a Petro Sancti Bar-
tholi et Francisco, ejus filio. Descriptse vero, et
illustratse a Johanne Petro Bellorio et Michaele An¬
gelo Causseo. Opus, nunc primum Latine reddi turn.
Fol. Romse, 1738. B.M.
Other editions: —
Fol. Romse, 1750. With 95 plates. S.K.
Fol. Romse, 1791. With 19 additional plates.
Also: Fol. Romse, 1819.
BARTOLI (P. S.). — Le antiche lucerne
sepolcrali figurate, raccolte dalle cave sotterranee, e
grotte di Roma, disegnate ed intagliate da P. S. B.
. con l’osservationi di Gio. Pietro Bellori. 3
parts in 1 vol. 116 plates. Fol. Roma, 1691.
B.M.
Some copies of this first edition have 6 additional
and unnumbered plates, which are, however, never
to be found in the second edition.
Another edition. — Le antiche lucerne sepolcrali
figurate, &c. Fol. Roma, 1704. B.M.
Other editions, with Latin text :. —
Lucernse veterum sepulctrales iconicse, ex cavernis
Romse subterraneis collectse, & a P. S. B., cum ob-
servationibus J. P. Bellorii ante decennium editse .
ex Italico in Latinum . studio et impensis L. Begeri .
3 parts. Fol. Colonise Marchicse, 1702. B.M.
BARTOLI (P. S.). — AdmirandaRomanarum
antiquitatum ac veteris sculpturse vestigia anagly-
phico opere elaborata, ex marmoreis exemplaribus,
quse Romse adhuc extant, a P. S. B. delineata incisa
. notis Jo. Petri Bellorii illustrata. 81 plates.
Oblong fol. Romse (1693). B.M.
Another edition. 84 plates. Oblong fol. Romse,
1693. S.K.
71
BAR
Universal Catalogue of
Notes and Queries,
May 2, ’68.
BARTOLI (P. S.).— Gli antichi Sepolcri,
owero Mausolei Eomani ed Etruschi, trovati in
Eoma . raccolti, disegnati,ed intagliati daP. S. B.
110 plates. Pol. Eoma, 1697.
Other editions : —
Pol. Eoma, 1699. 126 plates.
Pol. Eoma, 1704. 110 plates. Cicogn.
Pol. Eoma, 1727. 110 plates. S.K.
Pol. Eoma, 1768. 114 inferior plates.
BARTOLI (P. S.). - — Raccolta di varie
Antichita e lucerne antiche intagliate la maggior
parte da P. S. B. 30 plates. 4to. Eoma, n. d.
B.M.
BARTOLI (P. S.). — Raccolta di Camei’ e
Gemme antiche, disegnate da P. S. B., date ora in
luce da Francesco Santi Bartoli. Pol. Eoina, 1727.
B.M.
BARTOLI (P. S.). — Museum Odescalchum,
sive Thesaurus antiquarum gemmarum cum imagi-
nibus in iisdem insculptis, et ex iisdem exsculptis,
quse.a Seren. Christina Suecorum Eegina collectse
in Museo Odescalcho adservantur, et a P. S. B.
quondam incisse, nunc primum in lucem proferuntur.
Accesserunt sere a deorum, ac dearum idola, marmo-
rea item anaglypha, &c. 2 vols. 102 plates, be¬
sides vignettes. Pol. Eomse, 1751-52. S.K.
The explanations by Nicolo Galeotti.
The first edition, without the explanations : Pol.
Eomse, 1747. Also with the date 1750.
BARTOLI (P. S.). — Recueil de peintures
antiques, imitees fidelement pour leurs couleurs et
pour le trait, d’apres les dessins colories faits par
Pierre - Sante Bartoli. 33 plates. Large fol.
Paris, 1757. T.C.D.
With descriptions by Mariette and Count de Cay-
lus.— The original drawings of Bartoli are in the
Imperial Library at Paris.
2nd edition. — Eecueil de peintures antiques trou-
vees a Eome, imitees fidelement pour les couleurs et
le trait . (auquel on a joint la description de la
pyramide de Cestius, par l’Abbe Eive). 3 parts in
2 vols. 50 plates. Large fol. Paris, 1783-87.
Cicogn.
BARTOLI (P. S.). — Uno dei due piccoli
fregi disegnati ed eseguiti da Eafaello nel Yaticano,
colla dedica dell’ editore Giacomo de Eossi a D.
Nieolao Simoncello picturse omnium que bonarum
artium cultori eximio. 15 plates, n.p.n.d. Cicogn.
BARTOLI (P. S.). — Antiquissimi Yirgiliani
codicis fragmenta et picturse, ex Biblioth. Vati-
cana . a P. S. Bartoli incisae . 55 plates. See
Virgilius.
BARTOLLNT (Domenico). — Yiaggio da
Napoli alle Forche Caudine ed a Benevento, e di
ritorno a Caserta ed a Monte-Casino. Plates. 8vo.
Napoli, 1827. B.M.
BARTOLHSTI (Lorenzo). — Statua di .
1836. See Tonti (Luigi).
BARTOLLNT (L.). — Dell’ arte . di L. B.
. 1852. See Bonaini (F.).
72
II Monumento . scolpito da L. B. Poema.......
1837. See Carbone (Giunio).
Sculpteurs modernes . 1855. See Delaborde
(Henri).
BARTOLINI (L.). — Versi . 1836. See
Scartabeeli (Cesare).
Statue diL.B. Ode di...;.. 1836. See Carbone
(Giunio).
BARTOLLNUS (Casp., the younger).— De
tibiis veterum. With author’s portrait, and plates.
12mo. Amstelodami, 1679. Cicogn.
BARTOLLNUS (Thomas).— Johannis Mu-
lenii Numismata Danorum et vicinarum gentium.
4to. Hafnise, 1670. Bodl.
BARTOLLNTJS (T.). — De Armillis yeterum.
Accedit Wormii de aureo Cornu Danico. Plates.
12mo. Amstelodami, 1676. Cicogn.
BARTOLLNTJS (T.). — De Unicornu obser-
vationes novae. 24 plates, and 1 in text. Frontis¬
piece by E. de Hooghe. 12mo. Amsterdam, 1678.
Cicogn.
BARTOLIUS (Petrus Sanctius). — See
Bartoli (P. S.).
BARTOLOMEO (F.).— Le Yite de’ Pittori,
degli Scultori, et Architetti Yeronesi . conla nar-
rativa delle Pitture e Sculture che s’attrovano nelle
chiese, case & altri luoghi publici e privati di Verona
e suo territorio. Small 4to. Yerona, 1718. S.K.
BARTOLOMEO (Fra). — See Leroy (A.).
Collection de Dessins originaux de grands maitres.
BARTOLOMEO (Fra). — Crucifixion, Clois¬
ter of S. Spirito, Siena. See Lasinio (G. P.), Eac-
colta delle piu celebri Pitture.
BARTOLOZZI (Francesco). — Etchings
from the drawings of Guercino. Fol. n. p. o. d.
Bodl.
BARTOLOZZI (F.). — Elementidel disegno
intagliati sui disegni di G. B. Cipriani. 9 pp.
Italian and French. 10 plates. Oblong 4to. Londra,
1796. Cicogn.
BARTOLOZZI (F.). — Thirty- four Lessons
for drawing the Human Figure. Engraved from the
original drawings of Bartolozzi, and adapted to the
use of students in the Polite Arts. Fol. London
(1828). S.K.
BARTOLOZZI (F.). — Catalogue of his
. Pi’oofs, Etchings . 1824. See Catalogues,
Sale.
BARTOLOZZI (F.)._ See Stothard (T.),
Illustrations of Milton, painted by T. Stothard, and
engraved by F. B.
BARTOLOZZI (Sebastiano Benedetto). —
Vita di Jacopo Yignali, Pittor Fiorentino. With
portrait. 4to. Firenze, 1753. S.K.
BARTOLOZZI (S. B.).— Yita di Antonio
Franchi Lucchese, Pittor Fiorentino. With portrait.
4to. Firenze, 1754. S.K.
Notes and Queries,
May 9, ’68.
Books on Art ( under revision).
BAS
BARTON (William).— A Mora of North
America, illustrated by coloured figures drawn from
nature. 3 toIs. 106 plates. 4to. Philadelphia,
1820-23.
BARTSCH (Johann Adam Bernhard yon).
Recueil d’Estampes d’apres les Desseins originaux
de differents maitres, qui se trouvent a la Biblio-
theque Imperiale et Roy. de Vienne. 45 plates
in aqua tinta. Imper.,fol. Vienne, 1794.
BARTSCH (J. A. B. yon). — Catalogue rai¬
sonne des Desseins originaux des plus grands max-
tres anciens et modernes, qui faisoient partie du
Cabinet de feu le Prince Charles de Ligne. 8vo.
Vienne, 1794. S.K.
BARTSCH (J. A. B. yon). — Catalogue rai¬
sonne des Estampes gravees a l’eau-forte par Guido
Reni et de ceux de ses disciples, S. Cantarini, dit
le Pesarese, Jean Andre et Elisabeth Sirani, et
Laurent Loli. 8vo. Vienne, 1795. B.M.
BARTSCH (J. A. B. yon).— Anton Water-
loo’s Kupferstiche, ausfuhrlich beschrieben von
A. B. 8vo. Wien, 1795.
BARTSCH (J. A. B. yon). — Catalogue rai¬
sonne de toutes les Estampes qui forment l’oeuvre
de Rembrandt, et ceux de ses principaux imitateurs.
Compose par les Sieurs Gersaint, Helle, Glomy et
P. Yver. Nouvelle edition, entierement refondue,
corrigee et considerablement augmentee par A. B.
2 portraits, and 4 explanatory plates. 2 vols. 8vo.
Vienne, 1797. S.K.
BARTSCH (J. A. B. yon). — Catalogue rai¬
sonne de toutes les Estampes qui forment l’ceuvre
de Lucas de Leyde. 8vo. Vienne, 1798. S.K.
BARTSCH (J. A. B. yon). — Le Peintre
Graveur. 21 vols. Plates. Vienne, 1803-21. S.K.
Vol. i.-v. Flemish and Dutch schools. Vol. vi.
-xi. German school. Vol. xii.-xiii. Italian school.
Vol. xiv.-xv. Marc Antonio and his school. Vol.
xvi.-xxi. Continuation of the Italian school. There
are 80 plates, belonging to the text, and besides 2
parts, with the title : — Copies faites d’apres les es¬
tampes tres-rares de differents maitres.
Vol. i.-v. of this celebrated work have been re¬
printed at Leipzig, in 1854.
Supplements au Peintre-Graveur de A. B .
par R. Weigel. (Peintres-Graveurs et Dessinateurs
Neerlandais) . 1843. See Weigel (Rudolf).
Zusatze zu A. B.’s Le Peintre-Graveur; von Joseph
Heller . 1844 (new title 1854). See Heller.
Supplement au Peintre-Graveur, de B. — Cata¬
logue raisonne de toutes les estampes qui forment
l’ceuvre grave d’ Adrien van Ostade, par L. E. Eau-
cheux . 1862. See Eauceeux.
Catalogue raisonne of nearly 400 prints unknown
to B. In “The Eine Art Circular and Print Col¬
lector’s Manual” . By A. E. Evans and Sons
(1857, &c.).
See Robert-Dume snil (A. P. F.), Le Peintre-
Graveur franqais . ouvrage faisant suite au Pein¬
tre-Graveur de M. B . 1835-50.
See also Passavant (J. D.), Le Peintre-Graveur
. contenant un catalogue supplemental aux es¬
tampes [du xv. et xvi. siecle du Peintre-Graveur de
A. B . 1860, &c.
BARTSCH (J. A. B. yon). — Suite d’Es¬
tampes d’apres les desseins de Er. Barbieri, dit Guer-
cino, qui n’ont pas encore ete gravees . par A. B.
. 1803-7. See Guercino.
See also Piranesi, Works, vol. xxi.
BARTSCH (J. A. B. yon). — Catalogue rai¬
sonne de l’ceuvre d’estampes de Martin de Molitor,
peintre a Vienne. 8vo. Nuremberg, 1813.
BARTSCH (J. A. B. yon). — Anleitung zur
Kupferstichkunde. 2 vols. 11 plates. 8vo. Wien,
1821. S.K.
Notice de quelques copies trompeuses d’estampes
anciennes, extraite et traduite de l’ouvrage intitule :
“ Anleitung zur Kupferstichkunde,” par Bartsch.
Avec des additions par Charles Le Blanc. 1 3 plates.
8vo. Paris, 1849. B.M.
BARTSCH (J. A. B. yon). — See Burgk-
mair (Hans).
See also Durer (A.).
BARTSCH (Friedrich yon, the younger).
Catalogue des Estampes de J. Adam de Bartsch.
With portrait. 8vo. Vienne, 1818.
BARTSCH (F. yon). — Chronologie der
Griechischen und Romischen Kiinstler bis zu Ablauf
des 5. Jahrhunderts nach Christi Geburt. (Tables
i.-ix.) Nebst vorangehender Uebersichtstafel der
.ZEgyptischen Kunst. Eol. Wien, 1835. B.M.
BARTSCH (F. yon). — Die Kupferstich-
sammlung der k. k. Hofbibliothek in Wien. In
einer Auswahl ihrer merkwiirdigsten Blatter dar-
gestellt. 8vo. Wien, 1854. S.K.
BARUFFALDI (Girolamo). — De Preficis
dissertatio ad illustrationem urnse sepulcralis El.
Quartillse Preficse. Accedunt Jos. Lanzoni adver¬
saria de luctu mortuali veterum. Plates. 8vo.
Eerrarise, 1713. Cicogn.
BARUFFALDI (G.). — Vitadi Cosimo Tura
pittore Eerrarese del sec. xv. 8vo. Bologna, 1836.
Bodl.
BARUFFALDI (G.).— Yite de’ pittori e
scultori Ferraresi . Con annotazioni. (Vita dell’
autore.) 2 vols. 8vo. Ferrara, 1844-46. S.K.
BARUFFALDI (G.).-Vita di Carlo
Bononi pittore Eerrarese, scritta da G. B., ed ora
per la prim a volta pubblicata. 8vo. Venezia, 1853,
BARYE; — Les Sculpteurs d’animaux. See
Lame (Emile).
BARZONI (Vittorio). — L’Ebe di Antonio
Canova ordinata e posseduta dal C. Giuseppe Al-
brizzi. 8vo. Venezia, 1803. Cicogn.
8 vo. Padova, 1811. Bodl.
BARZONI (V.). — Descrizioni. 12mo. Mi¬
lano, 1815. (Descriptions of antique statues, and
of works of Canova.) Cicogn.
BASAN (H. L.). — Engravings. See Cata¬
logues. Paris, 1802.
u 72
BAS
Universal Catalogue of
Notes and Queries,
May 9, ’68.
BASAN (Pierre Francois). — Dictionnaire
des graveurs anciens et modernes depuis l'origine
de la gravure, avec une notice des principales
estampes qu’ils ont gravees. Suivi des catalogues
des oeuvres de J. Jordaens & de C. Visscher. — Cata¬
logue des estampes gravies d’apr&s P. P. Rubens .
Nouvelle edition, corrigee, augmentee & precedee
de la vie de Rubens. Troisieme partie faisant
suite au dictionnaire des graveurs anciens & mo¬
dernes. (The Catalogues of Jordaens, Yisscher, and
Rubens are by R. Hecquet.) 3 vols. 12mo. Paris,
1767.
The 3rd vol. contains a new enlarged edition of
the Catalogue of Plates from Rubens, not contained
in the reprint of 1809.
Edition of 1767, with new title. — Dictionnaire
des graveurs anciens et modernes, depuis l’origine
de la gravure. Par P. F. et H. L. Basan .
Seconde edition. Precedee d’une notice historique
sur l’art de la gravure, par P. P. Choffard ; suivie
d’un precis de la vie de 1’ auteur et ornee de soixante
estampes par artistes celebres. 2 vols. 8vo. Paris,
1809. B.M.
Dictionnaire des graveurs anciens et modernes.
Seconde edition. 2 vols. Plates. 8vo. Paris,
1789. B.M.
BASAN (P. F.). — Son oeuvre, ou recueil de
650 estampes, sujets sacres et profanes, gravees par
lui ou sous sa direction, d’apres les tableaux des
meilleurs maitres des trois ecoles. 6 vols. Large
fol. Paris (1762-79). Cicogn.
Afterwards enlarged with 6 other volumes, which
brings the number of plates to 1250.
BASAN (P. F.). — See Boman Antiquities.
Recueil d’Antiquites Romaines, etc. (By P. F. B.)
. (1769?)
BASAN ( P. F. ) . — Recueil d’ estampes
gravees d’apres les tableaux du cabinet de M. de
Choiseul, par les soins de Basan. 4to. Paris, 1771.
B.M.
BASAN (P. F.). — Collection de cent-vingt
estampes gravees d’apres les tableaux et dessins qui
composoient le cabinet de M. Poullain . Precedee
d’un abrege historique de la vie des auteurs qui la
composent. 4to. Paris, 1781. B.M.
Title and frontispiece included in the 120 plates.
BASAN (P. F.). — His own Engravings. See
Catalogues.
BASAN (P. F.). — Catalogues raisonnes.
Objets de Curiosite . M. Mariette. See Cata¬
logues, Sale. Paris, 1775.
Cabinet de M. Neyman (with plates). See Cata¬
logues, Sale. Paris, 1776.
Estampes . Italiens, Flamands, etc., de M.
Surugue pere, etc. See Catalogues, Sale. Paris,
1769.
BASAN (S., Pere). — Recueil de cent-vingt
sujets et pay sages divers, graves a l’eau-forte par
plusieurs artistes d’apres differents Maitres Italiens,
Flamands, et Francois, dont les desseins originaux
font partie de la collection du S. Basan pere. Fol.
Paris, 1795. Cicogn.
74
BASANYILLE (Anais de, Countess). — Le
Musee du jeune amateur, souvenir des peintres de
toutes les ecoles . Illustre de quatorze litho¬
graphies dessinees par L. Lassalle. 4to. Paris
(1855?). B.M.
BASHFORTH ( Francis ). — A practical
treatise on the construction of oblique bridges with
spiral and with equilibrated courses. 8vo. London,
1850. B.M.
BASHFORTH (Francis). — Observations
on some recent university buildings, with remarks
on the management of the public library and the Pitt
press. 8vo. Cambridge, 1853. B.M.
BASLE. — Verzeicbniss der Kunstwerke,
welche sich auf der offentlichen Stadtbibliothek in
Basel befinden. 11 pages. 12mo. n.d. S.K.
BASLE. — Baslertrachten von Anno 1600, ge-
zeichnet von J. R. Huber, und geatzt von T. R.
Schellenberg. Fol. 1600. Bodl.
BASLE. — Beschreibung der Munster- Kir cbe
zu Basel. Svo. Basel, 1788.
BASLE. — Beschreibung der Miinsterkirche
und ihrer Merkwiirdigkeiten in Basel. 17 plates.
4to. Basel, 1842. Bodl.
BASLE. — Die Kunstschatze des Museums in
Basel . herausgegeben von dem Yorstande der
Kunstsammlung des Museums. Photographs from
pictures and drawings. Fol. Basel, 1860, etc. S.K.
BASOLI (Antonio). — Raccolta di prospet-
tive serie, rustiche, e di paesaggio, inventato da
Ant. Basoli Gruelfise, disegnati da Fr. Cocci Bu-
driese. 102 plates. Large oblong fol. Bologna, 1810.
BASRELIEFS (12) Griechischer Erfind-
ung aus Palazzo Spada, des Capitolinischen Muse¬
ums und der Yilla Albani, herausgegeben durch
das Institut fur Archseologische Correspondenz. 13
plates. Fol. Rom, 1845.
BASRELIEFS. — Bassirilievi Yolsci in terra
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BASS (C. D.). — Le triumphe et ceremonies
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dames ses sceurs. 8vo. Paris, n.d. Bodl.
BASSANESE ARTISTS.— Catalogo degli
Artisti Bassanesi viventi, in cui si descrivono alcune
delle loro migliori opere esposte in patria il di 16
Agosto 1807, per festeggiare il nome dell’ Augusto
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BASSANO (Giacomo da Ponte, called Bas¬
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BASSEGIO (Giuseppe). — Yases. See Cata¬
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Notes and Queries,
May 9, ’68.
BAT
Books on Art ( under revision).
BASSI (Martino). — Dispareri in materia
d’architettura, et perspettiva : con pareri di eccel-
lenti et famosi Architetti, che li risolvono. 12
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Another edition. — Dispareri in materia d’archi¬
tettura e prospettiva . Coll’ aggiunta degli scritti
del medesimo intorno all’ insigne tempio di S. Lo¬
renzo Maggiore di Milano. Dati in luce, con .
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BASSOMPIERRE (Fr. de, Marechal de
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ce que depend de la science du blason. 4to. Paris,
1638. Bodl.
BAST (Lievin Armand Marie de). — An-
nales du Salon de Gand et de l’Ecole moderne des
Pays-Bas ; recueil de morceaux choisis parmi les
ouvrages de peinture, sculpture, architecture, et gra¬
vure, exposes au Musee en 1820 . avec Implica¬
tion des sujets, et une notice sur les artistes. 8vo.
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BAST (L. A. M. de). — Notice Listoriqne sur
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Gand, 1825.
BAST (Martin Jean de). — Becueil d’Anti-
quites Romaines et Gauloises, trouvees dans la
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ou elles ont ete decouvertes. Kouvelle edition, aug-
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BAST (M. J. de). — Supplement au recueil
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BASTABD (Auguste de, Count). — Librairie
de Jean de France, Due de Berry, frere du Boi Charles
V . precedee de la vie de ce prince, illustree des
plus belles miniatures de ses manuscrits, accompa-
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BASTARD (Auguste de, Count). — Pein-
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l’histoire des arts du dessin, depuis le ive siecle de
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ou le Cabinet de M. Braamcamp. Par M. de Bastide.
4to. Amsterdam, 1766. S.K.
BASTIE (Baron de la). — La science des
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BATAVIAN REPUBLIC. — Afbeeldingen
van de kleeding, zeden en gewoonten in de Bataaf-
sche Bepubliek, met den aanvang der negentiende
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des coutumes dans la Bepublique Batave, au com¬
mencement du dix-neuvieme siecle.) 20 coloured
plates, engraved by L. Portman under the direction
of J. Kuvper ; with letterpress in Dutch and French.
4to. Amsterdam, 1803-7. B.M.
BATCHELLER (W.). — The new Dover
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BATE (John). — The Mysteries of Nature
and Art. In foure severall parts. The first of
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of Drawing, Washing, Dimming, Painting, and En¬
graving. The Fourth of sundry experiments. The
second edition ; with many additions unto every
part. Small 4to. London, 1635. S.K.
First edition. 4to. London, 1634. Bodl.
BATELLUS (Jo. Christoph.). — Expositio
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BATEMAN (James). — A Monograph of
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BATEMAN (Thomas). — Museum at Lom-
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BATEMAN (Thomas). — Ten years’ diggings
in Celtic and Saxon grave hills, in the counties of
Derby, Stafford, and York, from 1848 to 1858.
8 vo. London, 1861. B.M.
BATEMAN (Thomas) and GLOVER (S.).
Vestiges of the Antiquities of Derbyshire, and the
sepulchral usages of its inhabitants. 8vo. London,
1848. B.M.
BATH. — The Stranger’s Assistant and
Guide. 8 vo. Bath, 1773.
BATH. — The new prose Bath Guide for the
Year 1778. 12mo.
BATH. — The new Bath Guide : or useful
pocket Companion. 12mo. Bath, 1784.
Other editions : —
8vo. Bath, 1799.
12mo. Bath, 1805. Bodl.
BATH. — Bath illustrated by a series of views,
from the drawings of J. C. Nattes ; with descrip¬
tions to each plate. Fol. London, 1806. B.M.
BATH. — Graphic illustrations of Bath eccle¬
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With appropriate allusions to historic events. Fol.
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BATH ABBEY. — The History and Antiqui¬
ties of the Cathedral Church of Salisbury, and the
Abbey Church of Bath. 8vo. London, 1723. B.M.
BATH ABBEY. — An historical description
of the Church dedicated to St. Peter and St. Paul,
in Bath, commonly called the Abbey. 12mo. Bath,
1778. Bodl.
BATH ABBEY. — Plans, elevations, sections,
and specimens of the architecture of the Abbey
Church of Bath. With some account of the Abbey
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Published by the Society of Antiquaries.
75
BAT
Universal .Catalogue of
Notes and Queries,
May 9, ’68.
BATH ABBEY.— History, &c., of B. Abbey.
(London, 1825.) See Britton (J.).
Prior Birde’s Chapel in B. Abbey, &c. (1834.)
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BATH AND BRISTOL.— The B: and
Bristol Guide. 12mo. Bath, 1753. Bodl.
BATH AND BRISTOL, &c. — A picturesque
Guide to Bath, Bristol Hot- Wells, the Biver Avon,
and the adjacent Country. 8vo. London, 1793.
Bodl.
BATH. — The manner of Creating the
Knights of the Order of the Bath. 4to. London,
1661.
Statutes of the Order published 1725, 1744, 1772,
1787, 1812.
BATH, Order of the. — Les armes des Che¬
valiers de l’ordre du Bain, creez le 17me jour de
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natomie ; avec un atlas de 60 planches, contenant
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BATISSIER (L.). — Histoire del’ Art monu¬
mental dans l’Antiquite et au Moyen Age, suivie
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BATISSIER (L.). — Le Mont-Dore et ses
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BATTEL. See Battle Abbey.
BATTELLUS (Joannes Cheistophoeus,
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numismatis Heracliani ex Museo dementis XI.
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BATTELY (Rev. John). — Antiquitates Ru-
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76
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BATTELY (J.). — The Antiquities of Rich-
borough and Reculver, abridged from the Latin
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B.M.
BATTELY (Nicolas). — The Antiquities of
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BATTEUX (Chaeles). — Les Beaux-Arts
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T.C.D.
In German. — Einschrankung der schonen Kiinste
auf einen einzigen Grundsatz. 8vo. Leipzig, 1751.
BATTINI (Costantino). — Illustrazione di
una Medaglia inedita e singolare rappresentante la
Santissima Annunziata di Firenze. 8vo. Firenze,
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BATTLE ABBEY.— The Roll of Battle-
Abbey annotated. Square 8vo. London, 1848. B.M.
Gleanings respecting Battel and its Abbey, by a
native. 12mo. Battel (1841). B.M.
BATTONI (T., Cavaliere). — Elogio. See
Boni (O.). Roma, 1787.
BATTY (Elizabeth Feances). — Italian
Scenery, from Drawings made in 1817, by Miss
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BATTY (Robeet, Captain in the Guards). —
French Scenery, from Drawings made in 1819, by
Captain Batty. 4to. London, 1822. S.K.
BATTY (R.) . — German Scenery, from Draw¬
ings made in 1820, by Captain Batty. 4to. Lon¬
don, 1823. S.K.
Earlier edition. London, 1821. B.M.
BATTY (R.). — Welsh Scenery, from Draw¬
ings by Captain Batty. 8 vo. London, 1823. Bodl.
BATTY (R.). — Campaign of the left wing
of the allied army in the Western Pyrenees and
South of France in the years 1813-14. 25 etchings
of mountain and river scenery, besides a plan. 4to.
London, 1823. Bodl.
BATTY (R.). — Views on the Rhine, in
Belgium and Holland. 8vo. London, 1826. Bodl.
BATTY (R.). — Hanoverian and Saxon Sce¬
nery, from Drawings by Lieut.-Col. Batty. 4to.
London. 1829. S.K.
BATTY (R.). — Select Views of some of the
principal Cities of Europe. From Original Paint¬
ings, by Lieut.-Col. B. With illustrative notices.
4to. London, 1832. S.K.
BATTY (R. E.). — Some particulars con¬
nected with the history of baptismal fonts. 8vo.
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Notes and Queries,
May 16, ’68.
BAU
Boohs on Art (under revision).
BAUAUSFUHRURGER DES PREUS-
SISCIIEN STAATS, fur den Dienstgebrauch her-
ausgegeben von deni Ministerium des Innern. Text
2 vols. Plates 4 vols. 4to. Berlin, 1830-48.
B. Arch.
BAUD (Benjamin). — Architectural illustra¬
tions of Windsor Castle. By M. Gandy and B. B.
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BAUD ART (Guillaume). — Les guerres de
Nassau. 2 vols. 285 plates. 4to. Amsterdam,
1616. Bodl.
Latin translation. — Polemographia Auraico-Bel-
gica; seu descriptio omnium prseliorum, obsidiorum,
&c. quse bello adversus Hispaniarum regem in Bel-
gis gesta sunt, cum figuris. 4to. Amstelodami, 1622.
BAUDELAIRE DUFAYS.— Salon de 1846.
12mo. Paris, 1846. B.M.
BAUDELOT DE DAIRVAL (Charles
Cesak). — De l’utilite des voyages, et de l’avantage
que la recherche des antiquitez procure aux scavans.
Addition ; ou, passages & figures echappez dans l’im-
pression. 2 vols. 12mo. Paris, 1686. B.M.
And, 12mo. Bruxelles, 1688.
Other editions. — L’utilite des voyages, qui con-
cerne la connoisance des medailles, inscriptions,
statues . manuscrits, langues & autres choses re-
marquables. Avec un memoire de quelques obser¬
vations generales qu’on peut faire pour ne pas
voyager inutilement. 2 vols. 12mo. Paris, 1693.
B.M.
De l’utilite des voyages . Nouvelle edition re¬
vue. 2 vols. 12mo. Rouen, 1727. B.M.
With 30 plates (coins). 12mo. 1777. Cicogn.
BAUDELOT DE DAIRVAL (Oh. C.).—
Histoire de Ptolemee Auletes, dissertation sur une
pierre gravee antique du Cabinet de Madame. 2 parts.
Plates, including other intaglios. 12mo. Paris, 1698.
B.M.
BAUDELOT DE DAIRVAL (Ch. C.).—
Reponse a Mr. G. * * (alland) ou l’on examine
plusieurs questions d’antiquite & entr’ autres la
Dissertation publiee depuis peu sur le Gallien d’or
du Cabinet du Roy. 12mo. Paris, 1698. B.M.
BAUDELOT DE DAIRVAL (Ch. C.).—
Lettre a Monsieur Lister, de la Societe Royale de
Londres. , 8vo. Paris, 1700. B.M.
BAUDELOT DE DAIRVAL (Ch. C.).—
Lettres ecrites a Monsieur B * * * (Baudelot) sur
quelques medailles curieuses de son cabinet... 1701.
See Chamiixakd (E.).
BAUDELOT DE DAIRVAL (Ch. C.).—
Trois lettres sur une pretendue medaille d’Alex-
andre, publiee par M. de Vallemont. 8vo. Paris,
1704. Bodl.
BAUDELOT DE DAIRVAL (Ch. C.).—
Explication d’une pierre gravee du Cabinet de Msgr.
le Comte dePontchartrain. 12mo. Paris, 1710. B.M.
BAUDELOT DE DAIRVAL (Ch. C.).—
Description des Bas-Reliefs anciens, trouvez depuis
peu dans l’Eglise Cathedrale de Paris. 4to. Paris,
1711. B.M.
BAUDELOT DE DAIRVAL (Ch. C.).—
Eeste d’Ath&nes representee sur une Cornaline an¬
tique du Cabinet du Roy. Plates (of a seal that
belonged to Michel Angelo). 4to. Paris, 1712.
B.M.
BAUDELOT DE DAIRVAL (Ch. C.).—
Lettre sur le pr^tendu Solon des pierres gravees.
Explication d’une medaille d’or de la Eamille Cor-
nuficia. 2 parts. 4to. Paris, 1717. B.M.
BAUDELOT DE DAIRVAL (Ch. C.).—
Reflexions sur les deux plus anciennes medailles
d’or Romaines qui se trouvent dans le cabinet de
S. A. R. Madame. 4to. Paris, 1720. B.M.
BAUDELOT DE DAIRVAL (Ch. C.).—
Explication d’une pierre gravee dont l’empreinte
a et6 envoyee a l’Academie des Inscriptions. 4to.
(1708). Bodl.
BAUDERKMALER Riedersachsens, her-
ausgegeben vom Arehitekten-Verein des Konigreichs
Hannover. 4to. Hannover, 1861.
BAUDET (E.).— See Le Brun (Ch.), Le
grand Escalier du Chateau de Versailles.
BAUDICOUR (Prosper de). — Le Peintre-
Graveur Frangais continue, ou Catalogue rai sonne
des estampes gravies par les peintres et les dessi-
nateurs de l’ecole frangaise nes dans le 18® siecle.
Ouvrage faisant suite au Peintre-Graveur Frangais
de M. Robert-Dumesnil. 2 vols. 8vo. Paris,
1859-61. S.K.
BAUDOUST (Jean). — Recherches tonchant
la mythologie. Fol. Paris, 1627. Bodl.
BAUDOIR (J.). — Iconologie touchant les
vices et les vertus representees sous diverses figures.
Eol. Paris, 1636. Bodl.
BAUDOIR ( J.) . — Recueil d’emblemes divers
avec des discours moraux. 2 parts. 76 plates.
8vo. Paris, 1638-9. Bodl.
Also, 2 vols. 8vo. Paris, 1646.
BAUDOIR (J-)- — Iconologie; on, explica¬
tion nouvelle de plusieurs images, etc., tiree des
recherches et des figures de Cesar Ripa, moralisees.
Eol. Paris, 1644. T.C.D.
And, 2 vols. 8vo. Amsterdam, 1698. Bodl.
BAUDOT. — Sur M. Boichot, statuaire du
roi, par M. Baudot aine. 8vo. Pagny-le-Chateau,
11 fevrier 1815.
BAUDOT (A. de). — Reorganisation de
1’Ecole des Beaux- Arts, ^decret du 13. novembre 1863.
De son influence sur l’Etude de 1’ Architecture. Par
M. A. de Baudot. 8vo. Paris, 1864. S.K.
BAUDOT (Henri). — Description de laCha-
pelle de l’ancien Chateau de Pagny, precedee de de¬
tails historiques sur ce chateau et les seigneurs qui
l’ont possede. Seconde edition, revue, augmentee, et
ornee de plusieurs planches gravees et lithographiees
d’apres les dessins de l’auteur. 4to. Dijon, 1842.
S.K.
x
77
BAU
Notes and Queries,
May 16, ’68.
Universal Catalogue of
BAUDOT (H.). — Rapport sur les deeou-
vertes archeologiques faites aux sources de la Seine.
Plates and plans. 4to. Dijon, 1845. Bodl.
BAUDOT (H.). — Memoire snr les Sepul¬
tures des Barbares de l’epoque Merovingienne, de-
couvertes en Bourgogne, et particulierement a Char-
nay. Illustre de gravures en bois et ... de (29)
planches executees en chromolithographie, etc. 4to.
Dijon, 1860. B.M.
BAUDBI (Fr.). — See Periodical Publica¬
tions. Organ fiir christliche Kunst, herausgegeben
und redigirt von F. B. 1851, etc.
BAUDRY (Frederic Paul). — Fosses Gallo-
Romaines de Troussepoil, commune de Bernard
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BAUDRY (F. P.). — Le Musee departe-
mental d’Antiquites de Rouen. Agrandissement et
classification. Extrait du Nouvelliste de Rouen,
des 10, 11 et 12 Novembre 1862. 8vo. Rouen,
1862. B.M.
BAUDRY (P. P.). — Revue archeologique de
l’Exposition des Beaux -Arts de Rouen. Extrait du
Nouvelliste de Rouen des 10, 12 et 14 Octobre 1862.
8vo. Rouen, 1862. B.M.
BAUER (Maximilian). — Ornamenten-
Schule fiir Gymnasien, Real- und Burger- Schulen,
entworfen von M. B. 40 lithogr. plates. Eol.
Wien (1853). S.K.
BAUGEAY. — Recueil de petites marines;
representant des navires de diverses nations, et de
toutes especes . interieurs d’arsenaux, travaux des
ports, costumes de pecheurs, etc. Dessine et grave
par B. 120 plates, with text. Oblong 4to. Paris,
1817. B.M.
B AUERYFEI YD ( Carl Maximilian) . — V or-
legeblatter zur Briickenbaukunde, mit erlauterndem
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BAUGYIET (C.). — Les artistes contempo-
rains ; portraits lithographies d’apres nature. Eol.
Bruxelles, 1839. Akad. der Kiinste, Berlin.
BAUMEFORT (Y. de) . — Yotice sur le tem¬
ple des Druides d’Uzes. 3 lithogr. plates. 4to.
Lyon, 1861. B.M.
BAUMEFORT (V. de). — Recherches sur
les Monuments Celtiques du Departement du Gard,
etc. 8vo. Lyon, 1863. B.M.
BAUMEISTER (R.). — Architektonische
Eormenlehre fur Ingenieure, etc. 362 woodcuts.
4to. Stuttgart, 1866. B.M.
BAUMGARTEY (Martinus a). — Peregri-
natio in AEgyptum, Arabiam, Palsestinam et Syriam,
cum auctoris vita. 4to. Norib., 1594. B.M.
In English. In “ Voyages and travels,” pub¬
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BAUMGARTYER (Ant.). — La statue de
Pierre Fatio a Geneve. 8vo. Geneve, 1850.
78
BAUMGARTYER (Julius A.). — Beschrei-
bendes Verzeichniss derB.’schen Oelgemalde-Samm-
lung im Romischen Hause zu Leipzig. 11 steel
engravings. 8vo. Leipzig, 1855. B.M.
BAUMHAUER. — The Free-Hand Drawing
Book. Oblong 4to. Leipzig and London (1854).
S.K.
BAUER (Georg). — G. Bauer’s auserlesene
und niitzliche Neuigkeiten fur alle Miinzliebhaber.
Plates. 4to. Niirnberg, 1772. B.M.
BAUR or BAUER (Johann Wilhelm).
Iconographia, complectens in se passionem, mi-
racula, vitam Christi universam, necnon prospectus
rarissimorum portuum, palatiorum, hortorum, his-
toriamque aliarum rerum, quse per Italiam spectatu
sunt dignse . incisse a Melch. Kyssel. 146 plates.
Oblong fol. Augustse Vindelicorum, 1670.
Also, oblong fol. August. Vind., 1682. S.K.
148 plates under another title, in German. Oblong
4to. August. Vind., 1670.
And with 190 plates. Eol. August. Vind., 1686.
BAUR (J. W.). — Le Metamorfosi d’Ovidio,
intagliate in 150 tavole inrame di prima freschezza,
e bellezza. 4to. n. p. 1641. Cicogn.
The 1st edition.
Other editions : —
With French title. Oblong fol. Viennse, Austrise,
1641.
With German title. 4to. Viennse, Austrise, 1641.
Theatrum Ovidii ex ejus libris metamorphoseon
desumptum. Latin and German. 150 plates, by
Kysell. 4to. Augustse Vindelicorum, 1687.
A reprint. — P. Ov. N. Metamorphoseon. With
the 150 plates of the 1st edition. Oblong fol.
Augspurg, 1709. Cicogn.
BAUR (J. W.). — Battaglie di varie nazioni
da lui inventate, ed incise, dedicate a D. Federico
Colonna, 15 tavole in 8vo. oblong, 1637. Aggiun-
tovi varj capricci di battaglie, 15 tavole, 1635.
Inoltre vedute di giardini diversi, 6 tavole, 1636.
E in fine il nuovo libro di diverse Nazioni, non tanto
quelle che furono incise da Guglielmo Baur nel
1636 quanto le altre, che furono ricopiate dalle sue
stampe nella calcografia di Mariette da Ciartres,
tavole 22. Cicogn.
BAUSE (Johann Friedrich). — Verzeichniss
des Kupferstichwerkes des J. F. Bause. 8vo.
Leipzig, 1786.
BAUX (Jules). — Recherches historiques et
archeologiques sur l’Eglise de Brou. 2 parts.
8vo. Paris, 1845. B.M.
BAUX (J.). — Yotice descriptive et histori-
que sur l’Eglise . .de Notre -Dame de Bourg. 8vo.
Bourg-en-Bresse, 1849. B.M.
BAUZEITUYG, Allgemeine. See Periodi¬
cal Publications.
BAYA DI SAY PAOLO (Emanuele, Conte).
Prospetto storico-filosofico delle vicende e dei
progressi delle scienze, arti e costumi dal sec. xi.
Notes and Queries,
May 16, ’68.
Books on Art {under revision).
BAY
fino al sec. xviii. 5 vols. 8vo. Torino, 1816.
Bodl.
BAVARIA Sancta. Maximiliani Sereniss.
Principis Imperii Comitis Palatini Rheni utriusque
Bav. Ducis auspiciis coepta, descripta eidemque
nnncupata a Mattheo Radero. Pol. Monaci, 1614.
Part I. contains 60, Part II. 44, Part III. 20,
Bavaria pia, 16 plates. Prom the inventions of
Math. Kager.
BAVARIA. — Esquisse de l’histoire de Ba-
viere. Court e description des fresques historiques
des Arcades du jardin de la cour a Munich. 8vo.
Munich (1841). B.M.
BAVARIA. — Das Konigreich Bayern in
seinen alterthiimlichen, geschichtlichen, artistischen
und malerischen Sehonheiten, enthaltend in einer
Reihe von Stahlstichen die interessantesten Gegen-
den, Stadte, Kirchen, Kloster, Burgen, Bader und
sonstige Baudenkmale. Mit begleitendem Texte.
8vo. Miinchen, 1843, &c. B.M.
BAVARIAN MOUNTAIN SONGS.— Baier-
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BAVEREL (J. P., l’Abbe). — Notices sur les
graveurs, qui nous ont laisse des estampes marquees
de monogrammes, chiffres, rebus, lettres initiales,
&c. Par M. l’abbe B. et Malpez. 2 vols. 8vo.
Besan^n, 1807. Bodl.
BAXTER (Thomas). — An Illustration of the
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BAXTER (W.). — Glossarium Antiquitatum
Romanarum. 8vo. London, 1731.
The same work, previously under the title : “Reli¬
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Another edition. — Glossarium Antiquitatum Bri-
tannicarum temporibus Romanorum. 8vo. London,
1733.
BAXTER (William Edward). — Impressions
of Central and Southern Europe ; being notes of
successive journeys in Germany, Austria, Italy,
Switzerland, and the Levant. 8vo. London, 1850.
B.M.
BAXTER (W. Raleigh). — Photography;
including the daguerreotype, calotype, chrysotype,
&c., familiarly explained. Second edition. 12mo.
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BAYARDI (Ottayio Antonio, Archbishop
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which he was editor). 5 parts. 4to. Napoli,
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BAYARDI (Ott. A.). — Catalogo degli an¬
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BAYARDI (Ott. A.). — See Academies.
Naples. Reale Accademia Ercolanese di Archeo-
logia.
Le antichita di Ercolano, etc. (Vol. i. ii. edited
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BAYER (Josef). — Aesthetik in Umrissen.
Zur allgemeineren philosophischen Orientirung auf
dem Gebiete der Kunst. 8vo. Prag, 1856, etc. B.M.
BAYERIUS (Franciscus Perezius). — B. F.
P. de nummis Hebrseo-Samaritanis. Plates. Large
4to. Yalentise Edetanorum (ex officina Benedicti
Monfort), 1781. Cicogn.
BAYERIUS (F.P.). — Nummorum Hebreeo-
Samaritanorum vindicise. Plates. Large 4to. Ya¬
lentise Edetanorum (ex officina Benedicti Monfort),
1790. Cicogn.
At the end of the work an appendix, “ De auctore
Hispanse Homeri Odissese Versionis, quse sub
Gundisalvi Peretii nomine circumferuntur.”
BAYERUS (F. P.).— B. P., de l’alfabeto y
lengua de los Penices y de suas Colonias. Pol.
n. p. o. d. Cicogn.
Plates taken from an edition of Sallust.
BAYERUS (Theophilus Sig.). — Historia
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BAYERUS (Th. S. R.). — Commentarius
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BAYFIUS (Lazarus). — B. F., de re navali,
de re vestiaria, et de Yasculis antiquorum. Addito
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BAYFIUS (L.).— De Vasculis Libellus
adolescentulorum causa ex Bayfio decerptus, addita
vulgari latinarum vocum interpretatione. 8vo.
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BAYLEY (J.). — A Letter addressed to the
Right Hon. Lord John Russell, M.P., on the for¬
mation of a new National Gallery, and the preserva¬
tion of Works of Art. Illustrated with plans. By
an old traveller (J. Bay ley of Cheltenham). 8vo.
London, 1853. S.K.
BAYLEY (John). — The history and anti¬
quities of the Tower of London, with biographical
anecdotes of royal and distinguished persons, de¬
duced from records, state papers, and manuscripts,
and from other original and authentic sources. 2
parts. Pol. London, 1821-5. B.M.
8vo. London, 1830. S.K.
BAYLISS (Wtke). — The elements of aerial
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BAYLY (Thomas Haynes). — Flowers of
loveliness; twelve groups of female figures, em¬
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BAYNE (James).— The tourist’s guide to
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79
BAY
Universal Catalogue of
Notes and Queries,
May 16, ’68.
BAYNE (W.).— Barrow on Oldbury Hill.
Wiltshire tokens, &c. 1 plate in text. In the
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BAYNES (C. B.). — Notes and reflections
during a ramble in the East, an overland journey
from India, visit to Athens, &c. 8vo. London,
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BAYNES (Robert Hall). — Cassell’s illus¬
trated Book of Sacred Poems, edited by . R. H. B.,
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BAYNES (T.M.).— Plates in “Ireland il¬
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BAZAINE (P. D., General). — Memoire sur
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BAZIN DE MALPlERE (D.).— La Chine.
Moeurs, usages, costumes, arts et metiers, peines
civiles et militaires, ceremonies religieuses, monu¬
ments et paysages, d’apres les dessins originaux du
Pere Castiglione, du Peintre Chinois Pu-Q,ua, &c.,
avee des notices explicatives et une introduction
. par D. B * * * (azin) de Malpiere. 2 vols.
180 coloured lithographs. Pol. Paris, 1825-39.
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BEAMONT (William). — A diary of a
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BEAMONT (W.). — Cairo to Sinai and Sinai
to Cairo ; being an account of a journey in the
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BEAMONT (Rev. W. J.). — Eine Art as a
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8 vo. Cambridge, 1863.
And, 8vo. Cambridge, 1864. S.K.
BEAMONT (Rev. W. J.). — Specimens of
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BEATSON (Alexander). — Tracts relative
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BEATTIE (Rev. James).— The Minstrel;
or, the Progress of Genius. By J. B. With de¬
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Other editions: — The Minstrel, and other Poems.
With 4 plates and portrait, by Heath. 12mo.
London, 1811.
With plates, from designs by Rich. Westall. 8vo.
London, 1816.
BEATTIE (William). — Switzerland illus¬
trated, in a series of views by W. H. Bartlett. 2
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Scotland illustrated, in a series of viewrs by T.
Allom, W. H. Bartlett, and H. M'Gulloch. 2 vols.
4to. London, 1838. B.M.
The Waldenses, or Protestant valleys of Pied¬
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by W. H, Bartlett and W. Brockedon. 4to. Lon¬
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The Castles and Abbeys of England. 2 vols.
400 plates by Allom, &c. 8vo. London, 1843-55.
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BEAUCHESNE (Jehan de).— Le Tresor
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In English. — Booke containing divers sortes of
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the Italian chancery and court-hands ; also the pro-
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BEAUCLERC (Lady Diana). — Leonora,
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1796.
BEAUCOURT DE NOORTVELDE (Pat¬
rice Antoine). — Description historique de l’Eglise
collegiale et paroissiale de Notre-Dame a Bruges,
avec une histoire chronologique de tous les Prevots,
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BEAUFORD (W.). — Ancient sepulchre
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Notes and Queries, )
May 23, ’68. f
BEA
Books on Art ( under revision).
BEAUFORD (W.). — Memoir of tlie antiqui¬
ties of the church of Killossy, co. Kildare. On the
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BEAUFORT (Emily Anne), afterwards
SMYTIIE (E. A.), Viscountess Strangford.—
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BEAUFORT (E. A.), afterwards SMYTHE
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Montenegro. By the Viscountess Strangford. (The
three chapters, Northern Albania, Dalmatia, Chaos,
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BEAUFORT (Francis, Captain R.N.). —
Karamania; or a brief description of the South
coast of Asia Minor, and of the remains of antiquity.
8vo. London, 1817. Bodl.
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B.M.
BEAUFORT (L. C.). — An Essay upon the
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BEAUFOY (Henry Benjamin Hanbury).- —
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BEAU GRAND (Felix). — Relation nouvelle
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BEAU GRAND (N.). — Le mareschal expert.
Woodcuts. 8vo. Eouen, 1628.
BEAU J 0 YEULX (Baltazar de).— Ballet
comique de la royne, faict aux nopces de M. le due
de Joyeuse et de Mad. de Vaudemont, sa soeur.
With plates, and music. 4to. Paris, 1582.
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BEAULIEU (Jean Louis). — Archeologie de
la Lorraine, on recueil de notices et documens pour
servir a l’histoire des antiquites de cette province.
2 vols. 5 lithogr. plates. 8vo. Paris, 1840-43. B.M.
BEAULIEU (J. L.). — Recherches archeo-
logiques et historiques sur le comte de Dachsbourg,
aujouxd’hui Dabo. 8vo. Paris, 1836. B.M.
BEAULIEU (J. L.). — Antiquites de Vichy-
les-Bains, Depart, de 1’Allier. 8vo. Paris, 1846.
BEAULIEU (J. L.). — Notice sur un Cha-
piteau trouve a Toul. In the “ Memoires de la Societe
Koyale des Antiquaires de la France,” vol. ix.
BEAULIEU (J. L.). — Des Sarcophages en
plomb et de l’6poque a laquelle ils commencerent a
etre en usage dans les Gaules. Woodcuts. The
same.
BEAULIEU (J. L.). — Rapport sur des
cerceuils en pierre trouv6s en 1846, au faubourg
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“ Memoires de la Societe Royale des Antiquaires de
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BEAULIEU (Sebastien de Pontault, Seig¬
neur de). — Les glorieuses Conquetes de Louis le
Grand, ou sont represents les cartes, profils, places,
plans de villes, &c. 2 vols. Fol. Paris, 1876-94.
BEAUMONT . — L’Enciclopedie Perruquiere
a f usage de toute sorte de tetes, enrichie de figures.
45 plates, -with the fashions of the day for gentle¬
men. 8 vo. Paris, 1757. B.M.
BEAUMONT. — L’Enciclopedie carcassiere,
ou tableaux des coiffures a la mode graves sur les
dessins des petites maitresses de Paris. 4 plates,
representing 44 busts. 8vo. Paris, 1763.
BEAUMONT. — Gouverneurs, lieutenants de
roy, prevosts des marchands, echevins, procureurs,
avocats du roi, greffiers, receveurs, conseillers et
quarteniers de la ville de Paris ; armoiries gravees
par Beaumont. 117 plates. Fol. Paris (1760).
Continuation, with 45 plates. 1798.
BEAUMONT (Adalbert de). — Voyage il~
lustre, &c. See Joanne (Adolphe). 1829.
BEAUMONT (A. de). — -Vues prises dans
le Danemark, la Suede, la Laponie et la Norvege.
25 plates, in two tints. Fol. London, 1840.
BEAUMONT (A. de). — Recherches sur
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BEAUMONT (A. de).— See Fossati (G.),
Aya Sofia, Constantinople, as recently restored .
From the original drawings by G. Fossati . .
(Edited, with . descriptions in French, by A. de
B.) . 1852.
BEAUMONT (A. de). — Recueil de Dessins
pour l’Art et lTndustrie, graves par A. de B. Fol.
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BEAUMONT (A. de). — Les Arts decoratifs
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BEAUMONT (A. de) . — Les Arts industriels
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BEAUMONT (Francis) and FLETCHER
(John). — Dramatic Works, with notes by various
commentators. 10 vols. With portraits of Beau¬
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BEAUMONT (F.) and FLETCHER (J.).
Works, with an introduction and explanatory
y 81
BEA
Universal Catalogue of
Notes and Queries,
May 23, ’68.
notes by Henry Weber. 14 vols. With portraits.
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BEAUMONT (Jean FRANgois Albanis de).
See Albanis.
BEAUMONT (Sir Harry), pseud, (i. e.
JOSEPH SPENCE). — Crito; or, a Dialogue on
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* B.M.
BEAUNIER (E.) and BATHIER (L.).—
Recueil des Costumes Fra^ais, ou Collection des
plus belles statues et figures franchises, des armes,
des armures, des instruments, des meubles, etc.,
dessines d’apres les monuments, manuscrits, pein-
tures et vitraux, avec un texte explificatif, suivi
d’une notice historique et chronologique devant
seryir a l’histoire de l’art du dessin en Prance,
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BEAUPLAN ( Sieur de). — Description
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de Pologne . ensemble leurs mceurs, fatjons de
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BE AUPRE . — Lettre sur le graveur Pierre
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(Nancy, 1852-63), part vi.
BEAUPRE. — Eonilles a l’ancienne Abbaye
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BEAUPRE (Jean Nicolas). — Notice sur
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D. Collin, Y. D. Collin, Hoerpin, &c. 2 parts,
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BEAURAIN ( — de, fils). — Histoire de la
Campagne du Prince de Conde en Plandres, en
1674 (par le marquis Daguesseau). With maps
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BEAURAIN (Jean de) and Count de
BOISGELIN. — Histoire militaire de Plandres, de¬
puis l’an 1690-94. 3 vols. With maps and plans of
towns and battles. 66 plates. Pol. Paris, 1756.
Another edition. Fol. LaHaye, 1776. To which
is added a vol. : Campagne de Hollande en 1672.
BEAURAIN ( — de, tbe younger) and
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dernieres campagnes du Marechal de Turenne, en
1672-75. Maps and plates. Pol. Paris, 1782.
BEAUREPAIRE (Eugene de Robillard
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dans cette ville en 1861. In the “Bulletin monu¬
mental,” vol. xxvii.
BEAUTfiS du moyen-age et de la renais¬
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Pigeac, Depping, P. Lacroix, &c. Woodcuts, and
chromolith. plates. 4to. Paris, n.d.
BEAUTEZ, les, de la Perse ; ou description
de ce qu’il y a de plus curieux dans ce royaume.
. Paris, 1672. See D.D. (A.).
82
BEAUTIES, tbe, of Nature and Art dis¬
played, in a tour throughout the world . The
second edition, greatly improved. 13 vols. With
plates. 12mo. London, 1774-75. B.M.
Earlier edition. With maps and plates. 14 vols.
12mo. London, 1763-64.
BEAUTY. — An Inquiry into tbe Original
of our Ideas of Beauty and Virtue. In two Treatises.
8vo. London, 1725. B.M.
BEAUTY. — Real and Ideal Beauty. Article
from “Blackwood’s Magazine,” December 1853.
S.K.
BEAUVAIS (Charles de). — Des Arts et
sciences humaines. De leur origine, utilitez et abus.
8 vo. Quevilly, 1638.
BEAUVAIS DE PREAU (Charles Nico¬
las). — Essais historiques sur Orleans ; ou descrip¬
tion . de cette capitale et de ses environs. 8vo.
Orleans, 1778. B.M.
BEAUVAIS. — See Catalogues, Engravers.
BEAUVAIS (Guillaume). — Histoire
abregee des Empereurs Romains et Grecs, des Im-
peratrices, des Cesars, des Tyrans et des personnes
de families imperiales, pour lesquelles on a frappe
des medailles, depuis Pompee jusqu’a Constantin
XIV. 3 vols. 8vo. Paris, 1747.
BEAUVAIS (G.). — La Maniere de discerner
les Medailles antiques de celles qui sont contre-
faites. 4to. Paris, 1739. B.M.
Another edition. 4to. Dresde, 1794.
English translation. — An essay on the means of
distinguishing antique from counterfeit coins and
medals ; translated . with notes . by J. T.
Brocket!. 8vo. Newcastle, 1819. B.M.
It is also translated into Spanish.
BEAUVALET, called SAINT VICTOR.—
Vases grecs et etrusques, tant en bronze qu’en
couleur de terre, peints d’apres sa nouvelle decou-
verte metallique par Saint Victor. Cette collection
est precedee d’une notice sur les vases. 48 numbers,
with 6 tables. Fol. Paris, 1837 (1845). B.M.
BEAUVALLET (Pierre Nicolas). — Frag-
mens d’ Architecture, Sculpture et Peinture, dans le
style antique. (De l’origine des arts, et de la deco¬
ration consideree sous un point de vue generale par
P. E. Joubert.) 2 parts. 190 plates. Pol. Paris,
an xii., 1804. B.M.
BEAUVALLET (P. N.) et NORMAND
(Ch.). — Pragmens d’Ornemens dans le style an¬
ti que....Ouvrage dans lequel on trouve reuni tout ce
• qui peut etre utile aux Peintres, Sculpteurs et Ar-
chitectes, etc. 2 vols. 144 plates. Pol. Paris,
1820. S.K.
BEAUVARLET (C.). — Catalogues de ta¬
bleaux, &c. See Catalogues.
BEAUVARLET (J. F.). - — Catalogue de
l’ceuvre . 1860. See Catalogues, Dairaine.
Notes and Queries,
May 23, ’68.
Books on Art ( under revision).
BEC
BEAUVEAU (Henri de). — Relation jour-
naliere du voyage du Levant. 8vo. Toulouse, 1608.
B.M.
Other editions : —
8 vo. Toulouse, 1615.
8vo. Toulouse, 1619.
12mo. Lyon, 1609.
12mo. Paris, 1610.
4to. Nancy, 1615. With plates.
4to. Nancy, 1619. With plates.
BE AUVEAU(Louis de). — Le pas d’armes de
la Bergere, maintenu au tournoi de Tarascon ; publie
d’apres le manuscrit de la bibliotheque du roi par
G. A. Crapelet. 8vo. Paris, 1828. B.M.
BEAUVILLE (Victor de). — Histoire de la
ville de Montdidier. With 29 plates. 3 vols. 4to.
Paris, 1858.
BEAUVOIR (Hiyer de). — Description .
du Tresor, en Reliquaires, et Joyaux d’or et d’ argent,
et en livres, donne par Jean, Due de Berry, a la
Sainte Chapelle de Bourges ; avec une introduction
. et deux notices, l’une sur les bijoux vendus a
Arnouil-Belin, apres la mort du due, et 1’ autre sur
la librairie de ce prince, par M. H. de B. 8vo.
Bourges, 1855. S.K.
BEAUX-AB,TS, l’Ecole des. — Reclamations
des El eves de l’Ecole des Beaux- Arts au sujet de la
Reorganisation de leur Ecole. Deuxieme edition,
augmentee de documents nouveaux. 8vo. Paris,
1864. S.K.
BEAUX- ARTS, l’Ecole des, Paris. — La
Reforme ^de 1’ Ecole des Beaux- Arts et l’Opposition.
Par un Eleve. 8vo. Paris, 1863. S.K.
BEAUX- ARTS, l’Ecole des, Paris. — Pro¬
gramme des Conditions d’ admission a l’Ecole im¬
perial et speciale des Beaux -Arts, annee 1863.
The same, annee 1864. 8vo. Paris, 1863, S.K.
BEAUX-ARTS, les, en Angleterre. Article
from the “ Revue des Deux Mondes,” October 15,
1857. S.K.
BEAUX-ARTS. — Etudes sur les Beaux- Arts
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BECHSTEIX (L.).— Deutsches Museum
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83
BBC
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BECKER (C.) and HEFMER-ALTENECK
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84
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BECKER (Heinrich) und FORSTER
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BECKER (Rudolf Zacharias). — Holz-
schnitte alter Deutscher Meister in den Original-
Platten gesammelt von Hans Albrecht von Derschau.
Als ein Beytrag zur Kunstgeschichte herausgegeben
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kunst imd deren Schicksale begleitet. — Gravures en
bois des anciens maitres allemands, tirees des plan¬
ches originales, recueillies par J. A. de Derschau..
Publiees avec un di scours sur la nature et l’histoire
de la gravure en bois. Three parts, German and
French, containing 13 pp., 59 plates ; 7 pp., 70
plates ; 4 pp., 58 plates. Fob Gotha, 1808-16.
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BECKER (R. Z.). — Bildnisse der Urbeber
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BECKER (Wilhelm Adolf). — Handbuch
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2nd edition, revised and enlarged, by Wilhelm
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in the text. 8vo. Leipzig, 1849.
3rd edition. 3 vols. 2 lithogr. plates, and 27"
woodcuts. 8vo. Leipzig, 1863.
English translation. — Gallus ; or, Roman Scenes
of the Time of Augustus; with notes and excur¬
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the Romans. Translated by the Rev. Frederick
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2nd edition, with additions by Karl Friedrich
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Charicles ; or, Illustration of the Private Life of
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BED
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BECKER (W. A.).— Der feuerfeste Trep-
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Dresden und Leipzig, 1804-11.
2nd edition, augmented by Wilh. Adolf Becker.
With 162 plates. Text in 8vo. Leipzig, 1832-37.
The corrections and additions also separately : —
Berichtigungen und Nachtrage zu Becker’s Au-
gusteum v.on W. A. Becker. 8vo. Leipzig, 1837.
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BECKERSTEDT (Cae. Jacob).— En Orte-
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8vo. London, 1796. 20 engravings.
New edition. With plates. London (Bohn), 1847.
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BECKFORD (P.). — Familiar Letters from
Italy. 2 vols. 8vo. Salisbury, 1805. Lond. Libr.
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BECKFORD (W.). — Italy, with sketches
of Spain and Portugal. 2 vols. 8vo. London, 1834.
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BECKFORD (W.). — Italy, Spain, and
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BEDE (E.). — Elements de Geometrie, par
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BEDESCHINI (Feanciscus Aquilanus).
Collection de cartouches d’apr&s les plus grands
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BEDFORD (County of). — Collections to¬
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BEDFORD MARBLES. — Outline engrav¬
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from marbles by Chantrey, Westmacott, Thorvald¬
sen, and Canova, after drawings by Henry Corbould.
Fol. London, 1822.
In an appendix : A dissertation on the Lanti
vase, by James Christie, 2 leaves. And : On the
ancient Hymn to the Graces, by Ugo Foscolo, 23 pp.
BEDFORD MINIATURES.— See Cata¬
logues, Bone.
BEDFORD (F., the younger). — Examples
of ancient Doorways and Windows, arranged to
illustrate the different styles of Church Architecture
from the Conquest. Square 16mo. (A chart.)
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BEDFORD (F.). — A Chart of Anglican
Church Ornament, wherein are figured the Saints
of the English Kalendar, with their appropriate
Emblems. The different styles of Stained Glass,
z 85
BED
Universal Catalogue of
f Notes and Queries,
\ May 30, ’68.
and various sacred symbols and ornaments used
in churches. Square 16mo. London (1856). S.K.
Earlier editions. 8vo. London, 1843, 1844.
BEDFORD (E.). — A chart illustrating the
Architecture of Westminster Abbey. (Single sheet.)
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BEDFORD (F.). — The Holy Land, &c.
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BEDWELL (Thomas). — Mesolabium Archi-
tectonicum, that is, a most rare and singular In¬
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measuring of Plaines and Solids by the foote : publ.
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BEDWELL (W.). — A briefe description of
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BEECHEY (F. W.) and (H. W.).— Pro¬
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Coasts of Africa in 1821 and 1822, comprehending
an account of the Syrtis and Cyrenaica ; and of the
ancient cities composing the Pentapolis, and other
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BEECHEY (E. W.) and (H. W.).— Narra¬
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BEECHEY (Henry William). — The Lite¬
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BEEJAPORE. — Principal buildings at B. ;
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BEELDSNIJDER (Joannes Jacobus).—
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86
BEERENDRECHT (J. P.).— See Costumes.
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BEEST (Albertus van). — Notice biogra-
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Grand’ Bretagne, et de l’lrlande ou sont exactement
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la religion, les mceurs des habitans, etc. 8 vols.
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BEGBIE (Patrick). — On the purple Dye of
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virorum illustrium et eruditorum, ex antiquis lapi-
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BEGER (L.). — Thesaurus ex Thesauro
Palatino selectus, sive Gemmarum et Numismatum
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BE GER (L. ) . — S picelegium Antiquitatis
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BEGER (L.). — Thesaurus Brandenbur-
gicus selectus, sive Gemmarum et Numismatum
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BEGER (L.). — Crana3 Insula Laconica,
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quam Raphael Fabrettus edidit Iliaca, delineatum,
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BEGER (L.). — Hercules Ethnicorum ex
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With 16 engravings and 8 plates of costume.
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Woodcuts. 4to. Franckfurt (Chr. Egenolf), 1546.
Other editions : —
4to. Franckfurt, 1552.
S. Beham’s Kunst und Ler Buchlin, Malen und
Reissen zu lernen, nach rechter Proportion, Mass
und aussteylung des Circkels, etc. 4to. Franckfurt,
1565. B.M.
S'. Behems Kunst und Lehr Buchlin, Malen unnd
Reissen zu lernen, nach rechter Proportion, Mass
und ausstheilung dess Circkels. 4to. Franckfurt,
1582. B.M.
Also: 4to. Franckfurt, 1605.
BEHEIM (J. Car., A.M.). — Diss. de tabu-
lariis sacris veterum Christianorum ; resp. G.
Christoph. Beheim. 4to. Altd., 1722. Bodl.
BEHNES (W.). — Nelson testimonial; a
letter to the committee appointed to select a design.
8vo. London, 1839. B. Arch.
BEHNES S. — Instrument for Sculptors.
2 plates. In “ Transactions of the Society of Arts ”
(London, 1820), vol. xxxvii. B.M.
BEHR (Christophorus). — De Muris Urbis
Romae Conjectura. 4to. 1689. B.M.
BEHR (Kamill) . — Genealogie der in Europa
regierenden Fiirstenhauser, nebst der Reihenfolge
sammtlicher Papste. 2 vols. 47 heraldic plates.
4to. Leipzig, 1855.
BEIJNEN (L. R.). — Gallait’s Lijken van
Egmond en Hoorne, beschouwd door L. R. B.
8vo. ’s Gravenhage, 1854. B.M.
BEIN. — Ancient and modern Engravings.
See Catalogues, Sale, 1858.
BEISSEL (Rev. John P. J.).— Guide to
Aix-la-Chapelle Cathedral, with a list of the relics,
and a description of the reliquaries, antique vest¬
ments, &c., belonging to the Cathedral. With
illustrations. 8vo. Aix-la-Chapelle, 1860. S.K.
BEJARD. — Recueil des titres, qualites,
blazons et armes des seigneurs barons des estats
generaux de la province de Languedoc. Avec des
blasons. Fol. Paris, 1655. T.C.D.
BEKE (Charles Tilstone). — Description of
the ruins of the Church of Martula Mariam. (From
the “ Archseologia,” vol. xxxii.). 4to. London,
1847. B.M.
BEL (Matthias) . — Hungariae antiquse et
novae prodromus. Plates. Fol. Norimbergae, 1723.
87
BEL
Universal Catalogue of
Notes and Queries,
May 30, ’68.
BEL (M.). — Notitia Hungarise novse geo-
graphico-historica. 4 vols. Maps and plates. Fol.
Viennse Austrise, 1735-42.
BELANGER (Ch.). — Voyage aux Indes
orientates, par le nord de l’Europe, les provinces du
Caucase, la Georgie, l’Armenie, et la Perse ; suivi de
details topographiq., statisq., &c., sur le Pegou, les
lies de Java, de Maurice et de Bourbon, &c., de
1825 a 1829. 6 vols. in 8vo, and atlas in 4to.
Many plates, some coloured. 8vo. Paris, 1830, &c.
BELCARI (Feo.). — Istoria e Vita di S.
Bernardino. Woodcut front. 8vo. (Perugia), n.d.
4to. Firenze, 1615. With 2 woodcuts.
BELCARI (F.). — Rappresentazioni, ed altre
poesie. With woodcuts. 8vo. Firenze, 1833.
BELFAST (Ireland). — The History of the
Town of Belfast. To which are added a statistical
survey of the parish of Belfast, and a description of
some remarkable antiquities in its neighbourhood.
8vo. Belfast, 1823. B.M.
BELFAST. — Twenty-one Views in Belfast
and its neighbourhood. 4to. Dublin, 1836. B.M.
BELFAST and its environs ; with a tour
to the Giant’s Causeway. 8vo. Dublin, 1842. B.M.
BELGES, Les, illustres, par MM. Allmayer,
Barrin, &c. With portraits and woodcuts. 3 vols.
8vo. Bruxelles, 1844-45.
BELGIQUE, La, monumentale, historique et
pittoresque, &c. 2 vols. With 63 engravings, 6
coloured plates, and 200 woodcut vignettes. 8vo.
Bruxelles, 1843-45.
BELGIUM. — Carte de la Belgique, d’apres
Ferraris, augmentee des plans des six villes prin¬
cipals, &c. 42 leaves. Fol. Bruxelles, n. d. Bodl.
BELGIUM. — Celebriorum pietorum Belgii
effigies. Fol. Amsterdam, 1618. Bodl.
BELGIUM. — Urbium totins Belgii sen Ger¬
manise inferioris nobiliorum et illustriorum tabulae.
Fol. Amsterdam, 1657. T.C.D.
BELGIUM. — A Collection of all the remark¬
able towns, cities, and forts in the Seven United
Provinces, with a map of Belgium by Fr. de Wit,
plans of the Cities of London and Paris, and of
Luxemburgh and Strasburgh. Fol. Amsterdam,
n.d. B.M.
BELGIUM. — Belgisch Mnsenm voor de
nederduitsche tael en letterkunde en de’geschiedenis
des vaderlands, uitgegeven door J. F. Willems. 10
vols. Plates. 8vo. Gent, 1837-46.
BELGIUM. — Vaderlandsch Mnsenm voor
nederduitsche letterkunde, oudheid en geschiedenis,
uitgeg. d. C. P. Serrure. 3 vols. Plates. 8vo.
Gent, 1855-60.
BELGIUM. — Arrangement of the fronts of
houses in B. See Donaldson (T. L.). 1843.
BELGIUM. — Ancient Monuments of B. See
Haghe (L.), and Delepierre (O.). 1845.
88
BELGIUM. — Architectural grandeur. See
Wild (C.). 1837.
BELGIUM. — Building stones in B. See
Serrure (L.). 1839.
BELGIUM. — Buildings in B. See Godwin
(G.). 1843.
BELGIUM. — Restauration des monuments
publics. See Weale (W. H. J.). 1862.
BELGRADO (Jacopo, Count). — Ad virum
eruditiss. Scipionem Maphejum Epistolse IV. de
rebus physicis et antiquis monumentis sub Betina
recens inventis. Large 8vo. Yenetiis, 1749.
Cicogn.
BELGRADO (J., Count). — Dell’ Architet-
tura Egiziana, etc. (By Count B.) 4to. 1786. B.M.
BELHOMME (J. B. G.).— Reeherches sur
l’origine de la ville de Castres. In “ Memoires
de la Societe Archeologique du Midi de la France,”
vol. i. (Toulouse, 1832-3.)
BELHOMME (J. B. G.).— Oratoire Saint
Exupere a Blagnac. The same, vol. ii. (1834-35).
BELHOMfME (J. B. G.). — Rapport, et ob¬
servations concernant d’antiques ornements en or
trouves pres de Toulouse. Plates. The same, vol.
iv. (1840-41).
BELHOMME (J. B. G.). — Observations au
sujet d’une ancienne croix de bois avec peintures.
Plates. The same, vol. v.
BELICI (Giov. Batt.). — Nuova inventione
di fabricar fortezze di varie forme. With many
plates. Fol. Ven., 1598.
BELIDOR (Bernard). — Architecture hy-
draulique, Ou l’art de conduire, d’elever et de ma¬
nager les eaux pour les differens besoins de la vie.
4 vols. With plates. 4to. Paris, 1737-53.
Other editions : —
4 vols. 4to. Paris, 1780.
With new title, 1810.
With notes and additions by Navier. 4 vols. 4to.
Paris, 1819-41.
In Italian, by B. Soresina. 4 vols. 4to. Mantova,
1835-40.
In German. 2 vols. 229 plates. Fol. Augsburg,
1740-71.
BELIDOR (B.). — La Science des Ingenieurs
dans la conduite des travaux de fortifications et
d’ architecture militaire. 4to. Paris, 1729. B. Arch.
Other editions : —
4to. Paris, 1739. 4to. Paris, 1749.
2 vols. 4to. La Haye, 1734.
4 to. 1775.
Italian edition. 4to. Milano, 1832.
Also: 4to. Milano, 1840. With 54 plates.
German edition. With 54 plates. 4to. Niirnberg,
1757.
BELIDOR (B.). — Le Bombardier fran^ois.
4to. Paris, 1731.
4to. Amsterdam, 1734. With plates.
No June G/el!'165’ } Books on Art {under revision).
EEL
BELIDOR (B.) . — Dictionnaire del’ingenieur
et de 1’artilleur. Ed. augm. (p. Jombert). 8vo. Paris,
1768.
German translation. 2 yols. With plates. 8vo.
Niirnberg, 1801.
BELIDOR (B.). — CEuvres diverses. 8vo.
Amsterdam, 1764.
German translation, with plates. 8vo. Braun- j
schweig, 1769.
BELESTGr (Oswald). — Verdeutschete Wald-
lieder, oder zehen Hirtengesprache Virgili Maronis,
in deutsche Verse iibersetzet und erklart, nebst Bel.
Grabschrift, herausg. d. Ad. Olearum. 13 copper i
plates. 4to. Schlesswig und Hamburg, 1649.
BELL (Sir Charles, Kt.). — A Series of En¬
gravings, explaining the Course of the Nerves. By i
C. B. Royal 4to. London, 1803. S.K. j
Also : 4to. London, 1817.
BELL (Sir 0.). — Essay on the Anatomy of
Expression in Painting. By C. B. 31 plates.
4to. London, 1806. S.K.
2nd edition. With plates. 4to. London, 1824.
Other editions : —
The Anatomy and Philosophy of Expression as
connected with the Fine Arts. 4th edition. Imper.
8yo. London, 1847. * S.K.
5th edition. 8vo. London, 1865.
BELL (C. W.). — A Letter to the President
of the Manchester School of Art, on the relations
of the Department of Science and Art to the Local
Committees of Provincial Schools of Design. 8vo.
Manchester, 1853. S.K.
Other editions : —
8vo. London, 1788. And 1806.
In German. 8vo. Hamburg, 1787.
BELL (John).— New Pantheon; or, His¬
torical Dictionary of the Gods, Demi-Gods, Heroes,
.and fabulous Persons of Antiquity, &c. 2 vols. in 1.
With plates. 4-to. London, 1790.
BELL (John).— Observations on Italy. By
the late J. B. With 12 plates. Small 4to. Edin¬
burgh, 1825. S.K.
BELL (John, Sculptor). — Compositions
from Morning and Evening Prayer. 4to. London,
1844. S.K.
BELL (J.). — Rudimentary Art-Instruction
for Artizans and others, and for Schools ; prepared
at the request of the Society of Arts, Manufactures,
and Commerce. Freehand Outline. Part I. — Out¬
line from Outline, or from the Flat. Oblong 4to.
London, 1852. S.K.
Part <11. — Obj ects. 1854.
BELL (J.). — The four primary sensations
of the mind. The sublime ; the pleasing ; the low
or ridiculous ; and the unpleasing. A brief essay.
8vo. London, 1852. B.M.
BELL (J.). — British Sculpture in connec¬
tion with the Department of Science and Art. 8vo.
London, 1858. B. Arch.
BELL (J.). — Application of the Entasis to
the Obelisk. Sessional paper, 31. May 1858.
B. Arch.
See also Burgess (Rev. R.).
BELL (Henry). — An historicalEssay on the
Original of Painting. Wherein is exhibited — I. Some
probabilities as to its invention before the Flood.
II. Its commencement . and progress to the time of
Cimabue, an. 1276. 12mo. London, 1728. B.M.
BELL (Henry Glassford). — Selections from
the most remarkable Phenomena of Nature. 12mo.
Edinburgh, 1827. S.K.
BELL (J. A.). — Letter to Lord Famborough,
on the expediency of having a chartered society for
the advancement and protection of architecture.
8vo. Birmingham, 1834. B. Arch.
BELL (James Stanislaus). — Journal of a
Residence in Circassia, 1837-39. 2 vols. With
plates. 8vo. London, 1840.
In French. 8vo. Zurich, 1841. With plates.
BELL (James S., Major). — A View of Uni¬
versal History, Literature, and the several Schools
of Painting ; synchronistically and ethnographically
presented in 25 illuminated chronological tables,
from the periods of the earliest records to the year
1842. 5th edition. Fol. London, 1842. S.K.
BELL (James). — Remains of the Architec¬
ture of the Roman provinces. Sessional paper, 4.
Nov. 1850. B. Arch.
BELL (John, of Antermony). — Travels from
St. Petersburg to divers parts of Asia. 2 vols. With
plates. Small 4to. Glasgow, 1763. Bodl.
BELL (J.). — Geometrical treatment of Sculp¬
ture. Sessional paper, 13. Dec. 1858. B. Arch.
BELL (J.). — Composite vital forms and
creatures of Art, in relation to Architecture, etc.,
and as symbols. Sessional paper, 28. March
1859. B. Arch.
BELL (J.). — Colour on Statues and Paint¬
ings. A Lecture at the Society of Arts. From the
Society of Arts Journal, April 26, 1861. S.K.
BELL (John and Charles). — The Anatomy
and Physiology of the Human Body. The seventh
edition, in which the whole is more perfectly syste¬
matized and corrected by Charles Bell. 3 vols.
8vo. London, 1829. S.K.
BELL (Peter). — An actual Survey of the
great Post road from London to Park Gate. London,
1779. Bodl.
BELL (Thomas). — An essay on the origin
and progress of Gothic Architecture ; with reference
to the ancient history and present state of the re¬
mains of such architecture in Ireland. 8vo. Dub¬
lin, 1829. B.M.
BELL (Thomas). — History of British Quad¬
rupeds, including the Cetacea. 200 woodcuts. 8vo.
London, 1837. B.M.
BELL (Th.). — Monograph of the Testudi-
nata. 48 coloured plates. Fol. London, 1836-42.
a a 89
BEL
Universal Catalogue of
f Notes and Queries,
( June 6, ’68.
BELL (Th.). — A History of British Reptiles.
Illustrated by 50 wood engravings. 2nd edition.
Svo. London, 1849. S.K.
BELL (Th.). — A History of the British
Stalk-eyed Crustacea. Illustrated by 174 wood
engravings. 8vo. London, 1853. S.K.
BELL (Th.). — The rural Album, containing
descriptive and miscellaneous poems ; with historical
notices of Barnwell and Fotheringhay castles, &c.
8vo. London, 1853. B.M.
BELL (William). — Altherthumliches Wort-
Register der Baukunst, Deutsch-Englisch, Englisch-
Deutsch. (A Vocabulary of Architecture, English-
German, and German -English. With references to
the 1700 specimens engraved in the Glossary of
Architecture published by J. H. Parker . With an
Introduction [to a History of Church Architecture]
translated and condensed from W. Liibke.) 8vo.
London and Leipsic, 1855. B.M.
BELLA (Stefano della) . — Entrata in Roma
dell’ eccelmo Ambasciatore di Polonia l’anno 1633.
Six views by S. della B., without text. Oblong 4to.
(Elorence? 1633.) B.M.
BELLA (S. della). — Desseins de quelques
eonduites de troupes, canons, et attaques de villes,
faictes par de la Belle. Oblong 4to. (Paris ? 1644.)
B.M.
1 2 numbered plates, without text.
BELLA (S. della). — Divers Embarque-
ments, faicts (i.e. designed and etched) par S. I). B.
Oblong 4to. Roma (1644). B.M.
9, plates exclusive of the engraved title ; without
text.
BELLA (S. della). — Recueil de divers Ca¬
prices et nouvelles inventions mises au jour par le
Sr. E. de la Belle, Peintre Florentin ; dessignees et
gravees par le mesme autheur. Small fol. Paris,
1646. S.K.
19 numbered plates, and frontispiece.
BELLA (S. della). — Thirteen numbered
circular plates of landscapes with ruins, cattle,
waterfalls, trees, etc., designed and engraved by S.
della B. ; without text. 4to. (Rome? 1646.) B.M.
BELLA (S. della). — Mouvelles inventions
de Cartouches designes et graves a l’eau-forte par
E. de la B. Small 4to. Paris, 1647. S.K.
12 numbered plates.
BELLA (S. della). — Ornamenti di frezi et
fogliami di S. della B. Pol. N. Langlois, Paris
(1648). B.M.
16 engravings, without letterpress.
BELLA (S. della). — Agreable diversity de
figures faites par S. D. Bella. Paris, 1659. 4to. S.K.
BELLA (S. della). — Jeux de Cartes. 1664.
See Desmarets.
BELLA (S. della). — See Duplessi-Ber-
tatjx (J.). Recueil de cent sujets . graves a l’eau-
forte . (Notes historiques sur la gravure a l’eau-
forte et les principaux graveurs en ce genre .
E. Labelle, etc.) Pr. & Eng. 1814.
90
BELLA (S. della).— See Jombert (C. A.).
Essai d’un catalogue de l’ceuvre d’E. de la Belle,
etc. 1772.
BELLAMY (D., M.A.). — The present State
of the Church of Petersham. 8vo. 1777- Bodl.
BELLAMY (Thomas). — Writing’ and Draw¬
ing made easy, amusing, and instructive. Contain¬
ing the whole Alphabet, in all the characters now
used, both in Painting and Penmanship ; each illus¬
trated by emblematic devices and moral copies,
calculated for the use of schools, and curiously en¬
graved by the best hands. Oblong 8vo. London,
n.d. S.K.
BELLANGE (Hippolyte). — Collection des
types de tous les corps et les uniformes milit. de la
Republique et de l’Empire. 50 coloured plates.
Portraits of Napoleon, Prince Eugene, Murat, and
Poniatowski. 8vo. Paris, n.d.
In German. — Die Soldaten der franzosischen Re-
publik und des Kaiserreichs. Leipzig, 1843.
BELLANGER (F. J.). — Notice historique
sur B. See Loiseau (N. N.). Paris, 1848.
BELLANGER (Stanislas).— La Touraine
ancienne et moderne, avec une preface par l’Abbe
Orsini. 32 plates, and vignettes. 8vo. Paris, 1845.
BELLAY (Ioachim du). — Le premier Livre
des Antiquitez de Rome, contenant une generale
Description de sa Grandeur et comme une Deplora-
tion de sa Ruine. 4to. Paris, 1558. B.M.
4: to. Paris, 1562. B.M.
BELLE (C. L. Marie Anne). — Catalogue
des Tableaux de B. See Catalogues, Sale. Paris,
1809.
BELLE (Domenico). — Sposizione delle Pit-
ture in muro del Palazzo Ducale di Sassuolo, Villeg-
giatura de’ Principi Estensi. Svo. Modena, 1784.
Cicogn.
BELLE ASSEMBLEE, La, from the com¬
mencement in 1806 to the present time. In monthly
parts. With portraits and plates of costume. Svo.
London, 1806-1832.
BELLEGAMBE (Jean). — Recherches sur
la vie de B. See Asselin (M. A.). 1864.
BELLEGAMBE (Jean).— See Preux (Au¬
guste).
BELLEGAMBE (J. ). — See Wauters
(Alph.).
BELLENGHI (Albertino) . — Dissertazione
sugli antichi battisterj. 4to. Roma, 1825. Bodl.
BELLENGHI (A.). — Sul pregio della ba¬
silica Classense e del suo monasterio annesso in
Ravenna. 8vo. Roma, 1827. Bodl.
BELLERMANN (Christian Friedrich). —
Ueber die altesten christlichenBegrabnissstattenund
besonders die Katacomben zu Neapel mit ihren
Wandgemalden. Ein Beitrag zur christlichen Alter-
thumskunde. 12 coloured plates, and 3 diagrams.
4to. Hamburg, 1839. S.K.
Notes and Queries,
June C, ’68.
BEL
Boohs on Art ( under revision).
BELLERMANN (Johann Joachim). — Ver-
such einer Erklarung einiger morgenlandischen
Talismane, welche Gliickwiinsche sinnbildlicli dar-
stellen. 1 plate. 8vo. Erfurt, 1817.
BELLERMANN (Johann Joachim). — Ver-
such iiber die Gemmen der Alten mit dem Abraxas-
Bilde. 3 Programme. 8yo. Berlin, 1817-19.
BELLERMANN (J. J.).— Ueber die Scara-
baen-Gemmem ; nebst Yersuelien, die darauf be-
findlichen Hieroglyphen zu erklaren. 2 Programme.
8 vo. Berlin, 1820-21.
BELLETT (George). — Antiquities of the
Town and Castle of Bridgenorth. 12mo. Loudon,
1856.
BELLEVILLE (Phil, de).— Theatre d’his-
toires, &c. With curious copper-plates. 4to. Brux¬
elles, 1613. B.M.
Another edition. 4to. Bruxelles, 1630. B.M.
BELLEY (Abbe). — Remarques sur les
pierres gravees du cabinet de M. le Due d' Orleans.
Plates. Large 4to. n. p. 1758. Cicogn.
BELLEZZE de recami et dessegni, opera
nova nel quale si retrovano varie et diversi sorti di
mostre, di punti tagliati, et punti in aiere, a fogli-
ami, punti in stuora, et altre sorte. 20 plates. Ob¬
long 8vo. Yenetia, 1558.
The same, with the following additions : —
II Monte Opera nova di recami dove trovansi
varie mostre dipunto in aere. 16 plates. Venezia,
1557.
Le Pompe Opera nova per far cordelle d’oro, di
seta, di filo, &c. . 16 plates. Venezia, 1557.
Lo Splendore delle virtuose giovani con varie
mostre di fogliami e punti in aere. Per Iseppo
Foresto in calle dell’ acqua a S. Zulian all’ insegna
del Pellegrino. 16 plates. Venezia, 1558.
Le Gloria et l’honore de ponti tagliati et ponti
An aere. Per Mathio Pagan in Frezzeria al segno
della Fede. 16 plates. Venezia, 1559.
Trionfo di Virtu Libro nova da cucir, con fogli¬
ami, ponti a fili, cruciati, &c. 16 plates. Venezia,
1559.
Burato, questi sono quattro foglietti con mostre
di tela chiara a quadretti per fare opere di
punto in varie larghezze, ove e marcata gradata-
mente l’opera piu o meno fitta e sta in gran carat-
teri a retro dell’ ultima pagina. P. Alex. Pag. Be-
nacenses F. Bena V. V.
In one vol. Frontispiece to each work. In all 104
sheets, with over 200 plates. See Vinciolo, Pas-
serotti, Vavassore. Cicogn.
BELLI (Francesco). — Catalogo della Col-
lezione di pietre usate dagli antichi per eostruire ed
adornare le loro fabbriche . ora posseduta dal
Conte S. Karolyi. 8vo. Roma, 1842. B.M.
BELLI (Jacopo). — Galeria nel palazzo Far-
nese in Roma del duca di Parma, etc., dipinta da
Annibale Caracci. Fol. n. p. (1641.) T.C.D.
BELLI (Onorio). — A description of some
important Theatres and other remains in Crete.
(Translated into English) from a MS. history of
Candia (in Italian) by O. B. in 1586. Being a
supplement to the “ Museum of Classical Antiqui¬
ties.” By E. Falkener. 8vo. London, 1854. B.M.
BELLI (Silvio) . — Quattro libri geometrici.
II primo del misurar colla vista ; gli altri tre sono
della proporzione, e proporzionalita. Woodcuts.
Small 4to. Venezia, 1595. Cicogn.
1st vol. published separately in 1565, 1569, 1570,
and 1573 ; the other three in 1573.
BELLIARD (Jean F^lix Marius Zephirin).
Dames de la Cour du XIIe, XIIP, XIVe, XVC et
XVIe siecles, lithographiees par MM. Belliard,
Sudre, Bazin et Vallou de Villeneuve. 44 coloured
plates, without letterpress. Fol. Paris (1840?).
B.M.
BELLICARD (Jerome Charles). — Obser¬
vations upon the Antiquities of the Town of Her¬
culaneum, discovered at the foot of Mount Vesu¬
vius (translated from the French of J. C. B. and
C. X. Cochin). 42 plates. 8vo. London, 1753.
B.M.
BELLICARD (J. C.). — Observations sur les
Antiquites d’Herculanum, avec quelques reflexions
sur la peinture et la sculpture des anciens, et une
courte description de plusieurs antiquites des en¬
virons de Naples. Par MM. Cochin et B. 2e
edition. 8vo. Paris, 1757. B.M.
BELLIER DE LA CHAVIGNERIE
(Emile). — Reelierclies historiques, biographiques et
litteraires sur le peintre Lantara. Avec la liste de
ses ouvrages, son portrait, et une lettre apologetique
de M. Couder. 8vo. Paris, 1852. B.M.
BELLIER DE LA CHAVIGNERIE (£.).—
Biographie et catalogue de l’ceuvre dugraveur Miger.
. On vr age suivi de plusieurs tables. Svo. Paris,
1856. B.M.
BELLIERE (Claude de la). — La Physio-
nomie raisonnee, ou secret pour connoitre les incli¬
nations paries regies naturelles. 12mo. Lion, 1681.
Cicogn.
BELLINI (Filippo) . — Cenni intorno alia
vita ed alle opere di Antonio Allegri denominato II
Correggio. 8vo. Parma, 1844. B.M.
BELLINI (Giovanni, Painter). — Elogio sto-
rico di G. B. See Aglietti (Francesco).
BELLINI (Gentile). — Columna Theodo-
siana. See Menestrier (C. F.).
BELLINI (G.). — G. B. e pittori contempo-
reani. Svo. Venezia, 1840.
BELLINI (Vincenzo). — De Monetis Ita-
liae medii sevi hactenus non evulgatis, quae in Patrio
Museo servantur una cum earumdem iconibus.
Plates. 4to. Ferrariae, 1767. Cicogn.
Another edition. 4to. Ferrariae, 1774. Bodl.
Also: 4to. Ferrariae, 1775-79.
BELLINI (V.). — Dell’ antica Lira Ferra-
rese di Marcheseni, detta comunemente Marche-
sana: Dissertazione. Woodcuts. 4to. Ferrara,
1754. Cicogn.
91
EEL
f Notes and Queries,
1 June 6, ’68.
Universal Catalogue of
i
BELLINI (V.). — Delle monete di Ferrara.
With plates. 4to. Ferrara, 1761. Bodl.
BELLOC (Auguste). — Traite theorique et
' pratique de la Fhotographie sur Collodion, etc. 8vo.
Paris, 1854. B.M. |
BELLOC (A.). — Compendium des quatre j
branches de la photographic, etc. 8vo. Paris j
(1858). B.M. j
BELLOC (A.). — Le Catechisme de T opera- j
tenr photographe ; traite complet de photographie
snr collodion, etc. 8vo. Paris (1857). B.M. j
BELLOC (A.). — Causeries photographi-
ques, &c. 12mo. Paris (1861). B.M. j
BELLOMO (Giovanni). — Elogio di Liberale |
* Cozza, pittore. 8vo. Venezia, 1821.
BELLONIUS (P.).— See Belon (P.).
BELLOBI (Gioyanni Pietro). — J. Pv B.
noteein numismata turn Epliesia, turn aliaruniurbium j
apibus insignita. 4to. Romse, 1656. B.M.
BELLOBI (Giovanni Pietro). — Veteres ar¬
cus Augustorum triumphis insignes, ex reliquiis quse
Romse adhuc supersunt, cum imaginibus triumpha-
libus restituti, antiquis nummis notisque J. P. B.
illustrati; nunc primum per Jo. Jacobum de Rubeis
seneis typis vulgati. 52 plates. Large fol. Romse,
1690. S.K.
The greater number of these plates is also to be
found in the work : Admiranda Romanarum antiq.
ac veter. sculpturse vestigia. See Bartoli (P. S.).
Another edition, by C. Pea. Fol. Roma, 1824.
BELLOBI (Giovanni Pietro). — J. P. B. ad-
notationes, nunc primum evulgatse in duodecim
priorum Csesarum numismata, ab iEnea Vico olim
edita noviter additis eorumdem Csesarum imaginibus.
(Edited by B. Amidei.) 84 plates. Fol. Romse,
1730. B.M.
BELLOBI (Giovanni Pietro). — Dialoghi
sopra le tre Arti del Disegno (between G. B. and
Carlo Maratti. By G. Bottari). 8vo. Lucca, 1754.
B.M.
BELLOBI (Giovanni Pietro). — Le vite de’
pittori, scultori ed architetti modern! Parte prima.
12 portraits. 4to. Roma, 1672. B.M. j
“ A second part was left in MS. by the author ; j
but it is not certain that it has been printed.”
2nd edition. — Le vite de’ pittori . co’ loro |
ritratti al naturale. In questa seconda edizione ;
accresciute colla vita e ritratto del Cav. D. Luca ;
Giordane. 13 portraits, and 2 other plates. 4to. •
Roma, 1728. S.K.
Another edition. 3 vols. 8vo. Pisa, 1821. B.M.
This forms vol. xiii.-xv. of the “ Collezione di
ottimi scrittori Italiani in supplemento ai Classici
Milanesi.”
BELLOBI (Giovanni Pietro). — Fragments
vestigii veteris Romse ex lapidibus Farnesianis,
nunc primum in lucem edita, cum notis J. P. Bello-
rii. 20 plates, and vignettes. Fol. Romse (1673).
B.M.
Reprinted in the 4th volume of Gronovius, The¬
saurus antiq. rom. Also with the title: — Ichnogra-
phia veteris Romse, xx. tabulis comprehensas. Frag-
menta vestigii vet. Romse, cum notis. J. P. B.
Aecesserunt alise vi. tabulse ineditse cum notis.
(Edited by X. Canale.) Fol. Romse, 1764. B.M.
BELLOBI (Giovanni Pietro). — Scelta di
Medaglioni piu rari nella Bibliotheca dell’ eminen-
tiss. et reverendiss. Principe il Signor Cardinale
Gasparo Carpegna. 4to. Roma, 1679. B.M.
BELLOBI (Gtovanni Pietro). — Veterum
illustrium philosophorum, poetarum, rhetorum et
oratorum imagines, exvetustis nummis, gemmis, her-
mis, marmoribus, aliisque antiquis monumentis de-
sumptse. 92 plates. Fol. Romse, 1685. S.K.
Another edition. Fol. Romse, 1739.
BELLOBI (Giovanni Pietro). — Selecti
nummi duo Antoniniani, quorum primus anni novi
auspicia, alter Commodum et Annium V erum Csesare s
exhibet. Ex bibliotheca Camilli Cardinalis Maximi,
editi a J. P. Bellorio. 12mo. Amstelodami, 1685.
B.M.
BELLOBI (Giovanni Pietro) . — See Bartoui
(Pietro Santi).
BELLOBI (Giovanni Pietro). — Psyches et
Amoris nuptise ac fabula . a J. P. Bellorio notis
illustrata . 1693. See Raphael.
BELLOBI (Giovanni Pietro). — Descrizione
delle immagini dipinte da Raffaello d’Urbino nel
Vaticano . 1695, &c. See Raphael.
BELLOBI (Giovanni Pietro). — Bitratti di
alcuni celebri pittori del secolo xvii . aggiunta
la vita di Carlo Maratti, scritta da G. P. B .
1731. See Maratti (C.).
BELLOTTI (Girouamo). — Medaglia enig-
matica, spiegata, ristampata. 8vo. Venezia, 1722.
B.M.
BELLOTTI (P.).— See Nicolini (G. G.).
Venezia, 1659.
BELLOTTO (Bernardo). — See Canaletto.
BELON (Pierre). — Histoire naturelle des
estranges poissons marins ; avee la vraie peincture
et description du daulphin et de plusieurs autres.
59 leaves. With woodcuts. 4to. Paris (Chaudiere),
1551.
BELON (P.). — De aquatilibus libri duo.
With plates. Oblong 8vo. Paris (C. Stephanum),
1553.
BELON (P.). — La nature et diversity des
poissons avec leurs pourtraicts, representez au plus
pr&s du naturel. (En 2 livres.) With woodcuts.
Oblong 8vo. Paris (Ch. Estienne), 1555.
There are two other translations of De Aquatili¬
bus, of the same date, with little difference in the
title — one in fol., in 7 books ; the other in 4to.
(French and Latin text), with 148 woodcuts.
BELON (P.). — De admirabili opere anti¬
quorum, et rerum suscipiendarum prsestantia : de
medicato funere, seu cadavere condito, et de medi-
camentis nonnullis, servandi cadaveris vim obtinen-
92
Notes and Queries, \
June 13, ’68. |
BEN
Boohs on Art (under revision).
tibus, libri tres : accedit de arboribus. coniferis,
resiniferis, &c. Woodcuts. 4to. Parisiis, 1553.
Cicogn.
BELON (P.). — Les observations de plusienrs
singularitez et choses memorables trouvees en Grece,
Asie, Judee, Egypte, Arabie et autres pays estranges,
redigees en trois liyres. With woodcuts. Small 4to.
Paris, Cavellat (or Corrozet), 1553.
Other editions, 1554 and 1555.
Also : 8vo. Anvers, de l’impr. de Cp. Plantin, 1555.
With woodcuts. T.C.D.
Another edition. 4to. Paris, 1588. With wood-
cuts and map.
Latin translation. 8vo. Antverpise, 1589. With
woodcuts.
BELON (P.). — L’Histoire de la nature des
oyseaux, avec leurs descriptions et naifs pourtraicts
retirez du naturel. Escrite en sept livres. With
woodcuts. Fol. Paris (Grilles Corrozet), 1555.
Some illuminated copies.
BELON (P.). — Portraits d’oyseaux, ani-
maux, serpens, herbes, arbres, hommes et femmes
d’ Arabie et d’Egypte, le tout enrichy de quatrains.
216 woodcuts. 4to. Paris (Cavellat), 1557. There
ought to be a map of Mount Athos and Sinai.
Another edition. 4to. Paris, 1618.
BELTRAMELLI (Giuseppe). — Notizie in-
torno ad un quadro esistente nella Cappella del Pa¬
lazzo della Prefettura in Bergamo. 8vo. (Berga¬
mo?) 1806. Cicogn.
BELTRAMI (Francesco). — II forestiere in-
struito delle cose notabili della citta di Ravenna e
suburbane della medesima. 8vo. Ravenna, 1783.
Bodl.
BELTRAMI (G.). — Dello insigne, &c. See
Menegheixi (Ant.). Padova, 1839.
BELTRAMINI (Matteo Marco) . — Della
Mestica, e della Pittura discorsi due. 8vo. Imola,
1796. Cicogn.
BELTZ (George Frederick, K.H., Lancas¬
ter Herald). — Memorials of the Order of the Car¬
ter, from its foundation to the present time ; with
biographical notices of the Knights in the reigns of
Edward III. and Richard II. 8vo. London, 1841.
B.M.
BELVISI (Ferdinando). — Elogio storico del
pittore Lodovico Caracci. 8vo. Bologna, 1825. B.M.
BELZONI (George). — -Narrative of the
operations and recent discoveries within the pyra¬
mids, temples, tombs, and excavations in Egypt and
Nubia, and of a journey to the coast of the Red
Sea. 4to. London, 1821. B.M.
BELZONI (G.). — Forty-four plates illustra¬
tive of the researches and operations of Belzoni in
Egypt and Nubia. Fol. London, 1820. B.M.
Six new plates illustrative of the same. Eol.
London, 1822.
BEMROSE (William) and JEWITT (Lle-
wellyn). — Manual of Wood Carving, with practical
instructions for learners of the art, and original
and selected designs ; with an introduction by L. J.
Small 4to. London, 1862. S.K.
3rd edition. Small 4to. London, 1865. S.K.
BENACCI (G.). — Storia civile, eccles. e
letteraria della citta d’lmola. With map, portraits,
and plates. 4 vols. 4to. Imola, 1810.
BENACCI (Vittorio). — Descrittione degli
apparati fatti in Bologna per la venuta di N. S. Papa
Clemente VIII., con gli disegni degli archi, &e.
With 9 etchings by Cuido Reni. Bologna, 1598.
BENARD (M., Graveur) .—Cabinet de M.
Paignon Dijonval. 4to. Paris, 1810. Bodl.
BENARD (Pierre). — L’ Architecture Fran-
9aise et les Arts qui s’y rattachent, consideres en
province au moyen-age et dans les temps modernes.
8vo. Saint-Quentin, 1860. S.K.
BENAVIDES (Marco). — Illustrium juris-
consultorum imagines ad vivam effigiem expressae
ex museo M. Benavidii. 24 plates. Eol. Romse,
1566. •
BENCIVENNI (Giuseppe). — Saggio istorico
della Reale G-alleria di Firenze. 2 vols. 8vo. Fi¬
renze, 1779.
BENCIVENNI (Zucchero). — Volgarizza-
mento dell’ esposizione del Pater nostro, testo di
lingua per la prima volta pubblicato con illustrazioni
del D. Luigi Rigoli. 26 plates. 4to. Firenze, T 828.
BENDEMANN (Eduard). — Der Fries im
Thronsaal des koniglichen Schlosses in Dresden, al
fresco gemalt von E. B., gezeichnet und radirt von
Hugo Biirkner. 16 plates. Oblong fol. Leipzig,
1852. S.K.
BENDEMANN (Eduard). — Die Gesetzge-
ber und Konige im koniglichen Thronsaale zu Dres¬
den, ausgefuhrt von E. B., in Kupfer gestochen
von E. Goldfriedrich. 16 plates. Fol. Dresden,
1858-59. S.K.
BENDEMANN (Eduard). — Die Wandge-
malde im Ball- und Concert-Saal des koniglichen
Schlosses zu Dresden, entworfen und ausgefuhrt
von E. B., radirt von H. Biirkner. Mit erklarendem
Text von J. G-. Droysen. 11 plates. 4to. Dres¬
den, 1859. S.K.
BENDEMANN (Eduard) and HUBNER
(Julius). — Der Nibelunge Lied . Denkmal zur
vierten Sacularfeier der Buchdruekerkunst. Wood-
engravings, from designs by E. B. and J. H. 4to.
Leipzig, 1840.
BENDZ (Henrik Carl Bang). — leones ana-
tomicse vulgarium Danicorum Mammalium domesti-
corum. Fasciculus osteologicus. 24 lithogr. plates.
Imper. fol. Text, 8vo. Hafnise, 1850. S.K.
BENEDETTO DA MAJANO.— II Pergamo
scolpito in marmo da B. da M., nella chiesa di
Santa Croce di Firenze . 1823. See Majano.
BENEDICTU S (Antonius) . — Numismata
Graeca non ante vulgata cum animadversionibus
Casparis Oderici. Numerous plates. 8vo. Romse,
1777. Cicogn.
B B 93
BEN
Universal Catalogue of
Notes and Queries,
June 13, ’68.
BENEKE (L.) and LINCKE (L.). — Neueste
G-arnituren moderner Mobel. Part I. 4 plates.
4to. Berlin, 1853. S.K.
BENEZACH (Charles). — The Muscles of
the Human Body, accurately delineated by C. B.
18 plates. Small fol. London, 1819. S.K.
BENINCASA (Bartolommeo, Count). — De-
scrizione della Raccolta di Stampe del C. Durazzo,
esposta in una dissertazione sull’ arte dell’ intaglio
a stampa. With portrait. 4to. Parma, 1784. B.M.
BENJAMIN (J.). — The Universal Deco¬
rator. 4to. London, 1859.
BENLOWES (Edward). — Theophila, or
Love’s Sacrifice, a Divine Poem. With engravings
and woodcuts by Hollar, Barlow, and others. Pol.
London, 1652.
“ This very extraordinary and rare book is seldom
found complete.” — Lowndes.
BENNETT (E. T.). — The Tower Menagerie ;
comprising the Natural History of the Animals
contained in that establishment, with anecdotes of
their characters and history. Illustrated by por¬
traits of each, taken from life, by William Harvey,
and engraved on wood by Branston and Wright.
8 vo. London, 1829. S.K.
BENNETT (E. T.).— The Gardens and Me¬
nagerie of the Zoological Society delineated. Vol. i.
Quadrupeds. Yol. ii. Birds. 2 vols. 8vo. London,
1835. S.K.
BENNETT (James). — The History of
Tewkesbury. 10 plates. 8vo. Tewkesbury, 1830.
B.M.
BENNETT (John Whitchurch) .--Selection
of the most remarkable Pishes found on the coast
of Ceylon, after drawings from nature. 30 coloured
plates. 4to. London, 1828-30.
BENNETT (J. W.). — Ceylon; a complete
account of the Island and its resources. With map
and plates. 4to. London, 1843.
BENOIST (Felix). — Nantes et la Loire-In-
ferieure, monuments anciens et modernes, sites et
costumes pittoresques, dessines d’apres nature par
P. Benoist et par H. Lalaisse, accompagnes de
notices histor., archeol. et descriptives, par Pitre-
Chevalier, E. Souvestre, &c. 74 plates. Pol.
Nantes, n.d.
BENOIST (F.). — La Normandie illustree :
Monuments anciens et modernes, sites et costumes
pittoresques, dessines d’apres nature par F. Benoist,
&c, ; texte par une societe de savants et de littera¬
teurs de Normandie, sous la direction de M. A.
Pottier (pour la Haute Normandie) et de M. Gr.
Mancel (pour la Basse Normandie). 3 vols. 5
frontispieces, and 150 lithogr. plates. Pol. Nantes,
1852-55. Also, 1858.
BENOIT (P. J.). — Voyage a Surinam ; de¬
scription des possessions Neerlandaises dans la
Gruyane ; cent dessins pris sur nature par l’auteur,
lithographies par Madou etLauters. Pol. Bruxelles,
1839-41. B.M.
94
BENSON (Robert). — Sketches of Corsica;
or a journal written during a visit to that island in
1823. Tinted plates. 8vo. London, 1825. B.M.
BENSON (Samuel). — A Guide to St. Sa¬
viour’s Church, Southwark. Compiled from various
sources by S. B. 12mo. London, 1862. B.M.
BENTHAM (George). — Essai sur la no¬
menclature et la classification des principales
branches d’art-et-science. 8vo. Paris, 1823.
BENTHAM (George). — Handbook of the
British Flora ; a Description of the Flowering
Plants and Perns indigenous to, or naturalized in
the British Isles. For the use of beginners and
amateurs. With engravings, from original drawings
by W. Pitch. Parts i.-xx. 8vo. London, 1863-64.
S K
BENTHAM (James). — The History and An¬
tiquities of the Conventual and Cathedral Church of
Ely, from the foundation of the monastery a.d. 673
to the year 1771. Plates. 4to. Cambridge, 1771.
S.K.
Supplement to the first edition of Mr. Bentham’s
Ely, by William Stevenson. Plates. 4to. Norwich,
1817.
The second edition, edited by W. Stevenson. 4to.
Norwich, 1812. S.K.
This edition has several plates more than the
former one.
Supplement to the second edition, by W. Stevenson,
4to. Norwich, 1817. S.K.
BENTHAM (James). — The History of Go¬
thic and Saxon Architecture in England . Com¬
piled from the works of J. B. and B. Willis. 9
plates. Fol. London, 1798. B.M.
BENTHAM (Sir Samuel). — Memoirs. See
Papers and Practical Illustrations of Public
Works, etc. Plates . 1856.
BENTHAM (Sir W.). — Papers contributed
to the “Mechanics’ Magazine.” 8vo. London,
1844-52. S.K.
BENTINCK (Countess de). — Catalogue
d’une Collection de Medailles antiques dans son
cabinet, avec le supplement. 3 vols. With plates.
4to. Amsterdam, 1787-88.
BENTINCK (Hans William, Earl of Port¬
land). — Journal of the extraordinary Embassy of
his Excellence the Earl of Portland in Prance.
French Manuscript, edited by Gr. D. J. Schotel, with
the life of the Earl, and illustrations by C. Ro-
chussen. Printed for the London Exhibition.
Plates (illustrations of dress and manners). Fol.
Hague, 1851. B.M.
BENTIVOGLIO (Guido, Cardinal).— His¬
tory of the Wars of Flanders, Englished by Henry
(Carey) Earle of Monmouth. With map, and over
20 figures. Pol. London, 1678.
BENTIVOGLIO (G.). — Las guerras de
Plandes desde la muerte del Emperador Carlos V.
hasta la conclusion de la tregua de doces anos.
Trad, de lengua Tosc. en la espan. p. Basil Yaren.
With plates. Pol. Amberes, 1687.
Notes and Queries,
June 13, ’68.
Boohs on Art {under revision).
BER
BENTLEY (Robert). — A Manual of Botany ;
including the structure, functions, classification,
properties, and uses of Plants. Illustrated by nearly
I, 200 woodcuts. 8vo. London, 1861. S.K.
BENTLEY (Thomas). — Monvment of Ma-
trones ; containing seuen seueral Lamps of Virginitie,
or distinct treatises ; whereof the first fiue concerne
Praier and Meditation, the other two last, Precepts
and Examples, as the woorthie works, partlie of Men,
partlie of Women. 3 vols. Woodcuts. 4to. Printed
by H. Denham (1582). B.M.
BENVENUTI (Niccola). — Corso elementare
di Disegno diviso in quaranta tavole, tratte dalle
piu eccellenti opere Greche e da alcune pitture di
BafFaello, disegnate, incise, e pubblicate da Giuseppe
Calendi, dirette da Pietro Benvenuti, e Raffaello
Morghen. Atlas fol. Firenze, 1808. S.K.
BENVENUTI (Pietro).— Pitture di B. . . . . .
Pisa, 1821. See Paumerini (N.).
BENVENUTI (Pietro). — Le tre porte del
battistero di S. Giovanni di Firenze, incise ed illus¬
trate. 32 plates. Fol. Firenze, 1821.
BENVENUTI (P.). — Observations sur les
peintures de la coupole de la Chapelle des Princes,
dans la basilique de Saint-Laurent, executees par
P. B. 8vo. Florence, 1837.
BENVENUTI (P.). — Monumenti sepolcrali
della Toscana, disegnati da Vine. Gozzini, incisi da
G. P. Lasinio, con illustrazioni da P. B. e L. de
Cambray Digny. Fol. Firenze, 1819. B.M.
BENVIGNAT. — Decoration interieure de la
salle de spectacle de Lille, par M. Benvignat, archi-
tecte et peintre. Notice explicative. 8vo. Lille
(1842).
BENZONI (Girolamo). — La Historia del
Mundo nuovo di G. Benzoni, la qual tratta delle
isole e mare nuovamente ritrovati e delle nuove citta
da lui proprio vedute per acqua e per terra in quattor-
deci anni. With woodcuts. 8vo. Venezia, 1565.
8vo. Venezia, 1572. Woodcuts.
Latin translation. Plates. 8vo. Geneva, 1586.
In German. Plates by De Bry. Fol. Franck-
furt, 1595. Also, 1597.
BERAIN (Jean). — Ornemens inventez par
J. B. 137 plates, engraved by Daigremont, Scotin,
and others. Fol. (Paris, c. 1670-1700.) S.K.
Chimney-pieces, and other mural decorations.
Also with the title : — CEuvres de J. B., contenant
des ornements d’ architecture. Fol. Paris, 1711-
BERAIN (J.). — Recueil de divers Mausolees,
executees pour la famille Royale de France. De¬
tailed and elaborate engravings of state funerals.
Fol. Paris (1714?). B.M.
BERAIN (J.). — CEuvres de J. B. 106 plates,
ornaments, decorations, vases, candeUbras, &c.
Atlas fol. Paris, 1725.
BERAIN ( J. ) . — Decorations interieures,
style Louis XIV., composees par J. B., dessinateur
du roi en l’an 1650, lithographiees par Arnout pere.
30 plates. Fol. Paris (1849). §.K.
This work was to have come out in 10 numbers,
with 80 plates, but was not completed.
BERAIN (J.). — Eac-simile des oeuvres de
J. B., dessinateur ordinaire de Louis XIV., par
Midart, dessinateur. 70 plates. Fol. Paris (1862).
S.K.
BERAIN (J.). — Designs by J. B. See
Hertz (J. D.).
See also Pfnor (R.).
BERAIN (J.), CHAUVEAU and LE-
MOINE. — Ornemens de Peinture et de Sculpture,
qui sont dans la Galerie d’ Apollon, au Chasteau du
Louvre, et dans le grand Appartement du Roy au
Palais des Tuilleries. Dessinez et gravez par les
Sieurs Berain, Chauveau, et Lemoine. Fol. Paris,
1710. S.K.
BERANGER (Pierre Jean de). — Gravures
des oeuvres posthumes de B. — Dernieres Chansons,
et Ma Biographie, etc. 29 steel-engravings after
designs by A. de Lemud. 8vo. Paris (1860). B.M.
BERAUD (A.). — A Louis David, peintre-.
Ode par A. Beraud. 8vo. Paris, 1821.
BERAUD (A.). — Annales de l’Ecole fran-
gaise des Beaux Arts, pour servir de suite et des
complement aux Salons de 1808-24, publies par feu
C. P. Landon. 8vo. Paris, 1827. Bodh
BERBRUGGER (Adrien). — Algerie his-
torique, pittoresque et monumentale, ou Recueil
de vues, monuments, ceremonies, costumes, armes
et portraits, dessines d’apres nature. Avec text®
descriptif des locaJites, moeurs, usages, jeux et di¬
vertissements des habitans de l’Algerie. 3 vols.
Fol. Paris, 1843-45. S.K.
BERCH (Car. R.). — De Nummis Gothorum
extra Suiogothiam. 4to. Upsalise, 1775. Bodl.
BERENDSOHN (B. S.). — Hamburg in
seiner gegenwartigen Gestalt und seine reizende
Umgebung. Herausgegeben . von B. S. B. (A
series of engravings.) 4to. Hamburg (1854-56).
B.M.
BERENDSOHN (B. S. ). — Brandenburg-
isches Album. Eine Sammlung in Stahlstich
ausgef iihrter Ansichten . herausgegeben . von
B. S. B. (Nach der Natur gezeichnet von Prof. J.
Gottheil.) Oblong 4to. Hamburg (1856-58). B.M.
BERENGER (Richard). — History of the-
Art of Horsemanship. 2 vols. in 1. Plates. 4to.
London, 1771-
BERESEORD (George de la Poer, Cap¬
tain). — Twelve sketches in double-tinted litho¬
graphy of scenes in Southern Albania. Fol. London,
1855. BJVL
BERETTINI (Pietro). — Galeria dipinta
nel Palazzo del Prencipe Panfilio, da P. B . im-
tagliata da C. Cesio vera originale. 15 plates. Fol.
G. J. Rossi, Roma (1690 ?). B.M.
Also in 16 plates by Gerard Audran.
95
BEE
Universal Catalogue of
Notes and Queries,
June 13, ’68.
BERETTIMI (P.). — Barberinee Anise Fornix
Romse, picturis admirandus cujus . imagines et
monocromata in hisce delineamentis ad similitudi-
nem adumbrata Urbani VIII. Pontificis Magni vir-
tutes exprimunt. 10 plates. Fol. J. J. de Rubeis,
Romse (1690?). S.K.
See also vol. ii. of the Galleria Farnesiana, by
Eubeis.
BERETTIMI (P.). — Pitture a Fresco di
Pietro Berettino di Cortona nel Palazzo Gran-Ducale
di Firenze. Fol. Eoma, 1691. S.K.
With Latin title : — Heroicae Virtutis Imagines,
quas P. B. pinxit Florentise in aedibus Magni Ducis
Hetruriae; cura et sumptibus J. J. de Eubeis. 24
plates. Fol. Romae (1693 ?). B.M.
BERETTHSTI (P.). — Tabulae anatomicae ;
a P. Berrettino delineatae . et a C. Petrioli notis
illustrate . 27 plates, to scale, with artists’ propor¬
tions and admeasurements. Fol. Romae, 1741. B.M.
Another edition. ...ex archetypis Pt. Berretini
expressae et in aes incisae, recensuit Fr. Petraglia.
With 27 plates, sometimes coloured. Fol. Romae,
1789.
BERG (Adam). — Mozze, Feste, e Tornei in
occasione del Matrimonio del Principe Palatino colla
Principessa Eenata di Lottaringa nel 1568 : in Mo¬
naco per Ad. Berg. In German. 15 large double
Atlas plates, coloured. Cicogn.
BERG (Ad . ) . — Mew Miint zbuecb — Und
dann wird ein Dialogus . zwischen dem Gelt und
der Armut mit angehangt. Plates. Fol. Miinchen,
1596. Also, 1604.
BERG (Albeet). — Die Insel Rbodus, aus
eigener Anschauung und nach den vorhandenen
Quellen historisch, geographisch, archaologisch, ma-
lerisch beschrieben und durch Originalradirungen
und Holzschnitte nach eigenen Naturstudien und
Zeichnungen illustrirt. 2 parts. 70 etchings, and
105 woodcuts in the text. 4to. Braunschweig.
1861. B.M.
BERG (Johan August). — Sverige framstaldt
i tafior Nittiosex litografier i tontryck med beskrif-
vande text. Lithogr. illustrations, from drawings
by F. C. Kierschou, C. S. Hallbeck, and others.
Oblong 4 to. Goteborg (1856). B.M.
BERGAMO (Stefano da). — Gli Ornati del
Coro della Chiesa di S. Pietro dei Monaci Cassinesi
di Perugia. Intagliati in legno da Stefano da Ber¬
gamo, sopra i disegni di Eaffaelle Santi da Urbino,
ora per la prima volta tutti raccolti incisi a contorno
e pubblicati. Fol. Eoma, 1845. S.K.
BERGE (Pieter van den). — Tbeatrum His-
panise, exhibens Eegni urbes, villas ac Viridarici
magis illustria, etc. (P. v. B. delineavit et sculpsit.)
With descriptions in Latin, Spanish, Dutch, and
French. Etchings. Oblong fol. Amsterdam
(1700?). B.M.
BERGER (Cheistophoeus Heneicus de). —
Commentatio de Personis, vulgo Larvis, seu Mas-
cheris. With 153 engravings on 83 sheets, of the
characters in the comedies of Terence, and portrait
of Terence. 4to. Francofurti etLipsi0e(1722). B.M.
BERGER (Daniel). — Anzeige sammtlicber
Werke von Daniel Berger, Eector und Lehrer der
Kupferstecherkunst bei der Akademie der Kiinste
zu Berlin. With portrait. 8vo. Leipzig, 1792.
BERGER (Hieeqnymus) . — Parnassus Hei-
delbergensis, omnium illustrissimae hujus Academiae
icones exhibens. Plates. Fol. (Heidelberg) 1660.
B.M.
BERGERET. — Pliytonomatotecbnie univer-
selle, c’est-a-dire l’art de donner aux plantes des
noms tires de leurs caracteres. 3 vols. in 1. 328
plates, sometimes coloured. Fol. Paris, 1783-84.
BERGERET (Pieeee Molasque). — Lettres
d’un Artiste sur l’etat des Arts en France, consideres
sous les rapports politiques, artistiques, commer-
ciaux et industriels. 2 parts. 8vo. Paris, 1848.
B.M.
BERGEROM (L. E.). — Manuel du tour-
neur, ou l’art d’apprendre a tourner seul et sans
maitre. 2e edition, revue et augm. par P. Hamelin-
Bergeron. 2 vols. 96 plates. 4to. Paris, 1819.
B.M.
1st edition. 1792-96. With plates.
BERGERY (0. L.). — Geometrie des Ecoles
primaires, comprenant le dessin lineaire, les pro¬
jections, le lever de plans de terrains et de batimens,
l’arpentage, le partage des proprietes et le jaugeage,
8vo. Lilge, 1835. S.K.
BERGIER (Micolas). — Le dessein de Fliis-
toire de Reims avec diverses curieuses remarques
touchant l’establissement des peuples et la fonda-
tion des villes de France. 5 plates. Reims, 1635.
B.M.
BERGIER (M.). — Le Bouquet royal, ou
le parterre des riches inventions qui ont servi a
l’entree du roi Louis le Juste en la ville de Reims,
par N. B . augmente des ceremonies gardees
. en son sacre, le 17 Oct. 1610 . par M. P. de
la Salle. 4to. Reims, 1637.
Earlier edition. 8vo. Paris, 1610.
BERGIER (M.). — Histoire des grands Che-
mins de l’Empire Romain. 4to. Paris, 1628. B.M.
Another edition . revue avec soin, et enrichie
des cartes et de figures. 2 vols. 4to. Bruxelles,
1728. B.M.
Also: 2 vols. 4to. Bruxelles, 1736. Plates.
Cicogn.
The most important plate is at the end, with
the following title: Tabula Itineraria ex illustri
Peutingerorum Bibliotheca, quse Aug. Vind. bene-
ficio Marci Velseri septemviri Augustani in lucem
edita.
BERGK (Johann Adam). — Scbilderung und
Abbildung der merkwiirdigsten Russischen Volker-
schaften, welche in dem jetzigen Kriege gegen
Frankrekh kampfen . dargestellt von J. A. B.
und C. G. H. Geissler. (The text being by J. A.
B., and the coloured illustrations by C. G. H.
Geissler.) 2 parts. 4to. Leipzig (1807). B.M,
Notes and Queries,
June 20, ’68.
BEE
Boohs on Art ( under revision).
BERGK (J. A.). — Beschreibung von Con-
stantinopel. 4to. Leipzig (1810). B.M.
BERGMANN (Joseph). — Medaillen auf be-
riihmte und ausgezeichnete Manner des Kaiser-
thums Oesterreich, yom 16. bis zum 19. Jahrhun-
dert. . mit biographisch-historischen Notizen. 2
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BERGMANN (Joseph). — Uebersicbt der
k. k. Ambraser Sammlung nach ihrer dermaligen
Aufstellung. 3rd edition. 8vo. Wien, 1855.
7th edition. 8vo. Wien, 1863. S.K
BERGMANN (Leo). — Der Dom zn Yerden,
des guelfischen Fiirstenstammes erhabenes Denk-
mal. Eine knrze Geschichte nnd Beschreibung
dieses Bauwerkes. 8 lithogr. plates. 4to. Han¬
nover, 1833.
BERGMANN (L.).— Die Scbnle der Bau-
kunst, etc. Numerous plates of detail. 8vo.
Leipzig, 1854, &c. B.M.
BERGMANN (L.).—Zehn Tafeln Sanlen-
Ordnungen nebst Construktion der architektoni-
schen Glieder, gezeichnet und mit erklarendem Texte
begleitet von L. B. 2nd edition. 23 pp. 4to.
Leipzig, 1854. S.K.
BERGOMENSIS (J. Ph.).— See Foresti.
BERGSTRASSER (J. A. B.). — Real-Wor-
terbuch liber die klassischen Schriftsteller der Grie-
chen und Lateiner, beides der heiligen und profa-
nen, in Erlauterung der dahin gehorigen Kiinste
und Wissenschaften. 8vo. Halle, 1772.
BERIO (Fran. M.). — Dilucidazione di nn
Vaso Etrusco ; Lettera a Monsig. Capecelatro Ar-
civescovo di Taranto. With a large plate. 4to.
Napoli, 1808. B.M.
BERJEAU (Jean Philibert). — Speculum
Humanse Salvationis : le plus ancien monument de
la xylographie et de la typographic reunies. Re-
produit en fac-simile, avec introduction historique
et bibliographique, par J. Ph. B. Royal 4to.
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BERJEAU (J. Ph.). — Geschiedenis van bet
heylighe Cruys ; or, History of the Holy Cross.
Reproduced in fac-simile from the original edition
printed by J. Yeldener in 1483. Text and engrav¬
ings by J. Ph. B. Small 4to. London, 1863.
S.K.
BERJEAU (J. Ph.). — Catalogue illustre des
livres xylographiques. Woodcuts. 8vo. Londres,
1865.
BERJEAU (J. Ph.). — The Book- worm,
edited and illustrated by J. Ph. B. Imper. 8vo.
London, 1866, &c. S.K.
BERJEAU (Philibert Charles). — The
Horses of Antiquity, Middle Ages, and Renaissance,
from the earliest monuments down to the XVIth
century. By Ph. C. B. 60 plates. 4to. London,
1864. S.K.
BERJEAU (Ph. C.). — Beggars, Rogues, and
Vagabonds. Drawn from life, by C. B. Engraved
by J. P. B(erjeau). Lithogr. plates. 4to. London,
1866, &c. B.M.
BERKELEY (Robert, Bishop of Clogher).
A J ournal from Grand Cairo to Mount Sinai and
back again, translated from MSS. ; with remarks
on the origin of hieroglyphics, &c. 4to. London,
1753. Bodl.
BERKELEY (J. le Francqvan). — Natuur-
lijke historie van Holland. 12 vols. Coloured
plates. 8 vo. Amsterdam, 1769-1811.
Notices of costume, &c.
BERKS, County of. — A Handbook for Tra¬
vellers in B., Bucks, and Oxfordshire, including a
particular description of the University and City of
Oxford, and the descent of the Thames to Windsor.
With a travelling map, and plans. 12mo. London,
I860. B.M.
One of the series entitled “ Murray’s Handbooks
for Travellers.”
BERKSHIRE. — The History of Earingdon
and the neighbouring Towns and Seats in Berkshire.
8 vo. Faringdon, 1798, Bodl.
BERLEPSCH (H. A. von).— Chronik der
Gold- und Silberschmiedekunst. Nebst Nachrichten
liber die inneren Beziehungen dieser Kunst zu dem
Munzwesen friiherer Zeiten und der Erfindung des
Kupferstiches. 8vo. St. Gallen, 1850. B.M.
BERLEZE (Abbe). — Iconographie du genre
Camelia, ou description et figures des Camelias les
plus beaux et les plus rares, peints d’apres nature
par J. J. Jung ; accompagnee d’un traite sur la
culture de cette plante, par M. l’Abbe B. 3 vols.
100 coloured plates. 4to. Paris, 1841-43.
BERLUST.— - Miscellanea Berolinensia, etc.
Plates. Berolino, 1710. See Societies.
BERLIN. — Views of Berlin, Potsdam, &e.
Oblong fol. n. p. o. d.
Views of palaces and other public buildings at
Berlin, Potsdam, &c. Fol. n.p.o.d. T.C.D.
BERLIN". — Guide de Berlin, de Potsdam et
des environs, traduit de l’Allemand, avec un plan de
Berlin et 15 vues. 8vo. Berlin, 1813. Cicogn.
BERLIN".— Notice raisonnee d’unepartie des
tableaux qui se trouvent dans le magazin de la li-
brairie du Roi, precede d’ observations sur la con-
noissance et le commerce des tableaux. 8vo. Ber¬
lin, 1804. Cicogn.
BERLUN. — Blatter des Berliner Kunst-
Vereins. See Societies.
BERLIN. — Bericht liber die Berliner Kunst-
Ausstellung im Jahre 1836. 8vo. Berlin, 1836.
BERLIN". — Bericht iiber die Berliner Kunst-
Ausstellung im Jahre 1838. 8vo. Berlin.
BERLIN and its treasures ; being a series
of views of the principal Buildings, &c., with a se¬
lection of subjects from the Royal Picture Gallery
. Accompanied by an historical descriptive ac¬
count of the Prussian Capital. 4to. Leipzig and
Dresden (1853-58). B.M.
c c
97
BEE
Universal Catalogue of
Notes and Queries,
June 20, ’68.
BERLIN. — Die Marmor-Gruppen auf der
Schloss-Briicke in Berlin. Lithogr. plates. 4to.
Berlin, 1857. B.M.
BERLIN. — Die Kunstindustrie in Berlin.
Eine Sammlung der yorziiglichsten Erzeugnisse in
Metall, Thon, Holz nnd Stein aus hiesigen Fabriken
nnd Werkstatten, &c. Plates. Pol. Berlin, 1856,
&c. B.M.
BERLIN. — Grabdenkmaler beriihmter Per-
sonen auf den Kirchhofen um Berlin. Eol. Berlin
und Potsdam, 1856, &c. * B.M.
BERLIN. — Berliner systematisehe Zeiclien-
Schule fiir Lehrer und zum Selbst-Unterricht. Fi¬
gures, animals, &c. 7 vols. Oblong 8vo. Berlin
(1853?). S.K.
BERLIN ARTISTS. — Album Berliner
Kiinstler . (1855, &c.) See Storch and Kramer.
BERLIN ARTISTS. — Lands cbaftliche Com
positionen Berliner Kiinstler. Fob Breslau (1859,
&c.). B.M.
BERLIN MUSEUM. — Koniglicbe Museen.
Abtheilung der segyptischen Alterthiimer. Die
Wandgemalde der verschiedenen Raume. 37 plates.
Oblong fol. Berlin, 1855. S.K.
BERLIN MUSEUM. — Greek and Etruscan
Vases. See Gerhard (E.).
BERMEJO (Fr. Damian). — Descrip cion ar-
tistica del Real Monasterio de S. Lorenzo del Esco-
rial y sus preciosidades despues de la invasion de
los Franceses ; escrita por El P. Fr. D. B., Monge
de la misma Casa. 16mo. Madrid, 1820. S.K.
BERMUDEZ (Juan Agustin Cean). — Dic-
cionario historico de los mas ilustres profesores de
las Bellas Artes en Espana. 6 vols. 8vo. Madrid,
1800. S.K.
BERMUDEZ (J. A. Cean). — Descripcion
artistica de la Catedral de Sevilla. 8vo. Sevilla,
1804. S.K.
Another edition. 4to. Sevilla, 1856. S.K.
BERMUDEZ (J. A. Cean). — Carta de D.
J. A. C.-B. a un amigo suyo, sobre el estilo y gusto
en la Pintura de la Escuela Sevillana ; y sobre el
grado de perfeccion a que la elevo B. E. Murillo :
cuya vida se inserta, y se describen sus obras en
Sevilla. 16mo. Cadiz, 1806. S.K.
BERMUDEZ (J. A. Cean). — Dialogo sobre
el Arte de la Pintura. (By J. A. C.-B.) 16mo.
Sevilla, 1819. S.K.
BERMUDEZ (J. A. Cean). — Noticias de
los Arquitectos y Arquitectura de Espana desde su
restauracion, por Llaguno y Amirola, ilustradas y
acrecentadas con notas, adiciones y documentos, por
J. A. Cean-Bermudez. 4 vols. 4to. Madrid, 1829.
S.K.
BERMUDEZ (J. A. Cean). — Sumario de
las Antigiiedades Romanas que hay en Espana, en
especial pertenecientes a las Bellas Artes. 4to.
Madrid, 1832. S.K.
98
BERMUDEZ (J. A. Cean). — Coleccion de
cuadros del Rey de Espana que se conservan en sus
reales palacios, museo y academia de San Fernando,
con inclusion de los del real monasterio del Esco-
rial : obra litografiada por habiles artistas baxo la
direccion de D. Jos6 de Madrazo, con el testo di D.
J. A. Cean-Bermudez. 192 plates. Atlas fol. Ma¬
drid, 1826-36.
BERMUDEZ (J. A. Cean). — Monumentos
arquitectonicos da Espana. Fol. Madrid, 1860.
BERMUDEZ DE CASTRO (Miguel).—
Descripcjion de las fiestas que el Sr. Marques de
Castel-Rodrigo, Embaxador de Espana, celebro en
esta Corte a la nueua del election de Ferdinando III.
de Austria Rey de Romanos. In verse. With 10
etchings by Claude Gelee de Lorraine. 4to. Rome,
1637. B.M.
BERMUDEZ DE PEDRAZA (Francisco).
Antiguedad y Excelencias de Granada. 4to. Ma¬
drid, 1608. B.M.
BERNAL. — See Catalogues.
See also Bohn (H. G.).
BERNARD (A.). — Recueil d’Ornemens de
la Renaissance, dessines et graves a l’eau-forte,
par A. B. 4to. Paris, 1837. S.K.
BERNARD (Auguste). — Geoffroy Tory,
peintre et graveur, premier imprimeur royal, refor-
mateur de l’ortographie et de la typographic sous
Franqois I. 2e edition, entierement refondue. 8vo.
Paris, 1865.
The first edition appeared in 1857-
BERNARD (A.). — Le Temple d’ Auguste
et la nationality gauloise. 12 plates 4to. Paris,
1864.
BERNARD (Ch.). — Genealogie de laMaison
Royale de Bourbon, avec les portraits et eloges des
princes qui en sont sortis . depuis Saint Louis
jusqu’a Louis le Juste. With a folding plate of 40
portraits. Fol. Paris, 1643. And, 1646.
BERNARD (Edward). — De mensuris et
ponderibus antiquis libri tres. Plates. 8vo. Oxo-
nise, 1688.
BERNARD (FrIdHric). — Fontainebleau et
ses environs, illustre de 21 vignettes sur bois.
12mo. Paris, 1853. S.K.
BERNARD (J.). — Le voyage de Hierusalem
et autres lieux de la Terre Sainte, avec son retour
par l’Ttalie, Suisse, Allemagne, Hollande et Flan-
dre. Plates. 8vo. Paris, 1621.
BERNARD (Jean). — Discours des plus
memorables faicts des roys et grands d’Angleterre,
depuis 500 ans, avec les genealogies des reynes
d’Angleterre et d’Ecosse ; et un traite de la guide
des chemins, et descriptions des principales villes,
chateaux et rivieres d’Angleterre. 8vo. Paris,
1579. And, 1587.
BERNARD (Jean Frederic). — Ceremonies
et coutumes religieuses de tous les peuples du monde,
representees par des figures de la main de B. Picard,
Notes and Queries, )
June 20, ’68. j
Books on Art ( under revision).
BEE
avec une explication historique, et dissertations (re¬
digees par J. Fr. Bernard et d’autres). 5 vols.
Fol. Amsterdam, 1723-37. T.C.D.
BERNARD (J. E.). — Ceremonies, etc. des
peuples idolatres, representees par des figures de la
main de B. Picard, avec une explication historique,
etc. (redigees par J. Er. Bernard et d’autres). 2
rols. Eol. Amsterdam, 1723-28. T.C.D.
BERNARD (Pierre Joseph, called Gentil).
(Euvres completes. Plates by Charles Eisen. 8vo.
Paris, 1795.
(Euvres. Plates after Pierre Paul Prudhon.
4to. Paris, 1797-
BERNARD (Le Petit). — See Salomon (Ber¬
nard, called “le petit Bernard”).
BERNARD (Abbot).— Basilica SS. Udalrici
et Afrse, Imperialis Monasterii Ord. S. Benedicti
Augustse Yindelicorum. Historice descripta atque
seneis figuris illustrata. 2nd edition. Small fol.
Augustse Vindelicorum, 1653. S.K.
BERNASCONI (Cesare). — II Pisano, grand’
artefice Veronese della prima meta del secolo deci-
moquinto, considerato primieramente come pittore
e di poi come scultore in bronzo. Memorie del
Dottor C. B. 44 pp., and a photograph. 8vo.
Verona, 1862. S.K.
BERNATTI (A.).— Sull’ Arcbitettura .
with plates by A. B . 1817. See Beccega (Tom-
maso C.).
BERNATZ (Johann Martin). — Bilder ans
“dem heiligen Lande. 40 ausgewahlte Ansichten
biblisch wichtiger Orte, in Begleitung des Herrn
Hofrath Dr. von Schubert treu nach der Natur auf-
genommen und gezeichnet. Lithogr. von Emmin-
ger und Federer. 4 parts. Oblong fol. Stuttgart,
1838.
For another edition see Schubert (G-. H. von),
Album des heiligen Landes. 50 Original- Ansichten,
nach der .Natur gezeichnet von J. M. B., &c.
BERNATZ (J. M.). — Scenes in Ethiopia,
drawn and described by J. M. B. 48 coloured
plates. 2 vols. Oblong fol. Munich and London,
1852. B.M.
Another edition, with German text. — Bilder aus
Aethiopien. 51 chromolithogr. plates. 2 parts.
Fol. Hamburg, 1854.
BERNCASTLE (Julius). — A Voyage to
China ; including a visit to the Bombay presidency,
the Mabratta country, the cave-temples of Western
India, Singapore, the straits of Malacca and Sunda,
and the Cape of Good Hope. 2 vols. 8vo. London,
1851. B.M.
BERND (Chr. Samuel Theodor). — Wap-
penbuch der Preussischen Rheinprovinzen. 2 parts.
192 lithogr. plates. 8vo. Bonn, 1823.
BERND (Chr. S. T.). — Allgemeine Schrif-
tenkunde der gesammten Wappenwissenschaft. 4
vols. 8vo. Bonn, 1830-41.
BERND (Chr. S. T.). — Die Hauptstiicke
der Wappenwissenschaft. 2 vols. 38 plates. 8vo.
Bonn, 1841-49.
The 1st part with separate title : — Das Wappen-
wesen der Griechen und Homer und anderer alten
Volker. With 18 plates. 8vo. Bonn, 1841.
The 2nd part with title : — Die allgemeine Wap-
penwissenschaft in Lehre und Anwendung. With
20 plates. 8vo. Bonn, 1819.
BERNDT (Fr.). — Ornamente in alien Sty-
len, von F. B. Lithogr. plates. Fol. Wien, 1846,
&c.
BERNDT (Friedrich). — Systematische Or-
namentenschule, meistens nach Motiven deutscher
Gewachse. 4 parts. 24 lithogr. plates, and 10 pp.
text. 4to. Leipzig, 1860.
BERNDT (F.). — Rapporte der Manufactur-
zeichnung nebstFantasieEntwicklung. FiirKunst-
ler, Industrielle, Decorateurs, &c. 6 lithogr. plates,
and 10 pp. text. 4to. Leipzig, 1862. B.M.
BERNES (Juliana, Dame). — Begin. This
present boke shewyth the manere of hawkynge, and
huntynge : and also of diuysynge of Cote armours.
It shewyth also a good matere belongynge to
horses: wyth other comendable treatyses. And
ferdermore of the blasynge of armys, as here after
it maye appere. End. Here in this boke afore ben
shewed the treatyses perteynge to hawkynge and
huntynge with other dyuers playsaunt materes be¬
longynge unto noblesse: and also a ryght noble
treatise of Cot armours as in this present boke it
may appere. Enprynted at Westmestre by Wynkyn
the worde, the yere of thyncarnacon of our Lorde
mccccexxxxvi. Woodcuts. Fol. Westminster,
1496. B.M.
BERNES (Juliana, Dame). — The Gentle¬
mans Academie, or The Booke of St. Albans ; con¬
taining three most exact and excellent Bookes : the
first of Hawking, the second of all the proper termes
of Hunting and the last of Armorie : all compiled
by Juliana Barnes in the yere from the incarnation
of Christ 1486: and now reduced into a better
method by G(ervase) M(arkham). 4to. London,
1595. B.M.
BERNES (Juliana, Dame). — The Book con¬
taining the treatises of Hawking: Hunting: Coat-
armour : Fishing : and Biasing of Arms. As printed
at Westminster by Wynkyn de Worde, the year
of the Incarnation of Our Lord mccccexxxxvi.
(With biographical and bibliographical notices by
J. Haslewood.) Fol. London, reprinted, 1810.
B.M.
BERNE WITZ (G. yon, Baron).— Die St. Ma-
rienkirche zu Zwickau. 2 parts. 11 lithogr. plates,
and lithogr. dedication. Fol. Annaberg, 1839-40.
BERNHARD (Duke of Saxe- Weimar). —
Heise durch Kord-Amerika in den Jahren 1825
und 1826. Herausgegeben von H. Luden. 3 vols.
With 25 vignettes, 4 plates, and 8 maps. 8vo.
Weimar, 1826-30*
BERNI (Francesco). — II Torneo a piedi, e
l’invenzione ed allegoria colla quale il Sig. Borso
99
BEE
Universal Catalogue of
Notes and Queries,
June 20, ’68.
Bonacossi compari a mantenerlo, e l’Alcina favola
pescatoria fatta rappresentare alia presenza di tre
A. S. di Mantova nel Carneyale dell’ anno 1631. 6
plates. 8vo. Ferrara. Cicogn.
BERNI Y CATALA (Jos.).— Creacion, an-
tiguedad y privilegios de los titulos de Castilla.
Portraits of the Kings. Fol. Valencia, 1769.
BERNIER (FRANgois). — Voyages. 2 vols.
With plates. 12mo. Amsterdam, 1699, 1710, and
1724.
BERNIER (Jean). — Histoire de Blois, con-
tenant les antiquitez et singularitez du Comte de
Blois, les 61oges de ses comtes, et les yies des hom-
mes illustres qui sont nez au Pais Blessis, ayec les
noms et les armoiries des families nobles, etc.
4to. Paris, 1682. B.M.
BERNINI (Giovanni Lorenzo). — See Ber¬
nino (G. L.).
BERNINO (Domenico). — Vita del Cav. Gio.
Lorenzo Bernino suo Padre. Portrait. 4to. Roma,
1713. Cicogn.
BERNINO (Cavaliere Gio. Lorenzo). — Vita.
See Baldintjcci (Filippo). , Firenze, 1682.
BERNINO (G. L.).— Life and Works. See
Donaldson (T. L.). 1842.
Memorie inedite. See Mazio (N. N.).
Biografia, &c. See Silorata (P. B.). Roma,
1838.
BERNINO (G. L.).— Le Lonis XIV. du
Cay. B. See Montaiglon. (Brussels, 1858.)
BERNINO (G. L.). — Preface pour servir a
l’histoire de la yie et des ouvrages du Cayalier
Bernin. 4to. n. p. o. d.
BERNON (Leonard). — Recueil des Pieces
cvrieuses apportees des Indes, d’Egypte, et d’Ethi-
opie, qui se trouyent dans le Cabinet de Leonard
Bernon Sieur de Bernonyille a la Rochelle. 8yo.
Paris, 1670. B.M.
BERNOULLI (Jean). — Description histo-
rique et geographique de l’lnde, &c., par Tieffen-
thaler, Anquetil du Perron, &c., ayec des remarques
et additions publie par Bernoulli. 3 yols. With
plates. 4to. Berlin, 1786-88.
Also in G-erman.
BERQUEN (Robert de). — Les merveilles
des Indes orientales et occidentals ; ou, nouveau
traite des pierres precieuses et perles. Auquel est
adjouste une table pour connoistre a quel tittre les
Marchants Orphevres de Paris et les autres . tra-
vaillent l’or et l’argent. (Advis aux apprentifs
Orphevres.) 4to. Paris, 1661. B.M.
Another edition. 4to. Paris, 1669.
BERQUEN (R. de). — Le Trophee d’armes
heraldiques, ou Science du Blason. 4to. Paris,
1672. B.M.
BERQUIN (Arnatjd). — CEuvres completes.
20 vols. 212 vignettes. 18mo. Paris, 1803.
BERQUIN (Arnaud). — The Looking-Glass
for the Mind ; or, intellectual mirror : being an
100
elegant collection of . tales, chiefly translated
from . L’Ami des Enfans. With seventy-four
ctits, designed and engraved on wood, by J. Bewick.
The twelfth edition. 12mo. London, 1812. B.M.
The seventeenth edition. 12mo. London, 1827.
B.M.
BERRI (David Garden) . — The Art of
Lithography. 8vo. London, 1864. B.M.
BERROTTI (O. Scamozzi). — 11 forestiere
istruito delle cose piu rare d’architettura e di alcune
pitture della citta di Vicenza. 4to. Vicenza, 1761.
BERROTTI (O. S.). — L’origine dell’ acca-
demia Olimpica di Vicenza, con una breve descri-
zione del suo teatro. 8vo. Vicenza, 1790.
BERRY (William). — An Introduction to
Heraldry, containing the rudiments of the science in
general . Illustrated by many plates. 8vo. Lon¬
don, 1810. * B.M.
BERRY (W.).— History of the Island of
Guernsey, with particulars of the neighbouring
Islands of Alderney, Serk, and Jersey. With map
and plates. 4to. London, 1815.
BERRY (W.). — County Genealogies : Pedi¬
grees of the Families in the County of Sussex, col¬
lected from the Heraldic Visitations and other MSS.
Fol. London, 1830.
BERRY (W.). — Encyclopedia Heraldica, or
Complete Dictionary of Heraldry. 3 vols. With
plates. 4to. London, 1828.
With supplement. 4 vols. 4to. London, 1840.
BERRY (W.).— The Genealogy of the
Poyal Families of England ; shewing the Succession
to the Crown, with the collateral branches, from
Egbert the Saxon to His late Majesty William IV.
and the Princess Victoria, now Queen of England.
Fol. London (1832-37). B.M.
BERRYES (Jousset des). — Sur un Cime-
tiere decouvert a Conlie (Sarthe). 1 lithogr. plate.
In the “ Bulletin Monumental,” vol. v. p. 521.
BERSTETT (August Er. von).— Miinzge-
scliichte des Zahringen-Badischen Fiirstenhauses
und seiner Stadte, etc. 49 plates. 4to. Freiburg,
1840-46.
BERTA (Giuseppe). — Enciclopedia artistica
Italiana illustrata dal Dott. G. B. Plates. 4to.
Milano, 1842. B.M.
BERTANO (Giovanni Batista). — Gli oscuri
e difficili passi dell’ opera Ionica di Vitruvio di
latino in volgare tradotti . Woodcuts. Fol. Man¬
tova (da Venturnio Bufinello), 1558. B.M.
BERTAUT (Leonard). — L’illustre Orban-
dale, ou l’histoire ancienne et moderne de la ville
de Chalcn-sur-Saone (par L. Bertaut et P. Cusset).
2 vols. Plates. 4to. Lyon, 1662.
BERTELLI (Eerdinando). — Omnium fere
gentium nostrse setatis habitus nunquam antehae
editi. Ferdinandus Bertelli seneis typis excudebat.
Plates numbered to 60, 4 unnumbered, and 8 other
heads. 4to. Venetiis, 1569. Cicogn.
Notes and Queries,
June 27, ’68.
Books on Art ( under revision).
BEK,
BERTELLI (Pieteo). — Civitatum aliquot
insigniorumexactadelineatio. Fol. Venetiis, 1568.
BERTELLI (P.). — Diversarum Rationum
Habitus : centum et quatuor iconibus in sere incisis
expressi, item ordines duo Processionum, unus
Summi Pontificis, alter Principis Venetiarum, opera
B. B. 3 vols. 8vo. Patavii, 1589.
Also : 8vo. Patavii, 1594-96. B.M.
BERTELLI (P.). — Theatrum urbium Itali-
carum, collectore P. B., etc. 60 copperplates. Oblong
4to. Venetiis, 1599. B.M.
Other editions: — Teatro delle citta d’ltalia, con
le sue figure intagliate in rame, & descrittioni di
esse nuovamente tradotto di Latino in Toscano, &
accresciuto si di figure, come di dichiarationi. Oblong
4to. Vicenza, 1616. B.M.
Teatro delle citta d’ltalia, &c. Oblong 4to. Pa¬
dova, 1629. B.M.
BERTELLI (P.). — Yite degl’ Imperatori
de’ Turchi con le loro Effigie intalgiate (sic) in rame
e date in luce da P. B. 15 portraits. 4to. Vi¬
cenza, 1599. B.M.
BERTELLI (P.).- — Effigie naturali de li
Serenissimi Principi di Venetia. Single sheet. Fol.
(Venice? 1600?) B.M.
BERTHELEMY. See Duchange. 1853.
BERTHELOT (Gilles). See Loiseleue
(J.). I860.
BERTHIER (Guillaume Fean£Ois). — Ex¬
trait de l’essai sur la peinture, la sculpture, et
l’architecture, par . B., tire des Memoires pour
l’histoire des Sciences . vulgairement appelle
Journal de Trevoux, du mois d’Octobre 1751. 2
parts. 8 vo. (Paris) 1751. B.M.
BERTHOLLET (Cl. L.).— Siemens de l’art
de la teinture. 2vols. Plates. 8vo. Paris, 1791.
B.M.
Another edition. 2 vols. 8vo. Paris, 1804.
Elements of the art of dyeing by C. L. and A. B.
Berthollet; translated with notes by And. Ure.
2 vols. 8vo. London, 1824.
Also: 8vo. London, 1841.
BERTHOLET (J.). — Histoire du Duche de
Luxembourg et Comte de Chiny. 8 vols. With
plates. 4to. Luxembourg, 1741.
BERTH OL OR (J.) and LHOTE (0.).—
Horace Vernet a Versailles, au Luxembourg et au
Louvre. Critique et biographie, par J. Bertholon et
C. Lhcte. Royal 8vo. Paris, 1863. S.K.
BERTI. — Rotizia sulla vita di B. See
Muzzi (S.). 1844.
BERTI (Alessandeo Pompeo). — La Scienza
delle medaglie antiche e moderne. Nuova edizione
con annotazioni storiche, e critiche. Tradotto dal
Francese. 2 vols. With plates. 12mo. Venezia,
1755. B.M.
BERTI (Gio. Battista). — Studio elementare
degli Ordini di Architettura di Andrea Palladio.
28 plates. 4to. Milano, 1818. B.M.
BERTI (G. E.). — Cenni storico artistici per
servire di guida ed illustrazione alia insigne basilica
di S. Miniato al Monte. 8vo. Firenze, 1850. B. Arch.
BERTIR (D.). — See Viteuyius. 1565.
BERTIR. — China, its Costumes, Arts, and
Manufactures. Edited from the Collections of
M. Bertin, with additions, &c. 4 vols. With plates.
8 vo. London, 1812.
BERTIRATTI (Fe.).— Elementi di Anato-
mia fisiologica, applicata alle belle arti figurative.
3 vols. 8vo., and Atlas in folio. Torino, 1837-39.
BERTIRI (A.). ---Projet de reunion du
Louvre avec les Tuileries. 8vo. Londres.
BERTIUS (Peteus). — - Commentariorum
rerum German. L. III. : primus est Germ, veteris :
secundus Germ, posteriori s a Karolo M. ad nostra
usque temp. c. Principum Genealogiis : tertius est
prse c. Germ, urbium c. ear. iconismis et descri .
With plates. 4to. Amstelodami, 1616.
With 200 views. Oblong 4to. Amst., 1626, and
1632.
With maps and plates. 4to. Amst., 1646.
BERTITJS (Peteus). — He Aggeribus et
Pontibus ad Mare extructis digestvm nowm. 8vo.
Paris, 1629.
BERTOLDI (Feancesco Leopoldo). — Osser-
vazioni sopra due anti chi marmi gia esistenti in
Argenta ed ora nel Museo Arcivescovale di Ravenna.
Indirizzate . al . Abate Ippolito Conte Gamba
Ghiselli, etc. (Preceded by a letter by Gamba
Ghiselli.) 4to. Comacchio, 1783. B.M,
BERTOLDI (Fe. L.). — Delle Medaglie e
Monete esistenti nel Museo della Pontificia Univer-
sita di Ferrara che furono dirubate e quindi resti-
tui te ..... . Memoria antiquario-numismatica. 8vo.
Ferrara, 1789. B.M.
BERTOLDI (Fe. L.). — Zecche Italiche.
Plates. 8vo. In Lugo, 1797. B.M.
BERTOLDI (Fe. L.). — Parere sopra nn’
antica iscrizione che fu disotterrata in Ferrara.
8vo. Ferrara, 1803. B.M.
BERTOLDI (Fe. L.). — Illustrazione del
Monumento disotterrato presso Cotignola nell’
Agosto 1817. With a plate. 8vo. Ferrara, 1817.
Cicogn.
BERTOLDI (Leopoldo). — Parere sopra un
basso rilievo di ferro fuso esistente nel Museo Nu-
mismatico di Ferrara. Plates. 8vo. Ferrara,
1715. B.M.
BERTOLDO, Bertoldino, e Cacasenno,
Poema in ottava rima, con argomenti, allegorie,
annotazioni, e figure in rame. 4to. Bologna, 1736.
Cicogn.
With 20 plates and 20 vignettes, by Giuseppe
Maria Crespi (lo Spagnnolo), under the name of his
friend Luigi Mattioli.
Another edition with plates. 8vo. Bologna, 1737.
BERTOLI (Gian Domenico). — Le Antichita
d’Aquileja profane e sacre, per la maggior parte
D D 101
BEE
Universal Catalogue of
Notes and Queries,
June 27, ’68.
finora inedite, raccolte, disegnate, ed illustrate da
G-. D. B. Cuts and plates. Pol. Venezia, 1739.
(2 vols. ought yet to appear.) B.M.
BERTOLLA (Giuseppe). — Alfabeto di Ini-
ziali tratte dai Libri Corali di Siena da quelli del
Duomo, e della Chiesa di S. Marco di Firenze, incise
da Gm0. Scotto. Fol. Firenze, 1844. S.K.
BERTOLOTTI (Davide).— Yiaggio in Sa-
voia ; ossia descrizione degli stati Oltramontani di
S. M. il Be di Sardegna. 2 vols. 8vo. Torino, 1828.
B.M.
BERTOLOTTI (D.). — Yiaggio nella Li¬
guria maritima, con carta geografica. 3 vols. 8vo.
Torino, 1834. B.M.
BERTOLOTTI (D.). — Descrizione di To¬
rino. 8vo. (Turin) 1840. B.M.
BERTOTTI SCAMOZZI (Ottavio). — Le
fabbriche e i disegni di A. Palladio raccolti da
0. B. S., con la traduzione francese. 4 vols. Fol.
Vicenza, 1770-83. B.M.
BERTOTTI SCAMOZZI (Ottavio). — II
forestiere istruito delle cose piu rare di architettura
e di alcune pitture della citta di Vicenza, dialogo.
4to. Vicenza, 1761. B.M.
BERTRAM (James G.). — The language of
flowers : an alphabet of floral emblems. 8vo. Lon¬
don, 1846. B.M.
BERTRAND. — Dissertation snr nn vase
cineraire conserve au Museum de Bennes. 2 plates.
Memoires de l’Academie Celtique, vol i. p. 298.
(Paris, 1807.) B.M.
BERTRAM!) (Alexandre). — Etudes de
mythologie et d’archeologie Grecques. D’Athenes a
Argos. 12mo. Bennes, 1858. B.M.
BERTRAND (E.). — Recneil de formnles
pour la photographie sur collodion sec et humide,
albumine et papier, suivi d’un nouveau procede pour
le tirage des epreuves positives. 16mo. Paris, 1862.
B.M.
BERTRAND (J. Elie) — Descriptions des
arts et metiers faites ou approuvees par l’academie
royale des sciences de Paris. 18 vols. 4to. Neu-
chatel, 1771-81. Bodl.
BERTRAND DE MOLEYILLE (Antoine
Francois de, Marquis). — The costume of the Here¬
ditary States of the House of Austria, displayed in
fifty coloured engravings, descriptions, and an in¬
troduction (in French), by M. B. de M. Trans¬
lated by B. C. Dallas. French and English. 4to.
London, 1804. B.M.
BERTRAJSTDON DE LA BROCQUlfiRE.
His travels to Palestine, and his return from Jeru¬
salem overland to France, during the years 1432
and 1433. Translated by Th. Johnes. 8vo. Hafod,
1817. B.M.
BERTUCH (Friedrich Justin). — Bilder-
buch fiir Kinder. 12 vols. With illuminated
plates. 4to. Weimar, 1790-1843. Vols. x.-xi.,
20 numbers of 5 plates each; vol. xii. has 16 only.
102
The text at first in German and French ; after
61st Ho. in German, French, English, and Italian.
An edition with Latin and German text (by C.
Ph. Funke). Weimar, 1798-1809.
The early vols. reproduced in Latin, Hungarian,
German, and French, with title : Novus Orbis pic-
tus. 600 illuminated plates. 12 vols. 4to. Viennse,
1810-15.
BERTUCH (Friedrich Justin) and KRAUS
(Georg Melchior). — Journal des Luxus und der
Moden. Coloured plates. 8vo. Weimar, 1786-1827.
BERTUCH (Justinus). — Chronicon Por-
tense, duobus libris distinctum; quorum prior con-
tinet veteris Portae fundationem, translationem,
abbates, indulgentias, fraternitates, renovationem
itidem & repurgationem ; posterior novae Portae post
repurgatam doctrinam, statum et formam cum prae-
ceptoribus ceconomis & discipulis, inde ad rempub-
licam Cliristianam jurandam emissis. Portraits
of abbots, knights, &c. 4to. Lipsiae, 1612. B.M.
BERTY (Adolphe). — Dictionnaire de l’ar-
chitecture du moyen age. 8vo. Paris, 1845. B.M.
BERTY (Adolphe). — Yocabulaire archeolo-
gique franqais-anglais et anglais-frantjais ; avec
renvois aux vignettes illustrant le Glossaire d’ archi¬
tecture publie par J. H. Parker. 8vo. Paris,
1853. B.M.
BERTY (A.). — La Renaissance monumen-
tale en France. Specimens de composition et d’or-
nementation architectoniques empruntes aux edi¬
fices construits depuis le regne de Charles VIII.
jusqu’a celui de Louis XIV. 2 vols. 100 steel-
engravings. 4to. Paris, 1859-64. S.K.
BERTY (A.). — Les grands Architectes
fran5ais de la Benaissance : P. Lescot, Ph. de
l’Orme, J. Goujon, J. Bullant, les du Cerceau, les
Metezeau, les Chambiges, d’apres de nombreux do¬
cuments inedits des bibliotheques et des archives.
8 vo. Paris, 1860. S.K.
BERTY (Adolphe). — Histoire generale de
Paris. Topographie historique du vieux Paris. —
Begion du Louvre et des Tuileries. Vol. I. Text
4to. Atlas in fol. Paris, 1866. S.K.
BERTY (Adolphe). — Les Andronet dn
Cerceau . 1857. See Androuet.
BERTY (Adolphe) and LACOUR (Louis).
Annuaire de l’archeologue, du numismate et de
l’antiquaire . 1862. See Periodical Publications.
BERYIC (Charles Clement). — Notice ne-
crologique sur B. See Lecarpentier, 1822.
BERYIC (Ch. C.).— Funerailles de B .
Discours. See Quatremere de Quincy (Ant. C.).
BERYIC (Ch. C.). — Notice historique. See
Quatremere de Quincy (Ant. C.). Paris, 1823.
BERYIC (Ch. C.). — See Catalogues, Reg-
nault Delalande.
BERYIC (Ch. C.). — Notice historique snr la
vie et les ouvrages de M. Bervic. 4to. Paris, n. d.
Notes and Queries,
June 27, ’68.
Boohs on Art [under revision).
BET
BERVILLE. — Notice biographique sur MM.
Foyatier, Taunay, Mathieu et Husson, par M. Ber-
yille. 15 pp. 12mo. Paris (1865).
BESKOW (Bernard de). — Eloge de B. E.
Fogelberg, par Bernard de Beskow. 8vo. Paris,
1856.
BESKRIYELSE over Danske mynter og
medailler i den kongelige Samling. 2 vols. Fol.
Kiobenhavn, 1791.
Yol. i., 816 pages, and a supplement (1794) of 36
pages ; vol. ii., with all the title plates, 350 leaves
of plates.
BESLER (Basilius). — Hortus Eystettensis,
sive diligens et accurata omnium Plantarum, Florum,
Stirpium, ex variis orbis terras partibus, singulari
studio collectarum, quae in celeberrimis viridariis
arcem episcopalem ibidem cingentibus, hoc tempore
conspiciuntur, delineatio et ad vivum repraesentatio.
Large fol. (Norimbergse) 1613. S.K.
Copy coloured by hand. B.M.
First and finest edition, in 4 parts, answering to
the four seasons. The Winter portion often want¬
ing.
Editions appeared in 1640, 1713, 1750, the plates
inferior to the earlier proofs.
BESLEY (Robert). — Designs for Orna¬
mental Printing. New specimens of mathematical
combination borders, and other typographical orna¬
ments. 4to. London, 1848. S.K.
BESONGNE (N.).— L’estat de la France,
avec un recueil des armoiries de la noblesse. 8vo.
Paris, 1663. Bodl.
BE S OZZI (Raimondo) . — Storia dellaBasilica
di S. Croce in Gerusalemme. Plates. 4to. Roma,
1750. B.M.
BESOZZO (Gioyanni Giacomo). — Distinto
Ragvaglio dell’ origine e stato presente delle Ottavo
Marauiglia del Mondo, o sia della gran Metropoli-
tana dell’ Insubria, volgarmente detta il Dvomo di
Milano. 12mo. Milano, 1694. B.M.
BESSIERES. — Notice snr l’eglise de Saint-
Savin situee a Villetranche du Queyran, &c. In
the Transactions of the “Societe Royale des An-
tiquaires de France,” nouvelle serie (Paris, 1829),
vol. vii. p. 52.
BESSON (Louis, Abbe). — Histoire de la
ville de Gray et de ses monuments, par l’Abbe
Gratin et 1’ Abbe B. 2 vols. With map and plans.
8 vo. Besangon, 1851.
BESSON (Eaustin).— See Marquiset (A.).
1859.
BESSON (Jacques). — Tbeat^nm instru-
mentorum et machinarum Jacobus Bessonus excogi-
tavit liber primus. 60 plates etched, with Latin or
French title. Small fol. (Orleans ? 1569 ?)
No second book.
In this edition Jacques Endrouet (sic) diet du
Cerceau and others, are said to have worked on the
plates.
Other editions : —
In French. — Theatre des Instrumens mathemati-
ques et mechaniques de Jacques B., dauphinois,
docte mathematicien. Avec l’interpretation des
figures d’iceluy, par Frangois Beroalde. Fol. Ljon,
1578, and 1579.
With the same plates, except Nos. 17, 35, 39, 41,
which are copies by Rene Boyvin, and Latin expla¬
nations wanting in subsequent editions. Of those
published at Lyons, 1582 to 1594, neither the
French, Latin, or Italian editions contain more than
one or two of Boyvin’s plates, ^having copies from
the first edition instead.
A Latin edition, Geneva, 1582, has a bad copy of
plate 51. All the plates are inferior to those pulled
for the edition of 1579.
German translation, with 60 plates. Fol. Miim-
belgart, 1595.
BESSY:JOURNET. — Notices sur diverses
medailles, Gauloises et Merovingiennes trouvees a
Chalons-sur-Saone. 2 plates. In the Transactions
of the “ Societe d’Histoire et d’Archeologie de
Chalons-sur-Saone,” vol. i.
BESSY-JOURNET.— Tiers de sol d’ or du
monetaire Vintrio et autres monnaies Merovingiennes.
1 lithogr. plate. The same, vol. i.
BEST (C. C.). — Briefe iiber Ost-Indien, das
Vorgebirge der guten Hoffnung und die Insel St.
Helena. Herausgegeben von K. G. Kiittner. Mit
colorirten Abbildungen und Prospecten. 4to. Leip¬
zig, 1807. B.M.
15 views, and 45 coloured vignettes of costume.
BEST (James John, Capt.). — Excursions in
Albania; comprising a journey from thence to
Thessalonica and Constantinople, and up the Da¬
nube to Pest. 12mo. London, 1842. B.M.
BESTIAIRE. — Sensuyt le bestiaire Da-
mours : moralise sur les Bestes et Oyseaulx le tout
par figure et hystoyre. Imprimme nouvellement a
Paris. On les vend a paris en la rue neufue nos-
tre dame a leseigne de lescu de Frace. With wood-
cuts. 28 leaves. 4to. n. d.
Imitation in verse of a prose work, by Richard de
Foumival, of the 13th century.
BETHAM (Rev. William). — The Baronet¬
age of England, or the History of the English Ba¬
ronets, and such Baronets of Scotland, as are of
English Families ; with genealogical tables and en¬
gravings of their armorial bearings. 5 vols. 4to.
Ipswich and London, 1801-5. S.K.
BETHAM (Sir William). — Irish Antiqua¬
rian Researches. Parts I. and II. Dublin, 1826-27.
S.K.
BETHAM (Sir William). — Etruria Celtica.
Etruscan literature and antiquities investigated,
or the language of that . people compared and
identified with the Iberno-Celtic, and both shown to
be Phoenician. 2 vols. 24 plates of coins, &c. 8vo.
Dublin, 1842. B.M.
BETHUNE (George W.). — The Prospects
of Art in the United States. An address before the
103
BET
Universal Catalogue of
f Notes and Queries,
t June 27, ’C8.
.Artists’ Fund Society of Philadelphia . May
1840. 8vo. Philadelphia, 1840. B.M.
BETOUW (Gisbertus Cornelius in de). —
De lucernis veterum reconditis in agro Neomagen-
sium suburhano et intra oppidi pomoeria effossis Jo.
Fred. Gronovii, Nic. Heinsii, et Jo. Smetii epistolse.
8vo. Neomagi, 1783. T.C.D.
BETOUW (G. C. IN DE).— De fibulis anti-
quorum yestiariis in agro Neomagensium suburbano
ad Galiicam Vahalis ripam erutis Cl. Salmasii, Jo.
Fr. Gronovii et Jo. Smetii epistolse. 8vo. Neomagi,
1783. T.C.D.
BETOUW (G-. C. in de). — De colnmna mil-
liaria imp. Trajani supra Neomagum in pago Beek
effossa Jo. Is. Pontani et Jo. Smetii epistolse. 8vo.
Neomagi, 1783. T.C.D.
BETOUW (Gr. C. in de). — De castris veter-
ibus, Ulpiis sive Trajanis, colonia Trajana, Bur-
ginacio, Harenacio, Batavorum oppido, illustrium
eruditorum epistolse. 8yo. Neomagi, 1783. T.C.D.
BETOUW (G. C. in de). — Dearis et lapidi-
bus votivis ad Neomagum et Sanctenum effossis
Gisbert.i Cuperi epistolse. 8yo. Neomagi, 1783.
T.C.D.
BETOUW (G. C. in de). — De Mercurii,
Harpocratis aliisque Romanorum sigillis ad Neo¬
magum erutis et inscriptionibus antiquis Gisb.
Cuperi epistolse. 8vo. Neomagi, 1784. T.C.D.
BETOUW (G. C. in de). — Antiqnitatnm
Romanarum et Batavicajjum Neomagi et in agro
Neomagensium suburbano erutarum indiculus. 8yo.
Neomagi, 1784. T.C.D.
BETOUW (G. C. in de). — De monumentis
sepulcralibus prsesidiariorum militum Romanorum
legionis x. geminse ad Neomagum conditorum Jo.
Is. Pontani et Jo. Smetii epistolse. 8yo. Neomagi,
1783. T.C.D.
BETTI (Luigi). ■ — Della maniera di ben
condurre l’immaginazione nelle belle arti ; discorso
recitato in una Adunanza d’Arcadia da Retisco
Sinopeo P. A. (L. B.). 8vo. Roma, 1774. B.M.
BETTI (S.). — Notizie intorno e alia vita e
alle opere di P. Belli. 8vo. Roma, 1833. B. Arch.
BETTINELLI (Sayerio). — Delle lettere e
delle arti Mantovane ; discorsi duo accademici ed an¬
notation! del! abate S. B. socio della Reale Accademia
di Scienze- e Belle Lettere di Mantova, recitati alia
stessa Reale Accademia. 4to. Mantoya, 1774.
B.M.
BETTINELLI (S.). — Lettere sulle Belle
Arti, pubblicate per le nozze Barbarigo Pisani.
With plates of gems. 4to. Venezia, 1793. B.M.
BETTINELLI (S. ). — Del risorgimento
d’ Italia negli studj, nelle arti, e ne’ costumi dopo il
mille. 2 parts. 8vo. Bassano, 1775. B.M.
And, 4 vols. 8vo. Milano, 1819-20. B.M.
BETTINELLI (S.). — Dell’ entnsiasmo delle
Belle Arti. 8vo. Milano, 1769. B.M.
104
BETTONI (Nicolo). — Le Tombe ed i Monu-
menti illustri d’ltalia, descritti e delineati. 62
plates. (Milan, Lombardy, Tuscany, and Lucca.)
2 vols. 4to. Milano, 1822-23. S.K.
BETUSSI (Giuseppe). — Ragionamento sopra
il Palazzo del Cathaio, luogo dello illustre Signor
Pio Enea Obizzi. 4to. Padova, 1574. B.M.
Description of a villa belonging to the Princes of
Este.
Another edition. — Descrizione del Catajo luogo
del March. Obizzi, colle aggiunte del Berni, e del
Libanori. Plates. 4to. Ferrara, 1669. B.M.
BEUCKELS (Guillaume). — Peinture snr
verre du I7eme siecle. In the “ Messager des Sciences
et des Arts,” vol. vi. p. 411.
BEUDEKER(Christoffel). — Germania In¬
ferior, sive XVII. provinciarum geographicse ge-
nerales ut et particulares tabulse Kaert-Boeck van
de XVII. Nederlandtsche Provincien. (A collection
relating to the Netherlands, formed by C. B., and
consisting of descriptive text and maps from J.
Blaeu’s “ Groot Stedenbock der Vereenigde Neder-
landen,” and other works, maps, portraits of eminent
men, landscapes, drawings, &c.) 24 vols. Fol.
(1600?-1750?) B.M.
1 vol. of plates (some folding) of Amsterdam,
views, architectural decoration, and detail. 1 vol.
of coloured plates of Dutch chateaux, gardens and
decorations, exterior and interior.
BEUDOT. — Notice de tableaux. See Cata¬
logues, Sale. Paris, 1832.
BEUGNOT (Arthur Auguste, Comte). —
Description de sa collection d’antiquites. 8vo.
Paris, 1840. Bodl.
BEUIST (Dr.). — Account of some of tbe
East Indian arts and manufactures, with specimens,
&c. Bombay or Moultan inlaid work, Gold wire,
Combay stores, &c. Royal Scottish Society of Arts’
Transactions, vol. iv. p. 238. Edinburgh, 1856.
BEULE (Ernest). — Murillo et l’Anda-
lousie. Article from the “ Revue des Deux Mondes,”
October 15, 1861. S.K.
BEULE (Ernest). — Velasquez au Musee de
Madrid. Article from the “Revue des Deux Mondes,”
July 1, 1861. S.K.
BEULE (Ernest).— Eloge de M. Horace
Vernet, prononce dans la seance publique du 3
Octobre 1863. Institut Imperial de France. 8vo.
Paris, 1863. S.K.
BEULE (Ernest). — L’Ecole de Rome au
dix-neuvieme siecle. Article from the “Revue des
Deux Mondes,” Dec. 15, 1863. 8vo. Paris, 1863.
S.K.
BEULE (Ernest). — Reponse de FAcademie
des Beaux-Arts a S. E. le Ministre de la Maison de
l’Empereur et des Beaux-Arts. 4to. Paris, 1864.
S.Ko
BEULE (Ernest). — L’Acropole d’Atbenes.
(Publie sous les auspices du Ministere de l’lnstruc-
Notes and Queries,
July 4, ’68.
Boohs on Art [under revision).
BEV
tion publique et des Cultes.) 2 yols. 8 plates. 8vo.
Paris, 1853-54. S.K.
Another edition. 2 yols. 12mo. Paris, 1863.
BEULE (Ernest). — Etudes sur le Pelo-
ponese. Svo. Paris, 1855. B. Arch.
BEULE (Ernest). — Les Monnaies d’A-
thenes. With plates. 4to. Paris, 1858. B.M.
BEULE (Ernest).— Cours d’Archeologie.
La Peinture Decorative et le Grand Art. 8vo.
Paris, 1860. B.M.
BEULE (Ernest). — Eouilles a Carthage,
aux frais et sous la direction de M. Beule. With 6
plates. 8vo. Paris, I860.
Extract from the “ Journal des Sayants.”
BEULE (Ernest). — L’ Architecture au siecle
de Pisistrate. 8vo. Paris, 1860.
Extract from the “ Revue generale de 1’ Archi¬
tecture.”
BEULE (Ernest). — Histoire de la Sculpture
avant Phidias. With plates. 8vo. Paris, 1864.
Extract from the “ Gazette des Beaux-Arts,”
BEULE (Ernest). — Academie des Beaux-
Arts. Discours de M. Beule, secretaire perpetuel
prononce aux funerailles de M. Elandrin. 4to.
n. p. o. d. (Paris, 1864.)
BEULE (Ernest). — Institut imperial de
Prance. — Notice sur la vie et les ouvrages de M.
Hippolyte Elandrin, par M. B., secretaire perpetuel.
8vo. Paris, 1864. S.K.
BEULE (Ernest). — Institut imperial de
France. — Academie des Beaux-Arts. — Funerailles
de M- Duret. Discours de M. Beule, secretaire per¬
petuel, prononce le 7 mai 1865. 4to. (Paris.)
BEULE (Ernest). — Causeries sur l’Art.
8vo. Paris, 1867.
BEUNAT (Joseph). — Manufacture d’orne-
ments en sculpture. (Recueil des dessins d’orne-
ments d’architecture de la manufacture de J. B.)
Plates. 4to. (1814?). B.M.
BEUNlE (T. B. de).' — Memoire sur la
teinture en noir ; traduite du Elamand. 8vo.
Rotterdam, 1777. B.M.
BEUST (Carl yon). — Beschreibung der
Bernharduskirche, der Grossh. Schlosskirche und
Kathol. Stadtpfarrkirche in Rastatt; nehst einer
Darstellung des Todes des Markgrafen Ludwig
Wilhelm yon Baden, und dessen Beisetzungs-
feierlichkeiten in Baden ; ein Andenken an die
Grundsteinlegung der Katholischen Stadtpfarr¬
kirche in Rastatt im Jahre 1756. 8vo. Rastatt,
1856. B.M.
BEUST (C. yon).- — Das Grossherzogliche
Sehloss Favorite bei Rastatt. 8vo. Rastatt, 1856.
B.M.
BEUST (Joachimus a). — Christiados Libel-
lus. See Bibles.
BEUTH (P. C. W.).— Vorlege-Blatter fur
Baumeister. Text 4to. Plates fol. Berlin, 1844.
B. Arch.
BEUTHER (Fr.). — Ueber Licht und Farbe,
die prismatischen Farben und die Newton’sche Far-
benlehre. Cassel, 1833.
BEUTHER (Fr.). — Kurze Anweisung zur
Linear-Perspective. 8vo. Cassel, 1833.
BEUZELIN (E. Grille de). — Statistique
monumentale. Arrondissements de Toul et de
Nancy, Departement de la Meurthe. Cartes, Plans
et Dessins par E. Grille de Beuzelin. Fol. Paris,
n.d. (1855).
BEUZELIN (E. Grille de). — Memoire sur
leS antiquites de Poitiers. In the Transactions of
the “ Societe Royale des Antiquaires de France,”
nouvelle serie, vol. iii. p. 421.
BEVAN (Sam.). — Sand and Canvas ; Narra-
tive of Adventures in Egypt, with a Sojourn among
the Artists in Rome. Svo. London, 1849. B.M.
BEVERLEY GUIDE, being a short account
of the principal objects in the town, particularly
the Minster and St. Mary’s Church. 16mo. Beverley,
1847. B.M.
BEVERLEY MINSTER. — History 0f
Beverley Minster from its foundation, including the
ancient monuments. 18mo. Beverley, 1835. B.M.
BEVERLEY (R.). — History and present
state of Virginia. With frontispiece and 14 en¬
gravings by Gribelin, copied from De Bry. 8vo.
London, 1722.
BEVIL ACQUA (Ferdinando) . — Racconto
della festa fatta nel real Palazzo di Napoli daili
gentilhuomini della corte. dell’ excellentissimo .
Conte di Ognatte Vicere per il felice arrivo in
Milano della sposa reale del . r& Filippo quarto,
etc. (The speakers’ parts in a Masque.) 4to.
Napoli, 1649. B.M.
BEVIL ACQUA (Gian Carlo). — Insigne
pinacoteca della nobile Veneta Famiglia Barbarigo-
della Terrazza, descritta ed illustratta da G. C. B.
Pinacotheque insigne de la noble famille Venitienne
Barbarigo de la Terrazza decrite, etc. Italian and
French 4to. Venezia, 1845. B.M.
BEVIL ACQUA (Ippolito dell’ Oratorio).
Memorie della vita di Gio. Bettino Cignaroli eccel-
lente dipintor Veronese. Portrait. 8vo. Verona,
1771. Cicogn.
BEVIS, Sir, of Southampton. — Syr Bevys
of Hampton. 11 woodcuts. 4to. W. Copland,
London (1550?). B.M.
Editions by R. Pynson, R. Bishop, W. Lee,
without date.
An edition printed by G. D. for Andr. Crook.
4to. Woodcuts. 1662.
Another edition : — La morte di Buovo d’ Antona.
Con la vendetta di Sinibaldo et Guidone suoi fig-
liuoli,. fatta. per lui. In verse. Woodcuts. (Flo¬
rence?, 1580?) B.M.
e e 105
BEW
Universal Catalogue of
Notes and Queries,
July 4, ’68.
Other editions, with woodcuts : —
The gallant history of the life and death of that
most noble knight, Sir B. of Southampton. 4to.
Printed by A. M. for J. Deacon. (London, 1690?)
B.M.
Another edition. 12mo. London, (1750 ?) B.M.
BEWICK (Thomas). — A new invented Horn
Book. With 24 cuts by T. B. 18mo. n. p. o.d.
BEWICK (T.). — A new Lottery Book of
Birds and Beasts. 60 pp., with 48 engravings by
T. B. 18rao. Newcastle, 1771.
BEWICK (T.). — The Youths instructive
and entertaining Story Teller. Adorned with (12)
cutsbyT.B. 12mo. Newcastle, 1779.
BEWICK (T.). — Fables by the late Mr. Gay.
With cuts by T. B. 8vo. Newcastle, 1779.
With 67 cuts and 33 vignettes. 12mo. London,
1792.
BEWICK (T.). — A Pretty book of Pictures
for Little Masters and Misses. With (37) cuts by
T. B. 24mo. Newcastle, 1779.
BEWICK (T.). — The Fables of iEsop and
others. With (148) cuts by T. B. 12mo. New¬
castle, 1783.
BEWICK (T.). — Choice Emblems, &c.
64 cuts. 12mo. London, 1784. S.K.
BEWICK (T.). — The Children’s Miscellany.
Embellished with 29 cuts by T. B. 12mo. London,
1787.
BEWICK (T. and John). — Emblems of
Mortality, representing in upwards of 50 cuts, Death
seizing all Ranks and Degrees of People . 12mo.
London, 1789.
Dance of Death . 12mo. Newcastle, 1789.
Same work with the exception of the title.
BEWICK (T.). — The Princess of Zanfara;
a dramatic Poem. London, 1789.
With a beautiful wood engraving on the title of
a Negro kneeling, by T. B.
BEWICK (T.). — A General History of
Quadrupeds. The Figures engraved on wood by
T. Bewick. 8vo. Newcastle, 1790. B.M.
-8vo. Newcastle, 1791. B.M.
'8 vo. Newcastle, 1792. B.M.
8vo. Newcastle, 1800.
8vo. Newcastle, 1807.
8 vo. Newcastle, 1811.
8vo. Newcastle, 1820.
The Figures of Bewick’s Quadrupeds and Tail¬
pieces, without the letterpress. 4to. Newcastle,
1818.
2nd edition, without the tail-pieces. 226 cuts.
4to. Newcastle, 1824. S.K.
BEWICK (T. and J.).— Pieces of Antient
Poetry . Adorned with (15) cuts by T. and J. B.
Small 8vo. London, 1791.
BEWICK (T.and J.). — The Progress of Man
in Society, illustrated by upwards of 120 cuts.
12mo. London, 1791.
106
BEWICK (T.)._ The Vicar of Wakefield,
by Oliver Goldsmith. With seven cuts by T. B.
12mo. Hereford, 1798.
BEWICK (T.). — History of British Birds.
The Figures engraved on wood by T. Bewick. Yol. i.
containing the History and Description of Land
Birds. 8vo. Newcastle, 1797. B.M.
History of British Birds. The Figures engraved
on wood by T. B. Yol. ii. containing the History
and Description of YvTater Birds. 8vo. Newcastle,
1804. B.M.
With “ Land Birds,” forming 2 vols. 8vo. New¬
castle, 1809.
The same. 2 vols. 8vo. Newcastle, 1826.
The same. 2 vols. With 20 additional vignettes.
8vo. Newcastle, 1847. S.K.
British Land Birds. — British Water Birds. En¬
graved on wood, by Thomas Bewick. (Without
any letterpress, and with separate titles.) 2 vols.
4to. Newcastle, 1825. S.K.
BEWICK (T. and J.).— Poems by Gold-
smith and Parnell. Woodcuts by Thomas and John
Bewick. Imper. 8vo. London, 1804.
BEWICK (T.).— Engravings on Wood, for
Thomson’s Seasons (1805). See Thomson (J.).
S.K.
BEWICK (T. and J.).— Cuts by Bewick and
pupils, in Marshall’s “ Cynthio and Leonora.”
4to. Newcastle, 1812. S.K.
BEWICK (T.). — The Blossoms of Morality ;
intendedfor the amusement and instruction of Young
Ladies and Gentlemen. By the Editor of the Look¬
ing-Glass for the Mind. With Forty-seven cuts,
designed and engraved by T. Bewick. Sixth edition.
12mo. London, 1814. S.K.
BEWICK (T. and J.).— Select Fables, with
Cuts, designed and engraved by Thomas and John
Bewick, and others, previous to the year 1784;
together with a Memoir, and a descriptive Cata¬
logue of the works of Messrs. Bewick. 8vo. New¬
castle, 1820. S.K.
BEWICK (T.).— Vignettes. By Thomas
Bewick. 4to. Newcastle-upon-Tyne, 1827. S.K.
BEWICK (T.). — A Memoir of Thomas Be¬
wick, written by himself. Embellished by numerous
wood engravings, designed and engraved by the
author for a work on British Fishes, and never be¬
fore published. 8vo. Newcastle-on-Tyne, 1862.
S.K.
BEWICK (T. and J.). — A descriptive and
critical Catalogue of works illustrated by T. and J.
Bewick . with . brief sketches of their lives,
and notices of the pupils of T. B. (With eight sup¬
plementary pages.) 8vo. London, 1851. B.M.
BEWICK (T. and J.).— The Bewick Col¬
lector : a descriptive Catalogue of the works of
Thomas and John Bewick ; including cuts, in various
states, for books and pamphlets, private gentlemen,
public companies, exhibitions, races, newspapers,
shop cards, invoice heads, bar bills, coal certificates,
Notes and Queries,
July 4, ’68.
Books on Art ( under revision).
BIA
broadsides, and other miscellaneous purposes, and
■wood blocks. With an appendix of portraits, auto¬
graphs, works of pupils, &c. The whole described
from the originals contained in the largest and
most perfect collection ever formed, and illustrated
with 112 cuts. By the Rev. Thomas Hugo. Imper.
8vo. London, 1866. S.K.
BEYER (Alexander). — Rene Decken-Des-
sins, erfunden und gezeichnet von A. B. Parts
I.-II., 12 plates in each, designs for ceilings. Pol.
Berlin, 1846-47. B.M.
BEYER (Karol). — Gabinet medalow Pols-
kich, oraz tych ktore sie dziejow Polski tycza.
Dopelnienie dziefa. E. Hr. Raczynskiego. With
photographs. 4to. Warszawa, 1857, &c. B.M.
BEYER (Wilhelm). — Oesterreichs Merk-
wiirdigkeiten die Bild- und Baukunst betreffend,
von W. B. 2 vols. in 1. 45 plates, 2 frontispieces,
and vignettes. Pol. Wien, 1779. S.K.
BEYLE (Henry) — Histoire de la Peintnre
en Italie. 2 vols. 8vo. Paris, 1827.
Another edition. — Histoire de la Peinture en
Italie. Par De Stendhal (Henry Beyle). Seule
edition complete, entierement revue et corrigee.
12mo. Paris, 1860. S.K.
BEYLE (Henry). — Memoires d’un Touriste.
Par De Stendhal (Henry Beyle). Nouvelle edition
entierement revue et augmentee d’une grande partie
entierement inedite. 2 vols. 12mo. Paris, 1854.
S.K.
BEYLE (Henry). — Rome, Naples et Flo¬
rence. Par De Stendhal (Henry Beyle). Seule
edition complete, entierement revue et considerable-
ment augmentee. 12mo. Paris, 1865.
Earlier editions : —
Rome, Naples, Plorence. 8vo. Paris, 1817.
Promenades dans Rome. 2 vols. 8vo. Paris,
1829.
BEYLE (Henry). — Melanges d’Art et de
Litterature, par De Stendhal (Henry Beyle). 8vo.
Paris, 1867- S.K.
BEYRLESr (Jacob). — Antiqnitates quaedam
Palatinse, ex J. Agricoke Viridario et aliis MSS.
collectse per J. B. See Monumenta Pietatis, etc.
Parti. 1701. B.M.
BEYS (Carolus).— See Valdor (J.), Tri-
omphes de Louis XIII., etc. Paris, 1649.
BEYSCHLAG (Daniel Eberhard). — Bei-
trage zur Kunstgeschichte der Reichsstadt Nord-
lingen (Yon der Pormschneiderei, &c.). 7 parts.
8vo. Nordlingen, 1798-1800.
BEYSCHLAG (D. E.). — Versuch einer
Munzgeschichte Augsburgs in dem Mittelalter.
8 lithogr. plates. 8vo. Stuttgart und Tubingen,
1835.
BEZA (Theodore de). — leones, id est verae
imagines virorum doctrina simul et pietate illus-
trium : accedunt Emblem ata. Woodcuts. 37 por¬
traits, including that of James I., and 43 emble¬
matic cuts. Robert Stephens’ portrait wanting to
all copies. Small 4to. Genevae, 1580.
In French, translated by S(im.) G(oulart), with
the title : Vrais pourtraits des hommes illustres
en piete et doctrine . plus 44 emblemes chretiens.
With additional portraits. 4to. Geneve, 1581.
The same portraits, with others not named,
with the title : Portraits des hommes illustres qui
ont le plus contribue au retablissement des belles-
lettres et de la vraye religion. 4to. Geneve,
1673.
BEZA (Theodore de). — Tragedie of Abra¬
ham’s Sacrifice translated into English by A(rthur)
G(olding) ; finished at Powles Belchamp, in Essex,
the 11th day of August 1575. With woodcuts.
18mo. London (by Vautro wilier), 1577.
BEZA (Theodore de). — Poemata varia,
Epitaphia, Epigrammata, Emblemata. 44 plates.
4to. n. p. 1597. Cicogn.
BEZARD. — Tableaux peints par B. See
Kuhnholtz (H.). 1832.
BEZOK (Jean).' — Dictionnaire general des
Tissus anciens et modernes, ouvrage ou sont indiquees
et classees toutes les especes de tissus connues
jusqu’a ce jour soit en France, soit a l’etranger,
notamment dans l’lnde, la Chine, etc. Avec
l’explication abregee des moyens de fabrication,
etc., applicables a chaque tissu en particulier.
2nd edition. 6 vols. 8vo. Paris, 1859-1862. S.K.
BEZZI (G. A.). — Tbe Life of Fra Giovanni
Angelico da Piesole, translated from the Italian of
Vasari, by G. A. B. See Angelico, Fra.
BEZZOLI (Giuseppe, Cavaliere). — Della
Vita e delle opere del Professore Cav. Giuseppe
Bezzoli, maestro di pittura nell’ I. e R. Accademia
delle belle arti de Firenze e membro delle piu
celebri accademie di Europa. — Memorie raccolte da
alcuni scolari ed amici. 8vo. Firenze, 1855.
BEZZOLI (Giuseppe). — Sopra nn dipinto
di B. See Mabini (Ugo). 1837.
BIADI (Luigi). — Notizie inedite della vita
d’ Andrea del Sarto, raccolte . da L. B. With
portrait. 12mo. Firenze, 1831.
BliEUS (Jacobus). — Numismata Romano-
rum imperatorum. Fol. Antverphe, 1617.
BIAGI (Clemente). — Ragionamento sopra
un’ antica statua singolarissima nuovamente scoperta
nell’ agro Romano. 1 plate. 4to. Roma, 1772.
Cicogn.
BIAGI (C.). — Monumenta Graeca ex Museo
Jacobi Nanii Veneti, illustrata a C. B. Plates. 4to.
Romae, 1785. Bodl.
BIAGI (C.). — Monumenta Graeca et Latina
ex Museo Jacobi Nanii, illustrata a C. B. Plates.
4to. Romae, 1787. Cicogn.
BIAGI (Pietro). — Memorie stor. crit. in-
torno alia vita ed alle opere di F. Sebast. Luciano
soprannominato del Piombo, scritte da P. B. With
a plate. 4to. Venezia, 1826.
107
BIA
Notes and Queries,
July 4, ’68.
Universal Catalogue of
BIAGINI (Carlo). — Relazione degli onori
parentali renduti a M. A. Buonarrotti, nell’ Acca-
demia Pistoiese di scienze . 8vo. Pistoia, 1839.
BIAGIO. — La represen tatione di B. conta-
dino. Nuovamente ristampata. (In verse.) With
woodcuts. 4to. Firenze, 1558. B.M.
BIAGIOLI (G.). — Rime di Micbelagnolo
Buonarotti il Vecchio, col commento di G. Biagioli.
8vo. Parigi, 1821.
BIANCANUS (Jac. Tat.). — De pateris an¬
tiquorum, ex schedis Jac. Tatii Biancani sermo et
epistolae. (Edidit Pt. Schiassius.) With 32 plates.
Fol. Bononise, 1814.
BIANCHETTI (Giuseppe).— Nella solenne
Dedicazione del Busto di A. Canova fatta dall’ Ateneo
di Treviso il di 1° Aprile, 1823, discorso. 8vo.
Treviso, 1823. B.M.
BIANCHI (Giovanni, di Arimino). — Letfcera
ad un suo amico di Firenze intorno il Panteo Sacro
di quella Citta. 8vo. Rimino, 18 marzo 1752. B.M.
BIANCHI (Giuseppe). — Baggnaglio delle
antichita che si conservano nella Galleria Mediceo-
Imperiale di Firenze. Parti. 8vo. Firenze, 1759.
B.M.
BIANCHI (Ignazio Lodovico ). — Virornm
aliquot pietate illusfcr. ex congregatione Clericorum
regular, icones lat. expressit, italica usus vers,
documents sacris illustravit, auxit S. Teatinarum
virginum exemplaria adj. I. Bianchi. With 164
portraits, engraved by Zuliani. 8vo. Romse, 1758.
With Italian text, same plates. 4to. Venezia,
1768.
BIANCHI (Isidoro) . - — Lezione sopra una
antica lapida scoperta di fresco in Pompei. See
Calogiera (A.), Nuova Raccolta d’Opuscoli, etc.,
vol. xv. B.M.
BIANCHI (I.). — Delle Scienze e Belle Arti.
Dissertazione apologetica, letta in Palermo nell’
Accademia degli Ercini. con note. 8vo. Palermo,
1771. ; Cicogn.
BIAN CHI (Paolo Federico) . — Raccolta
d’ornati d’architettura. With plates. 4to. Milano,
n. d.
BIANCHI (P. F.). — Istitnzione pratica dell’
architettura civile per la decorazione de’ pubblici, e
privati edificj, preceduta da un artieulo di Geometria
in pratica ad uso delli disegnatori ed arfefici di P.
F. B. architetto. With 160 plates by G. C. Bianchi.
2 vols. 4to. Milano, 1766-67. B.M.
BIANCHI (Pietro). — Osservazioni snll’
Arena, e sul Podio dell’ anfiteatro Flavio, illustrate,
e difese da Lorenzo de Romano. With plates. Fol.
Roma, 1812. Cicogn.
BIANCHI (P.). — Osservazioni, etc., dis-
cusse e confutate dal C. Fea. 2 parts. 8vo. Roma,
1813.
BLANCHENI (Francesco). — La Istoria Uni¬
versale, provata con monumenti, e figurata con
108
Simboli de gli Antichi. With 65 plates by P. S.
Bartoli. 4to. Roma, 1697. B.M.
Another edition. With plates. 4to. Roma, 1747.
Another edition, in 5 vols. With 70 plates. 4to.
Venezia, 1825-27.
BLANCHINI (F.). — Considerazioni teoricbe
e pratiche intorno al trasporto della Colonna di
Antoni no Pio collocata in Monte Citorio. 2 plates.
4to. Roma, 1704. Cicogn.
BLANCHINI (F.). — De anreis et argenteis
cimeliis in Arce Perusina effossis anno mdccxvii.
Fol. (Rome, 1717.) B.M.
BIANCHLNI (F.). — De Sacris Iniaginibus.
musivi operis a S. Xyste, Papa III., in Basilica
Liberiana constructs, et de Dominicse Nativitatis
Prsesepi, ac venerabilibus Cunis Infantise Christi
Domini ibidem custoditis, Dissertationes duse. Fol.
Romse, 1727. B.M.
BIANCHINI (F.).— Camera ed inscrizioni
sepulcrali de’ liberti, servi ed ufficiali della casa di
Augusto, scoperte nella Via Appia . .con anno-
tazioni. With 7 plates. Fol. Roma, 1727. B.M.
BLANCHES! (F.). — Circimaximi et antiqni
imperatorum Romanorum palatii iconographia.
Large fol. Romse, 1728.
BIANCHINI (F.).— Del Palazzo de’ Cesari.
Opera postuma. (Translated into Latin and edited
by G. Bianchini.) Italian and Latin. With 20
plates. Fol. Verona, 1738. S.K.
BIANCHINI (F.). — Demonstratio historiae
ecclesiasticse quadripartitse comprobatse monumentis
pertinentibus ad fidem temporum et gestorum.
(Opus . ab immortalis memorise Prsesule F. B.,
ex cogitatum, et a J. Bianchino . consummatum.)
With plates by A. J. Barbazza. Tom. i. in 7 vols.
4to. Romse, 1752-54. B.M.
BIANCHINI (F.). — Opuscula varia nunc
primum in lucem edita. 2 vols. 4to. Romse, 1754.
BIANCHINI (Giuseppe) —Dei Gran Duchi
di Toscana, della Reale Casa de’ Medici, Protettori
delle Lettere, e delle Belle Arti, ragionamenti isto*
rici del Dottore G. B., di Prato. With 9 portraits.
Fol. Venezia, 1741. S.K.
BIANCHINI (G.).— Delle raagnificenze di
Roma antica e moderna libro primo ( — decimo).
. Con una spiegazione istorica . composta dal
P. G. B. (libro iii.-x. by G. Vasi). 10 parts.
Oblong' 4to. Roma, 1747-61. S.K.
BIANCO (Noe).— Viaggio del P. F. N.
Bianco Vinitiano della congregation de Servi, fatto
in Terra Santa et descritto per beneficio de’ Pelle¬
grini . con tre tauole. 8vo. In Venetia presso
Giorgio de’ Caualli, ad instantia di Franc. Por-
tirani da Trino, 1566.
12mo. VeDezia, n.d. With woodcuts.
8vo. Venezia, 1570. With woodcuts.
There are other editions without plates.
BIANCOLINI (Giovanni Battista).— Dei
vescovi e governatori di Verona. 2 vols. With
plates. 4to. Verona, 1757-60.
Notes and Queries, )
July 11, ’68. J
BIB
Boohs on Art ( under revision).
BIANCONI (Carlo) . — Nuova Guida di
Milano per gli amanti delle Belle Arti, e delle sacre,
e profane antichita Milanesi. 12mo. Milano, 1787.
Cicogn.
BIANCONI (C.). — Riilessioni sopra un
cammeo antico rappresentante Giove. 4to. Bologna,
1818. B.M.
BIANCONI (Giovanni Batt.). — De antiquis
litteris Hsebreorum et Grsecorum libellus. With
plates of letters and medals. 4to. Bononise, 1748.
B.M.
BIANCONI (Giovanni Lodovico). — Briefe
iiber die vornehmsten Me rk wiir di gk ei t en der cliur-
baierisehen Bessidenzstadt Miinchen, nnd der
umliegenden Lustgegenden. (Translated by H. von
Runkel.) 8vo. Miinchen und Leipzig, 1771. B.M.
BIANCONI (G. L.). — Elogio storico del
Cavaliere Rafaele Mengs, con nn catalogo delle
opere da esso fatte. Milano, 1780. Cicogn.
BIANCONI (G. L.). — Lettere sopra il libro
del Crespi intitolato : “ Tomo terzo della Felsina
Pittrice.” With portraits. 8vo. Milano, 1802.
Cicogn.
BIANCONI (G. L'.). — Di alcune notizie
intorno a Pisa, e Pirenze lettere due inedite. 4to.
Lucca, 1781. B.M.
BIANCONI (G. L.). — Deserizione dei Cir-
ci, e particolarmente di quello di Caracalla .
Opera ordinata, e pubblicata dal architetto Angiolo
Uggeri, con note da Carlo Fea. Italian and French.
With vignettes and 20 plates, engraved by Bossi,
Feoli, and Barbazza. Fol. Roma, 1789. B.M.
BIANCONI (G. L.). — Opere varie. 4 vols.
8vo, Milano, 1802.
Several short pieces on Art, and his letters on
monuments of all kinds in Bavaria. Cicogn.
BIANCONI (Girolamo). — Guida del Fores-
tiere par la citta di Boiogna, e suoi sobborghi. With
14 plates. 12mo. Bologna,. 1835. S.K.
Earlier editions. Bologna, 1820, and 1826.
BIANCONI (G.). — Di un antica Tazza
d’Argento con Sculture Bacchiche Dichiarazione.
4 to. Bologna, 1834. B.M.
BIARD (Francois). — Tableaux, etc. See
Catalogues, Sale. Paris, 1865.
BIABD (F.). — Notice sur B . See Boivin
(Louis). 1842.
BIARDE AIT (Pierre) . — Recherches sur B.
. See Beclard (Ph.). 1851.
BIBICOFF (Mathieu). — Notice . See
Cabaky (Saint-Maurice). 1857.
BIB JENA (Antonio Galli). — Pianta e
spaccato del nuovo teatro di Bologna aperto nel
1763. With 2 large plates. 4to. Bologna, n. d.
(Antonio was son of Ferdinando B. G., the architect.)
Cicogn.
BIBTENA (A. G.). — Pianta e spaccato del
nuovo teatro di Bologna offerto al C. Legnani da,
Lorenzo Capponi. 5 large plates, and front, of the
Theatre. Fol. Bologna, 1771. Cicogn.
BIBIENA (Ferdinando Galli). — Varie
opere di prospettiva inventate da Fd. Galli, detto II
Bibiena, intagliate da C. Ant. Buffagnoti. Large
fol. Bologna, n. d.
BIBIENA (F. G.) .— L’Arcbitettura Civile,
preparata sulla Geometria, e ridotta alia prospettive
considerazioni pratiche. In 5 parts. With 68 plates,
and portrait. Fol. Parma, 1711.
BIBIENA (F. G.). — Direzioni ai giovani
studenti del Disegno deH’Architettura Civile, e della
Prospettiva teorica. 2 vols. 69 plates in vol. i.,
Architecture ; 56 in vol. ii., Perspective. 8vo. Bo¬
logna, 1731-32.
Again: Bologna, 1745, 1753, and 1777. Cicogn.
BIBIENA (Giuseppe Galli). — Architetture,
e prospettive. 54 plates. Oblong fol. Augustee,
1740. , T.C.D.
BIBLE. See Bibles, at the end of the
Alphabet.
BIBLIA (Fab., di Catanzaro). — Discorso
sopra l’aggiustamento della moneta e cambii del
regno di Napoli. 1 plate of coins. Napoli, 1621.
BIBLIOTECA analitica d’instruzione, e di
utilita pubblica. 3 vols. 8yo. Napoli, 1812-13.
Nuova Biblioteca analitica di scienze, lettere ed
arti. 15 vols. 8vo. Napoli, 1816-20.
BIBLIOTECA Canoviana ossia raccolta
delle migliori prose e de’ piu scelti componimenti
poetici sulla vita, sullo opere e in- morte di Ant.
Canova. 4 vols. With plates. 8vo. Venezia,
1823-24.
BIBLIOTECA Firmiana, sive Thesaurus li-
brorum, quern comes C. a Firmian collegit. 10 parts
in 6 vols. 4to. Mediolani, 1783.
Vol. vi. contains catalogue of medals and prints.
BIBLIOTECA Italiana ossia Giornale di
letteratura, scienza ed arti, compilato da una societa
di letterati di Milano. 100 vols. 8vo. Milano,
1816-40.
BIBLIOTECA Italiana ossia Giornale dell’
Instituto Lombardo di Scienze, Lettere, ed Arti, e
Biblioteca Italiana compilata da varii dotti, na-
zionali e stranieri. 18 vols. 8vo. Milano, 1841-57.
BIBLIOTHECA Heraldica Magnse Britan-
nise ; an analytical catalogue of books on genealogy,
by Tho. Monle. See Catalogues.
BIBLIOTHECA librorum nov. coll, a L.
Neocoro (L. Kuster) et Henr. Sikio. 5 vols. With
copper plates. 8vo. Traj. ad Rh., 1697-99.
BIBLIOTHECA literaria. Being a collec¬
tion of inscriptions, medals, dissertations, &c. Nos.
I. to X. 4to. London, 1722-24.
BIBLIOTHECA TOPOGRAPHICA BRI-
TANNICA. 12 vols. 4to. 1780-90.
Miscellaneous Antiquities (in continuation of
the Bibliotheca Topographica Britannica). 2 vols.
1791-97. B.M.
F F
109
BIB
Universal Catalogue of
[ Notes and Queries,
| July 11, ’68.
BIBLIOTHEK derredenden und bildenden
Kiinste. (Edited by J. Gf. Dyk.) 8 vols. 8vo.
Leipzig, 1806-12.
BIBLIOTHEK der sclionen Wissenschaften
und freien Kiinste. (Edited by E. Nicolai and Ch.
Eel. Weisse.) 12 vols., and 1 of tables. 8vo. Leipzig,
1757-65.
Neue Bibliothek, &c. (Edited by Ch. E. Weisse
and J. Gf. Dyk.) 72 vols., and 5 vols. of tables.
8vo. Leipzig, 1765-1806.
BIBLIOTHEQUE des Sciences et des Beaux
Arts. 50 vols. 8vo. La Haye, 1754-80.
BIBLIOTHEQUE RATIONALE. 48 vols.
200 woodcuts. 12mo. Bruxelles, 1846-51.
Amongst other works are the following : —
Ruines et paysages en Belgique, 1 vol. Mceurs,
usages, fetes et solennites des Beiges, 2 vols.
Schayes, Hist, de 1’ Architecture en Belgique, 4 vols.
BIBLIOTHEQUE UNI VERSELLE des
Voyages,* abregee par de la Harpe, etc. 16 vols.
With 112 coloured plates. 12mo. Paris, 1826.
BIB RON" (Madame). — Cours de dessin line-
aire applique aux objets usuels, a 1’ usage des salles
a’asile et des ecoles primaires. 12mo. Paris,
1859.
BICAIS (Michel). — La maniere de regler
la sante par ce qui nous environ ne, par ce que nous
recevons, et par les exercices, &c. 8vo. Aix, 1669.
Full of curious details on the costumes, manners,
and games, &c., of those times.
BICCHIERAI (Aless.).— Uei bagni diMon-
tecatini trattato. 4to., and atlas of plates in fol. Fi¬
renze, 1788.
BICHARD (Thomas Mauger). — Guide
to the Islands of Guernsey, Alderney, Sark, and
Herm, containing a brief account of the history,
laws, customs, &c. 8vo. Guernsey (1863). B.M.
BICKHAM (George). — First Principles of
Heraldry. 12 pp. 8vo. London (1742).
BICKHAM (G.). — Delicise Britannicse ;
or, the curiosities of Kensington, Hampton Court,
and Windsor Castle delineated, with occasional re¬
flections. With 9 plates. 8vo. London, n. d. B.M.
2nd edition. London, 1742.
BICKHAM (G.). — The Universal Penman
. Exemplified in all the useful and ornamental
branches of Modern Penmanship, &c. The whole
embelish’d with 200 beautiful decorations for the
amusement of the curious. Fol. London, 1743. S.K.
BICKHAM (G.). — British Monarchy, or a
new chorographical description of all the Dominions
subject to the King of Great Britain. 190 plates.
Fol. London, 1748.
BICKHAM (G.). — A new Introduction to
the art of Drawing. 8vo. London (1750?). B.M.
BICKHAM (G.). — The Beauties of Stow,
or a description of the . House, Gardens, and......
Buildings therein, etc. With copper plates. 8vo.
London (1753). ■ B.M.
110
BICKHAM (G.). — A curious antique Col¬
lection of bird’s-eye views of the several counties in
England and Wales, exhibiting a landscape of each
County ; with a variety of rustic figures, ruins, etc.,
and the names of the principal towns and villages,
interspersed according to their apparent situation.
4to. London, 1796. B.M.
BICKNELL (Alexander). — Painting Per¬
sonified ; or, the Caricature and Sentimental Pic¬
tures of the principal Artists of the present times
fancifully explained. 2 vols. 8vo. London, 1790.
S.K.
BIDAULD (Jean Joseph Xavier). — Notice
sursavie . See Gaulle (J. de), 1847 ; Raoul-
Rochette, 1849.
Catalogue . d’etudes peintes . See Cata¬
logues, Sale. 1847.
BIDAUT (J. N.). — Des arts d’imitation, de
leur emploi dans l’interet social, et des moyens
d’assurer le bien-etre de ceux qui les cultivent, etc.
8vo. Paris (1849). B.M.
BIDEN (William Downing). — The .history
and antiquities of Kingston-upon-Thames. 8vo.
Kingston, 1852. B.M.
BIDERMANN (Jo. Gottl.).— De urna hand
procul a Naumburgo in agro Grosiensi effossa. 4to.
Naumb., 1747. Bodl.
De templis concordise et paci sacris. 4to. Frei¬
berg. 1748. Bodl.
De numis Freibergensibus. 4to. Freiberg., 1749.
Bodl.
BIDLOO (Godefridus). — Anatomia humani
corporis, centum quinque Tabulis G. de Lairesse ad
vivum delineatis demonstrata. Plates. Fol. Am-
stelodamii, 1685. Cicogn.
In Dutch. Fol. Amsterdam, 1690.
BIDLOO (G.). — Komste vanzyne Majesteit
Willem III. Koning van Groot Britanje, enz. in
Holland ; ofte omstandelyke beschryving van alles,
het welke op des zelfs Komste en geduurende zyn
verblyf, in ’s Gravenhaage en elders, ten teeken
van vreugde en eere, is opgerecht en voorgevallen.
15 plates, and frontispiece. Fol. ’s Gravenhaage,
1691. S.K.
BIE (Cornelis de). — Het gulden cabinet
van de edele vry Schilder-Const ontsloten door den
lanck ghewenschten Vrede tusschen de tweede
Croonen van Spaignien en Vrancryck. With por¬
traits, and other plates. 4to. Antwerpen, 1662. Bodl.
BIE (Jacques de). — Imperatorum Romano-
rum Numismata Aurea. Plates. 4to. Antverpise,
1616. B.M.
4to. Antverpise, 1627. B.M.
3rd edition. Fol. Antverpise, 1654.
Another edition. — Numismata aurea Imperatorum
. a Julio Csesare ad Heraclium usque. Ex reeen-
sione Sigeb. Havercampi. Accedit : Ludolphi Smids
Romanorum Imperatorum Pinacotheca. Plates.
4to. Amstelodami, 1738. B.M.
Notes and Queries,
July 11, ’68.
Books on Art ( under revision).
BIL
BIE (J. de). — La France metallique, conte-
nant les actions celebres des Rois, et des Reines,
jusqu’a Louis XIII. With 132 plates. 2 vols.
Fol. Paris, 1634-36.
A 3rd vol. Les families illustres de Prance.
With' plates. Fol. Paris, 1636.
Emblems and devices.
BIE (J. de). — Les vrais portraits des Rois
de France, tirez de ce qui nous reste de leurs monu-
mens, sceaux, medailles . effigies. Seconde edition
augmentee de nouveaux portraits, et enrichie des
vies des rois par H. de Coste. (Down to Louis
XIII.) Fol. Paris, 1636. B.M.
BIE (J. de). — Iconologie on explication nou-
velle de plusieurs images, emblemes, et autres
figures hierogliphiques des vertus, des vices, des
arts, des sciences, etc., tiree des recherches et des
figures de Cesar Ripa, dessinees et gravees par
Jacques de Bie, et moralisees par J. Baudoin. 29
plates. Fol. Paris, 1637. Cicogn.
BIE (J. de). — Regnm et imperatorum Ro~
manorum numismata a Romulo et C. Jul. Csesare
usque ad Justinianum Aug. congesta, serique a Biseo
incisa ; auctario locupletata et Alb. Rubeni i com-
mentario illustrata : nunc recusa, et denuo publicata,
subjectis Laur. Begeri annotationibus. Fol. Colon.
Brandenb., 1700. T.C.D.
BIE (J. de). — Imperatorum . opera Jo.
Andr. Rudigeri Commentarios explicata. With 64
plates. 4to. Berolini, 1705.
BIEDENFELD (Ferdinand yon). — Ur-
sprung, Aufleben, &c., und jetzige Zustande sammt-
licher Monchs- und Klosterfrauen-Orden im Orient
und Occident. Mit den illuminirten Abbildungen
von 77 verschiedenen geistlichen Orden. 2 vols.,
and supplement. 8vo. Weimar, 1837-39.
BIEDEMFELD (F. yon). — Geschichte und
Yerfassung aller Ritterorden. Nebst einer Ueber-
sicht sammtlicher . Ehrenzeichen und Medail-
len. 2 vols., and atlas of 53 coloured plates. 4to.
Weimar, 1840-41.
BIEDENFELD (F. von).— Die Heraldik,
oder populates Lehrbuch der Wappenkunde fur
Diplomaten, G-enealogen. Archivbeamte, &c., aber
auch mit besonderer Rucksicht auf die Bediirfnisse
der Maler, Zeichner . 23 lithogr. plates. 4to.
Weimar, 1846. B.M.
BIEDERMAlSTlSr (J. J.). — Meujahrsblatt der
Kiinstlergesellschaft in Zurich fiir 1835. Enthalt-
end das Leben des Kunstmalers J. J. B., von Win¬
terthur. 4to. Zurich, 1835.
BIEL (Ltjdovicus de, S. J.). — Utilitas rei
numarise veteris, compendio proposita : acc. appen-
dicula ad numos coloniarum per Cl. Vaillantium
editos. 8vo. Yiennse Austrise, 1733. B.M.
BIELEFELD (Charles Frederic). — Gothic
ornaments executed in papier mache. 4to. London,
1835. B. Arch.
BIELEFELD (C. F.). — Ornaments in every
style of Design . applicable to the decoration of
the interior of . buildings . manufactured in the
improved papier mache, etc. 4to. London, 1840.
B.M.
BIELEFELD (C. F.). — On the use of the
improved Papier-mache in Furniture, in the interior
decoration of Buildings, etc. New edition. With
142 plates of Ornament. Fol. London, 1843. S.K.
BIELFELD (Henry). — A Guide to Paint¬
ing on G-lass. 33 pp. Small 8vo. London, 1855. S.K.
BIET (J. E.).— See Br£s.
BIGI (Quirino). — Di Antonio Allegri detto
II Correggio. 8vo. Parma, 1860. S.K,
BIGLAJYD (Ralph). — Historical, monumen¬
tal and genealogical collections relative to the county
of Gloucester. (Edited by Richard Bigland.) Plates.
2 vols. Fol. London, 1791-92. B.M.
For continuation, see Fosbrooke. 1819.
BIGlSTOlSr (Franqois). — Les portraits des
homines illustres Francjois qui sont peints dans la
galerie du palais cardinal de Richelieu; desseig-
nez et gravezpar les Sieurs Heince etBignon. Fol.
Paris, 1655. Bodl.
BIGlSTObT (Hier6me). — Diseovrs de la ViJle
de Rome, principals Antiqvitez et Singularitez
d’icelle. 8vo. Paris 1606. B.M.
BIGFTOR, in the County of Sussex. — An ac¬
count of the remains of a Roman villa discovered at
Bignor, in the year 1811, and four following years.
8vo. London, 1820. Bodl.
BIGOT (Alexis). — Essai sur les monnaies
du royaume et duche de Bretagne. 40 plates. 8vo.
Paris, 1857.
BIGSBY (Robert). — Historical and typo¬
graphical description of Repton, in the county of
Derby, comprising an incidental view of objects of
note in its vicinity . With seventy illustrations,
on copper, stone, and wood. 4to. London, 1854.
B.M.
BIJOU, The, or Annual of Literature and
the Arts. 2 vols. With engravings after Sir
Thomas Lawrence, Stothard, Wilkie, and others.
12mo. London, 1828-30.
BILDERSAAL, der, aus der alt-, ober- und
niederdeutschen Schule in der St. Moritzkapelle zu
Niirnberg. 3 plates. 8vo. Niirnberg, 1829.
BILDMIS, Eigentliche, vnd Abconterfeihung
Romischer Kayser, Konige, Fiirsten vnd Herren
sampt etzlichen derselben Gemahlen, welchen
Hochlobliche Thaten vnd Christl. Tugenden mit
sonderlichem fleis in Kurtze Reime verfasset sein.
35 woodcut portraits. 4to. Dresden, 1587.
2nd edition. 1602. With 44 portraits.
BILDNUSSE, Kiinstl. u. aigentl. der ro-
misch. Kaysern, ihren weybern u. Kinder, auch
anderer beriimpten personen, wie d. auf den alten
pfennigen erfunden sind. Aus dem Latein jetzt
neuwlich vertheutscht durch diethelmen Kellerus
burger zu Ziirych. Woodcuts. 8vo. Zurich, 1558.
Ill
EIL
Universal Catalogue of
f Kotos and Queries,
1 July 11, ’68.
BILLARDIERE (Jac. Julian). — leones
Plantarum Syrise rariorum descriptionibus et ob-
servationibus illustrates. 4 to. Lut. Par.. 1791.
B.M.
BILLAUDEL. — Notice sur un Aquednc
antique, adressee au prefet de la Gironde. In the
Transactions of the “ Societe Royale des Antiquaires
de la Prance,” vol. viii. p. 297.
BILLING- (Arthur).— On mural painting
and the decorations of churches generally. 8vo.
London, 1851. B.M.
BILLINGS (J.). — History and remains of
the Franciscan Friary, Reading. 6 plates. In the
“ Archseological Journal,” vol. iii. p. 141.
BILLINGS (RobertW illiam) . — Architectu¬
ral illustrations and account of the Temple Church,
London. (Essay on the symbolic Evidences of the
Temple Church . Ry E. Clarkson.) Architectural
plates, to scale. 4to. London, 1838. S.K.
BILLINGS (R. W.). — Analysis of the East
Window of Carlisle Cathedral. 2 plates. In the
Transactions of the Society of Arts, vol. Iii. p. 182.
1839.
BILLINGS (R. W.). — Architectural Illus¬
trations, History and Description of Carlisle Cathe¬
dral. 4to. London, 1840. S.K.
BILLINGS (R. W.). — An Attempt to define
the Geometric Proportions of Gothic Architecture,
as illustrated by the Cathedrals of Carlisle and
Worcester. London, 1840. S.K.
BILLINGS (R. W.).— Illustrations of Geo¬
metric Tracery, from the Paneling belonging to
Carlisle Cathedral. 4to. London, 1842. S.K.
BILLINGS (R. W.). — Practical Observa¬
tions on the mode of striking Gothic tracery.
Sessional Paper. London, 22nd January 1843.
B. Arch.
BILLINGS (R. W.). — Architectural Illus¬
trations and Description of the Cathedral Church of
Durham. 4to. London, 1843. S.K.
BILLINGS (R. W.). —Architectural Illus¬
trations of Kettering Church, Northamptonshire.
4to. London, 1843. S.K.
BILLINGS (R. W.). — The Geometric
Tracery of Brancepeth Church, in the county of
Durham. 4to. London, 1845. S.K.
Earlier edition. 4to. London, 1841.
BILLINGS (R. W.). — Description of S.
Pratt’s carving machine. Sessional Paper. London,
10th March 1845. B. Arch.
BILLINGS (R. W.).— Illustrations of the
Architectural Antiquities of the County of Durham :
Ecclesiastical, Castellated, and Domestic. 4to.
Durham, 1846. S.K.
BILLINGS (R. W.). — The Baronial and
Ecclesiastical Antiquities of Scotland, illustrated.
4 vols. Plates. Fol. Edinburgh and London,
1848-52. ' B.M.
112
BILLINGS (R. W.). — Infinity of geometric
design as regards tracery. Sessional Paper. London,
4th December 1848. B. Arch.
BILLINGS (R. W.).-^ Ancient Architecture
of Scotland. Sessional Paper. London, 3rd April,
1848.
London, 3rd December 1849.
London, 27th January 1851. * B. Arch.
BILLINGS (R. W.). — The Infinity of Geo¬
metric Design exemplified. 4to. London, 1849. S.K.
BILLINGS (R. W.).— The Power of Form
applied to Geometric Tracery. One hundred de¬
signs and their foundations resulting from One
diagram. Imperial 8vo. Edinburgh and London,
1851. S.K.
BILLINGSLEY (Martin).— The Pen’s Ex¬
cellence, or the Secretaries Delighte. (Curious
cyphers.) 4to. London, 1618. B.M.
BILLINGTON (John). — The Architectural
Director . to which are added . a History of
the Art . a description of celebrated antique
and modern edifices . a Glossary of Architecture,
&c. 2nd edition. Royal 8vo. London, 1834. S.K.
Another edition. 8vo. London, 1848.
BILLON. — Extrait d’une notice sur une
pierre sepulcrale decouverte dans l’Hotel de Ville de
Lisieux. In the “ Bulletin monumental,” vol. xiii.
p. 190.
BILORDEAUX (Adolphe).— Etudes d’Or-
nements aux deux Crayons. 78 lithogr. plates. Fol.
Paris, n. d. S.K.
BILORDEAUX (A.). — Ecoles communales.
Etudes de Dessins d’apres l’Antique . adoptees
par la Ville de Paris. Photographiees par A. B.
Fol. Paris, n.d. S.K.
BIMBENET. — Monographic de l’hotel de
la Mairie d’Orleans. In the Transactions of the
“ Societe Archeologique de l’Orleannais,” vol. i. p.
152.
BINAEUS (A.). — De calceis Hebrseorum
libri duo. 4to. Dordraci, 1715.
BINDER (Christian) . — Wiirttembergische
Miinz- und Meclaillen-Kunde. Erganzt und her-
ausgeg. von dem konigl. statistisch-topogr. Bureau.
8vo. Stuttgart, 1846.
BINET (Estienne). — Abrege des Vies des
principaux fondateurs des religions de l’eglise,
representez dans le Choeur de l’Abbaie de S. Lam¬
bert de Liessies enHaynaut ; avecles rnaximes spiri-
tuelles de chaque fondateur. 38 portraits, besides
another plate and frontispiece, engraved by Cornelius
Galle. Small 4to. Anvers, 1634. S.K.
BINGHAM (R. J.). — Instructions in the
Art of Photography. 12mo. London, 1855.
BINGHAM (William Philip Strong). —
Ecclesiastical Sculpture. A lecture on the connec¬
tion between Sculpture and Christianity. 8vo.
London (1855). B.M.
Notes and Queries,
July 18, ’68.
Books on Art ( under revision).
BIE,
BINGLEY (Bey. William). — Tour round
North Wales. 2 vols. With aquatint views by
Aiken. 8vo. London, 1800.
Another edition : 8vo. London, 1804.
Description of manners, customs, antiquities, &c.
BINGLEY (W.). — Animal Biography, or
Anecdotes of the Animal Creation. 3 vols. With
plates. 8vo. London, 1803. B.M.
The work has been frequently reprinted.
BINGLEY (W). — Memoirs of British
Quadrupeds. 2 vols. With 70 plates. 8vo. Lon¬
don, 1809. B.M.
BINT (Gius, Clemente). — Lettere Gualfon-
diane sopra qualche parte dell’ Antichita Etrusca.
12mo. Eirenze, 1744.
BINT (Pietro di Lorenzo). — Memoria del
Calcio Fiorentino tratte da diverse scritture. Plates.
4to. Firenze, 1688. Cicogn.
BINT (Telesforo). — Storia della Sacra
Effigie, Chiesa e compagnia del SS. Crocifisso de’
Bianchi. 8vo. Lucca, 1855. B.M.
BESTNXNG (Robert B. M.). — A journal of
two years’ travel in Persia, Ceylon, &c. 2 vols.
8vo. London, 1857. B.M.
BUSTY S (R. W.).-— A Century of Potting in
the city of Worcester . 1751-1851. With plates.
8vo. London, 1865. S.K.
BINNS (William). — An Elementary Trea¬
tise on Orthographic Projection ; a new method of
Drawing, for the instruction of Engineers, Archi¬
tects, &c. Illustrations on wood and steel. 8vo.
London, 1857. S.K.
4th edition. 8vo. London, 1865.
BINNS (W.). — A Course of Geometrical
Drawing, containing Practical Geometry, including
the use of drawing instruments, the construction
and use of scales, orthographic projection, and
elementary descriptive geometry. 8vo. London,
1860. S.K.
BINGS (De, Abbe). — Voyage par l’ltalie
en Egypte, au Mont Liban et en Palestine. 2 vols.
12mo. Paris, 1787. B.M.
BIN'S DE SAINT VICTOR (Jacques Maxi-
mieien Benjamin). — Tableau historique et pitto-
resque de Paris depuis les Gaulois jusqu’a nos
jours. Par M * * * (J. M. B. B. de Saint V.,
assisted by R. Tourlet, and others). 3 vols. Nume¬
rous plates. 4to. Paris, 1808-11. B.M.
BINZER (August yon). — Der Coiner Dom,
ein Denkmal deutscher Baukunst . erlautert von
A. von B. 4 steel engravings, and a ground plan
of the Cathedral. Imper. 4to. Coin, 1 840.
French translation, by Adler-Mesnard. The
same plates. Imper. 4to. Cologne, 1840. B. Arch.
BIOCHIMO. — The Royall Game of Chesse-
play, illustrated with almost an hundred gambetts,
being the study of Biochimo. 8vo. London, 1656.
Bodl.
With portrait of Charles I. by Stent.
BIOGRAPHICAL.— The Historic Gallery
of Portraits and Paintings ; or, Biographical Re¬
view ; containing a brief account of the lives of the
most celebrated Men, in every age and country,
and graphic imitations of the finest specimens of
the Arts, ancient and modern. With remarks,
critical and explanatory. 7 vols. 8vo. London,
1807-11. S.K.
BIOGRAPHICAL DICTIONARY of Italian
Painters, by a Lady. 8vo. London, 1855.
BIOGRAPHICAL MAGAZINE, or His¬
torical Library. With portraits. 4to. London,
1776.
BIOGRAPHICAL MAGAZINE. With 140
portraits. 8vo. London, 1794.
BIOGRAPHICAL MAGAZINE, contain¬
ing Portraits, with Lives and Characters of emi¬
nent persons. 2 vols. Royal 8vo. London, n.d.
BIOGRAPHICAL MIRROUR, The, com¬
prising a series of ancient and modern English
Portraits, of eminent and distinguished persons,
from original pictures and drawings. 3 vols. 151
portraits, by S. and E. Harding. 4to. London,
1795(-1814). S.K.
BIO GRAPHIE pittoresqne ties Deputes.
Portraits, moeurs et costumes. 15 portraits. 8vo.
Paris, 1820.
BI O GRAPIIY. — Contemporary Biography.
3 vols. 8vo. With 150 engraved portraits. Lon¬
don, 1824.
BIOGRAPHY. — Serie degli Uomini i piu
illustri nella Pittura, Scultura, e Architettura, con
iloro elogi e ritratti. With supplement. 14 vols.
4to. Firenze, 1769-76. S.K.
BIONDI (Luigi). — Lettera sul! antica
celebre pittura conosciuta sotto il nome delle Nozze
Aldobrandine. 8vo. Roma, 1815. Bodl.
BIONDI (L.). — Ragionamento intorno
a due ritratti dipinti da Filippo Agricola. Fol.
Roma, 1827.
Monument! Amaranziani descritti. In vol. iii.
del Museo Chiaramonti da F. A. Visconti.
BIONDI (Raphael). — Collection des dessins
des differentes formes des vases Italo-Grecs, com-
munement appeles Etruschi, jusqu’ici connus, tires
d’apres les originaux par M. Raphael Gargiulo.
Italian and French. 4to. Naples, 1822. Bodl.
BIONDO (Michel Angelo). — Della nobilis-
sima Pittura, e sua arte, &c. 8vo. Venezia, 1549.
A rare but not reliable book. The author, though
22 at the death of Leonardo, attributes his Cenacolo
at Milan to Mantegna. Cicogn.
BIOT (Ed.). — Memoire snr qnelqnes anciens
monuments de l’Asie, analogues aux pierres Druidi-
ques. In the Transactions of the “ Societe Royale
des Antiquaires de France,” nouv. serie, vol. ix. p. 390.
BIRALLI (Simone). — Delle Imprese scelte
dove trovansi tutte quelle che da diversi autori
stampate si rendon conformi alle regole, e alle
GG 113
BXK
Universal Catalogue of
( Notes and Queries,
\ July 18, ’68.
principali qualita, &c. 4to. Yenezia, presso Gio.
Batt. Ciotti, 1600. Cicogn.
Imprese nuove, vol. ii. 1610.
BIRCH (J.). See Abricht (Johann).
BIRCH (Samuel). — Notes on Obelisks. In
the “ Museum of Classical Antiquities,” vol. ii.
BIRCH (S.). — Excavations by Captain
Caviglia, in 1816, behind and in the neighbourhood
of the G-reat Sphinx. In the “ Museum of Classical
Antiquities,” vol. ii.
BIRCH (S.). — Memoire sur nne patere
Egyptienne du Musee du Louvre. With plates. In
the “ Memoires de la Societe Eoyale des Anti-
quaires de France ” (Paris, 1829), vol. xxiv.
BIRCH (S.).— On Chinese Knife Money.
In the “Numismatic Journal” (London, 1837),
vol. ii.
BIRCH (S.). — Sketch of a Hieroglyphical
Dictionary. Part I. Hieroglyphics and English.
Division I. Phonetical symbols, vowels. 4to. Lon¬
don, 1838. B.M.
BIRCH (S.).— On the Medallions of Cara-
calla and Greta, with the head of the latter erased.
In the “Numismatic Chronicle” (London, 1839),
vol. i.
BIRCH (S.). — On the Coins of the Thessa¬
lian Larissa. With 1 plate. In the “ Numismatic
Chronicle” (London, 1839), vol. i.
BIRCH (S.). — Eclaircissements snr le Cer-
cueil du Roi Memphite Mycerinus, traduits de
l’anglais et accompagnees de notes par C. Lenor-
mant ; suivis d’une Lettre sur les Inscriptions de la
Grande Pyramid e de Gizeh, par le Docteur Lepsius.
4to. Paris, 1839. B.M.
BIRCH (S.). — Inedited Greek Coins. With
1 plate. In the “ Numismatic Chronicle ” (London,
1840), vol. ii.
BIRCH (S.). — Researches relative to the
Connection of the Deities represented upon the
Coins of Egyptian Nomes with the Egyptian Pan¬
theon. With 1 plate. In the “Numismatic Chro¬
nicle” (London, 1840), vol. ii.
BIRCH (S.). — Coin of Magnesia, with a
head of Cicero. With 1 plate. In the “ Numismatic
Chronicle” (London, 1840), vol. ii.
BIRCH (S.). — Unedited Asiatic Coins. In
the “Numismatic Chronicle” (London, 1841),
vol. iii.
BIRCH (S.). — Unedited Coin of Demetrius
II. With 1 plate. In the “Numismatic Chro¬
nicle” (London, 1842), vol. iv.
BIRCH (S.). — Notes upon a Type of
Phsestus in Crete. In the “Numismatic Chro¬
nicle” (London, 1841), vol. iii.
BIRCH (S.). — On an unedited Coin of
Pergamus. In the “ Numismatic Chronicle ” (Lon¬
don, 1840), vol. ii.
114
BIRCH (S.). — On some Coins connected
with the Geography of Galatia. In the “ Numis¬
matic Chronicle” (London, 1840), vol. ii.
BIRCH (S.). — Unedited Coins of Asia.
With 1 plate. In the “ Numismatic Chronicle ”
(London, 1840), vol. ii.
BIRCH (S.). — List of unedited Greek Coins.
With notes and illustrations. In the “ Numismatic
Chronicle” (London, 1841), vol. iv.
BIRCH (S.). — Unedited Grseco-Egyptian
Inscriptions. In the “ Gentleman’s Magazine ” for
October, 1841. (London, 1841.) B.M.
BIRCH (S.). — Egyptian Tomb in the British
Museum. With 3 plates. In the “ Archseologia ” of
the Society of Antiquaries of London, vol. xxix.
BIRCH (S.). — On a fictile Yase found at
Canino. With 2 plates. 4to. London, 1842. B.M.
BIRCH (S.). — Gallery of Antiquities, se¬
lected from the British Museum, by F. Arundale and
J. Bonomi. With descriptions by S. B. 2 parts.
4to. London (1842-43). B.M.
BIRCH (S.). — Views on the Nile, by Owen
Jones and Jules Goury, with historical notices by S.
Birch. Fol. London, 1843. B.M.
BIRCH (S.). — The Type of Aegiale and Epi-
daurus. In the “ Numismatic Chronicle ” (London,
1843), vol. v.
BIRCH (S.). — See Nepean (E.), An account
of certain Antiquities in the Island of Sacrificios .
Followed by a report upon the examination of them
by S. B. 1843. B.M.
BIRCH (S.). — On a Yase representing the
contest of Hercules and the Achelous. (From the
Journal of the Royal Society of Literature.)
(London, 1843.) B.M.
BIRCH (S.). — Observations on a Eictile
Vase representing the contest of Hercules and Juno.
With 1 plate. From the “ Archseologia ” of the
Society of Antiquaries of London, vol. xxx. (Lon¬
don, 1844.) B.M.
BIRCH (S.). — Tin Coins of Tavoy. In the
“Numismatic Chronicle” (London, 1844), vol. vi.
BIRCH (S.). — New proposed reading of
certain coins of Cunobelin. With 1 plate. In the
“Numismatic Chronicle” (London, 1845), vol. vii.
BIRCH (S.). — Notes on some Types of Ta-
rentum. In the “Numismatic Chronicle” (London,
1845), vol. vii.
BIRCH (S.). — On the Types of Tevina.
In the “Numismatic Chronicle” (London, 1845),
vol. vii.
BIRCH (S.). — On some unedited Coins,
principally of Asia Minor. With 1 plate. In the
“Numismatic Chronicle” (London, 1845), vol. vii.
BIRCH (S.). — Sycee Silver. In the “Numis¬
matic Chronicle” (London, 1845), vol. vii.
Notes and Queries,
July 18, ’68.
Books on Art ( under revision).
BIB
BIRCH (S.). — Observations upon the Hie-
ratical Canon of Egyptian Kings at Turin. (From
the Transactions of the Royal Society of Literature.)
8vo. (London, 1845.) B.M.
BIRCH (S.). — Remarks on a Greek Vase
in the Hamilton Collection. From the “Archseo-
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BIRCH (S.). — Observations on the Figures
of Anacreon and his dog on some fictile Vases in the
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BIRCH (S.). — Assyrian Sculpture. Two
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BIRCH (S.). — Inedited Greek Coins. In the
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BIRCH (S.). — The Talbotype applied to
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BIRCH (S.).— Gold Fibula, found at Odi-
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BIRCH (S.). — Notice of an Anglo-Roman
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BIRCH (S.).— On the Tore of the Celts.
With illustrations. In the “Archaeological Jour¬
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BIRCH (S.). — Fictile Yase from Yulci.
With 5 plates. In the “ Arehaeologia ” (London,
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BIRCH (S.). — Lettre a M. Letronne sur
l’Expression Hieroglyphique du mot Egyptien Ca-
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(Paris, 1847), vol. iv.
BIRCH (S.). — Lettre a M. Letronne sur la
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the “Revue Archeologique” (Paris, 1847), vol. iv.
BIRCH (S.). — Sur le Cartouche Egyptien
trouve par M. Layard dans les ruines de Nimroud.
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BIRCH (S.). — On the reading of the Coins
of Cunobelin, found at Chesterford. With 1 plate.
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vol. iv.
BIRCH (S.). — Lettre a M. Letronne sur
^Expression Hieroglyphique de deux noms propres
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1848) , vol. v.
BIRCH (S.). — Sur quelques Groupes
Hieroglyphiques a propos d’un ouvrage de l’Abbe
Land. In the “Revue Archeologique” (Paris, 1848),
vol. v.
BIRCH (S.). — On a Chinese Bank-note. In
the “Numismatic Chronicle” (London, 1850), vol.
xii.
BIRCH (S.). — Observations on a Bronze
figure of a Bull, found in Cornwall. With 2 plates.
In the “ Archaeological Journal” (London, 1850),
vol. vii.
BIRCH (S.).— Observations on an Egyp¬
tian Calendar, of the reign of Philip Aridaeus, in
the possession of Thomas Hart, Esq., of Reigate.
With 1 plate. In the “ Archaeological Journal ”
(London, 1850), vol. vii.
BIRCH (S.). — Account of the remains of
a Roman Villa discovered at Whittlebury. In the
“ Archaeological Journal” (London, 1850), vol. vii.
BIRCH (S.). — Notes upon a Mummy of the
age of the 26th Egyptian Dynasty. In the “ Archaeo¬
logical Journal” (London, 1850), vol. vii.
BIRCH (S.). — On a remarkable object of
the reign of Amenophis III With 1 plate. In the
“ Archaeological Journal” (London, 1851), vol. viii.
BIRCH (S.). — Upon an historical tablet of
Rameses II., of the nineteenth dynasty, relating to
the gold mines of Aethiopia . By S. Birch. (From
the “ Arehaeologia,” vol. xxxiv. With a translation
of the tablet.) 4to. London, 1852. B.M.
BIRCH (S.). — Silver Disc from Tarentum.
With 1 plate. In the “Arehaeologia” (London,
1852) , vol. xxxiv.
BIRCH (S.). — On Roman remains near St.
Albans. In the “ Archaeological Journal” (London,
1853) , vol. x.
BIRCH (S.). — The Annals of Thothmes III.,
as derived from the Hieroglyphical Inscriptions.
In the “Arehaeologia” (London, 1854), vol. xxxv.
BIRCH (S.). — On ancient remains in Here¬
fordshire. With 2 plates. In the “ Archaeological
Journal ” (London, 1854), vol. xi.
BIRCH (S.). — New Coins of British Reguli.
With 1 plate. In the “ Numismatic Chronicle ”
(London, 1855), vol. xiv.
BIRCH (S.). — On a Yase representing an
adventure of Perseus. Communicated to the So¬
ciety of Antiquaries. 4to. London, 1855. B.M.
BIRCH (S.). — On the Coins of Germanus.
In the “ Numismatic Chronicle ” (London, 1856),
vol. xviii.
BIRCH (S.). — The Egyptians in the time
of the Pharaohs. Being a Companion to the Crys¬
tal Palace Egyptian Collections, by Sir J. G-ardner
Wilkinson. To which is added an introduction to
the study of the Egyptian Hieroglyphs. By S. B.
8 vo. London, 1857. S.K.
BIRCH (S.). — History of Ancient Pottery.
Illustrated with coloured plates and numerous en¬
gravings. 2 vols. 8vo. London, 1858. S.K.
115
BXR
Universal Catalogue of
Notes and Queries,
J uly 18, ’68.
BIRCH (S.). -Remarkable Coin of Seuthes I.
With 1 plate. In the “Numismatic Chronicle”
(London, 1859), vol. xx.
BIRCH (S.). — Le Papyrus Abbott; etude
surun manuscrit hieratique contenant une informa¬
tion officielle sur des vols commis dans des sepul¬
tures royales . Traduction de M. F. Chabas.
From the “ Revue Archeologique” (Paris, 1859),
vol. xvi. B.M.
BIRCH (S.). — On a Historical Tablet of tbe
reign of Thothmes III. , recently discovered at Thebes.
4to. London, 1861. From the “ Archseologia.” B.M.
BIRCH (S.). — Observations on tlie newly-
discovered fragments of the Statistical Tablet of
Karnak. (From the Transactions of the Royal So¬
ciety of Literature.) 8vo. London (1862). B.M.
BIRCH (S.). — On Gold jewelled ornaments,
found near Thebes in 1859. In the “Archaeological
Journal” (London, 1863), vol. xx.
BIRCH (S.). — Description of tbe Papyrus
of Nas-Khem, Priest of Amen-Ra, discovered in an
excavation made by direction of H. R. H. the Prince
of Wales . in a tomb near Gournal, at Thebes.
4to, (Bungay, 1863.) B.M.
BIRCH (S.).— Inscriptions in tbe Himya-
ritic Character, discovered chiefly in Southern Ara¬
bia, and now in the British Museum. Oblong 4to.
London, 1863. B.M.
BIRCH (S.). — Pac-similes of tbe Egyptian
Relics, discovered at Thebes, in the tomb of Queen
Aah-Hotep (circa B.C. 1800), exhibited in the In¬
ternational Exhibition of 1862. From drawings by
E. Kiddle. With descriptive letterpress by S. B.
Oblong 4to. London, 1863. B.M.
BIRCH (S.). — Pac-similes of two Papyri,
found in a tomb at Thebes. With a translation by
S. B . and an account of their discovery by A.
H. Rhind. Oblong fol. London, 1863. B.M.
BIRCH (S.). — On two Egyptian Tablets of
the Ptolemaic period. Communicated to the Society
of Antiquaries. 4to. London, 1863. (From the
“ Archseologia,” vol. xxxix.) B.M.
BIRCH ( S . ) . — Revue Archeologique .
Sur un Papyrus Magique du Musee Britannique.
(Reprinted from the “ Revue Archeologique.”) 8vo.
Paris, 1864. B.M.
BIRCH (S.). — On Professor Westmacott’s
Discourse on the Statue of the Diadumenus. In
the “Archaeological Journal ” (London, 1865), Vol.
xxii.
BIRCH (S.).- — See Bunsen, Egypt’s Place
in Universal History, by Baron Bunsen, translated
by C. H. Cottrell. 2nd edition, by S. B. Vol. i.
8vo. London, 1867.
Yol. v., with additions by S. B. 8vo. London,
1867.
BIRCH (Thomas). — Tbe Heads of illustrious
persons of Great Britain, engraven by Mr. Houbra-
ken and Mr. Vertue; with their lives and characters
116
by T. Birch, A.M. 2 vols. 108 portraits. Fol.
London, 1743-52. B.M.
2nd edition. Fol. London, 1756. Lond. Inst.
Plates of 2nd edition only numbered.
Another edition, 1813.
Some copies have annexed the following plates,
engraved by Houbraken for Tindal’s translation of
Rapin : William III., Mary, Anne, G-eorge (Prince
of Denmark), the Duke of Gloucester, the Duke
and Duchess of Marlborough, Lord Somers, the
Duke of Argyle, the Earl of Sunderland, the Earl
of Orford, and George I.
BIRCH (William). — Delices de la Grande
Bretagne. Engraved and published by W. B.
4to. (London) 1791. B.M.
36 plates, some of buildings now destroyed at
Norwich, and elsewhere.
BIRCHALL (Samuel). — A descriptive list
of the provincial coins and tokens issued between
the years 1786 and 1796. 8vo. Leeds, 1796. B.M.
BIRCHEROD (Thomas Broderus). — Scia-
graphia rrjs K^paroXo^ias, sive, De cornibus et cor-
nutis commentariorum quos ex omni antiquitate,
scientia et arte collectos sex libris distinctos, figuris
marmorum, statuarum, gemmamm, sigillorum, &c,
legendos dabit T. B. B. 4to. Hafniae (1694 ?). B.M.
Plates of methods of representing horns.
BIRCHEROD (T. B.).— -T. B. B. specimen
antiquae Rei Monetariae Danorum, &c. 4to. Haf-
niae, 1701. B.M.
Plates of coins, marks, and monograms.
BIRCKENSTEIN (Burckhardt von, “ Ertz-
herzoglicher Feldingenieur des Konigreichs Bo-
haimb ”). — Handgriffe des Zirkels und Lineals. With
192 copper plates of Hungarian towns and castles.
4to. Augsburg, 1689.
BIRD (Ja.). — Historical Researches on tbe
origin and principles of the Buddha and Jaina
religions . Illustrated with descriptive account
of the sculptures in the caves of Western India.
53 plates. Fol. Bombay, 1847.
BIRDS. — Ornitbologia NTova : tbe History
of Birds. 2 vols. 400 woodcuts. 12mo. Bir¬
mingham, 1743.
BIRDS. — The Architecture, tbe Domestic
Habits, the Faculties of Birds. With plates. In
the Library of Entertaining Knowledge. 3 vols.
12mo. London, 1831-35. S.K.
BIRINGUCCIO (Vannuccio.). — Li diece
Libri della Pirotechnia, nelli quali si tratta non solo
la diversita delle minere, ma ancho quanto si ricerca
alia prattica di esse ; e di quanto s’appartiene all’
arte della fusione overgetto de metalli . Composti
per V. B. 4to. Yenezia, 1550. S.K.
Also: 8vo. Yenezia, 1559. B.M.
In French, by Jac. Vincent. With plates. 4to.
Paris, 1556, or 1572. And: 4to. Rouen, 1627.
BIRKENHEAD. — Tbe Stranger’s Guide
through B. 12mo. Birkenhead, 1847. B.M.
Notes and Queries,
July 25, ’68.
Books on Art {under revision).
BIZ
BIRKENSTOCK (Joannes Melchior a). —
Mon urn en turn seternse memoriae Mariae Christinae,
Archiducis Austria?, a Conjuge Alberto Saxone,
Duce Tesch. Viennae, in Templo D. Angustini, e
marmore erectum, opera Antonii Canovse, Equit.
Rom., 1805; carmen posthumum ; accessit inter-
pretatio G-ermanica ad votum authoris, a Eamiliari
(Enzenberg) tentata, Lat. et Germ. Plates. Pol.
Vindobonae, 1813. B.M.
BIRLY (Istvan). — Csolnak-ut Rotfcerdamtol
Pestig. Plates. 4to. Pest, 1863. B.M.
Boat journey from Rotterdam to Pesth.
BIRMANN (Peter). — Neujahrsblatt der
Kiinstlergesellschaft in Zurich fiir 1859. Enthal-
tend den Landschaftsmaler Peter Birmann von Basel.
4to. Zurich, 1859.
BIRMINGHAM. — Views (eight in aquatint,
after P. H. Wilton jun., by W. Ellis) of the Ruins
of the principal houses destroyed during the Riots
of Birmingham, 1791, with descriptions in English
and French. Oblong 4to. London, 1792.
BIRMINGHAM.— A Pictorial Guide to B.
16mo. Birmingham, 1849. B.M.
BIRMINGHAM.— The Stranger’s Guide to
Modern B . With observations on the surround¬
ing neighbourhood, descriptive of the topography, an¬
tiquities, and manufactures, &c. 8vo. Birmingham,
1818. B.M.
BIRON (C.). — Curiositez de la Nature et
de l’Art, apportees dans deux Voyages des Indes ;
l’un aux Indes d’Occident en 1698 et 1699, et l’autre
aux Indes d’Orient en 1701 et 1702. 8vo. Paris,
1703. B.M.
BISACCIONI (Majolino). — Apparati sce-
nici per il Teatro novissimo di Venezia l’anno 1664,
descritti da M. B., intagliati da Marco Boschini.
Engravings. Eol. n. p. 1664.
BISAGNO (D. France sco). — Trattato della
Pittura fondato nell’ autorita di molti eccellenti in
questa professione. 8vo. Venezia, 1642. B.M.
Rare but not useful, according to Cicognara.
BISANI (Alexander) . — Picturesque Tour
through Part of Europe, Asia, and Africa. With
plates, some after Athenian Stuart’s designs. 8vo.
London, 1793.
BISCARI (Ignazio Patern6 Castello, Prin¬
cipe di). — Ragionamento de’ VasiMurrini. 4to. n. p.
1781.
BISCARI (Ign. P. C.). — Ragionamento so-
pra gli antichi ornamenti e trastulli de’ bambini.
4to. Firenze, 1781.
BISHOP (W. E.). — Views of Churches in
the hundred of Hoxne, Suffolk. 4to. Harleston,
1833. B. Arch.
BISI (Michele). — See Gironi (Robustiano),
Pinacoteca . in Milan, 1812.
BISIAUX ET PETIT. — See Petit et Bi-
SIAUX.
BISSCHOP (Jan. de). — Signorum veterum
leones. Eol. B.M.
BISSCHOP (Jan. de). — Paradigmata Gra-
phices variorum Artificum. Eol. Hag. Com., 1671.
B.M.
BISSET (James). — A poetical Survey round
Birmingham, &c., accompanied by a magnificent
directory with the names, professions, &c. engraved
in emblematic plates. 8vo. Birmingham, 1800.
Bodl.
BISSET (J.). — A descriptive Guide of Lea¬
mington Priors. 12mo. Coventry, 1814. B.M.
BISSON (Brothers). — Choix d’Ornements
Arabes de l’Alhambra, offrant dans leur ensemble
une synthese de l’ornamentation Maurescp e en Es-
pagne au XIIIe siecle. Reproduits en phot, graphie.
Small fol. Paris, 1853, &c. S.K.
BISSON' (Brothers). — Reproductions pho-
tographiques des plus beaux types d’ architecture
d’apres les monuments les plus remarquables et les
plus caracteristiques de chaque epoque. Fol. Paris,
1856.
4 plates in each book.
BIURBERG (Joannes). — Resp. Castor bre-
viter delineatus. Prses. L. Norrmanno. 8vo. Up-
salse (1687). B.M.
Curious woodcuts descriptive of the habits of the
beaver.
BIVERUS (Petrus). — B.P. Sacrum Sanc-
tuarium crucis et patientise, cruciferorum emble-
maticis imaginibus laborantium et segrotantium or-
natum. With 70 plates, besides vignettes. 4to.
Antuerpise (ex off. Plantin. Balth. Moreti), 1634.
BIVERUS (P.). — B. P. Sacrum Oratorium
piarium imaginum Immaculatse Mariae et animae
creates, ars nova bene vivendi et moriendi. 42 alle¬
gorical plates, and 15 of emblems. 4to. Antuer-
piae (ex off. Plant.), 1634. Cicogn.
BIZEMONT (Comte de). — Notice sur .
See Vekgnaud Romagnesi (C. E.). 8vo. 1838.
BIZEUL (A.). — Notice sur le monument
druidique du Port Eessan, et sur quelques pierres
portant des figures gravees. With plates. In the
“ Memoires de la Societe Royale des Antiquaires de
France,” vol. viii., nouvelle serie.
BIZIO (Bartolommeo). — Memoria sopra una
lacca verde ottenuta dal caffe; con alcune nuove
osservazioni sulla natura e proprieta della materia
colorante di cotesta semenza. 8vo. Venezia, 1819.
B.M.
BIZIO (B.). — Dissertazione sopra la por-
pora antica e sopra la scoperta della porpora ne’
murici, scritta nell’ occasione di rispondere alle cri-
tiche del Dr. A. Tusinieri. 8vo. Venezia, 1843. B.M.
BIZOT (Pierre). — Histoire metallique de la
republique de Hollande. (From 1566 to 1680.)
Plates of medals, &c., and frontispiece by Seb. Le
Clerc. Fol. Paris, 1687. B.M.
I H H
117
BLA
f Notes and Queries,
1 July. 25, ’B8.
Universal Catalogue of
Nouvelle edition. — (Remarquos sur l’edition de
Paris. Supplement. Theatre d’honneur des heros
qui ont sacrifie leurs vies pour la republique de
Hollands.) 3 vols. Plates. 8vo. Amsterdam,
1688-90. B.M.
Dutch translation. — Medalische Historic der Re-
publylc van Holland in ’t Pransch beschreeven
door B. en u;it die taal in ’t Nederduitsch gebracht
en wel twee derden vermeerderd ; nevens alle de
Medalien der Overtocht van Zyn Hoogheid na
Engeland, des zelfs Krooning enz, etc . Met een
Bijvoegsel van de grafsteden ter eere der dappere
helden opgerecht. Plates. 4to. Amsterdam, 1690.
B.M.
BLACAS (le Due de). — Description des
monumens Musulmans de son cabinet. See Rei-
NAUD.
BLACAS (le Due de). — Coffret en pierre, &c.
See Mignard (M.), Monographie, &c.
BLACK (Adam and Charles). — Guide to
Belfast, Giant’s Causeway, &c. 8vo. Edinburgh,
1854.
B.’s Guide to the Channel Islands. 8vo. Edin¬
burgh, 1865.
B.’s Tourist’s Guide to Derbyshire . Chats-
worth . 2nd edition. 8vo. 1857.
B.’s Guide to Devonshire and Cornwall, includ¬
ing the Scilly Islands. 8 vo. Edinburgh, 1855.
B.’s Guide to Dublin and the Wicklow Mountains.
1854. With plan of Dublin. 1865.
B.’s Guide to Edinburgh, &c. 8vo . Edinburgh,
1853.
B.’s Guide through Edinburgh . with excur¬
sions. 10th edition. 1858.
B.’s Guide to the English Lakes . (with)
Essay on Geology of the district by J. Phillips.
8vo. Edinburgh, 1851. Illustrated by Foster,
1858. With views by Flintoft, 1861.
B.’s Guide to Glasgow and the West Coast. 8vo.
Edinburgh, 1852.
B.’s Guide to Gloucestershire. 2nd edition. 8vo.
1854.
B.’s Guide to the Counties of Hereford and Mon¬
mouth. Illustrations. 2nd edition. Edinburgh,
1865.
B.’s Picturesque Tourist of Ireland. 2nd edition.
1857.
B.’s Iron Highway — London to Edinburgh and
Glasgow. 8vo. Edinburgh, 1850.
B.’s Guide to Killarney and South of Ireland.
8vo. Edinburgh, 1854.
B.’s Tourist's and Angler’s Guide to Moffat and
its vicinity, &c. 8vo. Edinburgh, 1853.
B/s Picturesque Guide to North Wales. 8vo.
1857.
B.’s Picturesque Guide through North and South
Wales, and Monmouthshire, &c. 1851.
B.’s Picturesque Tourist and Road-book. England
and Wales. 1843.
B.’s Road and Railway Guide Book. 3rd edition,
enlarged. 1853.
B.’s Economical Tourist of Scotland. 7th edition.
8vo. Edinburgh, 1852.
118
B.’s Picturesque Tourist of Scotland. 3rd edition,
12mo. Edinburgh, 1843.
17th edition. 1865.
B.’s Guide to the Shannon and West of Ireland.
1854.
B.’s Guide to Staffa, &c . and Caledonian
Canal. 1854.
B.’s Guide to the South-Eastern Counties of Eng¬
land. With map, &c. Edinburgh, 1861.
B.’s Guide to the South-Western Counties .
1862.
B. s Picturesque Guide to Warwickshire . 1857.
With illustrations. 1866.
B.’s Picturesque Guide to Yorkshire. With map,
&c. 2nd edition. 1862.
With plates, cuts, maps and plans.
BLACK (Archibald Pollok). — A Kindred
Days in the East : a diary of a journey to Egypt,
Palestine, Turkey in Europe, &c. Woodcuts. 8vo.
London, 1885. B.M.
BLACK (William Henry). — Eastbury illus¬
trated by elevations, plans, sections, views, and
other delineations of that once magnificent mansion,
by T. H. Clarke ; with an historical sketch by W. H. B.
Fol. London, 1834. B.M.
BLACK (W. H.). — Letters to eminent Anti¬
quaries on the primitive site of Roman London ; its
roads, &c. (Privately printed.) 8vo. London, 1860.
B. Arch.
BLACK LEAD PENCIL DRAWING
BOOK. Oblong 12mo. London (1861). B.M.
BLACKADER (Adam). — Description of the
Great Pagoda of Madura, the Choultry of Trimul
Naik. In the “ Archseologia,” vol. x.
BLACKBURN (Hen&y). — Travelling in
Spain in the present day. With map and illustra¬
tions. 8vo. London, 1866. B.M.
BLACKBURN (Rev. John).— The Hand¬
book round Jerusalem, or companion to the model
by J. B. 8vo. London, 1846. B.M.
New edition. 12mo. London, 1849.
BLACKBURNE (Edward L.).— An archi¬
tectural and historical account of Crosby-place,
London. 8vo. London, 1834. B.M.
BLACKBURNE (E. L.). — Sketches, graphic
and descriptive, for a History of the Decorative
Painting applied to English Architecture during
the middle ages. 23 chromolithogr. plates. 4to.
London, 1847. S.K.
BLACKER (Valentine).— Memoir of the
Operations of the British Army in India during th*
Mahratta war of 1817-18-19. Atlas of 45 plates.
4to. London, 1821.
BLACKIE. — The Cabinet-maker’s Assistant;
a series of original designs for modern Furniture.
. Preceded by practical observations on the
materials and manufacture of Cabinet work, and
instructions in drawing adapted to the trade. Fol.
Glasgow, 1853. S.K,
Notes and Queries,
July 25, ’68.
BLA
Books on Art ( under revision).
BLACKIE (John Stuart) . — OnBeauty, three
discourses in the University of Edinburgh ; with an
exposition of the doctrine of the beautiful according
to Plato. 12mo. Edinburgh, 1858. B.M.
BLACKSTONE (Sir William).— On an An¬
tique Seal. 1 plate. In the “ Archseologia,” vol. iii.
BLACKWELL (Elizabeth). — A curious
Herbal containing 500 cuts of the most useful Plants
which are now used in the practice of Physiek.
2 vols. Eol. London, 1737.
Another edition, by Chr. Jac. Trew. With German
and Latin text, and 600 coloured plates, by Nic. Er.
Eisenberger. Niirnberg, 1757-73.
These copies are preferred to the original plates.
BLACKWELL (Henry). — The English
Eencing-Master ; or the compleat Tutor of the
Small Sword. Adorn’d with several curious pos¬
tures. Plates. 4to. London, 1705. B.M.
BLACKWELL (John). — Compendium of
Military Discipline. With plates by Hogarth.
London, 1726. Also: 1729.
BLADES (William). — The Life and Typo¬
graphy of William Caxton, England’s Eirst Printer,
with evidence of his typographical connection with
Colard Mansion, the Printer at Bruges. Compiled
from original sources by W. B. 2 vols. 4to.
1861-63. S.K.
BLAETJ (Joannes).— Atlas Magnus s. Geo-
graphia et Cosmographia Blaviana, qua solum,
salum, ccelum accuratissime describuntur. 11 vols.
Eol. Amsterdam, 1650. With 563 maps, and 41
coloured plates of views, palaces, costumes, &c.
It should be accompanied by the “Atlas Cce-
lestis sen Harmonia macrocosmica,” &c. Amster¬
dam, 1660 (and, with a different title, Amster¬
dam, 1708). And, L’ Atlas de Mer, ou monde aqua-
tique, representant toutes les cotes de Mer connues
en l’Univers. Amsterdam, 1667.
Other editions : — With text in Latin. 11 vols.
Eol. 1662. — In French. 12 vols. Eql. 1663. —
In Spanish. 10 vols. Fol. 1659-72.— In German.
6 vols. Fol. — In Dutch. 9 vols. Eol. 1664.
BLAEU (J.). — Novum et magnum theatrum
urbium Belgicse regige. 2 vols. With plates.
Fol. Amstelodami, 1649.
Also, with new title, 1650.
BLAEU (J.). — Theatrum Civitatum et ad-
mirandorum Italise. 2 vols. With plates. Eol.
Amstelodami, 1663.
In French. — Nouveau Theatre d’ltalie ; ou de¬
scription exacte de ses villes, palais, eglises, etc., et
les cartes geographiques de toutes ses provinces,
dresse sur les dessins de Jean Blaeu . le tout mis
en ordre. 4 vols. Plates. Eol. Amsterdam,
1704. B.M.
In Latin.— Novum Italise theatrum, sive aceurata
descriptio ipsius urbium, palatiorum, sacrarum
sedium, etc. Plates. Eol. Amstelodami, 1705. B.M.
BLAEU (J.). — Theatre des Etats de son
Altesse Royale le Due de Savoye, etc. Tome i.
contenant le Piemont, laVille de Turin, et les lieux
voisins. Tome ii. contenant la Savoye, et les autres
lieux de l’un et de l’autre cote des Alpes. (Traduit
du Latin de J. Blaeu, par Jacques Bernard.) With
plates. 2 vols. Large fol. La Haye, .1700. S.K.
The Latin edition. 2 vols. With plates. Fol.
Amsterdam, 1682. B.M.
j BLAGDON (Francis William). — Graphic
History of the life, exploits, and death of H. Nelson,
Viscount and Baron Nelson of the Nile, &c., con¬
taining fifteen engravings . The memoirs by
E. W. B. Coloured plates. 4to. London, 1806.
B.M.
BLAGDON (F. W.).— Brief History of An¬
cient and Modern India, from the earliest periods
to the termination of the Mahratta War. With
coloured plates by Daniell. Atlas fol. London,
1805.
BLAGDON (F. W.). — Authentic Memoirs
of the late George Morland ; together with speci¬
mens of his sketches, &c. With portrait, and 20
plates Fol. London, 1806. B.M.
BLAINE (Delabere Pritchett).' — Ency¬
clopaedia of Rural Sports. 600 woodcuts by
Branston, after II. Aiken, Landseer, &c. 8vo.
London, 1840-44. Also: 1852.
BLAINE (D. Boberton). — Artistic Copy¬
right. Report prepared at the request of the Com¬
mittee appointed by the Society of Arts. 8vo.
London, 1858. S.K.
BLAINVILLE (H. M. D. de). — Osteo-
graphie, ou description iconographique comparee du
squelette et du systeme dentaire des cinq classes
d’animaux . pour servir de base a la zoologie et
a la geologie. 400 to 500 lithogr. plates, publ. by
J. C. Werner and Delahaye. 4to. Paris, 1839-56.
BLAIR (Alexander) and RONALDS (F.).
Sketches at Carnac (Brittany) in 1834 ; or, notes
concerning the present state of some reputed Celtic
antiquities in that and the adjoining communes.
By A. B. and E. R. Eol. London, 1836. B.M.
BLAIR (E. A.). — Restoration of the temple
of Jupiter Olympius, Athens. Sessional Paper.
London, 15 Jan. 1838. B. Arch.
BLAIR (Robert). — The Grave, a Poem.
Illustrated by twelve etchings, executed from
original designs (by William Blake). 4to. Lon¬
don, 1808. S.K.
Another edition. 4to. London, 1813. S.K.
BLAIS (Auguste). — Notice historique et
archeologique sur Notre-Dame-de-la-Couture de
Bernay, &c. With 9 lithogr. plates. 8vo. Evreux,
1852. B.M.
BLAISE (Jean).— Pierre tumulaire de Jean
Blaise de Manlion et notice sur lui. In the “ Jour¬
nal . du Musee Lorrain,” part viii. p. 58.
BLAKE (J.). — Descriptive particulars of
the remains of Kilconnel Abbey, Ireland. Sessional
Paper. London, 22 March 1858. B. Arch.
119
I
BLA
Universal Catalogue of
Notes and Queries,
July 25, ’68.
BLAKE (Rev. T. W. J.).— A Vacation in
Continental Picture Galleries. 12mo. London,
1858.
Four Months in Algeria, with a Visit to Carthage.
8vo. 1859.
BLAKE (William). — Songs of Experience.
17 plates. 12mo. (London) n.d.
BLAKE (W.). — Jerusalem, tlie Emanation
of the Giant Albion. 100 engraved pages. Fol.
(London) n. d.
BLAKE (W.). — Songs of Innocence and of
Experience, shewing the two contrary states of the
human soul. The author and printer W. Blake.
12mo. (London) n.d.
The letters seem to be etched. Round about and
between the lines are all kinds of etchings.
The same. 1 vol. With 54 plates, engraved and
coloured by the artist. Inrper. 4to. (London) n. d.
Another edition. 2 vols. 8vo. 1789-94.
BLAKE (W.). — Book of Thiel. 8 engraved
pages. 4to. (London) 1789.
BLAKE (W.). — Gates of Paradise. 16 en¬
gravings for Children. 12mo. Lambeth, 1793.
BLAKE (W.). — Visions of the daughters of
Albion. (A poem, with coloured illustrations by
W. B.) Fol. (London) 1793. B.M.
BLAKE (W.). — America, a Prophecy (in
verse. With illustrations by W. B.). 18 aquatint
plates, some coloured. Fol. Lambeth, 1793. B.M.
BLAKE (W.). — Europe, a Prophecy. 17
plates including title and frontispiece. Fol. Lam¬
beth, 1794.
BLAKE (W.). — The Song of Los. (A poem,
with 17 coloured illustrations by W. B.) Fol. Lam¬
beth, 1795. B.M.
BLAKE (W.). — Book of Ahania. 3 designs.
(London) 1795.
BLAKE (W.). — Illustrations to Young’s
Night Thoughts. London, 1797. See Young
(Edward).
BLAKE (W.). — B.’s illustrations of Dante.
7 plates, designed and engraved by W. B. Fol.
(London, 1800?) B.M.
BLAKE (W.). — The Marriage of Heaven
and Hell, designed and engraved by W. B. 27 pp.
8vo. (London) 1800. Bodl.
BLAKE (W.). — Illustrations to Comus.
8 original designs, n. p. 0. d.
BLAKE (W.). — Milton, a poem, in 12 books.
50 engraved pages, coloured by the artist. 4to.
(London) 1804.
BLAKE (W.). — Illustrations to “The
Grave,” a poem by Robert Blair. See Blair.
BLAKE (W.). — Illustrations of the Book of
Job. Invented and engraved by W. B. 21 plates.
. 4 to. London, 1825. B.M.
120
BLAKE (W.). — A descriptive Catalogue of
v pictures, poetical and historical inventions, painted
by him in water-colours, being the ancient method
of fresco painting restored. 12mo. London, 1809.
B.M.
BLAKE (W.). — The Life of William Blake,
by the late Alexander Gilchrist. Article from the
Quarterly Review, No. 233, January 1865. S.K.
See Gilchrist (A.).
BLAKE (W.). — William Blake. Article from
\J Blackwood’s Magazine, March 1865. S.K.
BLAKE (W.) . — Designs by W. B. See Cum¬
berland, (G.), Thoughts on Outline and Sculpture.
BLAKE (W.) .—William Blake. A Critical
J Essay . 1868. See Swinburne (A. C.).
BLAKEWAY (J. B.). — See Owen and
Blakeway, A History of Shrewsbury.
BLAKISTON (Thomas W.). — Five months
on the Yang-Tsze ; with a narrative of the explo¬
ration of its upper waters, and notices of the present
rebellion in China, by T. W. B. ; illustrated from
sketches by A. Barton, with maps by Arrowsmith.
8 vo. London, 1862. B.M.
BLANC (Charles). — Histoire des peintres
frai^ais au xix. siecle. Woodcuts of pictures.
8voy Paris, 1845. B.M.
Etude sur Louis David. 8vo. (Paris, 1847.)
Extract from the “ Histoire des peintres fra^ais.”
BLANC (C.). — Le graveur en taille-douce,
ou catalogues raisonnes des estampes dues aux gra-
veurs les plus celebres. 1. Jean-George Wille. 2.
Robert Strange. 8vo. Leipzig, 1848.
BLANC (C.) et ARMEN GAUD (F. G. D.).—
Histoire des Peintres de toutes les Ecoles, depuis la
Renaissance jusqu’a nos jours. Par Charles Blanc.
Accompagnee du portrait des peintres, de la repro¬
duction de leurs plus beaux tableaux et du fac¬
simile de leurs signatures, marques et monogram¬
mes. Ouvrage publie sous la direction, et avec les
notes, recherches et indications de M. Armengaud.
4to. Paris, 1849, &c. S.K.
In English. — The History of the Painters of all
Nations . translated by P. Berlyn . Edited by
M. D. Wyatt. Fol. London, 1852-53. B.M.
BLANC (C.). — Les Peintres des Fetes ga-
lantes. Watteau, Lancret, Pater, Boucher. With
6 vignettes. 16mo. Paris, 1854. B.M.
BLANC (C.). — De Paris a Venise, notes en
crayon. Woodcuts. 12mo. Paris, 1857. B.M.
BLANC (C.). — Les Tresors de l’Arta Man¬
chester. Small 8vo. Paris, 1857. S.K.
BLANC (C.). — Le Tresor dela Curiosite, tire
des Catalogues de Vente de Tableaux, Dessins, Es¬
tampes, Livres . et autres Objets d’Art, avec di-
verses notes et notices historiques et biographiques,
et precede d’une lettre . sur la Curiosite et les
Curieux. 2 vols. With vignettes. 8vo. Paris,
1857-58. S.K.
Notes and Queries, •)
August 1, ’68. J
BLA
Books on Art ( under revision).
BLANC (C.). — L’CEuvre de Rembrandt, re-
produit par la Photographic, decrit et commente
par Charles Blanc. Fol. Paris, 1853-55. S.K.
Another edition. Imper. fol. Paris, 1858. S.K.
Another edition. — L’CEnvre complet de Bem-
brandt, decrit et commente par M. Ch. B. Cata¬
logue raisonne de toutes les eaux-fo'rtes du maitre
et de ses peintures, orne de bois graves et de qua-
rante eaux-fortes tirees a part et rapportees dans
le texte. 2 vols. 8vo. Paris, 1859-61. S.K.
BLANC (C.). — Gazette des Beaux- Arts.
Courrier Europeen de l’Art et de la Curiosite. See
Periodical Publications.
BLANC (C.). — Grammaire des Arts dn Des-
sin, Architecture, Sculpture, Peinture, Jardins —
Gravure en Pierres fines — Gravure en Medailles —
Gravure en Taille-douce — Eau-forte — Maniere
noire Aqua-tinte — Gravure en Bois — Camaieu —
Gravure en Couleurs — Lithographie. Par M.
Charles Blanc. Imper. 8vo. Paris, 1867. S.K.
BLANC (C.). — Costumes historiques, &c.,
avec introduction, par C. B . 1860. See Bonnard
(C.).
BLANC (Etienne). — L’Inventeur brevete.
Code des inventions et des perfectionnements.
Deuxieme edition. 8vo. Paris, 1845. S.K.
BLANC (B.) 'and BEAUME (Alexandre). —
Code general de la propriety industrielle, litteraire
et artistique, comprenant les legislations de tous les
pays et lestraites internationaux, etc. 8vo. Paris,
1854. B.M.
BLANC (ERANgois le). — Dissertation his-
torique sur quelques Monnoyes de Charlemagne, de
Louis le Debonnaire, de Lothaire, et de leurs sue-
cesseurs, frappees dans Borne. 4to. Paris, 1689.
B.M.
Traits historique des Monnoyes de France. 4to.
Paris, 1690. B.M.
Another edition . augment^ d’une Dissertation
sur quelques Monnoyes de Charlemagne, &c. Plates.
4to. Amsterdam, 1692. B.M.
With new title, 59 plates. 4to. Paris, 1703.
BLANCANUS (Jacobus). — De Antiquitatis
Studio. Oratio habita in sedibus Institui, vi. Idus
Januarias. 4 plates of coins. 4to. Bononiae, 1781.
Cicogn.
BLANCABD (Louis). — Ieonographie des
Sceaux et Bulles conserves dans la partie anterieure
a 1790 des Archives Departernentales des Bouches-
du-Bhone. 2 vols. 4to. Paris, 1860. S.K.
BLANCHARD.-— Porte principale du Bap-
tistere de Florence, par L. Ghiberti. Fol. Paris,
1858. B. Arch.
BLANCHARD (Edme). — Traite de la Coupe
des Bois pour le revetement des voutes, etc. 40
plates. 4to. Paris, 1729. Cicogn.
BLANCHARD (Edward Leman). — Adam’s
descriptive Pocket-Guide to the Environs of the
Metropolis. 8vo. London (1855). B.M.
BLANCHARD (Octave, Peintre).— Notice
de tableaux, etc. See Catalogues, Sale. Paris, 1 843.
BLANCHARD-BOISMARSAS (C. Oli¬
vier).— Notice sur la nouvelle statue equestre de
Louis XIV., fondue d’apr&s le modele de M. Bosio,
membre de l’lnstitut . par M. C. O. B.-B. 8vo.
Paris, 1822.
BLANCHARD-BOISMARSAS (C. O.).—
Itineraire de l’ami des arts ; ou, Statistique generale
des Academies, bibliotheques, cabinets d’histoire
naturelle, de physique et de chvmie, colleges, ecoles
. etc. de Paris et des departemens, etc. 8vo.
Paris, 1821. B.M.
BLANCHARD DE LA MUSSE (Francois
Gabriel Urs., Count). — De l’influence des Arts sur
le bonheur et sur la civilisation des hommes. 8vo.
Paris, 1801. B.M.
BLANCHETlPRE. — Notes recueillies sur
l’arrondissement de Domfront. Avril 1852. 1
plate. In the “ Bulletin monumental,” vol. xix.
p. 81.
Antiquites de Jublains. 3 plans. The same,
vol. xxiv. p. 537.
Notice sur la Boche Posay (Vienne). The same,
vol. xxv. p. 604.
Le Dcnjon de Domfront (Orme). The same,
vol. xxx. p. 190.
BLANCHETON (A.).— Vues pittoresques
des principaux chateaux et des maisons de plai-
sance des environs de Paris et des departements,
lithographies par MM. Bonington, Bouton, Biche-
bois, Ciceri, etc., dirigees par MM. Bouton, Da¬
guerre et Benoux, avec un texte historique et
descriptif redige par A. B. Published in 30 parts.
2 vols. Fol. Paris (1826-30).
BLANCHINUS (Franciscus). — Camera ed
inscrizioni sepulchrali de’ liberti, servi, ed ufficiali
della casa di Augusto scoperte nella Via Appia, ed
illustrate con annotazioni; Fol. Boma, 1727. T.C.D.
BLANCHINUS (Fr.).— Del palazzo dei
Cesari. Fol. Verona, 1738. T.C.D.
BLANCHINUS (Fr.).— Spiegazione delle
scolture del palazzo di Urbino (p. 79, Memor. con-
cernente la citta di Urbino). T.C.D.
BLANCHINUS (Fr.).— La istoria uni¬
versale provata con monument!, e figurata con
simboli de gli antichi. 4to. Boma, 1697. T.C.D.
BLANCHINUS (Josephus). — Spiegazione
istorica di tutte le cose notabili delle Porte di
Boma. Book i. of the “ Magnificenze di Boma.”
See Vasi (Giuseppe).
BLANCK (Johann Leonhard). — Bildnisse
beriihmter Kiinstler, Buchhandler, Buchdrucker und
anderer Manner. 50 portraits. Fol. Niirnberg,
1779. B.M.
BLANCK (Otto). — Die scandinaviscbe In¬
dustrie- Ausstellung zu Stockholm im Sommer 1866.
8vo. Stockholm und Leipzig (1867). S.K.
ii 121
BLA
Universal Catalogue of
< No' rs and Queries,
( August 1, ’68.
BLANCOURT (Handiequee de). — The art
of glass, in English, with improvements, translated
from the French. 8vo. London, 1699. Bodl.
BLAND (F. C.).— Description of the Bar-
naan Cuilawn, and conjectures as to its original use.
1 plate. In the Royal Irish Academy Transactions,
vol. xiv., 1825, p. 31.
BLAND (W.). — Experimental Essays on the
Principles of Construction in Arches, Piers, But¬
tresses, &c., made with a view to their being useful
to the practical builder. (Weale’s Series.) New
edition. 12mo. London, 1862. S.K.
BLANDOT (L.). — Maisons et Ecoles com-
munales de la Belgique, dessinees et mesurees par
Blandot, et accompagnees d’un texte descriptif et
explicatif. Fol. Paris, 1864, &c. S.K.
BLANKENBURG (E. D.).— Der Dom zn
Koln. Kurze historisch-architektonische Beschrei-
bung. (Beschreibung des Festes der Grundstein-
legung zum Fortbau des Domes zu Koln am 4 Sep.
1842.) 2 parts. 12mo. Berlin, 1842. B.M.
BLANQUART-EVRARD (Louis Desiee).
Traite de photographie sur papier ; avec une intro¬
duction par G. Ville. 8vo. Paris, 1851. B.M.
See Valicourt (E. de), Nouveaux renseignements
pratiques sur le procede de photographie sur papier
de M. B. E. 1847. B.M.
Album photographique de l’artiste et de 1’ ama¬
teur, publie sous la direction de Mr. B.-E. Fol.
Lille (1852, &c.). B.M.
BLANQUART-EVRARD (L. D.).— Inter¬
vention de l’Art dans la Photographie. 8vo.
Paris, 1864.
English translation. — On the Intervention of Art
in Photography . Translated by A. Harral, with
an introduction by J. Sutton. With photographic
illustrations from negatives by the author. 8vo.
London, 1864. B.M.
BLANQUI (Jee6me Adolphe). — Lettres snr
l’Exposition Universelle de Londres, precedees d’un
preambule et suivies du rapport present^ a l’ln-
stitut National de France. 8vo. Paris, 1851. B.M.
BLARAMBERG (Ivan Payloyich). — Choix
de medailles antiques d’Olbiopolis ouOlbia, faisant
partie du cabinet du Conseiller d’Etat De B. a
Odessa ; avec 20 planches . accompagnees d’une
notice sur Olbia, &c. 8vo. Paris, 1822. B.M.
BLARAMBERG (I. P.).— Notice sur
quelques objets d’antiquite decouverts en Tauride
dans un tumulus, pres du site de l’ancienne Panti-
capee. 8vo. Paris, 1822. Bodl.
BLASCHE (BeenhaedHeineich). — The Art
of working in Pasteboard upon scientific principles :
to which is added an appendix. Compiled from
the German (of B. H. B.) with corrections and
additions by D. Boileau. Plates. 16mo. London,
1827. B.M.
BLASHFIELD (J. M.). — An account of the
History and Manufacture of Ancient and Modern
Terra Cotta; and of its use in architecture as a
122
durable and elegant material for decoration. 8vo.
London, 1855.
A Selection of Yases, Statues, Busts, &c., from
Terra Cottas. By J. M. Blashfield. 4to. London,
1857.
Patent Terra Cotta Yases, Tazze, Figures, &c.,
manufactured by J. M. Blashfield. 4to. London,
1857.
A Catalogue of 500 Articles, made of Patent
Terra Cotta, by J. M. Blashfield. 8vo. London,
1857.
Catalogue of Terra Cotta Works of Art, sold
May 1858. 8vo. London, 1858. S.K.
BLASHFIELD (J. M.). — On the Structure
of Greek Fictile Vases. In the Transactions of
tRe Society of Arts, supplemental vol., 1852, p. 455.
BLASI (Salyadoee Maeia di). — Breve rag-
guaglio del museo del mon. di S. Martino delle
Scale, &c. 4to. Palermo, 1774.
Dissertazione sopra un vase greco-siculo figurato
nel museo Martiniano. 4to. n. p. o. d.
Due lettere sopra un antico sarcofago in marmo,
e sopra 1’ ascia sepolcrale. Opuscoli di Autori
Siciliani, vol. i. See Sicieiani. Bodl.
BLASIS (Caelo). — Studi sulle Arti Imita-
trici. 8vo. Milano, 1844. B.M.
BLASON, le, de toutes Armes et Ecutz .
Small 8vo. Paris (Pierre le Caron), 1495.
Gothic letter, with illuminated coats of arms.
40 leaves.
BLASON, le, des armes nouuellemt iprime.
(On the recto of the last leaf.) Imprime a Paris
par Guillaume nyuerd demourat en la rue de la
iuyfrie a lenseigne de la Rose. Ou au palais a la
premiere porte.” 8vo. Paris, n.d.
BLASON, le, des armes auec les armes des
princes et seigneurs de France. Cy finist le blason
des armes. Imprime a Lyon par Claude Nourry le
xve iour de nouembre mil cinq cens trois. With
illuminated coats of arms. 8vo. Paris, 1503.
BLASON, le, blason de coulevrs en armes,
livrees et devises. 8vo. Paris, 1582. T.C.D.
BLASON. — Methode royale du Blason,
composee pour le Dauphin. With plates. 12mo.
Paris, 1671.
BLASON. — L’Art du Blason, ou science des
nobles, par dialogues. With numerous plates. 4to.
Amsterdam, 1695.
BLASONS, les, domestiques, contenants la
decoration d’une maison honeste et du mesnage
estant en icelle. Invention joyeuse et moderne.
27 woodcuts. Small 8vo. Paris, 1539.
BLASSET (Nicolas). — L’oeuvre de Blasset
ou plutot Blassel, celebre sculpteur amienois .
See Dubois (A.). 1862.
BLAVIGNAC (J. D.).— Histoire de 1’ Archi¬
tecture sacree du quatrieme au dixi&me si^cle dans
les anciens eveches de Geneve, Lausanne et Sion.
Text, 8vo. ; atlas, oblong folio. Paris, 1853. S.K.
Books oh Art {under revision}.
BLQ
Kotos an*'! Queries, >
August 1, ’68. j
BLAZON of Coloures in Armoryes and En-
signes military, translated (oute of a little Frenche
Hooke printed at Parys, 1546) by me E(iehard)
R(obinson). London (1583).
BLENCOWE (Robert Willis). — Cowden
and its neighbourhood. 3 plates. In the “Archseo-
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BLENDER (A.). — La Bijouterie pour Tons
au XIX® si&cle. Par A. Blender, Technologien et
Praticien. Publication de nouveaux specimens de
Broches, Bracelets, Colliers, Chaines, Cachets, Cou-
lants, M6daillons, Pendant d’oreilles, Epingles,
Bagues, etc. Chromo-lithographs. Fol. Paris,
1866. S.K.
BLENHEIM. — • New description of Blen¬
heim, the seat of the Duke of Marlborough. 8vo.
London, 1797.
Description nouvelle de Blenheim, Chateau de sa
grandeur le Due de Marlborough. Plates. 12mo.
Oxford, 1815. Cicogn.
A description of Blenheim. 12th edition. 8vo.
Oxford, 1835. B.M.
BLENKARN (John). — Practical Specifica¬
tions of works executed in Architecture, Civil and
Mechanical Engineering, and in Koadmaking and
Sewering . Illustrated, &c. 8vo. London, 1865.
B.M.
BLESENDORF (Constantin Friedrich). —
Anfang der Churfiirstl. Leich -Procession Friede-
rich Wilhelms des Grossen, Markgrafen und Chur-
fiirsten zu Brandenburg, etc. C. F. B. delineavit, J.
U. Crause fee. (Eighty-seven copper-plate engra¬
vings, accompanied by five other plates, containing
the portrait of the Elector, a representation of the
lying-in-state, and views of his mausoleum.) Fol.
(Berlin, 1700 ?) B.M.
BLESER (Ed. de). — Rome et ses Monu¬
ments. Guide du Yoyageur catholique dans la
Capitale du Monde chretien, par Ed. de Bleser.
Avec cinquante-et-un plans annotes. 8vo. Lou¬
vain (1866). S.K.
BLEWETT or BLEWIT (Octavian). — A
Handbook for Travellers in Southern Italy. 12 mo.
London (John Murray), 1853. S.K.
One of the series of “Murray’s Handbooks.”
A Handbook for travellers in Central Italy ; in¬
cluding the Papal States, Borne, and the cities of
Etruria. 2nd edition. 8vo. London (John Mur¬
ray), 1850. S.K.
BLICK (Rev. Edward). — A short Account
of the Churches, Schools, and Charities, in the
Parish of St.. Mary, Botherhithe, Surrey. 8vo.
London (1848). S.K.
BLIGHT (John T.). — Ancient Crosses
and other Antiquities in the East of Cornwall.
Wood engravings. 8vo. London, 1856. B.M.
2nd edition. 4to. London, 1858. S.K.
BLIGHT (J. T.). — A Week at the Land’s
End. 8vo. London, 1861. S.K.
BLIGHT (J. T.). — Churches of West Corn¬
wall ; with notes of Antiquities of the district .
With numerous illustrations. 8vo. London, 1865.
B.M.
BLIGHT (J. T.). — Remains of an ancient
British Village, Chysanster, Cornwall. With 3
illustrations. In the “ Archaeological Journal,” vol.
xviii., 1861, p. 39.
BLIGHT (J. T.).— See Cumming (J. G.).
The great Stanley . illustrated from Manx
scenery and antiquities . by J. T. B. 1867.
BLIN (Pierre). — Portraits des grands hom¬
ines, femmes illustres, et sujets memorables de
France. 4to. Paris, 1786-92. B.M.
Series of places coloured by hand, some battle
pieces, &c.
BLOCK-PRINTING.— (Eight leaves con¬
taining specimens of Block-printing, “ from blocks
of wood in Mr. Astle’s possession.”) Fol. n.p.o.d.
B.M.
BLOEM (H.). — Een constich boeck van de
vijf columnen van architecture te weten Tuscana,
Dorica, Ionica, Corinthia, ende Composite. Fol.
Amsterdam, 1598. B. Arch.
BLOEMAERT (Abraham). — ’t Bosch der
Eremyten ende Eremytinnen van JEgypten ende
Palestinen, met figuren van Abraham Blommaert.
In coperghesneden door Boetius a Bolswert. M^et
cort. verhael van eens yders leven ghetrocken uyt het
Yaders-Boeck. 50 plates, 25 of male, 25 of female
Saints. Small 4to. ’t Hantwerpen, 1619.
With Latin title, same date.
Another edition. 4to. Antwerpen, 1644.
BLOEMAERT (Ab.). — Principes et etudes
de dessin, graves par B. Picart. With 166 plates.
Fol. Amsterdam, 1740.
Also with Dutch text, with the same plates. Fol.
Amsterdam, 1740.
BLOEMAERT (Abraham). — Nieut teecken
boeck inhoudende alle de principaelste fondamenten
om te leeren teeckenen. (A. B. inventor, F. de Widt,
exc.) 24 plates, including title-page. 4to. Am¬
sterdam, 1700. B.M.
BLOIS (A.). — Notes sur l’eglise Sante-Croix
de Quimperle. 1 plate. In the “Bulletin monu¬
mental,” vol. xxviii. p. 515.
BLOMBERG (Hugo von, Baron). — Album
der Niederlandischen Genre-Maler. I. und II.
Cyclus. 20 photographs by G. Schauer, and text
by Baron Blomberg. 4to. Berlin, n.d.
BLOMBERG (Hugo von, Baron). — Die
Fabel der Psyche, den Bildern Raphael’s in der
Farnesina naeherzahlt von H. Freiherr von B .
See Raphael.
BLOME (Richard).— An Essay to Heraldry,
in two parts. The first containing the body of
Heraldry, the second, Honour civil and military.
Illustrated with sculptures. 8vo. London, 1684.
And, 12mo. London, 1685 ? B.M.
123
ELO
Universal Catalogue oj
Notes and Queries,
August 1, ’68.
BLOMEFIELD (Francis). — The History of
the Hundreds of Diss, Giltcross, Shropham, Grime-
shoe, Wayland, and Forehoe, in the County of
Norfolk. Fol. Fersfield, 1736-39. Bodl.
The author’s copy, with original drawings and
numerous MSS. additions.
BLOMEFIELD (F.).— The History of the
ancient City and Burgh of Thetford, by Fr. B.
4to. Fersfield, 1739. Bodl.
BLOMEFIELD (F.). — Collectanea Canta-
brigiensia, or Collections relating to Cambridge
University, Town, and County. 4to. Norwich,
1750. B.M.
BLOMEFIELD (F.). — An Essay towards a
Topographical History of the County of Norfolk:
continued by the Rev. Charles Parkin. 5 vols.
With plates. Folio. Fersfield, &c., 1739-75. B M.
Another edition. 1 1 vols. With plates. 8vo.
London, 1805-10. B.M.
BLONDEL (Francois). — Resolution des
quatre principaux problemes d’ Architecture, dediee
a M. Colbert. 8 plates. Fol. Paris, 1673. B.M.
BLONDEL (F.). — Cours d’Architecture,
enseigne dans l’Academie Royale d’Architecture.
Plates. 5 parts, in 2 vols. Fol. Paris, 1675-83.
S.K.
2nd edition, revised and enlarged. Fol. Paris,
1698.
BLONDEL ( Jacques-Franqois). — Dela Dis¬
tribution des Maisons de Plaisance, et de la decora¬
tion des edifices en general. Par J.-F. B. Ouvrage
enriehi de cent soixante planches en taille-douce,
gravies par l’auteur (and front, by Cochin). 2 vols.
4to. Paris, 1737. S.K.
This has appeared as “ Traite d’Architecture dans
le gout moderne.”
BLONDEL (Jac.-Fr.). — Architecture fran¬
chise, ou recueil des plans, &c., des eglhes, maisons
royales et edifices les plus considerables de Paris.
4 vols. With plates. Large fol. Paris, 1752. B.M.
Yol. I. Faubourg St. Germain, 152 plates.
Vol. II. Luxembourg, City, Faubourg St. Antoine
et Marais, 148 plates.
Yol. III. Rues St. Denis, Montmartre, St. Honor
Palais Royal, 140 plates.
Vol. IV. Louvre. Tuileries, Versailles.
According to Brunet this work was to have had
8 vols. and 1200 plates.
BLONDEL (Jac. Fr.). — Discours sur la ne¬
cessity de 1’ etude de f Architecture. 12mo. Paris,
1764. B.M.
BLONDEL (Jac. Fr.). — De l’utilite de join-
dre a 1’ etude de 1’ Architecture celui des Sciences et
des Arts qui lui sont relatifs. 8vo. Paris, 1771.
(From 3rd vol. of the Cours d’Architecture.) Cicogn.
BLONDEL (Jac. Fr.). — Discours sur T Ar¬
chitecture avec deux lettres, la premiere sur un projet
d’hotel pour la Ville de Palis; la seconde sur dif-
fy rens moyens propres a encourager les artistes.
8vo. Paris, 1771. Cicogn.
124
BLONDEL (Jac. Fr.). — Cours d’Architec¬
ture. 6 vols of text, 3 of plates. 8vo. Paris, 1771—
77. (The two last vols. of text and the third of plates
by P. Patte.)
BLONDEL (Jac. Fr.). — L’Homme du
Monde eclaire paries Arts ; publie par M. deBastide.
2 vols. 8vo. Amsterdam, 1774. B.M.
BLONDE L (Jac. Fr.). — Fragmens d’Archi¬
tecture etdessins des croiseesqui decorent les Facades
du Louvre. Fol. Paris, n. d.
BLONDEL (Jac. Fr.). — Desseinsde Chemi-
nees et l’Ambris de Menuiserie pour la decoration des
Appartemens, par Blondel. See Mariette, l’Archi-
tecture a la Mode, vol. i.
BLONDEL (Jac. Fr.). — Son CEuvre . See
Prost (Aug.). 1860.
Funerailles...... Discours. See Raottl-Rochette
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BLONDUS (M. Angelus). — De Cognitione
Hominis per aspectum. 36 leaves. 8vo. Romse
(ap. Ant. Bladum), 1544. Cicogn.
BLOOM (John Hague). — Notices, historical
and antiquarian, of the castle and priory at Castle-
acre, in the county of Norfolk. 8vo. London,
1843. B.M.
BLOOMFIELD (Robert). — The Farmer’s
Boy, a rural poem. With cuts by Bewick. 4to.
and 12mo. London, Buhner, 1800.
BLOOMFIELD (Robert). — Rural tales,
ballads, and songs. Illustrated by Bewick. 4to.
and 12mo. London. B.M.
The woodcuts are in the editions : —
Large 8vo. London, 1801.
Small 8vo. London, 1802.
12mo. London, 1811, and 1815. 12th and 13th
editions. S.K.
See also Bradley (Edw. W.), Views in Suffolk,
Norfolk, &c. 1806.
BLOOMFIELD (Robert). — The Banks of
Wye: a Poem in Four Books. Third edition.
With plates. 12mo. London, 1811. B.M.
12mo. London, 1823. S.K.
BLOOMFIELD (Robert). — Wild Flowers ;
or Pastoral and Local Poetry. A new edition. With
plates. 12mo. London, 1819. S.K.
BLOOMFIELD (Robert). — Poems by Ro¬
bert Bloomfield, the Farmer’s Boy. With 13 illus¬
trations, designed and drawn by T. Sidney Cooper, J.
Callcott Horsley, J. Frederick Tayler and Thomas
Webster. Engraved by Thurston Thompson. 8vo.
London, 1845. S.K.
BLOOMFIELD (Robert). — The Farmer’s
Boy. By R. B. Illustrated with 30 engravings,
from drawings by Birket Foster, Harrison Weir and
G. E. Hicks. 8vo. London, 1858. S.K.
BLOOTELING (Abraham). — A. B. Ver-
zeichniss seiner Kupferstiche und Sehabkun stbl al¬
ter ; von J. E. Wesseling. 8vo. Leipzig, 1867. S.K.
Notes and Queries,
August 8, ’68.
Boohs on Art ( under revision).
BLTJ
BLORE (Edward). — The Monumental Re¬
mains of noble and eminent Persons, comprising
the Sepulchral Antiquities of Great Britain, en¬
graved from drawings by Edward Blore. With
historical and biographical illustrations. 30 plates.
Eoyal 8vo. London, 1826. S.K.
RLORE (Thomas). — The History of the
Manor and Manor House of South Winfield in Der¬
byshire. (No. III. of the Miscellaneous Antiqui¬
ties, in continuation of the Biblioth. Topogr. Brit.)
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BLORE (Thomas). — History and Antiqui¬
ties of the County of Rutland, compiled from the
works of historians, national records, &c. Eol.
Stamford, 1811. B.M.
BLORE (Thomas). — A Guide to Burghley
House, Northamptonshire, the seat of the Marquis
of Exeter ; containing a catalogue of all the paint¬
ings, antiquities, &c., with biographical notices of
the artists. 8vo. Stamford, 1815. S.K.
BLOT (E.). — Un Regard en arriere sur ma
vie d’ouvrier et d’artiste par E. Blot, modeleur-
statuaire, suivi d’ extraits de divers journaux. 8vo.
Boulogne, 1860.
BLOT (Maurice). — Catalogue d’Estampes.
......See Catalogues, Sales. 1824.
BLOUET (Guillaume Abel). — Sa Yie .
See Lance (Adolphe). 1854.
Eunerailles . Discours ...... See Raoul-Ro-
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BLOUET (G. Abel). — Etude . See Her-
mant (A.). 1857. See Godf,b(euf. 1853.
Notice historique. . See IIalevy (F.). 1856.
BLOUET (G. Abel). — See Expedition de
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BLOUET (G. Abel). — Restauration des
Thermes d’ Antonin Caracalla a Rome, etc. Plates,
in parallel, of actual and restored state of each por¬
tion. Fol. Paris, 1828. B.M.
BLOUNT (Thomas). — See Manning (E.).
A Series of Views, illustrative of the Boscobel
Tracts, published in 1660 (by T. B.), &c. 1861.
B.M.
BLOXAM (Matthew Holbeche). — A
Glimpse at the Monumental Architecture and Sculp¬
ture of Great Britain, from the earliest period to the
eighteenth century. 8vo. London, 1834. B.M.
8vo. London, 1836. S.K.
BLOXAM (Matthew Holbeche). — The
Principles of Gothic Ecclesiastical Architecture.
6th edition. 12mo. London, 1844. S.K.
Another edition. London, 1859. S.K.
In German. — Die Mittelalterliche Kirchenbau-
kunst in Eugland. 8vo. Leipzig,' 1847.
BLOXAM (Matthew Holbeche). — On some
Roman Sepulchral Remains discovered in the church¬
yard of St. Stephen, near St. Alban’s, a.d. 1848.
8vo. London, 1849. B.M.
BLOXAM (Matthew Holbeche). — On Cer¬
tain Sepulchral Effigies and Monuments in South
Yorkshire. Plates. 8vo. 1850. Published by
the Yorkshire Architectural Society. B.M.
BLOXAM (Matthew Holbeche). — Cata¬
logue of the celebrated Collection of the Works of
Art and Vertu . (With introductory memoranda
of M. H. B.) 1856. See Catalogues. B.M.
BLOXAM (Matthew Holbeche). — On An¬
cient Mixed Masonry of Brick and Stone. In the
“ Archaeological Journal,” vol. i. p. 307.
BLOXAM (Matthew Holbeche). — Sepul¬
chral Monuments in Oxford Cathedral. The same,
vol. ix. p. 150. 1852.
BLOXAM (Matthew Holbeche). — On the
Effigies and Monumental Remains in Peterborough
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BLOXAM (Matthew Holbeche). — On the
Effigy of a Knight with a horn in Pershore Abbey
Church, Worcestershire. The same, vol. xx. p. 158.
1863.
BLOXAM (Matthew Holbeche). — The Se¬
pulchral Remains and Effigies in the Cathedral,
Worcester. The same, vol. xx. p. 273.
BLOXAM (Matthew Holbeche). — Notice
of a Monument in Conington Church, Huntingdon¬
shire. The same, vol. v. p. 146.
BLUM, or BLUM (Hans). — Qvinque Coivm-
narvm exacta descriptio atque Delineatio, cum sym¬
metrica earum distributione. Eol. Tiguri, 1550.
B.M,
Other editions —
In German. — Von den fiinff Siilen. With wood-
cuts. Eol. Ziirych, Chr. Eroschouer, 1567.
Ein kunstrych Buoch von allerley antiquiteten,
so zuom verstand der Eiinff Seulen der Architectur
gehorend. With woodcuts. Eol. Zurich, Chr.
Eroschover.
V. Columnse: das ist Beschreibung unnd Ge-
brauch der V. Saulen. Wie dieselben von eim jeden
Werckmeister wol ergriindet, recht zusamen gesetzt,
unnd mit sonderem vortheil unnd lob zu allerhand
Architecturen nutzlich unnd zierlich gebraucht
sollen werden, etc. (Ein kunstrych Buoch von
allerley Antiquiteten so zum verstand der fiinff
Seulen der Architectur gehorend.) 2 parts. 62
woodcuts. Eol. Zurich, 1627. B.M
In English. — The Booke of Five Collumnes oi
Architecture . Gathered . by H. Bloome out/
of Antiquities . Translated out of Latine into
Eaglish by J. T. Eol. London, 1608. B.M.
In Dutch and French. — Beschryvinge van de
vyf Colomnen van Architecture. — Description des
cinq Ordres, &c. With plates, engraved by Nicolaus
Jansson Visscher. Fol. Amsterdam, 1623. Also,
1641.
BLUNDELL (Henry) . — Account of Lis
Collection of Statues, Busts, and other ancient
K. K 125
BLU
Universal Catalogue of
Notes and Queries,
August 8, ’68.
marbles, and paintings, at Ince (near Liverpool).
With 6 plates. 4to. Liverpool, 1803.
BLUNDELL (Henry). — Engravings and
etchings of the principal statues, busts, bas-reliefs,
sepulchral monuments, cinerary urns, &c., in the
collection of H. B., Esq., at Ince. 2 vols. 158
plates. Fol. 1809. B.M.
BLYTH (G. K.). — A Companion to the Ca¬
thedral Church of Norwich. 12mo. Norwich, 1841.
B.M.
BLYTH (Gr. K.).— The Norwich Guide and
Directory. 8vo. London, 1842. B.M.
BOADEN (James). — An Enquiry into the
authenticity of various pictures and prints of Shak-
speare. 8vo. London, 1824. B.M.
BOBA (George). See Sutaine. 1861.
BOBBIN (Tim (pseud.), i.e. JOHN COL¬
LIER). — The Passions humourously delineated .
containing twenty-five plates, with . poetical
descriptions. 4to. London, 1810. B.M.
25 coloured plates, portrait, and frontispiece.
BOBBIN (Tim, i.e. JOHN COLLIER).— Hu¬
man Passions delineated in above 120 figures, droll,
satyrical, and humourous. 4to. Rochdale, 1820.
B.M.
BOCAGE (du, Madame). — Letters con¬
cerning England, Holland, and Italy. 2 vols.
12mo. London, 1770. B.M.
BOCCACCIO (Giovanni). — Genealogise,
cum demonstrationibus in formis arboru designatis.
Ejusde de motibus et sylvis, de fontibus, lacubus et
fluminibus. Ac etia de stagnis et paludibus, necnon
et de maribus, seu diversis maris nominibus. (Wood-
cuts. The figure being at the head with roots, &c.
bending down from it.) Eol. per A. de Zannis de
Portesio, Yenetiis, 1511. B.M.
BOCCACCIO (Giovanni). — Bocace de la
Genealogie des Dieux : contenant la faulse credece
des infidelles et getilz : qui par leurs erreurs et mal-
fondees superstieions creoyent et opinovent plura-
lite de dieux . Translate en Fracoys : Et nouuel-
lement imprime a Paris. (With woodcuts. Ge¬
nealogical trees, figures at the top.) Fol. Jehan
petit, Paris, 1531. B.M.
BOCCACCIO (Giovanni).— J. B . de Ca-
sibus Virorum illustrium Libri nouem: Hie liber
. studio et opera H. Ziegleri repurgatus, adjec-
tisqz paucis scholiis ejusdem, in lucem nunc denuo
editus est. Hue accessit historiarum . index co-
piosus. Woodcuts. Fol. Augustee Vindelicorum,
1544. B.M.
BOCCACCIO (Giovanni).' — Begin. Cy com¬
mence J. B. de certal son livre intitule de la ruyne
des nobles hommes et femmes. (Translated by L.
du Premierfait.) With woodcuts. Fol. M. husz et
J. schabeler, lyon, 1483. B.M.
BOCCACCIO (Giovanni). — End. Cy finist
le neufviesme et dernier livre de J. boccace des nobles
hommes et femmes infortunez translate de latin en
126
francois (by L. du Premierfait). With large wood-
cuts. Fol. A. Verard, Paris (1493 ?). B.M.
Another edition. — Boccace des nobles malheureux.
(Translated from the Latin by L. du Premierfait.)
With woodcuts. Fol. (M. Le Noir) Paris, 1515.
B.M.
Another edition : Bocace des nobles maleureux.
(Translated by L. du Premierfait.) Woodcuts, and
elaborate frontispiece. Fol. Nicolas Conteau,
Paris, 1538. B.M.
BOCCACCIO (Giovanni).— Forneffiste His-
torien und exempel von widerwertigem Griuck, merk-
lichem und erschrocklichem unfahl, erbarmklichen
verderben unnd sterben grossmachtiger Kayser,
Kiinig, Fiirsten unnd anderer namhafftiger Herrn
. durch . J. Boccatium.,-....Latein beschriben
. Jetzt zum aller ersten von H. Ziegler fleyssig
verteutscht. With woodcuts. (Some reproduced
in the edition of Paris, 1531.) Fol. Augspurg,
1545. B.M.
BOCCACCIO (Giovanni). — Here begynneth
the boke of J. B. discryving the fall of prices, prin¬
cesses, and other nobles : translated into Englysshe
by J. Lydgate, begynnyng at Adam and Eve, and
ending with kyng John of Fraunce taken prisoner at
Poyters by Prince Edwarde. (In verse.) With large
woodcuts. Fol. R. Pynson, London, 1527. B.M.
Another edition : A treatise excellent and com-
pedious, shewing in maner of tragedye, the falles
of sondry most notable princes and princesses with
other nobles, through ye mutabilitie and change of
unstedfast fortune with their most detestable vices.
First compyled in Latin, and sence translated into
our English and vulgare tong, by Dan. J. Lidgate,
Monke of Burye ; nowe newly imprynted, etc. (In
verse.) (The daunce of Machabree . made [trans¬
lated from the French into English verse] by J. Lyd¬
gate.) With woodcuts, showing the English costume
of the time. Fol. R. Tottel, London, 1554. B.M.
BOCCACCIO (Giovanni).— Begin (fol. 2
recto 1. 12) Johannis Boccacij . de mulierib’
Claris . liber (preceded by four leaves, containing
on the verso of the first a woodcut; representing the
Holy Family; on the 2nd and 3rd, “Libri . de
mulieribus Claris . Rubrice and on the 4th the
dedicatory letter : “ Johannes boccacius de Certaldo
. andree de acciarolis . alteville comitisse”).
End. Liber Johanis boccacij . de ml’ribus Claris
. correctus. Ed. pr. With woodcuts. Fol. Per
Johanem czeiner, Ulme, 1473. - B.M.
Another edition. — J. B. de Claris mulieribus.
With woodcuts. Fol. Bernse Helvetiorum, 1539.
B.M.
BOCCACCIO (Giovanni).— Le livre de J.
bocasse de la louenge et vertu des nobles et cleres
dames traslate (from the Latin by L. du Premier¬
fait) et Iprime neuvellemt a paris. Coloured wood-
cuts. Fol. A. Yerard, Paris, 1493. B.M.
BOCCACCIO (Giovanni). — L’Operade mis-
ser G. B. de mulieribus Claris. (Translated from
the Latin by Y. Bagli.) With woodcuts. 4to. Zu-
anne de Trino, chiamato Taciuno, Yenetia, 1506.
B.M.
Notes and Queries,
August 8, ’68.
Books on Art ( under revision).
BOG
BOCCACCIO (Giovanni). — Libro llamado
Cayda dePrincipes . En la qual se cuentan las cay-
das y los abaxamientos que ovieron de sus estados
en este mnndo muchos nobles y grandes cavalleros,
etc. (Translated from the Italian. — In ten lib.
Lib. 1-8 translated by P. Lopez de Ayala ; lib. 9-
10 by A. G-arcia. Edited, with a preface, by J. A.
de Zamora.) Woodcuts. Fol. Yenden se en casa
de A. Ghemart en Medina del Campo (Madrid?),
1552. B.M.
BOCCACCIO (Giovanni). — Jobam bocacio
de las mugeres illustres en romace. Gothic letter,
with woodcuts. Pol. £aragosa (P. Hurus), 1495.
BOCCACCIO (Gioyanni). — II Decamerone.
With woodcuts. Venezia, Giov. el Gregorio di
Gregorii, 1492. B.M.
Another edition. With woodcuts. Venezia, Man-
frino da Monteferrato, 1498.
The same woodcuts. Venezia, 1496.
Another edition. With woodcuts. Frontispiece
in two compositions. Fol. Venezia, 1510.
The same cuts repeated to each day in the fol¬
lowing editions : —
Fol. Venezia, di Zani, 1518.
Venezia, Bern, di Vianno, 1525.
BOCCACCIO (Gioyanni). — II Decamerone
. With woodcuts. Small 4to. Firenze, Ph. di
Giunta, a di 29 juglio, 1516.
The same cuts in the following editions : —
Firenze, heredi di Giunta, 1527.
Venezia, N. da Sabio, 1537.
Another edition. Woodcuts. 4to. Venezia, Giolito,
1542. B.M.
The same cuts in the editions : —
Venetia, Bindoni, 1545.
4to. Venezia, Giolito, 1546. S.K,
With some others added. 4to. Venezia, 1548.
BOCCACCIO (Gioyanni). — II Decamerone
. With plates, and fine initials containing sub¬
jects. Venetia, V. Valgrisio, 1552. B.M.
With other initials. Venetia, Giolito, 1550. B.M.
The same initials appear in the editions : —
Venetia, 1557. B.M.
Venetia, 1590. B.M.
Other editions with cuts. Venetia, A. Vecchi,
1597. B.M.
With fresh cuts. Venetia, A. Vecchi, 1614. B.M.
BOCCACCIO (Gioyanni). — II Decamerone,
con le annotazioni tratte dalle prose del Bembo.
With woodcuts. 16mo. Lione (G. Bovillio), 1555.
B.M.
BOCCACCIO (Gioyanni). — II Decamerone
. si come lo diedero alle stampe gli SSri Giunto
l’anno 1527. 12mo. Amsterdamo (Elzeyir), 1665.
B.M.
This work has the same 111 plates as the edition,
5 vols. 8vo. London (but really, Paris), 1757. B.M.
Another edition. Sumptuous type, with 2 por¬
traits. Londra, 1762. B.M.
English translation. — The Decameron, containing
an hundred pleasant Nouels. With plates. Fol.
London, 1620. B.M.
The plates repeated in the following : —
The Modell of Wit, Mirth, Eloquence, and Conver¬
sation, framed in ten dayes, &c. Fol. London,
1625. B.M.
Another edition, with frontispiece by Bewick.
2 vols. 8vo. London, 1804. B.M.
BOCCACCIO (Gioyanni). — Fables from
Boccacio and Chaucer; by J. Dryden. A new edi¬
tion with engravings, and a prefatory essay by J.
Aikin. Stothard’s plates. 8vo. London, 1806. B.M.
BOCCACCIO (Gioyanni). — Le livre Came¬
ron autrement surnomme le prince Galliot qui con-
tient centNouvelles . Lequel livre copila et escript
J. Bocace. Et depuis translate de latin enfrancoys.
Par L. du Premierfaict. With woodcuts. 4to.
Paris, 1521. B.M.
Another edition.— Bocace des cent nouvelles.
Translated by Laurens du Premierfait, Gothic
letters, 110 miniatures. Fol. Paris, Ant. Verard
(1541). B.M.
BOCCACCIO (Gioyanni). — Contes et Nou-
velles de Boccace, traduction libre, accommodee au
gout de ce temps. With plates by Bomain de
Hooghe. 2 vols. 8vo. Amsterdam (Gallet), 1697.
B.M.
The same plates in the edition : 8vo. Amsterdam,
1699.
Beproduced (some ill copied) in the Dutch edition.
8vo. Keulen (Cologne), 1700.
BOCCACCIO (Gioyanni). — Le Decameron
(trad, par Ant. de Ma5on). 5 vols. With plates.
London (Paris), 1757. B.M.
BOCCACCIO (Gioyanni). — Le Decameron,
traduit en frantjais par A. Sabatier de Castres.
11 vols. With 133 plates, 8vo. Paris, 1800. B.M.
Only a renovation of MaQon’s translation.
BOCCACCIO (Gioyanni). — Nouvelles de
Boccace, traduction libre par Mirabeau l’aine.
4 vols. With plates by Marillier. 8vo. Paris,
l’an xi. (1802). B.M.
BOCCACCIO (Gioyanni).— Cento Novelle.
Das seind die hundert neuen Fabeln, etc. With
coloured woodcuts. Fol. Augspurg (Sorg), 1490.
B.M.
BOCCACCIO (Gioyanni).— Cento Novella.
Das buch der hundert neuwen Historien so ein Lieb-
lich geselschafft von Florenz gesagt un erdacht hat.
With woodcuts. Fol. Durch Johannem Griininger,
Strassburg, 1509. B.M.
With the same cuts. Strassburg, 1519. B.M.
BOCCACCIO (Gioyanni). — J. Boccatii, Die
ganz Bomisch histori auffs fleissigst un kiirtzst
begriffen. Ein treffenliche schone Oration M. T.
Ciceronis, fur M. Marcellum. Alles zusamen bracht,
und verteiitscht durch C. Brunonem, etc. With
woodcuts, tail pieces, &c. Fol. Augspurg, 1542.
B.M.
BOCCACCIO (Gioyanni). — Theseis, sive de
Nuptiis Thesei et Aemiliae, Carmen in lingua
Greeca hodierna conscriptum. 4to. Per Giovan
127
BOC
Universal Catalogue of
Notes and Queries,
August 8, ’68.
Antonio et Fratelli da Sabbio. With woodcuts.
Venetia, 1529. B.M.
BOCCACCIO (Giovanni). — Inamorameto di
florio et di Biazafiore chiamato Philocolo. (Vita di
Boccatio da H. Squarzafico.) With woodcuts. 4to.
Venetia, 1520. B.M.
BOCQACCIO (Giovanni). — Le Philocope,
contenat l’Histoire de Fleury et Blanche-fleur,
divise en sept livres ; traduictz d’ltalien en Fran-
coys par A. Sevin. Woodcuts. Fol. Paris, 1542.
B.M.
BOCCHI (Achilles). — Symbolicarum quaes-
tionum de universo genere quas serio ludebat lib.
v. With 151 plates, including a portrait of A. B.
8vo. Bononise in sedib. novae Academise Bocchianae,
1555. B.M.
And: 8vo. Bononiae, 1574.
BOCCHI (Caelo). — Memoria diretta a mig-
liorare il metodo degli escavi delle antichita nella
citta di Adria. 8vo. Venezia, 1819. Bodl.
BOCCHI (Feancesco). — Eccellenza della
statua di S. Giorgio di Donatello Scultore Fioren-
tino, posta nella facciata di fuori d’Orsan Michele,
scritta in lingua Fiorentina. 8vo. Fiorenza, 1584.
Cicogn.
And in “ Raccolta di alcuni opuscoli da Fil.
Baldinucci.” * S.K.
BOCCHI (Feancesco). — Le Bellezze della
citta di Fiorenza, dove a pieno di Pittura, di Scul-
tura, di sacri Tempij, di Palazzi, i piu notabili
artifizij e piu preziosi si contengono. 8vo. Fio¬
renza, 1591. S.K.
And: 8vo. Fiorenza, 1592.
A later edition. — Le bellezze della citta di
Firenze, da Giovanni Cinelli ampliate, ed accres-
ciute. 8 vo. Firenze, 1677. B.M.
BOCCHI (Feancesco). — Opera sopra Fima-
gine miraculosa della Santissima Nunziata di Fi¬
renze. 8vo. Firenze, 1592. B.M.
Containing valuable Art criticisms.
BOCCHI (Feancesco). — B. F. Epistola sen
opusculum de restitutione sacrse Testudinis Floren-
tinse ad perillustrem Franciscum Niccolinum Pom.
23 pp., and 1 plate. Large 8vo. Florentise ap.
Sermartellium, 1604. B.M.
BOCCHI (Feancesco Gieolamo).— Disserta-
zione intorno a un antichissimo Greeo-Cristiano
basso-rilievo. 1 plate. 8vo. Padova, 1790. Cicogn.
BOCCHI (Feancesco Gieolamo). — Disserta-
zione sopra un antico sigillo di Adria esistente nel
Museo Borgiano. 1 plate. 4to. Adria, 1799. B.M.
BOCCHI (Giovanni). — Descriptio publicse
Gratulationis, Spectaculorum et Ludorum, in ad-
ventu Sereniss. Principis Ernesti Archiducis Aus¬
tria? Ducis Burgundise, Comitis Habsp., Aurei Vel-
leris Equitis, Belgicis Provinciis a Regia Maj es¬
tate Catholica Prsefecti, an. 1594, etc. Omnia a
Joanne Bochio conscripta. 32 plates. Fol. Ant-
verpiae, 1595. S.K.
128
BOCCHI (Giovanni). — Historica Mar ratio
profectionis et inaugurationis Sereniss. Belgii
Principum Alberti et Isabellse, Au striae Archiducum,
&c. 32 plates, including the frontispiece. Fol.
Antverpise (ex offic. Plantiniana), 1602. S.K.
BOCCHI (Ottavio). — Osservazioni sopra un
antico Teatro scoperto in Adria. Plates. 4to.
Venezia, 1739. B.M.
BOCCHIMI (Baetolomeo). — Le Pazzie de’
Savj, ovvero il Lambertaccio. Poema tragico-eroi-
comico. With 13 plates. 12mo. Venezia, 1641.
Cicogn.
Another edition. 12mo. Bologna, 1653. B.M.
BOCCHIUS, or BOCHIUS.— See Bocchi.
BO CHAT (Chaeles Guillaume Lots de). —
EpistolicaDissertatio qua declaratur Lapis Antiquus,
in loco, ubi quondam Lousonna fait, effosus, et de
nonnullis, ad Helvetise Romanse Antiquitates per-
tinentibus argumentis, disseritur. 4to. Lausannse,
1741. B.M.
BOCHAT (Chaeles Guillaume Lots de).
Memoires critiques, pour servir d’eclaircissemens
sur divers points de l’histoire ancienne de la Suisse,
et sur les monumens d’antiquite qui la concernent ;
avec une nouvelle carte de la Suisse ancienne.
2 vols. With plates. 4to. Lausanne, 1747. B.M.
BOCK (August Feiedeich). — Wie kann die
Seele durch das Studium der schonen Wissenschaf-
ten und der Kiinste zum wahren Guten gefiihrt
werden. 4to. Stuttgart, 1771.
BOCK (C.). — Historiscbe Ergebnisse eines
archaologischen Fundes in Croatien. With plates.
8vo. Wien, 1858. S.K.
BOCK (C. P.). — Der Bildercyclus in der
Vorhalle des Freiburger Miinsters. 2 lithogr.
plates. 8vo. Freiburg, 1862.
Reprinted from the “ Christliches Kunstblatt.”
BOCK (Cheistoph Wilhelm). — Sammlung
von Bildnissen gelehrter Manner und Kiinstler,
nebst kurzen Biographien derselben. 2 vols. With
portraits. 8vo. Niirnberg, 1802. B.M.
BOCK (Dr. Feanz, Canon of Aix-la-Cha-
pelle). — Geschichte der liturgisehen Gewander des
Mittelalters, oder Entstehung und Entwicklung der
kirchliehen Ornate und Paramente in Riicksicht
auf StofF, Gewebe, Farbe, Zeichnung, Schnitt und
rituelle Bedeutung. Chromo-lithogr. and lithogr.
plates. 8vo. Bonn, 1856, &c. SK.
BOCK (Dr. Feanz). — Das beilige Koln.
Beschreibung der mittelalterlichen Kunstschatze in
seinen Kirchen und Sakristeien aus dem Bereiche
des Goldschmiedegewerkes und der Paramentik.
48 plates. 8vo. Leipzig, 1858. S.K.
French translation. — Les Tresors sacres de Co¬
logne, objets d’art du moyen-age, conserves dans
les eglises et dans les sacristies de cette ville.
8vo. Paris, 1860-62. S.K.
BOCK (Dr. Feanz). — Der Beliquienschatz
des Liebfrauen-Munsters zu Aachen in seinen kunst-
reichen Behaltern, zum Andenken an die Heilig-
Notes and Queries,
August 15, ’68.
BOD
Boohs on Art ( under revision).
thumsfahrt von 1860, beschrieben und mit vielen
Holzschnitten erlautert von Dr. F. B. Mit einer
Einleitung von Dr. J. Tb. Laurent. 8vo. Aachen,
1860. S.K.
BOCK (Dr. Franz). — GescMclitliclier Ent-
wickelungsgang der Seiden-und Sammet-Fabri cation
des Mittelalters, nachgewiesen in einer Sammlung
von nahe an 800 gemusterten Stoffen und Stickereien
im Privatbesitze von Dr. F. B. 4to. Wien, 1860.
S.K.
BOCK (Dr. Franz). — Le Dessinateur pour
Etoffes, modeles de feuilles d’ etudes pour les ecoles
industrielles, les fabricants, les dessinateurs d’or-
nements, &c. Publies d’apres d’anciennes etoffes
en possession de l’auteur. Parts I.-II. Fol. Paris,
1860. S.K.
BOCK (Dr. Franz). — Katalog der Ausstel-
lung von neuern Meisterwerken mittelalterlicher
Kunst, aus dem Bereiche der kirchlichen Nadel-
malerei und Weberei, der Goldschmiedekunst und
Sluilptur, zu Aachen eroffnet bei Gelegenheit der
xiv. General- V ersammlung katholischer Vereine,
nebst einer kunstgeschichtlichen Einleitung von
Dr. F. B. 8vo. Aachen, 1862. S.K.
BOCK (Dr. Franz). —Der St. Karls Teppicb,
in Ausfuhrung genommen von den Frauen und
Jungfrauen Aachens und beschrieben von Dr. F. B.
8vo. Aachen, 1863. S.K.
BOCK (Dr. Franz). — Die Ivleinodien des
Heil. Bomischen Beich.es Deutscher Nation, nebst
den Kroninsignien Bohmens, Ungarns und der
Lombardei. Mit kunsthistorischen Erlauterungen
von Dr. F. B. 4-6 plates. Large fol. Wien,
1864. S.K.
BOCK (Dr. Franz). — Der Kronleucliter
Kaisers Friedrich Barbarossa im Karolingischen
Munster zu Aachen und die formverwandten Lich-
terkronen zu Hildesheim und Comburg, nebst 20
erklarenden Holzschnitten und 16 von den Ori-
ginal-Kupferplatten des Aachener Kronleuchters
abgezogenen Darstellungen, beschrieben von Dr.
F. B. Boyal 4to. Leipzig, 1864. S.K.
BOCK (Dr. Franz). — Karl’s des Grossen
Pfalzkapelle und ihre Kunstschatze. Kunstgog
schichtliche Beschreibung des Karolingischen Octo-
gons zu Aachen, der spateren gothischen Anbauten
und sammtlicher im Schatze daselbst befindlichen
Kunstwerke des Mittelalters, mit zahlreichen
erklarenden Holzschnitten nach photographischen
Aufnahmen, herausgegeben von Dr. F. B. Imper.
8vo. Aachen, 1866. S.K.
BOCK (Dr. Franz). — Album mittelalter¬
licher Ornament-Stickerei zur Zierde fur Kirche
und Hans, in Autographien nach altern und neuern
Miistervorlagen, mit erklarenden technischen An-
weisungen, herausgegeben von Dr. F. B. Text, 8vo ;
atlas, fol. Aachen, 1866, &c. S.K.
BOCKEMHOFFEBUS (Joh. Joach.). — Mv-
seym Brackenhofferianum delineatum a Joh. Joa-
chimo Bockenhoffero Argentinensi. 4to. Argent.,
1677. B.M.
BOCKLEB (Georg Andreas). — Arcbitec-
itura curiosa nova. Das ist : Neue Ergotzliche Sinn-
und Kunstreiche, auch nutzliche Bau- und Yfasser
Kanst. 231 plates of fountains and waterworks.
Fol. Nurnberg, 1664. S.K.
Latin edition. — Arcliitectura curiosa nova. Per
Georgium Andream Bocklern. Et in Latinam
Linguam translata a Johanne Christophoro Sturmio.
Fol. Norimbergse, 1664. S.K.
Other editions : —
Fol. Norimbergse, 1701. B.M.
Fol. Nurnberg, 1673. B.M.
BOCKLEB (Georg Andreas). — Tlieatrum
machinarum novum, das ist: neuvermehrter Schau-
platz der mechanischen Klinsten, handelt von aller-
hand Wasser- Wind- Boss- Gewicht und Hand-Muh-
len, etc., beneben niitzlichen Wasser-Kunsten, &.c.
Plates, machinery for domestic purposes, some
costumes. Fol. Nurnberg, 1673. B.M.
And : Fol. Niirnberg, 1703.
BOCKLEB (Georg Andreas). — Manuale
Architecturse Militaris ; oder, Handbiichlein iiber
die Fortification und Vestungs-Baukunst. Oblong
16mo. Franckiurth und Leipzig (1689 ?). B.M.
BOCLEBUS (Georgius Andreas). See
Bockler.
BODE (W. J. L.). — Das altere Muuzwesen
der Staaten und Stadte Niedersachsens, in Hinsicht
auf die dem Geschichtsfreunde, Bichter und Miinz-
sammler besonders wichtige Kunde der Werthver-
haltnisse in den verschiedenen Bechnungs- und
gepragten Miinzen. Auf Urkunden und archival-
ische Nachrichten gestutzt . Mit 10 Miinztafeln,
vom Dr. Schonemann erlautert. With plates. 8vo.
Braunschweig, 1847. B.M.
BODEL-MYEMHUIS (J. T.). — Over de
Nederlandsche Landmeters en Kaartgraveurs F.
Balthazar en zijne drie zonen, onbekend aan de
levensbeschrijvers. 8vo. (Amsterdam, 1846.)
BODEMAFHST (Eduard). — Xylograpbiscbe
und topographische Incunabeln der konigl. offent-
lichen Bibliothek zu Hannover ; beschrieben von
E. B. 41 plates, and 16 plates of water-marks. 4to.
Hannover, 1866. S.K.
BODEM (Benjamin Gottlieb). — Commen-
tatio de Umbra Poetica. 8vo. Yitembergse, 1767.
Cicogn.
Definitions of the picturesque applied, in a special
sense, to poetry.
BODEMEHB (Gabriel). — Begin 1. Llorri-
bilicribrifax Bitter vom Hahnekopff. End. 50 .
Gabriel Bodenehr fecit et excud. A. Yind. (A
series of 50 caricatures, with engraved inscriptions
inverse.) German. Fol. Aug(ustse) Yind(elicorum),
(1695 ?). B.M.
BODEMEHB (Gabriel). — Ken inventirt
Franzosisches Lauber Buch von unterschidlichen
Schwungen auf die Neueste Manier. (No letter-
press.) Fol. Augsburg (1680 ?). B.M.
l x.
129
BOD
Universal Catalogue of
Notes and Queries,
August 15, ’68.
BODENEHR (Gabriel). — Theatrum der
yornehmsten Stadte and (jrther in der Schweitz.
Curious plates, battle pieces, plans, &c., of towns.
Oblong fol. Augspurg (1715?). B.M.
BODENEHR (Gabriel). — Curioses Staats
und Kriegs Theatrum beeder Konigreich Neapolis
und Sicilien, nebst anderen angranzenden Konig¬
reich und Landern, durch . Land- Carten, G-rund-
risse, und Prospect erlautert. Oblong 4to. Augs¬
purg (1730?). B.M.
BODENSCHATZ (Johann Christoph
Georg). See Costumes.
BODEUSCH (Theodor). — Architektonische
Yerzierungen in liickenloser Stufenfolge, &c. (No
letterpress.) Oblong 4to. Langensalza (1859,
&c.). B.M.
BODIN' (Jean Francois). — Recherches his-
toriques sur la Ville de Saumur, ses monumens et
ceux de son arrondissement. 2 vols. 8vo. Saumur,
1812-14. Bodl.
2nd edition. 8vo. Saumur, 1845. B.M.
Recherches historiques sur 1’ Anjou et ses monu¬
ments. 2 vols. 8vo. Saumur, 1821-23. Bodl.
BODMER (K.).— Etchings. Animaux et
Paysages. 4to. Paris, n. d. S.K.
BODONI (Giambattista). — Le piu insigni
Pitture Parmensi, indicate agli Amatori delle
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BOEK DER KRUDE (Herbary). — Begin.
(Sig. a. ii.) Vakg und yele hebbe yck by my sulve
oyerdacht de wiinderlike werke des scheppers der
nature, etc. End (sig C. 4 yerso) : Hir endighet
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BOEL (Joannes). — See Cock (H.), Divi
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BOENDERMAKER (TheoDORUS). See Ca¬
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BOERNER (Georg Gottlieb). — Super
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BOETHIUS (Anselmus, de Boodt). — Gem-
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Le parfait Joaillier, ou histoire des pierreries, de
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BOFFRAND (Germain de). — De Architec-
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70 plates with explanations, architecture, ceiling
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BOFFRAND (G. de). — Description de ce
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BOGAERDE (Van der). — Ancien Tableau
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BOGAERDE (Van der). — Notice sur un
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BOGAERT (Abraham). — S. Schynvoets
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BOGAERTS (Felix). — Mathieu van Bree. ;
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BOGAERTS (Felix). — De la Destination
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BOHN (Henry George).— A Guide to the
Knowledge of Pottery, Porcelain, and other Objects
of Vertu. Comprising an illustrated Catalogue of the
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Second edition. 8vo. London, 1862.
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Compiled from the German, with corrections and
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S.K.
BOILEAU (D.). — Papyro-Plastics, or the
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the North-Western Provinces of India. Photo¬
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BOILEAU-DESPR^AUX (Nicolas).— The
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BOILEAU (L.). — Notice sur les Objets
Gallo-Romains, trouves dans les fondations du
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BOILLOT (Joseph). — Nouveaux ponrtraitz
et figures de termes pour user en l’Architeeture,
composez et enrichiz de diversite d’animaulx, repre-
sentez au vray selon l’antipathie et contrariete na-
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BOXLDY. — See Dinaux (A.). 1845.
BOILLT. — Catalogue de Tableaux . See
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BOISGELIN DE KERDU (Pierre Marie
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BOISGELIN DE KERDU (P. M. L. de).—
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BOISNORMAND DE BONNECHOSE
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Le Calvados pittoresque et monumental . Texte
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BOISSARD (Ferjus). — De la Peinture reli-
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croix, par P. B. 8vo. Paris, 1862.
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BOISSARD (Ferjus). — Hippolyte Bon-
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BOISSARD (Jo. Jac.). — See Merian (M.),
Topographia Urbis Romse.
BOISSARD (J. J.). — Boissardi Disticba in
leones diversorum Principum, Csesarum, Philoso-
phorum etaliorum illustrium hominum, etc. 12mo.
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BOISSARD (J. J.). — -leones diversorum
hominum fama et rebus gestis illustrium. With
plates. 4to. Metis, Abr. Faber, 1591.
Most of the persons are from modern oriental
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BOISSARD (J. J.). — Vitas et leones Sul-
tanor. turcicor. With 47 plates by De Bry. 4to.
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BOISSARD (J. J.). — Emblematum liber,
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With portrait, frontispiece, and 42 plates. Metis
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BOISSARD (J. J.), — Tbeatrum vitae hu-
manse. With portrait and 60 plates by De Bry. 4to.
Ff. a. M., 1596. T.C.D.
In German. 4to. Ff. a. M., 1597, and 1617.
The same plates in the edition : 4to. Ff. a. M.,
1638.
BOISSARD (J. J.).— leones virorum illus¬
trium doctrina et eruditione prsestantium ad vivum
elne'ue, cum eorum vitis descriptis a J. J. Bois-
sardo : omnia recens in ses artificiose incisa et
demum foras data per Thdr. de Bry. With plates.
4 vols. 4to. Ff. a. M., 1597-99. B.M.
T_\o first edition, with the first impressions of the
plates. Each part has 50 plates, except that part
ii. has only 47. The text is only by Boissard in the
1st and 2nd parts ; in the 3rd and 4th it is by Ad.
Lonicer. In the 4th part is the likeness of Hadr.
Junius twice over (pp. 274 and 318). In place of
which second likeness that of Limburg is wanting.
2nd edition. — Bibliotheca seu thesaurus virtutis
et glorise, &c. With plates. 4to. Pars I.— V. Ff.
a. M., 1628-32.
Enlarged, with 39 plates and 19 biographies.
Part I. 55 plates. Part II. 61 plates (here leaves 7
and 8 ought to be twice over, first with Lipsius’s
likeness, and on the reverse a biographical notice of
him. The second time, with the recto vacant, and
another notice on the reverse, “ Tametsi de Justo
Lipsio”). Part III. 50 plates. Part IV. 50 plates.
Part Y. 20 plates, no text.
3rd edition. — leones et effigies virorum doctorum
&c., antehac in 5 part, editse. With 237 plates.
4to. Ff., 1645. Pars VI. Iconum. With 52
plates. 4to. Ff. a. M., 1645.
The biographies are omitted. The plates in parts
i.-v. stand in a different order.
4th edition: Bibliotheca chalcographica, &c., in
5 partes distributa. With 235 plates. Ff. a. M.,
n.d. (1650).
Pars VI. 53 plates, n.d. (1650).
Pars VII. 50 plates. 4to. 1650.
Pars VIII. 50 plates. 4to. 1652.
Pars IX. 50 plates. 4to. 1654.
No text. PartVI. contains distiches not in former
edition.
Parts I.-V. have 2 plates less.
5th edition. — Bibliotheca . in 5 partibus. 235
plates. 4to. Heidelberg, 1669.
Pars VI. 53 plates. 4to. Heidelberg, n. d.
Pars VII. 50 plates. 4to. Ff. a. M., 1669.
Pars VIII. 50 plates. 4to. n.p.o.d.
Pars IX. SOplates. 4to. n.p.o.d.
No text. Distiches wanting to Part VI., and
list of names in Part IX.
BOISSARD (J. J.)._ Romanse Urbis Topo¬
graphia et Antiquitates. 6 parts in 2 or 3 vols.,
with plates by De Bry. Fol. Francfurt a. M.,1597-
1602. T.C.D. and Cicogn (claimed as a perfect copy).
Part I. 8 prelim, pp., 163 pp.; 1 map, 7 plates.
Notes and Queries,
August 22, ’68.
Boohs on Art (under revision).
BOI
Part II. 3 prelim., 18 pp., plates and text alter¬
nately. 38 plates.
Part III. 11 prelim., 42 pp., 108 plates. Index 11
pp.
Part IV. 9 prelim., pp. 16-52, and 96 plates.
Part V. 10 prelim., 130 plates.
Part VI. 2 prelim., 47 pp., 147 plates.
The same plates repeated in subsequent editions.
BOISSARD (J. J.). — Onvplirii Panuinii,
Bartholomsei Marliani, Petri Uictoris, Iani Iacobi
Boissardi, Topographia Romee. Fol. Francof., 1627.
B.M.
BOISSARD (J. J.). — II. Pars Antiqvitatvm
Romanarvm. Fol. Bas., 1628.
BOISSARD (J. J.).— III. Pars Antiqvita¬
tvm, sev Inscriptionum et Epitaphiorum quae in saxi
et marmoribus Romanis videntur cum suis signis
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1597.
BOISSARD (J. J.).— IIII. Pars Antiquita-
tum Romanarum, siue II. Tomus Inscriptionum et
Monumentorum quae Romae in saxis et marmoribus
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BOISSARD (J. J.). — Y. Pars Antiqvitatvm
Romanarum, siue III. Tomus Inscriptionum et
Monumentorum quae Romae in saxis et marmori¬
bus visuntur. Fol. Francf., 1600.
BOISSARD (J. J.). — YI. Pars Antiqvitatvm
Romanarum siue IIII. Tomus Inscriptionum et
Monumentorum quae Romae in saxis et marmo¬
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BOISSARD (J. J.). — Pannonise Historia
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a. M., 1596.
In German. 4to. Ff. a. M., 1607.
BOISSARD (J. J.). — Parnassus Biceps
c. imaginib. musar. With 25 plates, portrait, and
frontispiece, by De Bry. Fol. Franc, a. M., 1601.
With 33 plates. Fol. Francofurt., 1627.
(Sometimes in the Topogr. Rom., sometimes in
the “ Tractatus de Divinatione.”)
BOISSARD (J. J.). — Tractatus postumus
de divinatione, etmagicisprsestigiis. With 33 plates,
by Theod. de Bry. Fol. Oppenhemii, n. d. S.K.
Reprinted: 4to. 1611. Fol. 1613, with the same
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BOISSARD (Robert). — Mascarade recueil-
lie, et mise en taille douce. 24 plates and front.,
n. p. 1597. Cicogn.
BOISSEAU (Jean). — Promptuaire armorial
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BOISSEL (J. C. Gr.). — Yoyage pittoresque
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BOISSELIER. — Catalogue de . etudes de
paysage. See Catalogues, Sales (Boisselier). 1857.
BOISSELIER (A. E.). — Notice historique
et necrologique sur Marie-Philippe Coupin, peintre
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1852.
BOISSEREE (Sulpiz) . — Ueber die Kaiser-
Dalmatica in der St. Peterskirche zu Rom. 20 pp.,
and 5 plates. 4to. n. p. n.d. S.K.
BOISSEREE (Sulpiz).— Geschichte und
Beschreibung des Dorns von Koln, nebst Unter-
suchungen uber die alte Kirchenbaukunst, als Text
zu den Ansichten, Rissen und einzelnen Theilen
des Dorns von Koln, Fol. Stuttgart, 1823-32. (18
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With French text. — Histoire et Description de la
Cathedrale de Cologne. Par S. B. Pour servir de
texte aux Vues, Plans, Coupes, et Details de l’Edi-
fice. Nouvelle edition refaite et augmentee. Plates,
fol. Text, 4to. Munich, 1842-43. S.K.
BOISSEREE (Sulpiz). —Denkmale der
Baukunst vom 7. bis zum 13. Jahrhundert am
Nieder- Rhein. 72 lithogr. plates. Imper. fol.
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Another edition. Fol. Miinchen, 1842.
BOISSEREE (Sulpiz). — Die Beschreibung
des Tempels des heiligen Gral in dem Heldenge-
dicht: Titurel, Cap. III. 4to. Miinchen, 1834.
BOISSEREE (Sulpiz). — Lettre sur les an-
cienncs ecoles de peinture en France. In the “ Bul¬
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BOISSEREE (Sulpiz).— Memoire sur l’Ar-
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Sciences et des Arts,” Grand, vol. iii. p. 306.
BOISSEREE (Sulpiz).— Une Lettre de M.
B. sur la revolution que subit l’art de la Peinture
sous les freres Van Eyck et leurs Aleves au XVeme
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BOISSEREE (the Brothers Sulpiz and
Melchior) and BERTRAM (Johahn Baptist). —
Die Sammlung alt- nieder- und oberdeutscher Ge-
malde der Briider S. und M. B. und des J. B.
(lithographirt von Johann Nepomuk Strixner) ; mit
Nachrichten uber die altdeutschen Maler von den
Besitzern. 2 vols. 114 lithogr. and 3 copper
plates. Imper. fol. Stuttgart, 1821-34. S.K.
BOISSIERE (Samuel, Peintre de Mont¬
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BOISSIERE (Samuel). — Lettre de Nestore
escrite a Polidor dans laquelle sont contenues les
plus grossieres et principales fautes du tableau d’un
peintre qui a voulu representer l’histoire du miracle
de Saint Pierre en la chute de Simon le Magicien
(par S. B.). 4to. n.p., 1659.
A criticism on a picture of Seb. Bourdon in the
Church of S. Pierre at Montpellier.
BOISSIEU (J. J. de). — Hommage a sa me¬
moire. See Chazelle (de). 1810.
Catalogue des oeuvres a l’eau-forte . See Cata¬
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EOI
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BOISSIEU (J. J. de). — Eloge . See
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BOISTHIBAULT (Doublet de).— Extrait
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Charlemagne conserve dans la Bibliotheque pub-
lique de la ville de Chastres. In “Memoires de
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vol. x. p. 129.
Separately published. — Le Yerre de Charlemagne.
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BOISTHIBAULT (Doublet de). — Bernard
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BOISTHIBAULT (Doublet de). — Notice
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Lorette en la Nouvelle France par le Chapitre de
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BOISVILLETTE (De).— Notice sur les
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Marboue (Eure et Loire). 1 plate. In “ Memoires
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vol. ii., nouvelle serie, p. 153.
BOISVILLETTE (De). — Notice sur les sub¬
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BOITEL (Leon). — Lyon ancien et moderne,
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BOIVIN (Louis). — Notice sur M. Biard, ses
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BOIVIN (R.). — Illustrium pbilosopborum
et poetarum vcterum 12 effigies, ex antiquis turn
marmoreis turn aeneis signis ad vivum expressae.
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BOIZOT. — Observations de M. Boizot,
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BOIZOT (Louis Simon). — Basreliefs du
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BOJESEN (Ernest Feed.). — A Handbook
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literature. Translated from the German version of
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BOJESEN (E. E.).— A Handbook of Grecian
Antiquities : translated from the German version of
Dr. Hoffa, by R. B. Paul, and edited by T. K.
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Hew edition. 12mo. London, 1855.
BOL (Ferdinand). — Catalogue of Etchings
by Ferdinand Bob See Catalogues (Daulby,
Daniel).
134
BOL (J.). — Venationis, piscationis et aucupii
typi. J. Bol depingebat, Ph. Galleus excud. Ob¬
long 4to. n. p. o. d. With the title, 48 leaves.
BOLDETTI (Marc Antonio). — Osservazioni
sopra i cimiterj de’ Santi Martiri, ed antichi Cris-
tiani. Plates. 2 vols. Fol. Roma, 1702. Cicogn.
Plates. Fol. Roma, 1720. B.M.
Plates. Fol. Roma, 1792. Lond. Inst.
Supplemental to the “ Roma Sotterranea ” of
Bosio.
BOLLAERT (W.). — Antiquarian and Eth¬
nological Researches in New Granada, Equador,
Peru, and Chile. 8vo. London, 1860. B.M.
BOLLAERT (W.). — Observations on the
Peruvian tomb pottery, and some objects of gold from
S. America in the Museum of M. Mayer. In the
Transactions of the Lancashire and Cheshire His¬
toric Society, Liverpool, vol. i., new series, 1860,
p. 311.
BOLLETTI (Giuseppe). — Notizie istoriche
di citta della Pieve. 8vo. Perugia, 1830. B.M.
BOLLMANN (Fr.).— Die praktische Pho-
tographie unserer Zeit. Vollstandiges Lehrbuch fur
Photographen, &c. 16mo. Berlin, 1862. B.M.
BOLOGNA. — De Bononiensi Sc. et Art.
Instituto. See Societies.
BOLOGNA. — Le Sculture delle Porte della
Basilica di San Petronio. See Guizzardi (Gius.).
BOLOGNA. — Ragionamento sopra le pompe
della Citta di Bologna, nel quale si discorre sopra
le feste, i banchetti, i corsi pubblici di detta citta.
4to. Bologna, 1568. Cicogn.
BOLOGNA. — Descrittione della citta, con-
tato, governo et altre cose notabili di B. 4to.
Bologna, 1602. B.M.
General descriptions of buildings, &c.
BOLOGNA. — II Tempio di Giano, serrato
da Augusto per l’annua festa popolare della Porch-
etta nella Fiera di Bologna, 1703, figurata. Aggi-
untovi : Dialogismo simbolico per l’invenzione della
contrada di Fontebranda, dette dell’ Oca, rappre-
sentata nel corso delle Bufale nella Piazza di Siena,
presenti D. Cosimo de’ Medici, e Maria Maddalena
d’ Austria. 4to. Siena, 1612. Cicogn.
BOLOGNA. — Descrizione della festa popo¬
lare della Porchetta fatta in Bologna nel 1721.
BOLOGNA. — Disegno, e relazione della fiera
fatta in Bologna in cccasione della solita festa popo¬
lare della Porchetta. Plates. 4to. Bologna, 1706.
Cicogn.
BOLOGNA. — Della Pittura della Libreria
del Monastero di S. Michel in Bosco di Bologna.
(Painted by Domenico M. Canuti.) 8vo. Bologna,
1681. Cicogn.
BOLOGNA. — Le Pitture di Bologna. Terza
edizione, con nuova e copiosa aggiunta. 12mo.
Bologna, 1732. S.K.
Notes and Queries,
August 22, ’G8.
Books on Art ( under revision).
BOM
BOLOGNA. — Instituto delle Scienze, Acade¬
mia Clementinar--Storia dell’ Accademi a Clementina
di Bologna, aggregata all’ Instituto delle Scienze e
dell’ Arte. (Established 1708.) 2 vols. 4to. Bologna,
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BOLOGNA. — Della Chiesa del S. Sepolcro
riputata l’antico Battisterio di Bologna, e in gene-
rale dei Battisteri. Discorso dedicato a Gesu Crist o,
q al suo amico e battezzatore Giovanni. Con una
tavola della pianta. (With notices of the Basilica
of S. Stefano.) 8vo. Bologna, 1772. Cicogn.
BOLOGNA. — Squarci d’annotazioni e varie
pagine del libbricciulo intitolato : Pitture, Sculture,
e Architetture di Bologna, pel Longlii an. 1776.
Dedicati agli Amatori di verita da pochi principianti
d’Architettura. Eaenza, 1777. Cicogn.
BOLOGNA. — Verita di fatto esposte da
Raimondo Compagnini a rischiaramento d’un liber-
colo dato alle stampe da pochi principianti d’Archi¬
tettura. Bologna, 1777. Cicogn.
BOLOGNA. — Sentimenti di pochi princi¬
pianti d’Architettura in ordine alle verita di fatto
pubblicate dal Sig. Raimondp Compagnini. 8vo.
Bologna, n. d. Cicogn.
BOLOGNA. — Eletta dei Monumenti piu
. illustri e classici sepolcrali ed onararii di B. e suoi
diutorni, compresi gli antichi del Cimitero. 4 vols.
Detailed plates. Pol. Bologna, 1838-44. B.M.
BOLOGNA. — Pinacoteca Pontificia Bo¬
lognese, ossia Raceqlta dei migliori Quadri che in
essa racchiudonsi, incisi in pietra litografica a solo
contorno, con sue illustrazioni. 8vo. Bologna,
1857. S.K.
BOLOGNA. — Dell’ arti e dei principali ar-
tisti di pittura, scultura e architettura in Bologna.
8vo. Bologna, 1862. B. Arch.
BOLOGNA (Carolus). — De Monumentis
Artium et Litterarum nuper a G-allia in Italiam
reportatis Oratio. 8vo. Patavii, 1818. B.M.
BOLOGNA (Carolus). — De Utilitate quarn
poetse ex picturarum et signorum cognitione capere
possunt. 4to. Patavii, 1832. Bodl.
BOLOGNA (Giovanni). — Alcune compo-
sizioni di diversi autori in lode del ritratto della
Sabina scolpito in marmo da G-. B. 8vo. Firenze,
1583. Bodl.
BOLOGNE (Jean de). — Eloge de . See
Dtjthillceul (H. R.). 1820.
BOLOGNINI AMOBINt (Antonio, Mar-
chese). See Amobini.
BOLT (Jon. Er.). — Verzeichniss der Kup-
ferstiche......See Catalogues, Sale (Bolt). 1794.
BOLTE AFF BUFACH (Valentinus).—
En ny oc konstrig Illuminer Bog, det er hvorledis
konsteligen eratgioreoc berede . alleslags farffver
. for skriffvere, malere oc andre som elske saadan
konst, sampt nogle nye tilsatte konst-stycker. 4to.
Kiobenhaffn, 1648. B.M.
BOLTE (Jon. IJenr.). — Super antiquis
quibusdam picturarum generibus eorumque cogni-
tionis moderno usu. 4to. Halse, 1771. Bodl.
BOLTON (Hannah). — Drawing from Ob¬
jects, being an abstract of Lessons on Linear Draw¬
ing, given at the Home and Colonial Training
Schools. Chiefly designed for teachers. By H. B.
Royal 8vo. London, 1850. S.K.
BOLTON (Hannah). — Hannah Bolton’s
First Drawing Book, a Walk through a House,
shown by scenes in the journey. Oblong 4to.
London (1852-53). S.K.
BOLTON (Bev. W. J.). — King’s College
Chapel, Cambridge. In the te Archaeological Journal,”
vol. xii. (1855), p. 153.
BOLTZ (Valentinus). — Ill u mini rbuch,
kiinstlich alle Farben zu machen und zu bereiten.
8 vo. Franckfurt am Mayn, 1550.
Other editions : —
8vo. 1566. — 8vo. Franc., 1589. Also, 1615. — 8vo.
Hamb., 1645.
Danish. 4to. Kiobenhaffn, 1648. B.M.
BOLTZ (Valentinus). — New herfiir gesuch-
tes Illuminirbuch. 8vo. Erffurt, 1654.
BOLZANO (B.). — Abhandlungen zur Aes-
thetik. 1 Lief. : Ueber den Begriff des Schonen.
4to. Prag, 1843.
BOLZENTHAL (Heinrich).— Skizzen zur
Kunstgeschichte der modernen Medaillen-Arbeit
(1429-1840). 30 plates. 8vo. Berlin, 1840. S.K.
BOLZENTHAL (Heinrich). — Leitfaden fur
die Sammlung der Miinzen des Mittelalters und der
Neuzeit. 8vo. Berlin, 1850.
BOMBACI (Gasparo). — L’Araldo overro
dell’ arme delle famiglie. 4to. Bologna, 1651.
BOMBELLI (Pietro). — Contorni dell’ in-
signe Quadro di Raffaele rappresentante la Tras-
figurazione di Gesu Cristo, che esiste in Roma
nella chiesa di S. Pietro in Montorio, lucidati fedel-
mente dal Quadro medesimo, ed incisi in tredici
rami da P. B. 13 outlines of heads in the picture,
full size. Fol. Roma, 1777. B.M.
BOMBET (Alex. C.). — Histoire de laPein-
ture en Italie. See A. (M. B. A.).
BOMBOUBG ( J. de) . — Becherches curieuses
de la vie de Raphael Sansio d’Urbin, de ses oeuvres,
peintures et estampes qui ont este gravees en taille-
douce par Marc Antoine Bolognois . avec un petit
Recueil des plus beaux tableaux tant antiques que
modernes, architectures, sculptures et figures qui
se voyent dans plusieurs eglises, rues, places pub-
liques de Lyon. Par J. de B. Lyonnois. 12mo.
Lyon, 1675.
BOMEB (Ant.). — Triumphus novem secu-
lorum Imperii Rom. Germ. Carolo Magno a B. P.
Ant. Bomer, etc. Anno seculari 1770 decantatus,
nunc autem anno Jubilseo 1725 quadrant e saeculi
auctus et recusus a Jo. And. Pfeffel Calcografo
135
BON
Universal Catalogue of
Notes and Queries,
August 22, ’68.
Aulico. 11 plates by G. U. Kraus. Fol. Aug.
Yiudelicorum (1725). S.K.
BONACCI (Gratiliano). — Nozioni fonda-
mentali di Estetica. 8vo. Euligno, 1837. T.C.D.
BONAFONS (Louis Abel de, Abbe). — Dic-
tionnaire des Artistes, ou Notice historique et rai-
sonnee des Architectes, Peintres, Graveurs, Sculp-
teurs, Musiciens, Acteurs et Danseurs ; Imprimeurs,
Horlogers et M6caniciens. 2 vols. 8vo. Paris,
1776. B.M.
BONAFONS (Louis Abel de, Abbe). — Ga-
lerie du Palais Royal, gravee d’apres des tableaux
des differentes ecoles qui la composent (by J. Couche,
&c.), ayec un abrege de la yie des Peintres, et une
description historique de chaque tableau par l’Abbe
de Fontenai (Morel and others). (Notice historique
sur la Galerie du Palais Royal. By S. C. Croze-
Magnan.) 3 vols. Eol. Paris, 1786-1808. B.M.
BONAFONT (0. Ph.). — Kunstandeu-
tungen aus asthetischem Standpunkte, zunachst
fiir angehende Kiinstler und Kunstfreunde. 8yo.
Berlin, 1829.
BONAINI (Francesco). — Memorie inedite
intorno alia Yita, e ai dipinti di Francesco Traini, e
ad altre opere di disegno dei secoli xi,, xiv., e xv.
Raccolte, e ordinate da Fr. B. Imper. 8vo. Pisa,
1846. S.K.
BONAINI (Francesco). — Dell’ arte secondo
la mente di Lorenzo Bartolini. Discorso del prof,
cay. Francesco Bonaini. 8vo. Firenze, 1852.
BONAIITTI (B. S.).— Italian Scenery, re¬
presenting the manners, customs, and amusements
of the different states of Italy, containing 32 co¬
loured engravings by James Godby, from original
drawings by P. Van Lerberghi. 4to. London, 1806.
B.M.
BONAMY (Pierre Nicolas). — Extrait de
l’essai sur la peinture, la sculpture, et l’architec-
ture, &c. See Berthieb (G. F.), Extrait de l’essai
sur la peinture, &c. 1751. B.M.
BONANNI (Filippo). — Ricreatione dell’ Oc-
chio e della Mente nell’ Osseruation’ delle Chioc-
ciole. 112 plates. 4to. Roma, 1681. B.M.
Latin translation. — Recreatio Mentis et Ocvli in
observatione Animalium testaceorum curiosis Na¬
turae Inspectoribus Italico sermone primum propo-
sita, nunc denuo ab eodem Latine oblata, centum
additis Testaceorum Iconibus, circa quae varia Pro-
blemata proponuntur. 138 plates. 4to. Romae, 1684.
B.M.
BONANNI (Filippo) — Observation.es circa
Yiventia quae in Rebvs non viventibvs reperiuntur,
cum Micrographia curiosa. 2 parts in 1 vol. With
31 and 37 plates. 4to. Romae, 1691. B.M.
BONANNI (Filippo). — Numismata Snmmo-
rum Pontificum Templi Vaticani Fabricam indicantia
chronologica ejusdem Fabricae narratione, ac mul-
tiplici eruditione explicata, atque uberiori Numis-
matum omnium Pontificiorum Lucubrationi, veluti
136
Prodromus, praemissa. With 86 plates. Fol. Romae,
1696. S.K.
Other editions : —
Fol. Romae, Ann. Magn. Jubilaei, 1700. B.M.
Fol. Romae, 1715. Cum corr. et addit. S.K.
BONANNI (Filippo). — Numismata Pontifi¬
cum Romanorum quae a tempore Martini Y. usque
an Annum m.dcc.xcix. vel authoritate publica, vel
privato genio in lucem prodiere, explicata, ac multi-
plici eruditione sacra et prophana illustrata. 2 vols.
With plates. Fol. Romae, 1699. S.K.
BONANNI (Filippo) . — Ordinum Religio-
sorum in Ecclesia Militanti Catalogus, eorum-
que indumenta in iconibus expressa, a P. P. B.,
Societatis Jesu. 3 vols. Small 4to. Romae, 1706-
1710. (Text in Latin and Italian.) S.K.
Reprinted 1712, 1714, 1724, 1741-42.
The edition with the largest number of plates,
4 vols in 2. 4to. Norimbergae, 1732.
The vols. contain 141, 108, 75, and 164 plates
respectively. Plates 142-164 contain the insignia.
BONANNI (Fil.). — Ordinum Equestrium et
Militarium Catalogus in Imaginibus expositus et
cum brevi narratione. Small 4to. Romae, 1711.
(Text in Latin and Italian.) S.K.
In German. — Verzeichniss der geist- und welt-
lichen Ritter-Orden in Abbildungen und e. kurtzen.
Erzahlung. Aus dem Lat. iibers. 8vo. Niirnberg,
1728.
An earlier edition. 4to. 1720.
BONANNI (Fil). — La Gerarcbia Ecclesias-
tica considerata nelle vesti sagre, e civili usate da
quelli, li quali la compongono, espresse, e spiegate
con le Imagini di ciascun grado della medesima.
Small 4to. Roma, 1720. S.K.
In German. — Verzeichniss der geistlichen Ordens-
Personen in der streitenden Kirchen in Abbil¬
dungen und e. kurtzen Erzahlung. Aus dem Lat.
iibers. 2.Aufl. 3 vols. 8vo. Niirnberg, 1724-1752.
BONANNI (Fil.). — Description des instru-
mens harmoniques en tout genre, en Italien et en
Fran9ais. Edition augmentee par Hiac. Ceruti.
143 plates. 4to. Rome, 1776.
BONANNI (Francesco, Principe di Rocca
Fiorita, Duca di Montalbano). — Delle antiche Sira-
cuse. 2 vols. With plates. Fol. Palermo, 1717.
B.M.
The 1st vol. contains the “Siracusa illustrata,”
by Giacomo Bonanni and Colonna, Duke of Montal¬
bano. The 2nd vol. contains the works of earlier
writers . — Cicogn .
An earlier edition. 4to. Messina, 1624. Cicogn.
BONAPARTE, Family of. — See Mayer (J.),
A Catalogue of Objects of Art, illustrative of the
B. family, &c. B.M.
BONAPARTE (Charles Lucien). See Ca¬
talogues, Museums.
BONAPARTE (C. L.). — Iconografia della
Fauna italica. Fasc. 1-25. 4to. Roma, n. d.
BONAPARTE (Lucien, Prince of Canino).
Museum Etrusque de Lucien Bonaparte, Prince
Notes and Queries,
August 29, ’68.
BON
Boohs on Art ( under revision).
}
de Canino, fouilles de 1828 a 1829. Vases peints
avec inscriptions. 4to. Viterbe, 1829. S.K.
BONAR (Horatius). — The Desert of Sinai;
Notes of a Spring Journey from Cairo to Beersheba.
8vo. London, 1857. B.M.
BONAR (Thompson). See Catalogues,
(Bonar).
BONARDO (Yincenzo, Romano). — Discorso
intorno all’ origine, antichita, virtu, benedizione, e
ceremonie, che usa il Sommo Pontefi.ee in benedire
gli Agnusdei. 8vo. Roma, 1621. B.M.
BONARELLI (Prospero). — II Solimano,
tragedia. 5 plates by Callot, and frontispiece. 4to.
Firenze, 1620. B.M.
BOYAROTA (Philippus).— Ad monumenta
Etrusca operi Dempsteriano addita explicationes et
conjecturse. Fol. Florent., 1726. Bodl.
BONARROTI (Michel Angelo). See Mi¬
chel Angelo Buonarroti.
BONASONE (Giulio).— Amori, Sdegni, e
Gelosie di Giunone. 22 plates. Small fol. n.p.o.d.
Cicogn.
BONASONE (Giulio). — Catalogo di una
serie . delle Stampe . See Catalogues, Collec¬
tions (Armano). 1820.
BONASONE (Giulio). — Some Anecdotes of
his Life . See Cumberland (G.). 1793.
BONCENNE (F.). — Recherches archeolo-
giques sur Notre Dame de Fontenav (Vendee).
8vo. Lu^n, 1854. B.M.
BONCLERICI (A.). — Osservazioni intorno
a codice del secolo xiii. dimostrante la genealogia
del Redentore e intorno ad alcune miniature che
sonogli d’ornamento. 4to. Roma, 1836. Bodl.
BOND (Frederick). — The History of Glou¬
cester ; and descriptive account of the same city and
its suburbs, &c. 8vo. Gloucester, 1848. B.M.
BOND (Henry). — Family Memorials. Ge¬
nealogies of the families and descendants of the
early settlers of Watertown, Massachusetts, in¬
cluding Waltham and Weston ; to which is appended
the early history of the town. With illustrations,
maps and notes. 2 vols. 8vo. Boston (U.S.),
1855. B.M.
Contains portraits.
BOND (Thomas). — Topographical and His¬
torical Sketches of the Boroughs of East and West
Looe in the county of Cornwall. 8vo. London,
1823. Bodl.
BONDE(Gul.). — Thesaurus artis pictorise ex
unius Julii Clovii clari admodum pictoris operib.
depromptus. Fol. n.p. 1733.
From a private press in England. According to
Dibdin two copies only are known, one in the
Douce Collection, Bodl.
It forms part of the following work : —
Ad Serenissimum dom. D. Joannein V. Portugalise
regem de J . Clovii Clari admodum pictoris operibus
libri tres. I. Idea, II, Index, III. Deliberativus,
humiliter consecrati a. Gul. Bonde. (Londini)
anno 1733.
The title first quoted belongs to Part II.
BONDONE (A.). See Giotto.
BONFATTI (Luigi). — Memorie storiche di
Ottaviano Nelli, Pittore Eugubino, illustrate con
documenti, da L. B. 8vo. Gubbio, 1843. S.K.
BONFONS (Pierre). — Les fastes antiquitez
et choses plus remarquables de Paris. With wood-
cuts. 8vo. Paris, 1605. Bodl.
Augmented edition of the work of Corrozet. See
Corrozet (Gilles).
BONGHI (Diego). — Intorno alle Majoliche
di Castelli. 4to. Napoli, 1856. S.K.
BONGHI (Diego). — Di un Graffito sulP
Avorio, descritto ed illustrate da Diego Bought 4to.
Napoli, 1859. S.K.
BONGIOYANNI (Luigi). — Guida per le
Antichita'di Siracusa. 8vo. Messina, 1818. Bodl.
BONHEUR (Rosa). — Cours d’etudes d’ani-
maux, lithographiees par Sirouy, d’apres les tableaux
de Mdlle. R. B. Fol. Paris, London (1859, &c.).
B.M.
BONHEUR (Rosa) . See Mirecourt (E. de) .
1856.
Biographie de . See Lepelle de Bois-Gallais.
1856.
See Perraud de Thoury (E.). 1855.
BONI. — rSulla Pittura di un Gonfalone della
Confraternita di S. Maria di Castello e su di altre
opere fatte nel Friuli da Giovanni da Udine, Lettera.
8vo. Udine, 1707. Cicogn.
BONI (Filippo de’, Abbate). — Biografia degli
Artisti. 8vo. Venezia, 1840. B.M.
BONI (Mauro, Abbate). — Di alcune Pitture
antiche scoperte in Venezia, conto reso all’ Ab.
Lanzi. 8vo. Venezia, 1806. Cicogn.
BONI (Mauro, Abbate). — Saggio di Studj
del P. Luigi Lanzi. 8vo. Venezia, 1815. B.M.
BONI (Mauro, Abbate). — Notizia d’una
Cassettina Geografica, opera di commesso d’oro e
d’ argento all’ agenima. 4to. Venezia, 1800. Cicogn.
BONI (Onofrio, Cavaliere). — Lettera al
chiarissimo Sig. Abate Gaetano Marini, prefetto
degli archivj segreti della S. Sede, e primo Custode
della Biblioteca Vaticana sui tempj monopteri degli
antichi, e su qualche altro oggetto di Belle Arti.
1 plate. 8vo. Firenze, 1804. B.M.
BONI (Onofrio). — Lettera di Bajocco al
chiar. Sig. Abate Carlo Fea Giureconsulto : ossia
Memorie per servire alia storia letteraria di questo
nuovo scrittore di antiquaria e belle arti. 4to.
Cosmopoli, 1786. B.M.
BONI (Onofrio). — Elogio dell’ Abate D.
Luigi Lanzi, tratto dalle sue opere. 8vo. Pisa,
1816.
BONI (Onofrio). — Di alcune Antichita dell’
Isola di Giannutri. 8vo. Firenze, 1810. S.K.
n n 137
IC-N
Universal Catalogue of
Notes r.nd Queries,
August 29, ’68.
BONI (Onofrio). — Riflessioni sopra Michel-
Angelo Buonarroti, del Cay. Onofrio Boni, in ris-
posta a quanta ne scrisse Rolando Freart, Sig. de
Chambray, nell’ opera Idee de la perfection de la
Peinture,” &c. 8yo. Firenze, 1809. S.K.
BONICELLI (Joannis). — Bibliotheca Pisa-
norum Veneta, adnotationibus nonnnllis illustrata.
3 vols. 4to. Venetiis, 1807. Cicogn.
BONIFACE (A.). — Cours elementaire et
pratique de Dessin d’apres les principes de Pesta-
lozzi. 4to. Paris, 1819.
BONIFACE - SAINTINE (Xavier). — Le
Chemin des Ecoliers ; Promenade de Paris a Marly -
le-Roy, en suiyant les bords du Rhin . 458
vignettes, by G. Dore. 8vo. Paris, 1861. B.M.
BONIFACE - SAINTINE (Xavier). — La
Mythologie du Rhin . Illustree par G. Dore. 8vo.
Paris, 1862. B.M.
BONIFACIO (Giovanni).— Le Arti Liberali
e Meccaniche come siano state dagli animali irra-
tionali agli uomini dimostrate. 4to. Rovigo, 1628.
Cicogn.
BONIS (Adriano de). — See Barozzi (G.
de, called II Vignola), Regola dei cinque ordini di
architettura . riprodotti con aggiunte per cura
e col disegno di A. de B. 1851. B.M.
BONIVARD (FRANgois). — Advis et Devis
de la Source de l’Idolatrie et Tyrannie Papale .
Suivis des difformes Reformateurz de l’Advis et
Devis de menconge et des faulx miracles du temps
present, par Frangois Bonivard. With 11 medal¬
lion portraits of the Popes, from Alexander VI. to
Pius IV. (A work unedited previously.) 8vo.
G-eneve, 1856. S.K.
BONJOUR (Gull.). — In Monumenta Cop-
tica seu Egyptiaea, Bibliothecse Vaticanse brevis
exercitatio. 4to. Romse, 1699. B.M.
BONMATTEUS (Benedictus). — Descri-
zione delle feste fatte in Firenze per la canonizza-
zionedi Sto. Andrea Corsini. 4to. Fior., 1632. Bodl.
BONN (A. C.). — Oratio de Pictura veterum,
auctore A. C. B. 8vo. Amstelodami, 1800.
BONNARD (Camille). — Costumes des
XIIIe, XIVe et XVe siecles, extraits des monumens
les plus authentiques de peinture et de sculpture,
avec un texte historique et desenptif ; par C. B.
200 coloured plates. 2 vols. 4to. Paris, 1829-45.
S.K.
Another edition. — Costumes historiques, Italiens,
Frangais et Allemands, etc., avec une introduction
par Charles Blanc. 200 coloured plates. 3 vols.
4to. Paris, 1859-63.
BONNARDEL (Hippolyte). — See Boissard
(Ferjus).
BONNARDOT (Alfred). — IBtude snr Gilles
Corrozet, par A. B. Svo. Paris, 1848.
138
BONNARDOT (Alfred). — Histoire artis-
tique et archeologique de la Gravure en France.
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estampes, livres et dessins. Seconde edition, re-
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Earlier edition. 1846.
BONNARDOT (Alfred). — De la Repara¬
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BONNEFOY (L. de). — Notes sur quelques
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BONNET, or BONNOR (Honore, Prior of
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BONNE Y (Henry Kaye). — Historic Notices
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BONNEY (Thomas George).— The Holy
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BONNINGTON. — Collection de tableaux,
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BONNOR (Thomas). — Illustration of the
engraved Subjects which compose the first (-second)
Number of the Copper Plate Perspective Itinerary
or Pocket Portfolio consisting of ten views, the in¬
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BONOMI (Fran., Bononiensis). — Chiron
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51 plates, besides vignettes. 12mo. Bononise, 1661.
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BONOMI (Joseph).— Magnitude of some
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Second edition. — The Proportions of the Human
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Vitruvius. Also a Canon of the Proportions of the
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BONOMI (Joseph). — Nineveh and its
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plied to the elucidation of Holy Writ. 3rd edition,
revised and augmented, with 248 engravings, in¬
cluding the recent additions to the National Collec¬
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1st edition. 8vo. London, 1853.
BONOMI (Joseph). — Egypt, Nubia, and
Ethiopia. Illustrated by one hundred stereoscopic
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BONOMI (Joseph), — Harmony between the
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BONOMI (Joseph). — The Triple Mummy
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Leopoldo Gran Duca di Toscana in occasione di una
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BQNSTETTEN (Wilhelm von, Baron).—
Vqyage sur la Scene des six demiers Livres de
l’Eneide. Gen&ve, 1804. B.M.
BONSTETTEN (Wilhelm von, Baron). —
Becueil d’Antiquites Suisses . Accompagne de
28 planches coloriees a la main. 49 pp., with sup¬
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BONTEMPS (G.). — Peinture sur Verre au
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BONTHORS.— Cryptes de Picardie. Re¬
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139
BON
Notes and Queries,
August 29, ’68.
Universal Catalogue of
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Terza edizione, con nuove osservazioni ed aggiunte.
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Trench translation. — Pompei decrite. Seconde
traduction de la 3. edit. Ital. par C. J. Ayec fig.
8vo. Naples, 1830.
BONUCCI (C.). — Grande Mosa'ique de
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BONYICINO (Alessandro). — Sopra nn
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BONVICINI. — Compendio Storico delle
Belle Arti, con piacevoli erudizioni e teorie im¬
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BONVOISIN. — Catalogue de tableaux .
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Canosa in M. Mayer’s museum. 1 plate. In
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BOOG (Rev. Dr.). — Account of Queen
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BOOK. — A Book of drawing, limning, wash¬
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BOOK, The, of Gems, or the Poets and
Artists of Great Britain. 150 plates after Turner,
Bonington, Landseer, &c. 8vo. London, n. d.
The Book of Gems, or the Modern Poets and
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n. d.
BOOK, The, of W averley Gems. A series
of highly-finished true engravings of the most
interesting incidents and scenes in W. Scott’s
novels, by Heath, Tinden, Bolls, &c. With illus¬
trative letterpress. 8vo. London, n. d.
BOOK, The, of Shakspeare Gems. A series
of landscapes illustrative of the most interesting
localities of Shakspeare’s dramas. With historical
and descriptive accounts. 15 engravings on steel.
8vo. London, n.d.
BOOK, The, of Roads throughout Bengal.
25 lithogr. plates. 4to. Calcutta. 1826.
BOOK OF ORNAMENT. Nos. I. to Y. 4to.
London (Bogue), 1844-49.
BOOK, The, of Costumes ; or, Annals
of Fashion from the earliest period to the present
time. By a Lady of Bank. Illustrated with
numerous engravings. 8vo. London, 1846. B.M.
BOOK, The, of Initial Letters and Ancient
Alphabets. 4to. London, 1847.
BOOK, The, of Family Crests. (A re¬
publication of J. P. Elven’s “Heraldry of Crests,”
{
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(by H. Washbourne). 8vo. London, 1862. B.M.
BOOKBINDING. — The whole Art of Book¬
binding. 12mo. Oswestry, 1811. B.M.
BOOKBINDING. — Finishing made easy,
by an experienced hand; illustrated by 13 designs,
printed in gold. 4to. London (1854). B.M.
BOOKER (John). — A History of the an¬
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BOOKER (John). — A History of the an¬
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BOOKER (John). — A History of the an¬
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8vo. Dudley and London, 1825. S.K.
BOOT (Anselmus Boetius de). See Boodt.
BOOTH (John). — The Battle of Waterloo,
with those of Ligny and Quatre Bras. Illustrated
by maps, plans, and views, and etchings from draw¬
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BOOTH?- (Joseph). — An Address to the
public on the Polygraphic Art, or the copying or
multiplying pictures in oil colours by a chymical
and mechanical process, the invention of J. B. 8vo.
London (1788). B.M.
Contains no detailed instructions.
BOOTH. (Lorenzo). — A Series of Original
Designs for Decorative Furniture, &c. arranged for
the Hall, Dining Boom, &c., designed and drawn
on stone by Lorenzo Booth. Fol. n.p. 1863. B.M.
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BOOTHRQYD (B.). — The History of the
ancient Borough of Pontefract. 2 parts. Frontis¬
piece and 5 plates. 8vo. Pontefract, 1807.
BOOTS AND SHOES.— The Boot and Shoe
Maker’s Assistant. Illustrated with engravings
and pattern plates. Preceded by a History of Feet
Costume, with illustrations of the fashions of
the ancient Egyptians, &c., and . in England
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worked on the Seat and at the Cutting-board.
Boyal 4to. London, 1853. S.K.
BOQUILLON (Nicolas). See Alcan (M.),
Etudes sur l’Exposition Universelle de Londres
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Boohs on Art {under revision).
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13 plates. 4to. Eoma, 1661. B.M.
BORCHARDU S. — Veridica Terre Sancte :
regionumque finitimarum ac in eis mirabilium de-
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In sedibus Joannis Taciuni, Venetiis, 1519. B.M.
BOBDALO (Francisco Maria). — Novo Guia
do Viajante em Lisboa e sens arredores Ointra, Col-
lares, e Mafra, ornado com algumas vistas dos prin-
cipaes monumentos de Lisboa. 12mo. Lisboa, 1853.
B.M.
BORDEAUX. — Album du Y oyageur a B.,
contenant les vues et nionumens les plus remar-
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BORDEAUX (Jean ITippolyte Raymond).
La Normandie Illustree ; monuments, sites et cos¬
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de l’Eure, du Calvados, de l’Orne et de la Manche,
dessines par E. Benoist . les costumes . par
H. Lalaisse . Texte par M. R. B. et Mdlle. A.
Bosquet . pour la Haute-Normandie, et par
MM. Charma, Le Hericher, de la Sicoliere, et Tra¬
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BORDEAUX (J. H. R.) . — Verneuil Le Neu-
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BORDEAUX (Raymond). — Notice sur le
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“ Bulletin monumental,” vol. xi., or of 2nd series,
vol. i. p. 342.
BORDEAUX (Raymond). — Les anciennes
maisons monumentales de Caen, monographies. 5
plates. The same, vol. xi. p. 106.
BORDEAUX (Raymond). — Etudes Heraldi-
ques sur les anciens Monuments Religieux et Civils
de la ville de Caen. 40 plates. The same, vol. xii. ;
or of 2nd series, vol ii. p. 461. Also at vol. xiii.
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BORDEAUX (Raymond).— Excursion faite
dans la vallee, d’Orbec pres de Lisieux. Juin, 1850.
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BORDEAUX (Raymond). — Principes d’Ar¬
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l’usage des cures, des conseil^de fabrique et des
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BORDEAUX (Raymond).— Traite de la re¬
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8 vo. Evreux, 1862. B. Arch.
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BORDIER and CELARTON. — Histoire de
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BORDIGA (Gaudenzio). — Le Opere del pit-
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BORDONI (A.). — De’ contorni delle ombre
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BOREATICO (Orisbo), pseud, (i. e. Filippo
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BOREL (Pierre). — Les antiquitez, raretez,
plantes, mineraux, etc., de la Ville et Comte de
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et autres raretez de l’Europe, etc. Comme aussi
le catalogue des choses rares de Maistre Pierre
Borel, docteur en medecine, auteur de ce livre. 8vo.
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BOREL (Pierre). — Accedit de verborum
Vitruvianorum significatione et vita Vitruvii eodem
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et Antiqvitez Gavloises et Francises, redvites en
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4to. Paris, 1667. Bodl.
Reprinted in the “ Dictionnaire Etymologique,”
by Menage.
BORELLI (J. Alphonso). — De Motu Ani-
malium. Jo. A. B., Neapolitani Matheseos Pro-
fessoris. 2 vols. Post 4to. Romse, 1680-81. S.K.
Another edition. — . dissertationibus de motu
musculorum, &c . aucta. With plates. 4to.
Hagse Comitum, 1743.
BORET (G. de). — Almanacb de la Societe
des Aqua-fortistes, 1865. Eaux-fortes, par G. de
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BORGET (Auguste). — La Cbine et les Chi-
nois, dessins executes d’apr&s nature par A. B. 32
lithogr. plates by E. Ciceri. Eol. Paris, 1848.
Previous edition. Eol. Paris, 1842.
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BOR
Universal Catalogue of
Notes and Queries,
Sept. 5, ’68.
BORGHESE (Rome). — Villa Borgbese fuori
di porta Pinciana con l’ornamenti, che si osseruano,
nel di lei palazzo, e con le figure delle statue piu.
singolari. 8vo. Roma, 1700. T.C.D.
Another edition. 2 vols. 8vo. Roma, 1796. B.M.
BORGHESI (Bartolino). — Dissertazione
su di una medaglia Ravignana in bronzo dell’ Im-
peratore Eraclio, etc. 8vo. Cesena, 1792. B.M.
BORGHESI (Bartolomeo). —Della gente
Arria Romana, e di un nuovo denaro di Mario Arrio
Secondo. 8vo. Milano, 1817. B.M.
Osservazioni numismatiche. 8vo. Roma, 1821.
B.M.
BORGHESI (Bartolomeo). — CEuvres com¬
pletes publ. par les ordres de l’Empereur Napo¬
leon III. Par MM. Renier, de Rossi, Desvergers,
Cavedoni, Henzen, Ritschl, etc. (Euvres numis-
matiques. 2 yols. Plates. 4to. Paris, 1862-64.
BORGHI (Luigi). — Dissertazione in difesa
dell’ arte comica. 4to. Padoya, 1812. Bodl.
BORGHINI (Raffaello). — II Riposo di
Raffaello Borghini. In cui della Pittura e della
Scultura si favella, de piu illustri Pittori e Scultori,
e delle piu famose opere loro si fa mentione ; e le
cose principali appartenenti a detti arte s’inseg-
nano. (First edition.) Post 8vo. Fiorenza, 1584.
Small 4to. Firenze, 1730. S.K.
8yo. Milano, 1807. Bodl.
BORGIA (Gesar). — Nummi HSgyptii impe-
ratorii prostantes in Museo Borgiano, Velitris ad-
jectis,prseterea quotquot reliqua hujus classis numis-
mata ex variis museis atque libris colligere obtigit.
4to. Romse, 1787. Bodl.
BORGIA (Stefano, Cardinal). — Monnmento
di Giovanni XVI. Illustrato per S. B. With cuts.
8yo. (Rome, 1750.) B.M.
BORGNET (Jules). — Promenades dans Na-
mur. Plates. 8yo. Namur, 1851-59.
BORGHIS (J. A.). — Traite complet de me-
canique appliquee aux arts . 10 yols. 249
plates. 4to. Paris, 1818-23.
Be la Composition des Machines. 1818.
Du Mouyement des Fardeaux. 1818.
Des Machines que l’on emploie dans les construc¬
tions diverses. 1818.
Des Machines hydrauliques. 1819.
Des Machines d’ agriculture. 1819.
Des Machines employees dans diverses fabrica¬
tions. 1819.
Des Machines qui servent a confectionner les
etoffes. 1820.
Des Machines imitatives et des machines thea-
trales. 1820.
Theorie de la mecanique usuelle. 1820.
Dictionnaire de mecanique.
Published separately, but forming the complete
■work.
BORGNIS (J. A.). — Traite elementaire de
construction, appliquee a 1’ architecture civile. Atlas
of 30 plates. 4to. Paris, 1823. B.M.
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BORGO (Lucius Pascioli de). — Somma de
arithmetica, geometria, proportioni et proportiona¬
lity. With woodcuts. Fol. Yinegia (Paganini), 1494.
Also, Fol. Toscolano Paganino, 1523.
BORIONT (Antonius). — Collectanea anti-
quitatum Romanarum quse centum tabulis seneis
incisse et a Rudolphino Venuti notis illustratse ex-
hibentur. 104 plates. Fol. Romse, 1736. B.M.
BORJA (Juan de, Conde de Mayalde). —
Empresas Morales. With woodcuts. Fol. Bru-
selas, Fr. Foppens, 1680.
Emblemata Moralia, scripta quondam Hispanice
a Johanne de Boria, Latinitate autem donata a
L(udovicus) C(amerarius). 201 plates. Post 4to.
Berolini, 1697. S.K.
Also with German text, 1698.
BORK. — Rapports snr le memoire de M.
Bork, intitule : L’eglise des Apotres et les tombeaux
des Empereurs a Constantinople. From the “Bulletins
de l’Academie Royale de la Belgique,” vol. xv.
BORLASE (William, LL.D.). — Antiquities,
historical and monumental, of the county of Corn¬
wall. Map and 24 plates. Fol. Oxford, 1754. B.M.
Fol. London, 1769. 26 plates. T.C.D.
BORLUIT ( Guillaume ) . — Excellente fi-
gueren ghesneden vuyten oppersten Poete Ouidius,
vuyt vyfthien boucken der veranderinghe, met
huerlier bedietsele. Duer Guilliaume Borluit bur¬
gher der stede van Ghendt. 12mo. Gheprint tot
Lions, by my Jan Yan Tournes, 1557. Woodcuts,
engraved by Bernard Salomon (le petit Bernard).
S.K.
BORMASTIN (Antoine). — Description bis-
torique de la Yille de Yienne, et de ses fauxbourgs.
8vo. Yienne, 1719. B.M.
BOR1STITIUS (Jac.). — Emblemata Etbico-
Politica. Plates, with interpretations in Latin and
German. 4to. Mogunt., 1669. Cicogn.
It appeared at Heidelberg, 1654, and 1664.
BOROMESTI (Fr,). — Opus arcbitectonicum
ex ejusdem exemplaribus petitum, lat. et ital., opera
Sebast. Giannini. Lafge fol. Romae, 1720-25.
Vol. i. 4 leaves, text; 45 numbered and 2 unnum¬
bered plates. Yol. ii. 4 leaves of preliminary mat¬
ter, 31 pages, and 66 plates.
The first part reappeared under the following
title : — Opera del Caval. Francesco Boromino, cavata
da suoi originali, ciok la Chiesa, e Fabrica della
Sapienza di Roma, con le vedute in prospettiva, e
con lo studio delle proporzioni geometriche, piante,
alzate, profili, e spaccati. Large fol. Roma, 1720.
S.K.
And, Fol. Roma, 1740.
BOROUGHBRIDGE. — The Stranger’s
Guide ; being a concise history of Boroughbridge,
the Devil’s Arrows, and the Roman antiquities at
Aldborough. 8vo. Boroughbridge, 1846. B.M.
BORRA (Gio. Batt.). — Trattato della cogni-
zione pratica delle resistenze ad us6 degli edificj coll’
aggiunta delle armature, di varie maniere di coperti,
Notes and Queries,
Sept. 5, ’68.
Books on Art (under revision).
BOS
volte, &c. Con 26 tavole in rame. 4to. Torino,
1748. Cicogn.
BORRELL (Maximilian). — The Numisma¬
tist. Parti. 8vo. London (1851). B.M.
BORREMANS (H.). — Album pittoresque
des plus belles vues de Namur. Part I. Fol. n. p. o. d.
BORRER (Dawson). — A Journey from
Naples to Jerusalem, by way of Athens, Egypt, and
the peninsula of Sinai, including a trip to the valley
of Fayoum ; with a translation of M. Linant de
Bellefonds’ “ Memoire sur le lac Mceris.:’ 8vo.
London, 1845. T.C.D.
BORRICHIUS (Andreas). — Dissertatio de
Romse Urbis primordio, et ambitu, ad usq. Caesar is
Aureliani sevum. 4to. Hafn., 1686. B.M.
BORROMEE. — Regeneration de la Pein-
ture a Fresque, par des procedes equivalents a
ceux des Anciens, systeme complete par des re-
cherches sur les principales causes d’avaries de la
peinture murale et de la peinture sur toile et sur
panneau. 4to. Paris, 1861. S.K.
BORROMEUS (Fredericus, Cardinal). —
De Pictura sacra libri duo. With plates. 8vo.
n.p.o.d. Bodl.
BORSATO ( Giuseppe ). — Opera Orna-
mentale di Giuseppe Borsato, pubblicato per cura
dell’ I. R. Accademia di Belle Arti di Venezia, in
lx. tavole intagliate in rame. Con Cenni storici
dell’ Ornato Decorativo Italiano, di Griuseppe Val-
lardi. Fol. Venezia et Milano, 1831. S.K.
Tavole d’aggiunta. Fol. Venezia, 1848.
BORSATO (G. ). — MSS. of Vitruvius in
the library of Venice. Sessional paper. London, 6
June 1836. B. Arch.
B ORSON (Etienne). — Lettres a M. le me-
decin Allioni sur les beaux arts, et en particulier
sur le cabinet d’antiquites du Cardinal Borgia a
Velletri. Rome, 1796. Cicogn.
BORSTELL (Gustav). — Der innere Ausbau
von Wohngebauden. Eine Sammlung ausgefuhrter
Arbeiten der Maurer, Tischler, Schlosser, Topfer.
Unter Leitung von H. Strack und F. Hitzig bear-
beitet von Gr. B. Fol. Berlin, 1856, &c. B.M.
BORSUM (Johann Friedrich Julius). —
J. F. J. B.’s Reise nach Constantinopel, Palastina
und Egypten . Ueberarbeitet von D. T. Kopf.
8vo. Berlin, 1825. B.M.
BORTHWICK (William).— Remarks on
British Antiquities; viz. 1. The Origin and Cere¬
mony of Judicial Combats. 2. The Solemnities of
ancient Writs. 3. The ancient and modern Use of
Armorial Figures. 4. The Form of Funeral Service.
8vo. Edinburgh, 1776. B.M.
BORY. — Le Ma^n-sculpteur de Blere .
See Proust (Clem.). 1852.
BORY DE ST. VINCENT (J. B. M. G.).—
Voyage . souterrain, ou description du plateau de
Saint-Pierre de Maestricht et de ses vastes cryptes,
&c. 8vo. Paris, 1821. B.M.
BORY DE ST. VINCENT (J. B. M. G.).—
G-uide du Voyageur en Espagne. With 2 maps.
2 vols. 8vo. Paris, 1823.
BOS (Lambert van den). — Tooneel des
Oorlogs opgerecht in de Vereenigde Nederlanden,
door de Wapenen van de Koningen van Vrankryk
en Engeland tegen de Staten der Vereenigde Neder¬
landen, etc. met Konst-platen. 4 parts. 4to. Am¬
sterdam, 1675. B.M.
BOS (Lambert). — Antiquitatum Grascarum,
prgecipue Atticarum descriptio, cum observationi-
bus Io. Fred. Leisneri. 8vo. Lipsiae, 1767-
Antiquities of Greece, with appendix by Barker.
12mo. London, 1839.
BOSARTE (Isidoro). — Disertacion sobre
los Monumentos Antiguos pertenecientes a las nobles
artes de la Pintura, Escultura, y Arquitectura, que
se hallan en la Ciudad de Barcelona. 12mo.
Madrid, 1786. S.K.
BOSARTE (Isidoro). — Observaciones sobre
las Belles Artes entre los Antiquos hasta la Con-
quista de G-recia por los Romanos. Parte i. Sobre
la Escultura entre los G-riegos. ii. De la Pintura
entre los Griegos. iii. Sobre la Arquitectura entre
los Griegos. iv. Sobre las Bellas Artes entre los
antiquos Egipcios. 16mo. Madrid, 1790-91. S.K.
BOSARTE (Isidoro). — Viage artistico a
varios Pueblos de Espana, con el juicio de las Obras
de las tres nobles Artes que en ellos existen, y
epocas a que pertenecen, etc. Su Autor Don Isidoro
Bosarte. Tomo primero, Viage a Segovia, Valla¬
dolid y Burgos. 12mo. Madrid, 1804. S.K.
BOSBOOM (J.). — Nederlandscbe Kunst.
Photographien naar teekeningen van J. B., &c.
Fol. 1859, &c. B.M.
BOSBOOM (S.). — Perspectief of Doorzigt-
Kunde. Plates. 4to. Amsterdam, 1703.
BOSBOOM (S.). — De vyf colom-orden met
deuren en poorten, vermeerdered en verb. d. C. Ph.
Jacobsz. With 96 plates. Fol. Amsterdam, 1821.
BOSCA (Pietro Paulo). — De serpente seneo
Ambrosianse Basilicse. Plates. 8vo. Mediolani,
1675. B.M.
BOSC-D’ANTIC. — CEuvres de B.-d’A.,
contenant plusieurs memoires sur l’art de la verrerie,
sur la faiencerie, la poterie, &c. 2 vols. 12mo.
Paris, 1780. B. Arch.
BOSCHINI (Marco).— II Regno tntto di
Candia delineato. 61 plates. 4to. Venetia, 1641.
B.M.
BOSCHINI (Marco). — L’Arcipelago, con
tutte le isole, scogli, secche e bassi fondi. With
maps, &c., in the text. Fol. Venetia, 1658. B.M.
BOSCHINI (Marco). — Le Minere della
Pittura non solo delle pitture publiche di Venezia:
ma dell’ Isole ancora circonvicine. 12mo. Venetia,
1664. B.M.
Le Ricche Minere della Pittura di Veneziani.
4to. Venetia, 1674. B.M.
143
BOS
Universal Catalogue of
Notes and Queries,
Sept. 5, ’68.
BOSCHINI (Marco). — La Carta del Nave-
gar, pittoresco dialogo tra un senator Venetian de-
letante e un professor de pitura, soto nome d’ece-
lenza e de compare. Comparti in oto venti, con i
quali la nave venetiana vien conduta in l’alto mar de
la pitura . Opera de M. B. Con i Argumenti del
volonteroso Academico Delfico. 26 plates and por¬
trait. Small 4to. Venetia, 1660. S.K.
BOSCHI1NT (Marco). — I Gioielli Pitto-
reschi virtuoso ornamento della Citta di Vicenza.
12mo. Venetia, 1676. B.M.
BOSCHINI (Marco).— H Oran Teatro delle
Pitture e Prospettive di Venezia con l’indice, et con
l’Esposizione delle medesime, cavata dalla Miniera
della pittura di M. B. 2 vols. Pol. Venetia, 1720.
B.M.
BOSCHES! (Marco). — Hescrizione di tntte
le pubbliche Pitture della Citta di Venezia e Isole
circonvicine: o sia Pinnovazione delle Bicche Minere
di Marco Boscbini colla aggiunta di tutte le opere
che uscirono dal 1674 sino al presente 1733. 8vo.
Venezia, 1733. B.M.
BOSCHIUS (Jac.). — Symbolographia, seu
de Arte symbolica sermones septem quibus acc. st. et
op. ejd. sylloge celebriorum symbolorum in quatuor
divisa classes : sacrorum, heroicorum, ethicorum, et
satyricorum, bis mille iconismis expressa. 171
plates, engraved by Jac. Muller, P. Ge. Wolfgang,
&c. Pol. Aug. Vind. et Dillingse, 1702.
BOSCOYICH (Rogerius Josephus). — Gior-
nale di un viaggio da Costantinopoli in Polonia ;
con una sua relazione delle rovine di Troja. 8vo.
Bassano, 1784. B.M.
BOSIO. — Notice snr la . statue . See
. Buanchard-Boismarsas (C. 0.). 1822. See
(L. de Lomenie). 1844.
BOSIO (Le Baron de). — Funerailles .
Discours. See Eaoul-Rochette . 1846.
BOSIO (Antonio). — Roma sotteranea nella
quale si tratta de’ suoi Cimiterj, del sito, forma, ed
uso antico di essi, etc. Opera postuma pubblicata dal
Com. Carlo Aldobrandino. With plates. Fol. Roma,
1632. Also, 4to. Roma, 1650. SeeARiNGHi (Paulus)
andBouDETTi, Cemeterii dei martiri, &c., which forms
a sort of sequel to the work of Bosio. B.M.
BOSIO (Antonio). — Sculture e pitture
sagre, estratte dai cimiterj di Roma, pubblicate gia
dagli autori della Roma sotteranea (A. B., P. Arin-
ghio), ed ora nuovamente date in luce (by G. G.
Bottari), colle spiegazione. 3 vols. Pol. Roma,
1737-54. B.M.
BOSIO (Giacomo). — Dell’ Istoria della re-
ligione e militia di S. Giovanni Gerosolimitano.
With plates. 3 vols. Pol. Roma, 1594-1602.
Roma, 1621-33. And, 1678.
3 vols. Fol. Napoli, 1684.
Historia della sacra religione militare di S. Gio¬
vanni Gerosolimitano, detta Malta, del commend.
Pr. Bartol. dal Pozzo. A continuation of the above.
2 vols. 4 to. Verona, 1703.
144
French translation. — L’histoire, &c . par
B. S. D. L. (P. de Boissat, sieur de Lucien), aug-
mentee par J. Baudoin, et illustree d’une ample
chronologie des vies des grands maitres, etc., par
F. Anne de Naberat. With portraits of the grand
masters. 2 vols, Pol. Paris, 1643. Also, 1659.
BOSIO (Jean). — Traite elementaire des
regies du dessin. Careful plates. 12mo. Paris,
An rxf(1801). B.M.
BOSISIO (Giovanni). — Notizie storiche del
tempio cattedrale di Pavia dalla sua origine, &c.
(Compendio storico della (moderna) cattedrale di
Pavia, &c. By A. Reale.) With frontispiece. 8vo.
Pavia, 1858. B.M.
B OSMAN (Willem). — Voyage de Guinee,
contenant une description nouvelle de cette cote .
enrichie d’un grand nombre de figures, &e. 8vo.
Utrecht, 1705. B.M.
Translated from the Dutch (4to. Utrecht, 1704).
In English, with plates. 8vo. London, 1705. And,
1721.
In German, with the original plates. 1704.
BOSMERE , Hundred of, in Hampshire. —
Topographical Account of the Hundred of Bosmere,
comprising the parishes, Havant, Warblington, and
Hayling. 4to. Havant Press, 1817. B.M.
BOSPHORUS. — Antiquites du Bosphore
Cimmerien, conservees au Musee Imperial de l’Er-
mitage. See Antiquities.
BOSROOM (Simon). — Libro d’Architettura,
etratto dall’ opera di Vincenzo Scamozzi, in lingua
Olandese. 50 plates. Pol. Amsterdam, 1636. Cicogn.
BOSSE (Abraham). — A series of 19 plates
representing incidents in married life. By A. B.
Engraved by J. Le Blond and M. Tavernier. Pol.
Paris, 1633. B.M,
BOSSE (Abraham). — Representations de di-
verses figures humaines, avec leurs mesures prises
sur des antiquites, qui sont a Rome. With plates.
24mo. Paris, 1636 (or 1656). B.M.
BOSSE (Abraham). — Auxbuveurs tres illus-
tres et hauts crieurs du roi boit. 24 plates, with
explanations in French rhyme. Oblong 12mo.
n.p. o.d. (about 1635).
BOSSE (Abraham). — Diverses figures a l’eau
forte, de petits amours, anges vollants, et enfans,
propre a mettre sur frontons, portes, &c. 4to.
Paris, 1644. B.M.
BOSSE (Abraham). — Traicte desmanieresde
graver en taille-douce sur l’airain par le moyen de
l’eau forte, et des vernix durs et mols. Ensemble
de la fa<jon d’en imprimer les planches, et d’en con-
struire la presse, et autres choses concernentes les
dits arts. 19 plates, including frontispiece. 8vo.
Paris, chez le dit Bosse, 1645. B.M.
And, folio. Paris, 1664. Cicogn;
Other editions. — . augmentee de la nouvelle
maniere dont se serve M. Le Clerc, graveur du
roi. 8vo. Paris, 1701. B.M.
Notes and Queries,
Sept. 12, ’68.
Books on Art (under revision).
EOS
3rd edition. — De la maniere de graver a l’eau-forte
et au burin, et de la gravure en manure noire.
19 figures. 8vo. Paris, 1745.
4th edition. — De la maniere de graver, &c .
Avec la fagon de construire les presses modernes,
et d’imprimer en taille-douce. Nouvelle edition,
angmentee de l’impression qui imite les tableaux, de
la gravure en maniere de crayon, et de celle qui
imite le lavis. 21 plates, and vignettes. 8vo.
Paris, 1758. S.K.
With Dutch title. 8vo. Amsterdam, 1662.
In G-erman. Dresden, 1765.
BOSSE (Abraham). — Sentimens sur la dis¬
tinction des diverses manieres de peinture, dessein,
et gravure, et des originaux d’avec leurs copies.
With frontispiece and 2 plates. 12mo. Paris, 1649.
B.M.
BOSSE (Abraham). — Le Peintre converty
aux precises et universelles regies de son art. Avec
un raisonnement abrege au sujet des tableaux, bas-re¬
liefs et autres ornemens que l’on peut faire sur les
diverses superficies des bastimens, et quelques ad¬
vertisements contre les erreurs que des nouveaux
ecrivains veulent introduire dans la pratique de ces
arts. 2 frontispieces. 4to. Paris, 1667. B.M.
BOSSE (Abraham). — Maniere universelle de
M.Desargues,pour pratiquer la Perspective, par Petit-
pied, comme le Geometral. Ensemble les places
et proportions des fortes et foibles touches, teintes
ou couleurs. With plates, besides portrait. 8vo.
Paris, 1648. S.K.
BOSSE (Abraham). — Traite pour pratiquer
la Perspective sur les surfaces irregulieres. Plates.
8vo. Paris, 1653.
The same work as the following, but without the
dedication.
BOSSE (Abraham). — Moyen nniversel de
pratiquer la Perpective sur les tableaux, ou surfaces
irregulieres ; ensemble quelques particularitez con-
cernant cet art, et celuy de la gravure en taille-douce.
31 plates. 8vo. Paris, 1653. S.K.
BOSSE (Abraham). — Traite des Pratiques
Geometrales et Perspectives enseignees dans 1’ Aca¬
demic Royale de la Peinture et Sculpture. 67 plates,
besides frontispiece and dedication. 8vo. Paris,
1665. S.K.
BOSSE (Abraham). — Lettres de A. Bosse et
M. du Boccage. 23 pp. 8vo. Paris, 1668.
BOSSE (Abraham). — Kunstbiichlein ban-
delt von der Radier und Etzkunst, &c., ins Teutsche
befordert durch G. A. Bockler. With plates. 8vo.
Nlirnberg, 1652. B.M.
BOSSE (Abraham). — La Pratique du trait
a preuves de M. Desargues Lyonnois, pour la coupe
des pierres en 1’ architecture. 8vo. Paris, 1643.
S.K.
BOSSE (Abraham). — Traite des manieres
de dessiner les ordres de l’Architecture antique en
toutes leurs parties. 2 title-pages. 44 plates.
Pol. Paris, 1664. And, Paris, 1672. B.M.
BOSSE (Abraham). — Des ordres des colonnes
en Architecture. 22 plates, n. p.o.d.
BOSSE (Abraham) . — Representation Geo-
metrale de plusieurs parties de bastimens faites par
les regies de 1’ Architecture antique. 6 unnumbered,
20 numbered plates. Pol. Paris, 1688.
BOSSE (Abraham). — Recueil de figures
pour apprendre a dessiner sans maitre le Portrait,
la Pigure, l’Histoire et le Paysage. 1 22 plates. 4to.
Paris, chez Jombert, 1737. Cicogn.
BOSSE (Abraham). — Catalogue de Pceuvre
. See Catalogues (Duplessis). 1859.
BOSSET (C. P. de, Lieut.-Col.). — Essai sur
les medailles antiques des lies de Cephalonie et
d’lthaque. 4to. Londres, 1815. B.M.
BOSSE WELL (John). — Workes of armorie
deuyded into three bookes, entit. the Concordes of
armorie, the armorie of honor and of coates and
creastes. . 4to. London, in sed. Rich. Totelli, 1572.
And, 4to. London, by Henrie Ballard, 1597. B.M.
BOSSI (Benign o, Milanese, Prof. nelP Ac-
cad. di Parma). — Raccolta di disegni originali di
Pran. Mazzola detto il Parmigiano, tolti dal gabi-
netto del C. Sanvitali. 27 plates. Parma, 1772.
Una raccolta di Teste inventate, disegnate, ed in
cise dallo stesso. Parma, presso l’autore. With 39
heads in 17 plates.
Altre 8 tavole tratte da diversi Autori.
BO SSI (Benigno) . — Eisonomie possibili parte
i. 8 plates. Parma, 1776. Cicogn.
BOSSI (Benigno). — Opere varie incise da
B. B., dall’ anno 1775 sino all’ anno 1789. 2 vols.
Fol. (Parma, 1789?) B.M.
Without letterpress. Engravings of antique ob¬
jects in various methods. Etchings of heads in
vol. ii.
BOSSI (Benigno). — Mascarade ala Grecque.
Fol. Parme, 1771.
BOSSI (Giuliano). — Breve trattato d’alcune
inventioni che sono state fatte per rinforzare e ra-
doppiare li tiri degli Archibugi et Moschetti. With
3 plates. 8vo. Anversa, 1625.
BOSSI (Giuliano). — Breve discorso delli
cloppii Archibugi a routa inventati per Giulio Bossi
Romano. Plates. 8vo. Parigi, 1629.
BOSSI (Giuseppe). — Del Cenacolo di Leo¬
nardo da Vinci, libri quattro. 7 plates. Pol. Milano,
1810. S.K.
BOSSI (Giuseppe). — Delle opinioni di Leo¬
nardo da Vinci intorno la simetria de’ Corpi Umani,
discorso dello stesso, dedicato al celebre Scultore
Antonio Canova. Milano, 1811. S.K.
Taken from the former, with the same plates.
BOSSI (Giuseppe). — Descrizione del Monu-
mento di Gastone di Foix. 8vo. Milano, 1852.
BOSSI (Giuseppe). — A. Giuseppe Zanoja
Architetto e Poeta Epistola. 8vo. Milano, 1810.
Cicogn.
145
p p
EOS
Universal Catalogue of
Notes and Queries,
Sept. 12, ’68.
BOSSI (Giuseppe). — Versi in morte .
G-. B. pittore. See Calyi (Giovanni). 1816.
Discorso. See G-aetano . 1815.
BOSSI (Luigi). — Spiegazione di una rac-
colta di gemme incise dagli antichi. Plates. 8vo.
Milano, 1795. B.M.
BOSSI (Louis). — Liste de principaux objets
de Sciences et d’Arts recueillis en Italie par les
Commissaires du Gouvernement Pran9ais (during
the occupation by the Revolutionary forces). Fol.
A Venise le 10 Vend, an vi. de la R. Fran. (1 Octob.
1797). Cicogn.
BOSSI (Louis). — Liste des principaux objets
de Science et dfArt recueillis en Italie par les
commissaires du Gouvernement Fran^-ais. Venise,
1797. Cicogn.
With some additions from the Museo Borgiano
at Velletri.
BOSSI (Louis). — Lettres sur deux inscrip¬
tions pretendues Runiques trouvees a Venise (on
the lions of the Arsenal). With 3 plates. 8vo.
Turin, 1805.
BOSSI (Luigi). — Dei Basilischi, Dragoni,
ed altri animali creduti favolosi, Dissertazione
Epistolare. 8vo. With 3 plates. Milano, 1792. B.M.
BOSSI (Luigi). — Estratto dell’ “Essai sur
l’origine de la gravure,” pubblicatoin Parigi, 1808,
dal S:g. Jansen. See Jansen.
BOSSI (Luigi). — Della Erudizione degli
Artisti. 8 vo. Padova, 1810. S.K.
BOSSI (Louis). — Guide des etrangers a
Milan et dans les environs de cette ville. 8vo.
Milan, 1819. B.M.
BOSSI (S.).— See Cooper (E. J.), Views in
Egypt and Nubia; executed in lithography .
from drawings taken on the banks of the Nile by
S. B. B.M.
BOSSO (Girolamo). — H. B. de Romana
Toga, Commentarius, ex quo facile Romanse anti-
quitatis studiosi cognoscere poterunt de ipsius togse
forma authore tempore, etc. accessit capitum om¬
nium syllabus et rerum ac verborum index locuple-
tissimus. 4to. Ticini, 1614.
Detailed descriptions of varieties and meanings
of the Roman toga. B.M.
Another edition.— . accedit ex Phil. Rubenio
iconismus Statuse togatse, &c. With folding plate.
12mo. Amsterdam, 1671.
BOSSOLI (Carlo). — The beautiful scenery
and chief places of interest throughout the Crimea.
(Sebastopol, Eupatoria, Balaclava, &c.) From
paintings by C. B. A series of 52 lithograph draw¬
ings, in double tints, on 30 plates. Imper. fol.
London, 1856. B.M.
The War in Italy (1859). From drawings by
C. B. 4to. London, 1859. B.M.
BOSSUIT (Francis van). — Cabinet de l’Art
de la Sculpture execute en ivoire, ou ebauche en
terre, gravies d’apres les desseins de Barent Graat
146
par Mattys Pool. 103 plates. 4to. Amsterdam,
1727. B.M.
See Poor (Mattys). 1727.
BOSSUT (Charles) and VIALLET (Guil¬
laume). — Recherches sur la construction la plus
avantageuse des Digues, ouvrage qui a remporte le
prix propose par l’Academie Royale, etc. de Tou¬
louse pour l’annee 1762, par B . et V. With
plates. 4to. Paris, 1764. B.M.
BOSVIEUX. — Bains Roniains d’Evaux.
In the “ Bulletin de la Soci6te Archeologique et
Historique du Limousin,” vol. v. p. 254-261.
BOSWALL (Captain, R.N.). — Notice of
some Ruins in the Island of Milo in Greece. In
“ Transactions of the Society of Antiquaries of Scot¬
land,” vol. ii. p. 509.
BOSWELL (H.). — Description of a Col¬
lection of picturesque Views and Representations of
the Antiquities of England and Wales. Plates
copied from Grose. Fol. London (1785).
BOSWELL ( James). An Account of Cor¬
sica, the journal of a tour to that island; and
memoirs of Pascal Paoli. 8vo. London, 1768. B.M.
8vo. London, 1769. T.C.D.
BOSWELL (James). — Twenty caricatures,
by T. Rowlandson, in illustration of B.’s “Journal
of a Tour to the Hebrides.” Fol. London, 1786.
Without title-page or letterpress. B.M.
BOSWELL (John). — Workes of Armorie, j
divyded into three Bookes. 4to. 1572. Also, 1597. I
BOTANY. — leones Stirpium, seu Plan-
tarum, tarn Exoticarum quam Indigenarum. In
gratiam rei herbarise studiosorum in duas partes
digestse. Cum septem linguarum indicibus, ad
diversarum nationum usum. Small oblong 4to.
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BOTFIELD (Beriah). — Catalogue of Pic¬
tures. See Catalogues.
BOTFIELD (Beriah). — Notes on the Cathe¬
dral-Libraries of England. 8vo. London (Chis¬
wick), 1849.
BOTFIELD (Beriah). — Account of the Ro¬
man Villa, and on the discoveries made on the
Borough Hill, the ancient Bennavenna. Illus¬
trations and map of the vicinity, by Mr. Edward
Prettyman. ' With map and 3 plates. In the
“ Archseologia,” vol. xxxv. p. 383.
BOTFIELD (Beriah). — On the Discovery
of the Remains of the Priory of Austin Friars at
Ludlow. 2 plates. The same, vol. xxxix. p. 178.
BOTFIELD (Beriah). — Shropshire, its \
History and Antiquities. In “ Collectanea Ar-
chseologica” (London, 1861), vol. i. p. 1.
BOTH (Pieter). — See Lauts (U. G.).
(1844.)
BOTTA (Carlo Giuseppe Guglielmo). — I
Lettere. (Ragionamento sulle memorie di Lady l
Notes and Queries, }
Sept. 12, ’68. J
BOT
Books on Art (under revision).
Morgan risguardante alia vita ed al secolo di Sal¬
vator Rosa.) 12mo. Torino, 1841. B.M.
BOTTA (Paul Emile). — Lettres sur ses
decouvertes a Khorsabad, pres de Ninive, publiees
par J. Mohl. Plates. 8vo. Paris, 1845. B.M.
Letters on the discoveries at Nineveh ; translated-
from the French by C. T. 1st series. 8vo. Lon¬
don, 1850. S.K.
BOTTA (P. E.). — Monument de Ninive de-
couvert et decrit par M. P. E. Botta, mesure et
dessine par M. E. Flandin. Ouvrage publie par
ordre du Gouvernement. "With 400 plates. 2 vols.
of architecture, 2 of inscriptions, 1 of text. 5 vols.
Fol. Paris, 1849-50. S.K.
BOTTANT (Giovanni). — Descrizione storica
delle Pitture del Palazzo del Te fuori della Porta di
Mantova. 3 plates and portrait. Mantova, 1783.
S.K.
Another edition. — Recente descrizione del R.
Palazzo del Te, e sue Pitture. 8vo. Mantova,
1811. S.K
BOTTARI (Giovanni Gaetano). — Sculture
e pitture sagre estratte dai cimiterii di Roma pub-
blicate gia dagli autori della Roma sotteranea ed
ora nuovamente date in luce colle spiegazioni. 3
vols. Fol. Roma, 1737-54. Bodl.
BOTTARI (Giovanni Gaetano). — Dialoghi
sopra tre arti del disegno corretti e accresciuti.
8vo. Firenze, 1770. Bodl.
_ 2nd edition. 8vo. Parma, 1845. B.M.
BOTTARI (Giovanni Gaetano). — Raccolta
di Lettere sulla Pittura, Scultura, ed Architettura,
scritte da’ piu celebri personaggi dei secoli xv.,
xvi., e xvii. ; publicata da M. Gio. Bottari, e
contjnuata fino ai nostri giorni da Stephano Ticozzi.
8 vols. 8vo. Milano, 1822-25. S.K.
Earlier edition. 7 vols. 8vo. Roma, 1757-73.
In French. 8vo. Paris, 1803.
Another edition. — Recueil de Lettres sur la Pein-
ture, etc . publiees a Rome, par B. en 1754 ; tra-
duites et augmentees de beaucoup de lettres qui ne se
trouventpas dans son Recueil; et enrichies de notes
historiques et critiques, par L. J. Jay. 8vo. Paris,
1817. B.M.
BOTTARI (Giovanni Gaetano). — Museum
Capitolinum. (Edited by B.) 4 vols. Fol. Romse,
1750-82. B.M.
BOTTAZZI (Giuseppe Antonio). — LeAnti-
chita di Tortona e suo agro. 4to. Alessandria,
1808. B.M.
Degli emblemi o simboli dell’ antichissimo sarco-
fago nella chiesa cattedrale di Tortona. 4to. Tor¬
tona, 1824. B.M.
BOTTI (Giovanni). — I Boccali di Montelupo.
Memorie relative a tali perduti monumenti, raccolte
dal Dr. G. B. 12mo. Firenze, 1818. B.M.
BOTTICHER (Carl G. YY.). — Ornamenten-
Buch zum praktiSchen Gebrauche fiir Architekten,
Decorations- undStubenmaler,Tapeten-Fabrikanten,
etc. 30 plates. Oblong fol. Berlin, 1834-44.
Neue Fcflge. 16 plates. Oblong fol. Berlin,
1856. S.K.
BOTTICHER (Carl G. W.). — Oma-
menten-Schule. Ein Studien-Cursus fiir die Zeich-
nung und Erfindung des Ornamentes, nach dem von
der antiken Kunst gegebenen Karakterisirungsprin-
zipe architectonischer Formen. Fol. Berlin, 1838.
B.M.
BOTTICHER (Carl G. W.). — Dessinateur-
Schule. Ein Lehrkursus der Dessination der ge-
webten Stoffe ; als Handbuch fiir den Lehrer, so
vie als Leitfaden fiir den Selbstunterricht. Aus
Yeranlassung des Ministeriums der Finanzen und
des Handels bearbeitet und herausgegeben von
0. G. W. B. 4to. Berlin, 1839. S.K.
BOHTICHER (Carl G. W.). — Die Holz-
Architektur des Mittelaffters, mit Anschluss der
schonsten in dieser Epoche entwickelten Producte
der gewerbliehen Industrie. 26 plates. Fol. Berlin,
18421 S.K.
BOTTICHER (Carl G. W.).— Die Tekto-
nik der Hellenen. 45 plates of the Parthenon and
other Greek buildings, with plans and details. 4to.
and fol. Potsdam, 1844-52. S.K.
BOTTICHER (Carl G. W.).— Andeutungen
iiber das Heilige und Profane in der Baukunst der
Hellenen. Eine Gedachtniss-Schrift zur Geburtsfeier
Schinkel’s. 4to. Berlin, 1846. B M.
BOTTICHER (Cael G. W.). — Der Hy-
pathraltempel, auf Grund des Yitruvischen Zeug-
nisses gegen Prof. Dr. L. Ross, erwiesen von C. B.
4to. Potsdam, 1847. B.M.
BOTTICHER (Carl G. W.).— Architek-
tonische Formen-Schule in Ornament-Erfindungen
. von C. B. Parts I.-II. Lithogr. plates. Fol.
Potsdam, 1847. B.M.
BOTTICHER (Carl G. W.).— Der Polias-
tempel als Wohnliaus des Konigs Erechtheus nach
der Annahme von F. Thiersch. Nebst einem Grund-
risse dieses Gebaudes. 8vo. Berlin, 1851. B.M.
BOTTICHER (CarlG. W.).— C. F. Schinkel
und sein kiinstlerisches Vermachtniss. 8vo. Berlin,
1857.
BOTTICHER (Carl G. W.). — Ornament-
Vorbilder. Erfunden und gezeichnet von C. B.
Plates, some coloured. Oblong fol. Berlin,
1858. &c. B.M.
BOTTICHER (Cael G. W.).— Bericht iiber
die Untersuchungen auf der Akropolis von Athen.
8vo. Berlin, 1863.
BOTTIGER (Carl August). — Ueber Yer-
zierung gymnasti seller Uebungsplatze durch Kunst -
werke in antikem Geschmack. Plates. 8vo. Wei¬
mar, 1794.
BOTTIGER (C. A.). — Zustand der neusten
Litteratur, der Kiinste und Wissenschaften in Frank-
reich. 2 vols. 8vo. Berlin, 1795-96.
147
BOT
f Notes and Queries,
t Sept. 12, ’68.
Universal Catalogue of
BOTTIGER (C. A.).— Griechische Vasenge-
malde. Mit Erlauterungen. Vol. i. 8vo. Weimar,
1797.
BOTTIGER (C. A.). — Sabina, oder Morgen-
scenen im Putzzimmer einer reichen Romerin. Ein
Beitrag zur richtigen Beurtheilung des Privatlebens
der Romer und zum besseren Verstandniss der romi-
schen Schriftsteller. 13 plates. 8vo. Leipzig, 1800.
Another edition. 13 plates. 8yo. Leipzig,
1806.
French translation. — Sabine, ou matinees d’une
Dame Romaine. . . .Traduit de l’Allemand de C. A. B.
13 plates. 8vo. Paris, 1813.
BOTTIGER (C. A.) and MEYER (H.).—
Archaologische Hefte, oder Abbildungen zur Erlau-
terung des classischen Alterthums. 1 Theil. ,5
plates. 4to. Weimar, 1801.
BOTTIGER (0. A.). — Die Fuiienmaske im
Trauerspiel and auf den Bildwerken der alten
Griechen. Eine archseologische Untersuchung.
3 plates. 8vo. Weimar, 1801.
French translation. — Les Furies d’apr&s les poetes
et les artistes anciens, traduit de l’Allemand par
Winckler. 4 plates, 2 coloured. 8vo. Paris, 1802.
B.M.
BOTTIGER (O. A.). — Andeutungen zuvier-
undzwanzig Yortragen liber die Archgeologie (Greek
Sculpture), im Winter 1806 gehalten. 8vo. Dres¬
den, 1806. S.K.
BOTTIGER (0. A.).— Ueber Mnseen nnd
Antiken-Sammlungen ; eine archseologische Yorle-
sung. 8vo. Leipzig, 1808.
BOTTIGER (C. A.). — Explicatio antiqnaria
Anaglyphi in Museo Napoleonico. 1 plate. 8yo.
Lipsise, 1809.
BOTTIGER (C. A.).— Ideen zur Archseo-
logie der Malerei. Parti. 8yo. Dresden, 1811.
No more published.
BOTTIGER (O. A. ). — Archaologische
Aehrenlese. Fol. Dresden, 1811.
BOTTIGER (G. A.).— Ueber die Dresdner
Antiken-Gallerie ; ein Yortrag, gehalten im Vor-
saale derselben. 4to. (Dresden, 1814.)
BOTTIGER (C. A.). — Andeutungen am
Grabe Gerhard von Kiigelgens den 30. Marz 1820
ausgesprochen. 8vo. Dresden, 1820.
BOTTIGER, (O. A.).— Amalthea, oder Mu-
seum der Kunstmythologie und bildlichen Alter-
thumskunde, im Yerein mit mehreren Freunden des
Alterthums herausgegeben von C. A. B. 2 vols.
10 plates. 8vo. Leipzig, 1820-22.
BOTTIGER (0. A.). — Hercules in Bivio
e Prodici fabula et monumentis priscse artis illus-
tratus. 8vo. Lipsise, 1829. B.M.
BOTTIGER (C. A.). — Ideen zur Kunst-My-
thologie. Aus Bottiger’ s hinterlassenen Papieren
herausgegeben von J. Sillig. With plates. 2 vols.
8vo. Dresden und Leipzig, 1826-36.
With new title. Leipzig, 1850. S.K.
148
BOTTIGER (C. A.).— O. A. B.’s Kleine
Schriften archaologischen und antiquarischen In¬
halts, gesammelt und herausgegeben von J. Sillig.
3 vols. With plates. 8vo. Dresden, 1837-38. B.M.
BOTTIGER (O. A.). — Archaologie und
Kunst...... herausgegeben von C. A. B. 1828. See
Periodical Publications. B.M.
BOTTIGER (C. A.). — Artistiscbes Hotizen-
blatt zur Abendzeitung. 4to. Dresden, 1832-35.
See Periodical Publications.
BOTTIGER (0. A.) and MEYER (Hein¬
rich). — Ueber den Raub der Cassandra auf einem
alten Gefasse von gebrannter Erde. 3 plates. 4to.
Weimar, 1794.
BOTTIGER (O.A.) and MEYER (H.).— Dio
Aldobrandinische Hochzeit. Eine archseologische
Ausdeutung. Nebst einer Abhandlung iiber dieses
Gemalde von Seiten der Kunst betrachtet, von H.
M. 1 illuminated plate. 4to. Dresden, 1810.
BOTTIGER (Friedrich yon). — Der Dres¬
dner Bilderraub in Jahre 1788. Ein Actenstuck,
als Beitrag zur Geschichte der Dresdner Gemalde-
Gallerie. Plates. 8vo. Riga und Leipzig, 1859.
B.M.
BOTTIGER (K. YY. ) . — Carl August Bottiger.
Eine biographische Skizze. 8vo. Leipzig, 1837.
BOTTIM (Seb.). — Melanges d’arcbeologie ;
precedes d’une notice hist, sur la societe roy. des
antiquaires de France. 8vo. Paris, 1831. B.M.
BOTTMAbT. — Cours d’Anatomie a l’usago
des Artistes. With plates. 12mo. Paris, 1788.
Cicogn.
BOTTSCHILD (Samuel). — An engraved
alphabet in Roman type, combined with effigies of
mythological and historical personages, designed by
S. B. Oblong 8vo. (Dresden?) 1693. B.M.
A classic character in each letter ; diagrams of
instruction for drawing the letters.
BOUCHARD (Louis). — Habitations a l’us-
age des cultivateurs, dispositions sp6ciales pour les „
ouvriers ruraux, &c. With plans and diagrams.
8vo. Paris, 1863. B.M.
BOUCHARD (Louis). — Traite des Construc¬
tions Rurales, &c. 2 parts. 8vo. Paris (1858-60 ?).
B.M.
BOUCHARD (Louis). — Bibliographic. Ou-
vrages publies jusqu’a ce jour sur les Constructions
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BOUCHARDOU (Edme). — L’Anatomie ne-J
cessaire pour l’usage du dessin. 15 plates, including j
frontispiece by Huquer, after the designs of Bour- t
don. Fol. Paris, n.d. Cicogn. 1
BOUCHARDObr (Edme). — Premier et se-'
cond livre des vases inventes par E. B. 29 plates. 1
Fol. Paris, Huquier (1737).
Two sets of 12 plates each by Bouchardon ; 5 by
Notes and Queries,
Sept. 19, ’68.
Books on Art ( under revision).
BOU
Sadeler after Polidoro. These last not always found
with it.
BOUCHARDON (Edme). — Etudes prises
dans le has penple, ou cris de Paris. 12 plates.
Pol. Paris, 1737-38. Cicogn .
BOUCHARDON (Edme).— Profils et orne-
ments de vases executes en marbre, bronze, et plomb,
dans les Jardins de Versailles, Trianon, et Marly,
graves par M. Michel Blondel. 25 plates. S.K.
BOUCHARDON (Edme).— Lettre sur les
quatre modeles exposes au salon (de 1743 et 1745)
pour le mausolee de S. E. Mgr.le Cardinal de Pleury.
(Designed by E. B.) 4to. n.p. o.d.
BOUCHARDON (Edme) .— Vie d’EdmeBou-
chardon, sculpteur du roi. 8vo. Paris, 1762.
BOUCHARDON (Edme).— Notice histo-
rique sur E. B., par J. Carnandet. With portrait.
8vo. Paris, 1855.
BOUCHARDON (Edme). — Anecdotes sur
B . (1764). See Dandre-Bardon.
BOUCHARDON (Edme).— Notice sur B....
See Jolibois (E.). 1837.
BOUCHARDON (Edme). — Sur uue statue
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BOUCHARDON (Edme). — Catalogue des
tableaux. See Catalogues, Sale (Bouchardon). 1808.
BOUCHARDON (Edme). — Catalogue des
tableaux . See Catalogues, Sale (Basan, E.).
1762.
BOUCHARD Y (Miniature Painter).— No¬
tices des miniatures, &c. See Catalogues, Sale.
1850.
BOUCHE (Honors). — La Chorograpliie ou
description de Provence et l’histoire chronologique
du mesme pays. Map, and portraits of old Counts
of Provence. 2 vols. Pol. Aix, 1664. B.M.
BOUCHEj (J. B.). — Druides et Celtes, ou
histoire de l’origine des societes et des sciences.
12mo. Paris, 1848. B.M.
BOUCHER (Francois). — filloge de Bouclier,
premier peintre du roi et directeur de l’Academie
royale de peinture et de sculpture. Extr. du
“Necrologe des hommes c61&bres.” 12mo. Paris,
1770.
BOUCHER (FRANgois). — See Goncourt
(E. and J. de).
BOU CHER (FRANgois) .—Catalogue . des
tableaux . See Catalogues, Sale (Boucher). 1771.
BOUCHER DE MOLANDON. — Etudes
sur une bastille Anglaise du xv. siecle pres Orleans
2 lithogr. plates. In “ Memoires de la Societe
Arch4ologique de l’Orleanais,” vol. iv. p. 320.
BOUCHER DE PERTHES (J.).-De l’ln-
dustrie primitive ou des arts a leur origine. 34
plates. 8vo. Paris, 1846.
BOUCHER DE PERTHES (L).— Antiqui¬
ty Celtiques et Antediluviennes : Memoire sur l’ln-
dustrie primitive et les Arts a leur origine. With
plates. 8vo. Paris, 1847. London Inst.
BOUCHER DE YILLERS (C.).— Tombes
eparses dans la Cathedrale de Paris, dessines par
C. Boucher de Villers, gravees par Denis. 50 plates.
Pol. (Paris) n.d.
BOUCHER DESNOYERS (Auguste).—
Recueil d’estampes gravees d’apres des peintures
antiques italiennes, etc., par lui ou executees sous
sa direction, d’apres les dessins qu’il a faits en Italie
dans les annees 1818-19. 34 plates. Pol. Paris,
1821.
BOUCHER DESNOYERS (Auguste).—
Appendice a l’ouvrage intitule Histoire de la Vie et
des Ouvrages de Raphael par Monsieur Quatremere
de Quincy . Accompagne de renseignements sur
divers artistes, &c. 4to. (Paris) 1852. B.M.
Another edition. 8vo. Paris, 1853. B.M.
BOUCHER DESNOYERS (Auguste).—
Notice sur sa vie et travaux. See Halevy (F.).
1860.
Discours a sa funeraille . See Halevy (P.).
1857.
BOUCHET (Jean). — Les regnars traversant
les perilleuses voyes des folles fiances du mode, com-
posees par Seb. Brandt (Jean Bouchet), lequel com-
posa la nef des fols derrenierement imprime a Paris
et autres plusieurs chores composees par autr'es
facteurs. (At the end.) Cy finist le liure des renars
trauersant les voyes perilleuses . imprime a Paris
pour Anthoine Verard . With woodcuts. Pol.
(1501 ?) B.M.
And: Pol. Paris, 1522. With woodcuts. B.M.
BOUCHET (Jean). — Les Genealogies, Epi-
taphes, et Effigies de tous les Roys de Prance, avec le
Sommaire des gestes de quarante Roys et deux Ducz
qui regnerent en Germanie sur les Francoys avant
Pharamond et aussi des Comentaires de Cesar tou-
chant la conqueste des Gaules. Woodcut portraits.
4-to. Poictiers, 1531. B.M.
BOUCHET (Jean). — Les anciennes et mo-
dernes genealogies des roys de France, et mesme-
ment du roy Pharamond, avec leurs epitaphes et
effigies. With woodcuts. 8vo. Paris, 1539. Bodl.
16mo. Paris, 1536.
BOUCHET (Jules, Architect). — Notice sur
sa vie et travaux. See Lance (Adolphe). 1860.
BOUCHET (Jules, Architect). — La Villa
Pia des Jardins du Vatican, Architecture de Pirro
Ligorio, publiee dans tous ses details par J. B.,
avec une notice historique sur 1’auteur de ce mo¬
nument, et avec un texte descriptif, par Raoul-
Rochette, antiquaire. La gravure des planches a
et6 executee sur acier par Hibou. Pol. Paris, 1837.
S.K.
BOUCHET (Jules, Architect). — Le Lau-
rentin, Maison de Campagne de Pline-le-Consul,
q q 149
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Universal Catalogue of
Notes and Queries,
Sept. 19, ’68.
restitue d’apres sa Lettre a Gallus. Grave et publie
par J. B. 4to. Paris, 1852. S.K.
BOUCHETTE (Joseph). — A topographical
description of Lower Canada, with remarks upon
Upper Canada, and on the relative connexion of
both Provinces with the United States of America.
Embellished by views, plans, &c. 8vo. London,
1815. B.M.
BOUCHITTE (H.). — Notice siir la vie et
les ouvrages de Philippe de Champagne, par M.
Bouchitte. 8vo. (Versailles) n. d.
Originally appeared in vol. iv. of “ Memoires de
la Societe des Sciences morales, des Lettres et des
Arts de Seine-et-Oise.” Keprinted in his work “Le
Poussin,” &c., 1858.
BOUCHITTE (H.).— Le Poussin, sa vie
et son oeuvre, suivi d’une notice sur la vie et les
ouvrages de Philippe de Champagne et de Cham¬
pagne le neveu. Par H. B. 8vo. Paris, 1858. S.K.
BOUCHOTTE. — Les Regies du. Dessein.
8 vo. Paris, 1721.
And, 8vo. Paris, 1743.
Architectural rules and details.
BOUCHTT (Etienne Jean). — Art des forges
et fourneaux a fer, par le marquis de Courtivron et
M. Bouchu. No. 27, “ Descriptions des arts et me¬
tiers par l’Aeademie Boyale des Sciences de France.”
BOITCOIRAN (L.). • — Languedoc et Pro¬
vence. Guide historique et pittoresque dans Nimes
et les environs . Avee vingt gravures . , le
plan de la ville, etc. l2mo. Nimes, 1863. B.M.
BOUCOIRAN (L.). — Monographic de la
Fontaine deNimes, Histoire et description des jardins
et monuments qu’elle renferme. 16 plates and plan.
8vo. Nimes, 1859. B.M.
BOUCQ (Simon le). — Bref Recveil des An¬
ti qvitez de Valentienne. See Le Boucq. Valent.,
1619. B.M.
BOUDANT. — Histoire de Chantelle. Plates.
4to. Moulins, 1862. B.M.
BOUDARD (P. A.). — Numismatique Ibe-
rienne. 4to. Beziers (1857, &e.). B.M.
BOUDARD (Giovanni Batt.). — Iconologia
tirata da varj autori antichi. 3 vols. With plates.
Small fol. Parma, 1759. B.M.
With Italian and French text.
Iconologia . French text only. 1 vol. With
plates. 8 vo. Vienne, 1766.
BOUE (Placide). — Traite cTOrfevrerie, Bi¬
jouterie, et Joaillerie ; contenant la description de-
taillee des caracteres physiques et chimiques des
metaux et des pierres precieuses qui constituent les
mati&res premieres de cette belle branche de l’in-
dustrie franchise . Par P. B. 2 vols. 8vo. Paris,
1832. S.K.
BOUELLES (Charles de). — Geometrie pra¬
tique et nouvellement par luy reveue, augmentee
et grandement enrichie. Plates. 8vo. Paris, 1551.
B.M.
BOUET and MANTE. — Methode de photo-
graphie sur ivoire factice, precedee d'un nouveau
procede pour obtenir les cliches. 8vo. Paris,
1852. B.M.
BOUET (Alexandre). — Galerie Bretonne ;
ou vie des Bretons de l’Armorique par feu 0. Perrin
du Finistere . grave© sur acier, et publiee par
Perrin fils ; avec texte explicatif par A. B., pre¬
cede d’une notice sur 0. Perrin par A. Duval. 3
vols. 8vo. Paris, 1835-38. B.M.
BOUET (Alexandre). — Breiz-Izel, on vie
des Bretons de l’Armorique, dessins par 0. Perrin
. texte par A. B., precede d’une notice sur 0.
Perrin par A. Duval. Deuxieme edition. Plates.
3 vols. 8vo. Paris (Brest), 1844. B.M.
BOUET (G.). — Melanges d’Archeologie.
With 3 plates. In the “Bulletin monumental.”
BOUET (G.). — Notes snr Fonts Batismanx
de Saint-Evrault do Montfort. 2 plates. In the
“Bulletin monumental,” vol. xviii. p. 423.
BOUET (G.).— Notes snr les Decouvertes
d’Antiquites romaines a Lisieux. 1 plate. The
same, vol. xxiii. p. 217.
BOUET (G.). — Nonvelles observations snr
les Voutes de l’Abbaye de Saint-Etienne de Caen.
5 plates. The same, vol. xxviii. p. 57.
BOUET (G.). — Seconde Lettre an snjet des
Voutes de Saint-Etienne de Caen. 3 plates. The
same, vol. xxix. p. 769.
BOUGAINVILLE ( L. Ant. ). — Voyage
auteur du monde, en 1766-69. With plates. 4to.
Paris, 1771.
Another edition. 2 vols. With plates. 8vo.
Paris, 1772. And: Supplement ou journal d’un
voyage autour du monde par MM. Banks et So-
lander, trad, de l’angl. par De Freville. 8vo. Paris,
1772.
In German. Large 8vo. Leipzig, 1772.
BOUGAINVILLE (Le Baron de).— Album
pittoresque de la fregate la Thetis et de la corvette
l’Esperauce: collection de dessins relatifs a leur
voyage autour du monde en 1824, 1825 et 1826,
sous les ordres de M. de Bougainville. Becueillis et
publies par M. le vicomte de Latouanne. 35 lithogr
plates. 4to. Paris, 1828.
BOUGAINVILLE (Le Baron de). — Journal
de la navigation autour du globe pendant les annees
1824-26, publie par ordre du Boi. 2 vols. 56 plates.
4to. and fol. Paris, 1837. B.M.
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